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#georges-paul leroux
thunderstruck9 · 1 year
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Georges-Paul Leroux (French, 1877-1957), View of the Gardens of the Villa d’Este in Tivoli, 1912. Oil on canvas, 24 x 15 in.
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Georges Paul Leroux - Concert Rouge (1905)
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notallsandmen · 1 year
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They have definitely based Dream’s robe on a Mucha poster in this frame, but the orb is all Georges Leroux
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P. Craig Russell, ”Dream of the Endless”, in The Sandman: Ramadan (1993)
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Georges Paul Leroux, poster for ”Exposition Universelle-Palais de l’Optique La Grande lunette de 1900” (1900)
A top attraction at the 1900 Exposition Universelle in Paris was La Grande Lunette, a giant telescope in the Palais de l’Optique (Palace of Optics). The greatly magnified views of the moon it provided proved wildly popular with the public.
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justineportraits · 1 year
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Georges-Paul Leroux Les Baigneurs du Tibre 1909
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antonio-m · 6 months
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“The Bathers of the Tiber, Rome”, c.1909 by Georges-Paul Leroux (1877–1957). French painter. oil on canvas
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mea-gloria-fides · 1 year
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The Bathers in Tiber, Rome: Georges-Paul Leroux (French, 1877-1957).
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eddy25960 · 7 months
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George Paul Leroux "Bathers in the Tiber" (1909)
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ancientphantom · 4 months
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Obviously I missed the end of December slightly! I hope you'll all forgive me. It was dark and cold and I fell asleep a lot.
Anyway, only a few new entries this month! (Let's hope Valentine's Day gets us more soon!)
Phantom of the Fringe by Ray Else is a surprise; I hadn't expected to see any more of Else's "Phantom" series, despite its name, since most of it is notably not based on Leroux's novel. But this one, where a man named Eric and his private eye girlfriend visit the Edinburgh Fringe Festival only to be nearly killed by a "faceless stranger" may be close enough?
Phantom Requiem: Hello Isabella by Paul George is... weird. It's set in the 1800s and features a Phantom who is the result of Science Gone Wrong Experiments, perhaps dragging in a little Jekyll & Hyde or The Island of Dr. Moreau to our classic literature jamboree, and he falls in love with Isabella, the leader of some sort of political group that rescued him. That's all we know and the generalized probably-stolen-fanart image in place of a cover doesn't help much!
Son of the Phantom by Katherine Willson is the third in her series of period retellings that follow the plot of The Phantom of Manhattan/Love Never Dies, so they're a very specific taste! In it, Gustave, now 14, is on the Titanic when it sinks, leading Erik to go on a desperate bender. How could it possibly go up any further from there?
That's all for now, but cross your fingers for next time!
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levindesdieux · 1 year
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Georges-Paul Leroux, View of the gardens of the Villa d’Este in Tivoli, Vue des jardins de la Villa d’Este à Tivoli, 1912
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Photos from my Opera Garnier Trip 2 of 3
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Took some photos of the exhibit up at the Opera Garnier for my own (cough cough) research purposes and thought it might be helpful for others! Thought the Don Quixote dress looked awfully familiar!
Transcript of the information under the cut:
Gounod and Massenet at the Palais Garnier
Charles Gounod and Jules Massenet were two of the main composers who dominated the stage of the Palais Garnier around 1900, achieving a string of critically acclaimed successes. They embodied both a genre - that of grand opera with its hoses of star performers, featuring some of the greatest dramatic female singers of the day - and an artistic and financial system that led to the development of by-products and the golden age of the Paris Opera from its inauguration to the eve of the First World War. In 1859, Faust, based on Part 1 of Goethe's Faust (with a libretto by Jules Barbier and Michel Carre) was performed for the first time at the Theater-Lyrique. Charles-Francois Gounod's work was an undeniable success and was performed 70 times in its first year alone. It soon entered the repertory of the Opera and became a mainstay. Jules Massenet, another prolific composer who explored most musical genres, also achieved great success at the Palais Garnier with Le Cid, Thais, and Griselidis. Fascinated by Wagner, whom he discovered in 1860, Massenet rapidly developed his own style, and soon acquired a following. In his composition class at the Conservatoire, he taught a whole generation of opera composers, including Gustave Charpentier, Reynaldo Hahn, Xavier Leroux, and Gabriel Pierne.
Opera at the Palais Garnier around 1900
While Jules Massenet, Charles Gounod, and Giuseppe Verdi (who supervised the first performances of his words at the Palais Garnier himself) were all triumphantly acclaimed at the Paris Opera in their lifetimes, Wagner took a little longer to inspire the unanimous recognition of the Parisian public. His rise was slow but the deeply-rooted and Germany's most famous composer finally enjoyed genuine success thanks to the unremitting work of a management team headed by Andre Charles Prosper Messager (1908-1914) known as "Messager", and Leimistin Broussan, known as "Broussan". As a result, Paris audiences were able to see a performance of the entire Ring cycle for the first time in June 1911. At this period, the Palais Garnier hosted Serge Diaghilev's Ballet Russes company, and Richard Strauss' Salome and Saint-Saens Dejanire both entered the repertory. During the Belle Epoque, the Palais Garnier was one of the chief places for Paris society to meet and be entertained, with an audience of subscribers made up of leading financiers, industrialists, and politicians.
Major Ballets at the Palais Garnier
4 June 1875
Coppelia - Argument de Charles Nuitter et Saint-Leon, Musique de Leo Delibes, choregraphie de Louis Merante
Giselle - Livret de Theophile Gautier et Jules-Henry Vernoy de Saint-Georges d'apres Heinrich Heine, musique de Adolphe Adam, choregraphie de Jean Coralli et Jules Perrot (creation le 28 Juin 1841 a l'opera national de Paris). Ce ballet est tombe dans l'oubli, et a ete transmis par Marius Petipa en 1887. Giselle fait son retour au Palais Garnier en 1920
20 Juin 1921
Daphnis et Chloe
musique de Maurice Ravel, choregraphie de Michel Fokine, decors de Leon Bakst
9 Jullet 1935
Icare
Musique de Szyfer et Arthur Honegger, choregraphie de Serge Lifar, decors et costumes de Paul R Larthe d'apres Pablo Picasso
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nota1eks · 5 months
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all about me (aleks)!!
i've been wanting to do this for a while, so... who tf am i and wtf do i do?
hi, i'm aleks! (pronounced just like "alex") (i use all pronouns btw but prefer they/them or, if especially silly, it/it's)!! i'm just a silly little guy surfing the interwebz. i enjoy writing, drawing, reading, and sparkling water. yes, the last one is just as important as the former. i'm from nova scotia (that's in canada!!!!🍁🍁o7) as well! NS REPRESENT
i enjoy sci-fi a fuckton, but these are my favourite (for the lack of a better, general term) nouns in no particular order (and with links for you to learn more at :D):
Project Hail Mary and The Martian by Andy Weir;
The Threshold Universe/Koturoverse by Peter Clines;
The Apollo Series by Chris Hadfield ;
The Murderbot Diaries by Martha Wells;
The Bobiverse and Quantum Earth series(es) by Dennis E. Taylor;
The Phantom of the Opera (esp 2004 fight me) by Gaston Leroux/ALW;
Frankenstein by Mary Shelley;
Good Omens by Neil Gaiman and Terry Pratchett;
The Sims 4 (it is a fandom i swear!!!);
The Beatles (by?? John, Paul, George, and Ringo);
i am also fascinated with english grammar and the Victorian Era (esp Victorian Medicine)
if you know me at all, you know my top fandom is project hail mary, which, of course. i try my best to carry the fandom, and i hope i'm doing a good job at it. in my bio i have the rough % of all phm fanfic i've written if you're curious :)
i write a lot of fanfiction and have a masterlist linked here, if you want to check that out! (it's mostly PHM fanfiction.) my ao3 account is linked here if you're interested :)
I also run the phm ask blog @graceoutinspace.
locally, i'll put my two most favourite works of mine (is that how you say that?):
The Elimination Project (Rocky's backstory and how his crew died, told from his perspective) AND 5x people thought Grace and Stratt were "engaged in sexual congress" + 1x they didn't! (exactly what it sounds like!)
thanks for reading and nice to meet you!!
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if you want to know more about me, feel free to ask me something or DM me; i will respond very quickly because i am thirsty for social interaction and have no impulse control.
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thedeadleafs · 6 months
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Georges Paul Leroux, Exposition Universelle Palais de l'Optique, 1900
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philoursmars · 2 years
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Retour à mon projet de présenter la plupart de mes 53880 photos (nouveau compte approximatif !)
2013. Journée musées à Paris. Au Musée d’Orsay, il y eut une expo : “Masculin Masculin”, fort...intéressante !
- Jean-Bernard Duseigneur - "Roland furieux”
- Frédéric Bazille - "le pêcheur à l'épervier”
- Alexandre Deineka - "Douche”
- Henri Foucault -  “Homme Noir”
- William-Adolphe Bouguereau - “L’égalité devant la Mort” + Ron Mueck - “Dead Dad” (très étrange par sa petitesse)
- Georges Desvallières - "Tireurs à l' Arc”
- Georges-Paul Leroux - "Baigneurs du Tibre”
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collegeprof2 · 1 year
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Check it out
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byneddiedingo · 2 years
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Michel Subor and Anna Karina in Le Petit Soldat (Jean-Luc Godard, 1963) Cast: Michel Subor, Anna Karina, Henri-Jacques Huet, Paul Beauvais, László Szabó, Georges de Beauregard. Screenplay: Jean-Luc Godard. Cinematography: Raoul Coutard. Film editing: Agnès Guillemot, Lila Herman, Nadine Trintignant. Music: Maurice Leroux. Le Petit Soldat was Jean-Luc Godard's second feature film, made in 1960 but held up by French censorship because of its political content until 1963. Its characters are dour and talky, but there's a great deal of life stirring in the film as they try to navigate the existential dilemmas they find themselves in. The protagonist, Bruno Forestier (Michel Subor), is a kind of freelance soldier of fortune, a Frenchman exiled in Switzerland, not coincidentally Godard's country of birth. He poses as a photographer, and utters Godard's famous statement, "Photography is truth. And cinema is truth 24 times a second." Bruno woos the pretty Veronica Dreyer (Anna Karina), a Danish woman who shares the surname of the great film director Carl Theodor Dreyer, by taking pictures of her. Blackmailed by French intelligence into assassinating a pro-Arab leader, he gets caught and tortured in scenes that are quite graphic: He's handcuffed in a bathtub and his hands are singed by the flame of a lighter, he's waterboarded, and he's given electric shocks. (Subor evidently underwent all of these tortures, though not for the extended periods Bruno experiences.) Eventually he gets free and goes through with the planned assassination, having struck a deal with the French that he and Veronica can escape to Brazil, but in the meantime the French have discovered that she's been working with the Arabs and she's tortured to death. All of this is staged in the deadpan manner characteristic of early Godard, and with a certain amount of ironic humor, especially in the scenes in which a frustrated Bruno pursues his target in a car down two-lane French roads, never quite able to get alongside the target to take the shot. Clearly, there's a lot to chew on in Le Petit Soldat, a Godardian mélange of politics and sex and alienation -- Bruno says, looking in a mirror, "When I look myself in the face, I get the feeling I don't match what I think is inside." 
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eddy25960 · 8 months
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Leroux George Paul
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