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whileiamdying · 2 years

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Miles & Quincy Live at Montreux

There have been a few events in jazz history that have endured in our memory above and beyond anything else that occurred in the same generation. Such were the unique collaborations of a genius improviser, Miles Davis, and a genius arranger, Gil Evans.

The music they produced was magisterial and timeless, yet Miles Davis, ever the seeker after new directions, refused to look back at his brilliant yesteryears. It took the persuasive powers of another great man of music, Quincy Jones, to convince him that the moment had come to revive, in person at the Montreux Festival, some of those products of the 1950's that remain for many observers, the proudest achievements of Miles and Gil. The evidence of that magic visit to a glorious past is here in this package

To Miles Dewey Davis, the Master Painter. For over 42 years, your friendship, style and givingness has touched the bottom of my soul. It was a lifetime dream to have had the honor of conducting the masterpieces of Gil Evans with someone who has been my idol since the age of 13. Your music is unconditionally my favorite music on the planet. I love you. You really did revolutionize jazz five times. After you, who?

To Claude Nobs, for your generosity, and for sharing this rare experience of Montreux with me. For 27 years your nurturing spirit has inspired the perfect 360-degree audience "that won't stop until it gets enough."

To Nastassja, for knowing exactly which night to come to Montreux and for spraying your magical light all over this special night.

To little Kenya, for your rare Uranus-Neptune conjunction and your sweet and beautiful soul.

To Miles' family, and to my family-my children, and friends-who came to Montreux to be with Miles, God bless you all for your support and for always being there and for making life a joy for so many, starting with this short, happy, bow-legged conductor/composer.

I would like to thank Anita Evans and the estate of Gil Evans for their help in providing the original charts for Gil's historical arrangements. A big thank you also goes to Gil Goldstein for his tireless assistance in restoring many of the elements which were missing from the original Gil Evans charts.

George Gruntz and the members of his Concert Jazz Band, the Gil Evans Orchestra and the special guests that travelled great distances to come together and make the music happen will always have a special place in my heart. Jerry Hey helped hold it all together through to the end and I will be forever grateful for his help. The business of putting all of this together was long and complicated and there are so many people that made this recording possible. I would like to thank the following people for their special contributions: Mo Ostin, Peter Shukat, Gordon Melter, Gordon Parks, Shohachi Sakai and the Sony HDTV Division, Claude Nobs, Louise Velázquez, Jim Beach, Michel Ferla, Jim Swindel, David Altschul, Fred Brown, Donald Passman, Gregg Harrison, Noel Silverman, Gavin Taylor, Bernie Grundman, Jerry Hey, Mick Guzauski, Lesley Ann Jones, Larry Walsh, Ray Harris, Ricky Schultz, Matt Pierson, Jolie Levine, Jeff Gold, Jeri Heiden and all of the crews and staff members that worked with us in Montreux and L.A.

Conducted and Produced by Quincy Jones

Performed by The Gil Evans Orchestra And The George Gruntz Concert Jazz Band

Produced By Quincy Jones for Quincy Jones

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stevebattle · 11 months

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LEGO Ping-Pong Ball Collecting Robot by Fred Martin and Brian Silverman (1995), MIT Media Laboratory, Cambridge, MA. “There is a real need for better resources for both fledgling and intermediate LEGO builders. The plans that the LEGO company distributes with its kits are very good at showing how to build specific models, but not so good at teaching how to design from one’s own ideas. At the MIT Media Laboratory, we’re working on a project we call the LEGO Constructopedia, a hypermedia resource for LEGO designers that will include LEGO building plans, design principles, textual descriptions, and rendered animations, all interlinked, indexed, and browsable. … The robot, a ping-pong ball collector, was designed by the author and Brian Silverman. Sitting on top of it is the Programmable Brick, a robotics controller for kids recently developed by the author and his colleagues at the MIT Media Laboratory.” – Fred G. Martin, The Art of Lego Design, The Robotics Practitioner: The Journal for Robot Builders, vol.1, no.2, Spring 1995.

#cybernetics #robot #design #1995 #MIT

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mrdrhenwardhykle · 6 months

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INSERT 25¢ TO CONTINUE : Into the AudoScape- Level 4: "Attack of the Talking Heads!"

Previous Next

To the common man, the evening host of the annual Thanksgiving dinner at the Silverman's flowed flawlessly. There was a slight dimming in the dining room, but the lovely warm theme to the meal was welcoming nonetheless. There were no visible quarrels. Aunts, uncles, a few cousins, and grandparents stomped off the cold frost of the winter with wide open arms welcoming the residential hosts.

Freddie usually got a pat on the back and a conversation about his football team. Allope either got a pat on the head, a smooch on the nose, or a high five from the younger relatives, and Rebecca unusually got a nod, the brief lift of a hand and tightened smile, or a simple and emotionless "hi." The three kids stuck together just out of separate reasons for keeping distance from others.

Freddie was easily exhausted of being framed as just the 'football' guy and hated having to play through the same conversations of pretending to like something he didn't. Relatives would kindly ask him what college he was planning to apply to, to which he would name off a few on his long list of research, but usually being faced with the same reply of "What? Why that one? That team is terrible".

Rebecca kept active for only a little while, but backed out as soon as she caught onto conversations about some unnamed 'distant and ungrateful freeloader,' that her aunt and uncle just couldn't stop gossiping about, other than some weird TV personality that everyone seemed to like.

As for Allope, she was sick to her stomach with the inconsistency that two girls on a commercial couldn't come close to acknowledging her existence, but the artificial man who could clip out of his own body could; even getting to the point where he could possibly see right through the screen. The time for curiosity was behind her; even the thought of walking in front of the TV was like stepping on a minefield. Too bad for Allope, the TV was on all evening,with crowding adults laughing at whatever it said when given the chance.

"Hey, Al. What's up, kiddo?" Reb bumped the kid with her elbow to pull her out of her current habit of spiraling in abstract forms of thought. Sunk deep into her chair, Allope was bursting at the seams of keeping the knowledge of another realm from all those who could listen. "GRAH!-It's that creepy guy on the TV! He's just watching me, I just know it!"

Reb just struck a look of concern while Freddie held in his laughter, "What guy, Allope?" she replied.

Allope performed her sign for the name she forgot, by making an 'm' with her fist and making a 'v' shape around her jawline. They both seemed amused at the charade, but Reb still didn't follow along. "Y'know! The one with the teeth that go-" she clicked her teeth together while making a snarling noise.

Laughter escaped from Fred as he made an attempt to cover his face, "She's talking about Max Headroom. It's these clips of a computer generated AI; basically an artificial person, like a robot. He sometimes shows up between music videos from Channel 4. Allope was sneaking around and got into some troubles with her new headset last night. She just got freaked out when she saw him on the TV right after taking the set off, that's all."

Allope glared at the opposer in the corner of her eye, lifting the brand new Max Headroom-brand dishware that their mother with 'classical taste' so happened to choose for this year. Not only that, but weighing alongside the fact that almost the only brands they chose to use for dinner had the face of Max Headroom in front of his distinctive, shifting background lines right on the cover alongside some corny pun or catchphrase here and there.

"Yeah, that is a little weird", Reb agreed without either side fully catching on to who she believed the most, "Are you kidding? It's a robot. It's programmed to say all those things to please us. Maybe if they like it so much, it's just doing its job. It's in their name, ya know? They're supposed to serve man; we have souls and a consciousness, which always puts us on the top. But even when it comes to those things; we haven't gotten close enough to replicating life like this. It's likely just some guy in a,mask or clay or something-" Freddie argued.

"A-Ah. Yes; it's always just 'my life for you,' isn't it? I mean, what else was somebody like me made for?"

The group's attention turned towards the other room. Most adults were dogpiling on the chairs and couches facing the blaringly-loud TV. The dim lights included the living room as well; however the television emitted a bright, sickly, turquoise radiance that permeated through the darkness.

"A-A-As your entertainer, I serve nothing more than to-... well-[heh]... entertain. But also-But also-But also- as your entertainer, I should serve as a source to find happiness, should I not? [hm!] Th-is holiday season might I suggest helping out our sponsor by beating a bop by Big Burger Bobby's; back to bring a bright and brand-new smile to yo-yo-yo-your face!

Try now their new b-butter?Buh...

[[Oh N-N-N-NO! NO! You somehow managed to mess up the teleprompter, AGAIN! DAMMIT, MARTY!-

'Don't you just know the menu' D-D-D-Does it look like I can eat? Aha-And I tell you if I could,-I wouldn't be at some greasy low-rate-]]

[Ah-hem], sorry about the interruption ; it looks like there's technical difficulties. Bu-but don't worry! This old gun always has a big shot left to fire! [isn't that right, Marty?]"

He looked to the right glaring and smiling passive-aggressively as the intermission closed. The adults chattered and repeated the words everyone else heard as if they didn't, and as if it was their own joke, just before walking away when a music video started to play.

"Allope," Rebecca spoke in a hushed tone as she tugged on the kid's shirt. Freddie was far enough away not to hear them, as he was still distracted by the television.

"Yes?", Allope looked up at her cousin.

"Don't doubt the impossible when it comes to that stuff. You'll wish you knew better if you do," Rebecca allowed herself to reveal a layer of honesty through her hushed tone. Allope was haunted by this sudden change, but nodded and gave a little "okay" anyways. Rebecca propped herself in her chair in a lese tense manner, "Plus, I know we can't really get rid of that box, but Fred said it can change the channels without even touching the tv, right?"

"Right-"

"Right. And then maybe it's of use to us. Just... Be careful for now-with everything. At least until we know a little more about that device, and maybe even where it came from."

The three kids had no idea what to make of the tv's response, but took this as a good sign to stray away from the TV when it was turned on. The tactic worked enough for the afternoon to follow along smoothly once again as everyone decided to return to their houses.

Sleep was never a problem for Allope before, so why would it be now? Though always feeling as if she was not getting enough rest at night, she hardly broke her dream-state; wandering in and out between vivid images of static and collaged photos shifting on a colorful pattern. She would always take naps during the day, but was still absent at night. Her dreams felt almost exactly like the virtual world, but in so many different visual qualities and styles. Minnie accompanied Allope on her exploration across the electrical patterns. The more she dreamt, the more she suddenly learned about her set in real time; even to the point of noticing buttons and switches on her set that she had not noticed before. She at least assumed that these recurring situations were all a fantasy, as she felt like she was somebody much different. She was taller, a little braver, and broke the laws of physics by clipping through as many walls as she could. Unlike her real controls, in her dreams she could go blocks away from her house without climbing down the stairs or even opening a door; it was all through the lightbulb to her Rainbow Brite and Twink shooting-star-themed lamp.

Each dream, though different in location and adventure, would all end with her staring into a lone reflection left into a dark abyss, gazing upon the disfigured and indecisive face of somebody or something else; some nights appearing clearer than others. Allope had no clue of what it meant, but always took note of how odd it felt; as if she died and took the place of somebody from another planet-or even universe! But when she woke up, it always felt as if she was absent from her original state of skin and bones; as if she was resurrected. These dreams cost Allope sleep; daily dragging herself everywhere with one eye pried open more than the other. This feeling of fatigue wasn't natural in the slightest; it weighed like an anchor with the feeling as if her soul was being cut and broken away into little pieces like a pie. Each slice of energy was borrowed rather than eaten up, and would come back briefly in the evening.

Her mother attempted to drag her into shopping in the upper level of the mall during Black Friday. Allope stayed awake by focusing on little things like only jumping on the colored diamond-shaped floor tiles, attempting to make a tune out of the soft echoing speakers, as well as involving herself to whatever the elongated screens stuck onto the walls beneath and between the crosswalks on the upper floor said.

"Hello fellow foodologists, Nation-Wide trusted spokesman, Ma-Ma-Ma-Max Headroom here to inform you the importance of your child-child-child-child's fundamental brain-development . Creativity. We can all agree that CREATIVITY is an important factor in your kid's transition to adulthood. Bu-u-u-u-u–u-u-u-u-ut answer me this; how-how-how-how can your child or a fine adult such as yourself be confined to the horribly bleak concept of minimalism? So why waste your time by EXPOSING you and your children to the con-con-con-con-confinement of boring circles and shapes in their everyday junk food, when they could have the wide open world of cheese crackers in the shape of ASTONISHING HISTORICAL ICONS [such as yours truly] [hah~] Buy now for the greater good [[unless you wish to doom your child to the latter]] Starting at the low-low price of only $9.99 at your local food stores and outlets!"

Allope shrieked loudly, while maintaining eye contact with the disturbing computer man. She tried to run while dragging her mom behind. Her mother stood her ground to stop Allope, tugging her hand; "Allope, what is it, sweetheart? Do you see something you want?"

Allope tucked in her lips and widened her eyes; scanning each shop for an excuse to change their surroundings. A sparkling glimmer of starlight, sprinkles, rainbow, and forgotten children's hopes and dreams filled the coloring of her eyes when taking in the glorious view of a toy store with an endless shelf line of the brand-new 'Advanced' Limby Friends. "What are you looking at, Allope?" her mother asked.

"My Christmas list," she replied.

She barreled into the store with her mother following closely behind. To her relief, the enemy likely didn't catch sight of her presence.

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operafantomet · 1 year

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From design to costume: Old Raoul and the Nurse (Auction scene)

Joelle Gates and Kyle Barisich, Broadway

Anthony Downing and unidentified, World Tour

Jessica Radetsky and Ryan Silverman, Broadway

Jason Forbach, Las Vegas

Maria Bjørnson’s design

Fernanda Vallejo, Buenos Aires

Unidentified, Japan 2017

Anton Zetterholm and Suzy Halstead, Stockholm revival

Fred Silveira and unidentified, Buenos Aires

#phantom of the opera #old raoul #raoul de chagny #nurse #maria bjørnson #auction scene #from design to costume #phantom of the opera design

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buzzdixonwriter · 1 year

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Michael Reaves R.I.P.

Of the many, many memorable moments I shared with Michael Reaves, few better sum up the man than participating with him as he battled Fred Silverman and Hideo Takayashiki for the integrity of The Mighty Orbots.

You could well cite this as a quixotic quest, attempting to bring as much skill and intelligence to a Japanese / U.S. co-production that never gained the traction it should, a one season wonder that faded from the memory of all except the most dedicated animation fans.

Michael would certainly have been forgiven for not fighting to the last bloody inch to make the show as good as he possibly could, especially in the face of a Japanese co-story editor who felt dishonored at having to share duties with an American and then having to face off against Silverman, a network executive best described as the Donald Trump of television.

Takayashiki could speak English and Michael knew this, but it was a point of honor to him not to communicate directly with any American writers.

We had a trio of female Japanese interpreters working for TMS at the time, and one of them drew the unpleasant short straw of having to translate the story sessions between Michael and Takayashiki.

The sessions, which took place in the TMS conference room with the Japanese and Americans sitting on opposite sides of a long executive table only slightly shorter than the flight deck of the IJN Hiryū, would typically start with Takayashiki wanting some change to bring the story being discussed more in line with Japanese sensibilities.

The poor lady translator would relay this in a soft, conciliatory tone.

Michael, knowing the series’ success hinged on it being a hit in the U.S., would resist, testily citing why the suggested change didn’t fit with the way Americans liked their cartoons.

The poor lady translator would relay his response in a soft, conciliatory tone, even though Takayashiki understood what Michael said.

Takayashiki would regretfully (or so the translator said) disagree with Michael. Michael -- who like myself was a disciple of the Harlan Ellison school of fight long, fight loud, fight hard for your story – would respond somewhat…ah…forcefully.

The poor lady translator would relay this in a soft, conciliatory tone.

Takayashiki would reply in a tone somewhat akin to Toshiro Mifune wading into a yakuza gang.

…and the poor lady translator would relay this in a soft, conciliatory tone.

(Little wonder this translator quit mid-season to serve as a translator for an international commission attempting to hammer out a fishing treaty between the U.S., Russia, and Japan; that must have seemed awfully relaxing after dealing with Orbots story sessions!)

And if you thought that was fun, hoo-boy! Stick around for the second part of our doubleheader, a story session with Fred Silverman.

Silverman was a bullshit artist who catered to the lowest common denominator but for the first part of his career possessed enough savvy to find talented creators and not interfere too much.

He frequently repeated his catchphrase to anyone within earshot: “Sell the sizzle, not the steak.”

He didn’t like it when I pointed out that selling the sizzle was fine -- but you still needed to deliver a steak.

Silverman’s star was not merely setting at the time of The Mighty Orbots, it had collapsed into a black hole. Despite being the only person to head all three networks, after his success at CBS and ABC, he made a gawdawful mess of NBC and left the peacock to “go into independent production.”*

None of Silverman’s indie-prods ever caught fire (though a few of them should and their cast and crews would have willing supplied the matches). The Mighty Orbots was Silverman’s attempt to prove he was still the kid-vid genius who okayed Scooby-doo, Where Are You? and launched Joe Ruby and Ken Spears studio.

Perhaps it would have been better if we used translators in our Silverman meetings; speaking the same language certainly seemed futile.

The epitome of this was an epic battle Michael and I had with Silverman over how to get rid of a magnetic monster in one episode.

“I wanna throw it in a glacier,” Silverman said.

That wouldn’t work, Michael and I pointed out. Intense cold strengthens a magnetic field, intense heat destroys it. “Throw it in a volcano instead,” Michael said.

“No, I want to throw it in a glacier,” Silverman said.

Now some of you may wonder why fight over this minor point.

I mean, it’s only a dumb children’s show, right?

Wrong.

There’s a saying in the music biz that if you don’t play every gig as if it were a sold out gig, you’ll never play a sold out gig.

Michael (and myself, and Steve Gerber, and Marty Pasko, and Flint Dille, and many of the other animation writers of our generation) would never short change our audience no matter how young they might be.

We fought long and hard to make our scripts as good as they could possibly be, pushing the format bit by bit, inch by inch, edit by edit a little further along the path.

We may have been the despair of the producers and studios who hired us, but with no false modesty our efforts paid off in shows that people remember fondly to this day, shows that made groundbreaking shows of the 1990s and 2000s easier to fight for.

Those screaming arguments Michael fought with Silverman and others to keep the integrity of his scripts paid off, if not for him then certainly for the shows he wrote for.

Case in point: Dungeons & Dragons.

Michael wrote several of the best episodes of the show, which by Saturday morning standards of that era was a big hit, enjoying three seasons.

But when it was cancelled without wrapping up the main quest (i.e., the kid heroes finding their way back into the real world), Michael took it upon himself to write “Requiem”, a finale episode he made available to anyone who wanted to read it (eventually it was recorded by fans as an audio drama and that recording turned into a fan-imation by using scenes from other episodes).

Michael fought for writers’ rights and was instrumental in a couple of attempts to break animation writers away from the Motion Picture Screen Cartoonists and into either the Writers’ Guild or, when that failed, to start an Animation Writers Guild. He wrote / co-wrote / edited nearly 30 books, dozens of short stories, three feature films, plus more animation than IMDb gives him credit for.

I tried to recruit him for G.I. Joe but he refused, saying his action-adventure cred he couldn’t bring himself to write a show that glorified military force.

We respected him for that, and got him to write for Transformers, Jem, and My Little Pony.

He was a prickly sort, no denying that, but he was also the kind of guy you could trust to have your back in a story conference or a bar fight. He was married for several years to Brynne Chandler, a talented writer and editor on her own, and for a while they were happy. Among the children they had is Mallory Reaves, who continues the family tradition of writing and editing.

The end of their marriage and Michael’s subsequent diagnosis with Parkinson’s did a lot to simmer him down.

As Harlan himself demonstrated, you can’t roar through life full tilt 24 / 7 without burning out eventually. Michael’s personal situation and health issues didn’t daunt his creative endeavors, but they sure took a lot of piss and vinegar out of him.

We stayed in touch as he went through a prolonged period of couch surfing. He remained creative as long as he could operate a keyboard, but the Parkinson’s deprived him of speech.

The last time I saw him was at the Motion Picture home where a producer staged a table read for a new screenplay Michael had written. He could barely raise his voice above a whisper at that point.

He remained online for a few years after that, but the last thing he wrote on Facebook was a brief mention of our mutual friend Marty Pasko’s death. After that he put up a few links, but apparently even that become too much effort.

There are a few people in the industry that I’ve felt a special kinship with, and Michael was one of them.

It hurts to realize he’s gone.

* If Daily Variety reports you’re going into independent production, it means you’re fired. If they report you’re going to write a book, it means you’re really fired.

#Michael Reaves #The Mighty Orbots #animation #cartoons

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girlofprey7 · 1 year

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Ok so I said I’d do a part 2 on my ideal Mario movie cast, but this time I’ll try to think of good voices for the side characters that’ll most likely be in there as well:

Cranky kong- I think Fred Armisen would be pretty good at playing a wisecracking old king, so he can stay. He convinced me of his voice talent in Wednesday with uncle fester.

Diddy and Dixie Kong- I saw them in the back of donkey Kongs poster, so I’m hoping we’ll see them as full characters in the movie.

If we do, I think Sarah Silverman would be good for Diddy, and Kristen Schall for Dixie. They’re both pretty good at playing annoying energetic kids.

Mayor Pauline- I think Grey Delisle would be best for Pauline, since she can do a low femme fatale voice as well as keeping it sounding professional and regal.

And in case of a sequel, I made my own cast for characters that will most likely show up in future instalments:

Wario- I always noticed that Wario sounded like an Italian Bender from Futurama, so I think John DiMaggio would be a great pick for him.

( sorry but I don’t think it would be a good idea for Charles to be voicing more than 2 characters in the film)

Waluigi- definitely Dan Povenmire, waluigi is basically just Italian Doofenshmirtz at this point.

Daisy- either Cree Summer or Jessica DeCicco, anyone that could pull of her spunky and rowdy personality.

Rosalina- surprisingly, Anya Taylor-Joy. I said before that she’s not a good fit for peach, but I think she’d be an amazing Rosalina. It definitely fits her mysterious and concealed demeanour that she has, as well as sounding powerful and majestic.

Let me know what your ideal voices would be in the replies (:

#mario movie #Mario movie cast #voice acting #super mario bros movie #super Mario

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demifiendrsa · 1 year

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History of the World, Part II | Trailer

The mini-series sequel to Mel Brooks’ History of the World, Part I film will premiere on Hulu on March 6, 2023, followed by two new episodes daily through March 9, 2023.

Cast additions

Jack Black, James Adomian, Jason Alexander, Fred Armisen, Tim Bagley, Dan Bakkedahl, Travis Bennett, Sarayu Blue, Craig Cackowski, Arturo Castro, Parvesh Cheena, Margaret Cho, Andy Cohen, Andy Daly, Colton Dunn, Ayo Edebiri , Ana Fabrega, Marla Gibbs, Blake Griffin, Mitra Jouhari, Preston Lacy, Robby Hoffman, Anna Maria Horsford, Brian Huskey, Mousa Hussein Kraish, Bobby Lee, Mena Massoud, Wendi McLendon-Covey, Crystal Kung Minkoff, Finesse Mitchell, Natalie Morales, Pam Oliver, Ana Ortiz, Adam Pally, Lennon Parham, Chris Pontius, Rob Riggle, Matt Rogers, Paul Rust, Paul Scheer, Andrew Secunda, Jessica St. Clair, Carl Tart, Drew Tarver, Christopher Thornton, James Urbaniak, George Wallace, Michaela Watkins, Wee Man, Kym Whitley, and Casey Wilson.

Previously announced cast members

Mel Brooks, Wanda Sykes, Nick Kroll, Ike Barinholtz, Pamela Adlon, Tim Baltz, Zazie Beetz, Jillian Bell, Quinta Brunson, Dove Cameron, D’Arcy Carden, Ronny Chieng, Rob Corddry, Danny DeVito, David Duchovny, Hannah Einbinder, Jay Ellis, Josh Gad, Kimiko Glenn, Brandon Kyle Goodman, Jake Johnson, Richard Kind, Johnny Knoxville, Lauren Lapkus, Jenifer Lewis, Poppy Liu, Joe Lo Truglio, Jason Mantzoukas, Ken Marino, Jack McBrayer, Zahn McClarnon, Charles Melton, Kumail Nanjiani and Brock O’Hurn, Andrew Rannells, Emily Ratajkowski, Sam Richardson, Nick Robinson, Seth Rogen, Sarah Silverman, Timothy Simons, J.B. Smoove, David Wain, Taika Waititi, Reggie Watts and Tyler James Williams.

#History of the World Part 2 #History of the World Part II #History of the World Part I #History of the World #Mel Brooks #Wanda Sykes #Nick Kroll #Hulu #television #live action #live action television

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etcemais · 9 months

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youtube

Netflix libera teaser de Maestro, filme estrelado e dirigido por Bradley Cooper

A Netflix liberou o teaser de Maestro, filme dirigido e estrelado por Bradley Cooper, onde veremos a vida do compositor Leonard Bernstein.

No filme veremos a conturbada relação de Bernstein com a atriz e ativista Felicia Montealegre. Durante muitos anos, o músico, que é famoso por compor a trilha de Amor, Sublime Amor e é considerado um dos maiores compositores da história, escondeu sua homossexualidade, vivendo vários casos amorosos com outros homens.

Além de dirigir e atuar, Bradley também coescreveu o roteiro ao lado de Josh Singer. Vale lembrar que esté é o primeiro trabalho de Bradley por trás das câmeras desde que estreou nessa função em Nasce Uma Estrela, de 2018. Já a produção conta com Martin Scorsese, Steven Spielberg, Fred Berner, Amy Durning e Kristie Macosko Krieger.

Além de Bradley Cooper, o elenco ainda conta com Carey Mulligan, Maya Hawke, Matt Bomer, Michael Urie e Sarah Silverman.

Maestro estreia no dia 20 de dezembro na Netflix.

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flowfeelarts · 8 days

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Join our alumni like Lauren Lapkus, Matthew Gray Gubler, Ego Nwodim, Mindy Sterling, Margret Cho, Steve Martin, Jane Lynch, Sarah Silverman, Natalia Dyer, Michael Cera, Keegan-Micheal Key, Christopher Titus, Janeane Garofalo, Fred Armisen, Richard Belzer, Jackie Mason, Colin Mochrie, Caitlin Thompson, Luke Perry, Gary Cole, Rowan Blanchard, Jack Quaid, Cheri Oteri, Kristen Johnson, Micheal Boatman, Nancy Travis, David Koechner, James Masters, Kaitlin Doubleday, Alexis Knapp, Rex Lee, Rosanna Arquette, Yumi Lambert, Fred Willard, Kevin Farley, Adrian Grenier, Patton Oswald, Mel Brooks, Lou Diamond Phillips, Doug Jones, Thomas Lennon, John Bradley, Maria Bamford, Sunita Mani and many others! Submit Today! https://www.flowfeelfilms.com/

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ptbf2002 · 2 months

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My Top 10 Warner Bros. Animation Characters (2024)

#10 Bunnicula

#9 Dorothy Gale (Dorothy And The Wizard Of Oz)

#8 Scooby-Doo

#7 Yakko, Wakko, And Dot (Animaniacs)

#6 Tom Cat (Tom And Jerry)

#5 Jerry Mouse (Tom And Jerry)

#4 Tweety Bird (Looney Tunes)

#3 Porky Pig (Looney Tunes)

#2 Daffy Duck (Looney Tunes)

And #1 Bugs Bunny (Looney Tunes)

Original Template: https://www.deviantart.com/edogg8181804/art/Top-10-WB-Animation-Characters-Meme-876615961

Bunnicula (TV series) Belongs To James Howe, Deborah Howe, Jessica Borutski, Snipple Animation Studios, Toon City Animation, Inc. Warner Bros. Animation Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Dorothy and the Wizard of Oz Belongs to L. Frank Baum, Noel Langley, Florence Ryerson, Edgar Allan Woolf, Snipple Animation Studios, Boulder Media Limited, Turner Entertainment Company, Warner Bros. Animation Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Scooby-Doo! Belongs To Joe Ruby, Ken Spears, Ruby-Spears Productions, Inc. Hanna-Barbera Cartoons, Inc. Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Scooby-Doo, Where Are You! Belongs To Joe Ruby, Ken Spears, William Hanna, Joseph Barbera, Iwao Takamoto, Fred Silverman, Hanna-Barbera Cartoons, Inc. Worldvision Enterprises, Inc. Taft Broadcasting Company, Spelling Television Inc. Paramount Domestic Television, CBS Media Ventures, Inc. CBS Studios, Inc. CBS Broadcasting Inc. CBS Entertainment Group, Paramount Global, Turner Program Services, Turner Entertainment Company, Turner Broadcasting System, Inc. Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

The Scooby-Doo Show Joe Ruby, Ken Spears, Ray Parker, Hanna-Barbera Cartoons, Inc. Worldvision Enterprises, Inc. Taft Broadcasting Company, Spelling Television Inc. Paramount Domestic Television, CBS Media Ventures, Inc. CBS Studios, Inc. CBS Entertainment Group, Paramount Global, Turner Program Services, Turner Entertainment Company, Turner Broadcasting System, Inc. ABC, Disney General Entertainment Content, Disney Entertainment, The Walt Disney Company, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

A Pup Named Scooby-Doo Belongs To Joe Ruby, Ken Spears, Tom Ruegger, Wang Film Productions Co., Ltd. Fil Cartoons Inc. Hong Ying Animation Co., Ltd. Klasky-Csupo, Inc. Shanghai Morning Sun Animation Co., Ltd. Mr. Big Cartoons, Pacific Rim Productions, Shenzhen Jade Animation Company, Speedy Victory Animation Company, Hanna-Barbera Cartoons, Inc. Worldvision Enterprises, Inc. Taft Broadcasting Company, Spelling Television Inc. Paramount Domestic Television, CBS Media Ventures, Inc. CBS Studios, Inc. CBS Entertainment Group, Paramount Global, Turner Program Services, Turner Entertainment Company, Turner Broadcasting System, Inc. ABC, Disney General Entertainment Content, Disney Entertainment, The Walt Disney Company, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

What's New, Scooby-Doo? Belongs To Joe Ruby, Ken Spears, Sander Schwartz, Wang Film Productions Co., Ltd. DongWoo Animation Co. Ltd. Lotto Animation, Inc. Hosem Animation Studio, Hanna-Barbera Cartoons, Inc. Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Scooby-Doo! Mystery Incorporated Belongs To Joe Ruby, Ken Spears, Mitch Watson, Spike Brandt, Tony Cervone, DongWoo Animation Co. Ltd. Digital Emation, Inc. Hanna-Barbera Cartoons, Inc. Warner Bros. Animation Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Animaniacs Belongs To Tom Ruegger, Steven Spielberg, TMS Entertainment Co., Ltd. Shanghai Morning Sun Animation Co., Ltd. Wang Film Productions Co., Ltd. StarToons International, LLC, AKOM Production, Ltd. Freelance Animators Co., Ltd. Varga Studio, Ltd. CNK International Co, Ltd. Phillippine Animation Studio Inc. Amblin Entertainment, Inc. Amblin Partners, LLC. Warner Bros. Animation Inc. FOX KIDS, FOX Family Worldwide Inc. FOX Broadcasting Company, FOX Entertainment, FOX Corporation, Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Animaniacs (2020 Reboot) Belongs To Tom Ruegger, Wellesley Wild, Steven Spielberg, Digital eMation, Inc. Saerom Animation, Inc. Snipple Animation Studios, Tiger Animation, Titmouse Animation, Inc. Tonic DNA Animation, Toon City Animation, Inc. Yowza! Animation, Giant Ant Animation, Studio Yotta, Birdo Studio, Flystudio, Screen Novelties, Amblin Television, Amblin Entertainment, Inc. Amblin Partners, LLC. Warner Bros. Animation Inc. Hulu, LLC. Disney Streaming, Disney Entertainment, The Walt Disney Company, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Tom and Jerry Belongs To William Hanna, Joseph Barbera, Wang Film Productions Co., Ltd. Fil-Cartoons, Mr. Big Cartoons, Bardel Entertainment, Inc. Baer Animation Company, CNK International, Seoul Movie Co., Ltd. Toon City Animation Inc. Yearim Productions Co., Ltd. Hanho Heung-Up Co., Ltd. Rough Draft Korea Co. Ltd. Rough Draft Studios, Inc. Lotto Animation, Inc. Renegade Animation, PIP Animation Services Inc. Slap Happy Cartoons Inc. Digital eMation, Inc. Duncan Studio, Rembrandt Films, Sib Tower 12, Inc. MGM Animation/Visual Arts, Metro-Goldwyn-Mayer Cartoon Studio, Harman-Ising Productions, Metro-Goldwyn-Mayer Studios, Inc. MGM Holdings, Inc. Amazon MGM Studios, Amazon.com, Inc. Turner Entertainment Company, Turner Broadcasting System, Inc. Hanna-Barbera Cartoons, Inc. Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

The Tom and Jerry Show (1975 TV series) Belongs To William Hanna, Joseph Barbera, Hanna-Barbera Cartoons, Inc. Metro-Goldwyn-Mayer Television, MGM Worldwide Television Group and Digital, Metro-Goldwyn-Mayer Studios, Inc. MGM Holdings, Inc. Amazon MGM Studios, Amazon.com, Inc. Turner Entertainment Company, Turner Broadcasting System, Inc. ABC, Disney General Entertainment Content, Disney Entertainment, The Walt Disney Company, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

The Tom and Jerry Comedy Show Belongs To William Hanna, Joseph Barbera, Tex Avery, Filmation Associates, Classic Media, LLC, DreamWorks Classics, DreamWorks Animation LLC, Universal Pictures Television LLC, Universal Studio Group, NBCUniversal Media Group NBCUniversal Media, LLC, Comcast Corporation, Metro-Goldwyn-Mayer Cartoon Studio, Metro-Goldwyn-Mayer Television, MGM Worldwide Television Group and Digital, Metro-Goldwyn-Mayer Studios, Inc. MGM Holdings, Inc. Amazon MGM Studios, Amazon.com, Inc. Turner Entertainment Company, Turner Broadcasting System, Inc. CBS Broadcasting Inc. CBS Entertainment Group, Paramount Global, Warner Bros. Domestic Television Distribution, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.

Tom & Jerry Kids Belongs To William Hanna, Joseph Barbera, Wang Film Productions Co., Ltd. Fil Cartoons Inc. Mr. Big Cartoons, Hanna-Barbera Cartoons, Inc. Turner Entertainment Company, Turner Broadcasting System, Inc. FOX KIDS, FOX Family Worldwide Inc. FOX Broadcasting Company, FOX Entertainment, FOX Corporation, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Tom and Jerry Tales Belongs To William Hanna, Joseph Barbera, Rob LaDuca, Jeff Davison, Toon City Animation Inc. Yearim Productions Co., Ltd. Rough Draft Korea Co. Ltd. Rough Draft Studios, Inc. Lotto Animation, Inc. Turner Entertainment Company, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

The Tom And Jerry Show Belongs To William Hanna, Joseph Barbera, Darrell Van Citters, Renegade Animation, PIP Animation Services Inc. Slap Happy Cartoons Inc. Turner Entertainment Company, Warner Bros. Animation Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Tom and Jerry in New York Belongs To William Hanna, Joseph Barbera, Darrell Van Citters, Renegade Animation, Turner Entertainment Company, Warner Bros. Animation Inc. HBO Max, WarnerMedia Direct, LLC. Warner Bros. Discovery Global Streaming and Interactive Entertainment, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Tom and Jerry Special Shorts Belongs To William Hanna, Joseph Barbera, Peter Browngardt, Yowza! Animation, Turner Entertainment Company, Warner Bros. Animation Inc. HBO Max, WarnerMedia Direct, LLC. Warner Bros. Discovery Global Streaming and Interactive Entertainment, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Tom and Jerry (2022) Belongs To William Hanna, Joseph Barbera, Fanworks Inc. Studio Nanahosi, Turner Entertainment Company, Warner Bros. Japan, Cartoon Network Japan, Discovery Japan, Turner Broadcasting System Asia Pacific, WarnerMedia Entertainment Networks Asia Pacific, Turner Broadcasting System International, WarnerMedia International, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Tom and Jerry In Singapore (2023) Belongs To William Hanna, Joseph Barbera, AUM Animation Studios Pvt. Ltd. Turner Entertainment Company, Warner Bros. Animation Inc. HBO GO, Home Box Office, Inc. Cartoon Network Asia, Turner Broadcasting System Asia Pacific, WarnerMedia Entertainment Networks Asia Pacific, Turner Broadcasting System International, WarnerMedia International, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Looney Tunes Belongs To Leon Schlesinger, Hugh Harman, Rudolf Ising, Harman-Ising Productions, Leon Schlesinger Productions, Warner Bros. Cartoons, Inc. DePatie–Freleng Enterprises, Format Productions, Warner Bros.-Seven Arts Animation, The Vitaphone Corporation, Vitagraph Company of America, Turner Entertainment Company, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Bugs Bunny Belongs To Ben Hardaway, Cal Dalton, Charles Thorson, Tex Avery, Chuck Jones, Bob Givens, Robert McKimson, Warner Bros. Cartoons, Inc. DePatie–Freleng Enterprises, Format Productions, Warner Bros.-Seven Arts Animation, The Vitaphone Corporation, Vitagraph Company of America, Turner Entertainment Company, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

The Sylvester & Tweety Mysteries Belongs To Fay Whitemountain, Dong Yang Animation Co., Ltd. Koko Enterprises Ltd. TMS Entertainment Co., Ltd. Shanghai Morning Sun Animation Co., Ltd. Seoul Movie, Wang Film Productions Co., Ltd. Warner Bros. Television Animation, Warner Bros. Animation Inc. Kids' WB! The WB, The WB Television Network, Inc. Tribune Broadcasting Company, LLC. Tribune Media Company, Nexstar Media Group, Inc. Discovery Family, Hasbro Entertainment, Hasbro, Inc. Discovery Networks U.S. Discovery Networks International, Discovery, Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

The Looney Tunes Show Belongs To Sam Register, Spike Brandt, Tony Cervone, Yearim Productions Co., Ltd. Toon City Animation Inc. Lotto Animation, Inc. Rough Draft Korea Co., Ltd. Crew 972 Ltd. Warner Bros. Animation Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

New Looney Tunes Belongs To Erik Kuska, Yearim Productions Co., Ltd. Rough Draft Studios, Inc. Snipple Animation Studios, Warner Bros. Animation Inc. Cartoon Network, Boomerang, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Domestic Television Distribution, Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Looney Tunes Cartoons Belongs To Pete Browngardt, Yowza! Animation, Yearim Productions Co., Ltd. Snipple Animation Studios, Tonic DNA, Warner Bros. Animation Inc. HBO Max, WarnerMedia Direct, LLC. Warner Bros. Discovery Global Streaming and Interactive Entertainment, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

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newsworld-nw · 6 months

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'Maestro': Official trailer and more to know about Bradley Cooper's Leonard Bernstein film

One of the vital awaited motion pictures of the yr the grasp There can be new photos By Bradley Cooper Second directorial effort after its huge success A star is born! The biographical play is predicated on the lifetime of the well-known composer Leonard Bernstein. The primary trailer, which was launched on August 15, gave a glimpse of the unimaginable efficiency. The footage included attractive black and white scenes earlier than being enveloped in vibrant Technicolor. The official trailer was launched on October 25 and revealed that Leonard's love story together with his spouse is on the middle of the movie. The trailer begins and ends with Felicia's clever phrases to Leonard: “If summer time would not sing in you, nothing sings in you. And if nothing in you sings, you can not make music." The crew in entrance and behind the digital camera is prime notch, so it is no shock the grasp There may be already quite a lot of awards season buzz. Earlier than it hits theaters and Netflix, here is a roundup of what it's essential to know the grasp.

the grasp launch date

the grasp Releases in choose theaters on November 22, 2023 A couple of month later, the movie can be out there to stream on Netflix Grasp's Netflix launch date is December 20, 2023.

Bradley not solely directed, however performed the lead function of Leonard Bernstein within the film. (Jason McDonald/Netflix) In June 2022, Bradley was satisfied the grasp Not due out till fall 2023. "It will not be launched till the autumn of (2023), I believe," he stated Smartless podcast.” The film's late 2023 launch date means Netflix is gearing up the grasp To be a critical contender for the Oscars in 2024.

the grasp Solid and crew

Along with directing, Bradley will play Leonard Bernstein. The composer is among the nice musical icons of the twentieth century. Born in Massachusetts in 1918, Leonard composed many beloved items of music all through his life till his dying in 1990 on the age of 72. He's finest identified for writing music west aspect story, However he composed three symphonies and plenty of different songs.

Carey Mulligan stars alongside Bradley as Bernstein's spouse. (Jason McDonald/Netflix) Along with Bradley, Promising younger girl actress Carey Mulligan She may even play Leonard's spouse, Felicia Montelegre. Leonard and the actress have been married from 1951 till her dying from lung most cancers in 1978 on the age of 56. Magic Mike the actor Matt Bomer will play Leonard's lover, in keeping with range. Whereas particulars about Matt's character are scarce, sources informed the outlet that he'll play a musician with whom the composer had a quick fling.

Matt and Bradley are filming a scene in New York Metropolis. (Steve Sands/New York Newswire/Bauer-Griffin/Shutterstock) Many different massive celebrities have been solid as members of the Bernstein household. Stranger Issues the star Maya Haque Leonard and Felicia's daughter will play Jamie. Sam Nivola Leonard and Felicia's son will play Alexander. And similar to that Alexa Swinton Nina will play the function of Bernstein. Sarah Silverman Will play Leonard's sister Shirley. Extra solid members included Michael Urie As Jerome Robbins, Gideon Glick As Tommy Cothran, and Miriam Shor As Cynthia O'Neill. legacy the star Jeremy Sturdy There was imagined to be a job within the movie. Nevertheless, he needed to drop out on account of "scheduling conflicts". GQ.

Who's the inventive crew?

As talked about above, the grasp This can be Bradley's second directorial effort. He co-wrote the movie with Josh Singer. Bradley, the movie's producer, Steven Spielberg, Martin Scorsese, Fred Berner, Amy Durning, and Christy McCosco Krieger. Government producers are Carla Razi, Josh Singer, Bobby Wilhelm, Weston Middleton and Tracy Landon. Bradley revealed that Steven had initially deliberate to direct, however supplied him the movie after he talked to him The Silver Linings Playbook star and see A star is born. Bradley needs to direct the movie and requested the legendary director for an opportunity to seem in January 2022. The late present. "(Spielberg) came upon that I had this obsession with directing," he stated. Bradley revealed what the director informed him when he noticed his first film: “You are directing Grasp."

Description of the plot

Though there's a lot to cowl within the lifetime of Leonard Bernstein, it's unattainable to suit it into one image. The movie's official synopsis reads, “Maestro is a grand and fearless love story that chronicles the lifelong relationship between Leonard Bernstein and Felicia Montelegre Cohn Bernstein. A love letter to life and artwork, Maestro depicts an emotional epic of household and love at its core."

Bradley Cooper and Carey Mulligan as Leonard and Felicia. (Jason McDonald/Netflix) Between the interval when the couple first met and when Felicia died, the film will definitely give a glimpse of the late composer's work. from West Facet Story Debuted in 1957, it appears probably that the film will embrace his work on the Broadway musical. A few of Leonard's different main works that can hopefully be featured within the film embrace his rating on the waterfront in 1954, in addition to his symphonies "Chichester Psalms" (1965) and "Serenade after Plato's 'Symposium'" (1954).

Filming particulars

The movie was a very long time coming till Steven Spielberg gave up on the venture, with numerous administrators connected at numerous factors throughout growth. Hangover Star Bradley introduced that the film would start taking pictures in Could 2022 throughout an "Actor on Actors" dialog in January of that yr. range. Her first photos within the legendary composer's outfit have been additionally launched in Could, exhibiting her full transformation into the legendary musician. Photos of Bradley and Matt filming a kissing scene have been revealed in June. Though most of Leonard's profession takes place in New York, the film was filmed in each america and Europe. Bradley defined a rundown of the schedule talked about above Smartless podcast "We begin taking pictures in Massachusetts, then New York, then East Hampton, then we take a break after which we go to Italy for 3 weeks after which we end in London," he stated. #Maestro #Official #trailer #Bradley #Coopers #Leonard #Bernstein #movie Read the full article

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usalivemovienews · 9 months

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Everything You Need to Know About Maestro Movie (2023) By Amy Renner Aug. 15, 202... https://dev-usalivenews.pantheonsite.io/everything-you-need-to-know-about-maestro-movie-2023/?feed_id=11881&_unique_id=64dce1e9d8662 #movie film movies

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ricardotomasz · 1 year

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Such is life! Behold, a new Post published on Greater And Grander about Toxic People Aren’t Funny, with Danny McDermott; S2 E25

See into my soul, as a new Post has been published on https://greaterandgrander.com/toxic-people-arent-funny-with-danny-mcdermott-s2-e25

Toxic People Aren’t Funny, with Danny McDermott; S2 E25

After graduating with a BS in Engineering, Danny moved to NYC in the 90's and acted in and produced plays, sketch comedy, and stand up comedy. He became one of the biggest producers of stand up comedy in NYC outside the comedy clubs for 8 years. He had 5 different venues, producing 8 shows a week, and giving away 30 spots a week to comedians. Danny had celebrities such as Jim Gaffigan, Ed Helms, Sarah Silverman, Marc Maron, Bill Burr, and many others come in on a regular basis to headline. He also co-founded the Comedy Soapbox with Steve Hofstetter. Danny was cast in a great deal of theater, appearing in numerous plays and was the lead in six productions off and off off Broadway. He's had a few options on scripts, and moved to LA in 2013 and produced a comedy series that we premiered at the Hollywood Improv called "Who Killed the Bible Salesman", while doing comedy at the clubs and small venues. One of his scripts, a vigilante/horror/comedy, Danny successfully produced a reading with Christopher Titus, Judd Nelson, and Casper Van Dien. There were 18 actors and about 30 audience members.

Check out his new Website & Podcast The DL Show - http://www.thedl.show Follow him on Facebook @dannymcdermottla and @downlowshow

Follow him on Facebook: Danny P McDermott and The DL Show - Down Low with Danny and Lizette

Credits Include...

Who Killed the Bible Salesman? starring Fred Stoller

The Danny McDermott Show starring Rick Overton

Cross: Rise of the Villains starring James Hong, Eric Roberts, and Danny Trejo

Whiskey God starring Cody Renee Cameron

Please like and subscribe, it helps us out a lot.

Music is Sweet Georgia Brown by Latché Swing.

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