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screamscenepodcast · 28 days
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The reason this reads like spirk is that it was written by some of the most notorious spirk fanfic authors of the time, and after this was published Paramount changed its approval procedures for licensed Trek fic to stop this kinda stuff getting through in the future.
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screamscenepodcast · 5 months
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Not an appeal or suggestions, but are there any upcoming movies you're particularly looking forward to digging into? Personally I can't wait to hear your thoughts on House(1977).
We absolutely love House. It's one of our favourite movies, for sure. We're also looking forward to the original versions of The Wicker Man and The Texas Chain Saw Massacre, The Exorcist, Alien, Event Horizon, Ginger Snaps, the works of John Carpenter, John Romero, David Cronenberg, and the more recent run of "elevated horror" such as The Witch, Hereditary, Color Out of Space, etc. Gothic horror, folk horror, cosmic horror, these are the subgenres we really love.
In terms of flicks that will be coming up reasonably soon, we're excited about Curse of the Werewolf, Mr. Sardonicus, and The Pit and the Pendulum, and of course Carnival of Souls.
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screamscenepodcast · 5 months
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screamscenepodcast · 5 months
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An Update
A brief public message on our Patreon about how we're doing and the podcast's recent irregular updates.
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screamscenepodcast · 6 months
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Director Bert I. Gordon finally makes an appearance on the podcast with TORMENTED (1960)! Taking a break from his "Thing Big" schtick, Gordon takes on a ghost story that stars Richard Carlson, Juli Reding and Susan Gordon.
Context setting 00:00; Synopsis 21:16; Discussion 34:28; Ranking 50:42
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screamscenepodcast · 6 months
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Let's meander down Skid Row for the horror adjacent Roger Corman flick THE LITTLE SHOP OF HORRORS (1960)! Your hosts discuss this movie's placement in Corman's filmography, and the pros and cons of filming an entire movie over a weekend.
Context setting 00:00; Synopsis 36:10; Discussion 48:48
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screamscenepodcast · 6 months
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Your hosts encounter the 1960 "erotic horror" film ET MOURIR DE PLAISIR (LE SANG ET LA ROSE) aka AND DIE OF PLEASURE (BLOOD AND ROSES) from director Roger Vadim! But where's the horror? More importantly, where's the eroticism??
Context setting 00:00; Synopsis 34:02; Discussion 44:20; Ranking 1:10:42
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screamscenepodcast · 7 months
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Your hosts encounter a film often overlooked... it's THE CITY OF THE DEAD (1960) aka HORROR HOTEL directed by John Llewellyn Moxey!
Designed to compete with Hammer Horror, this proto-Amicus Productions film stars Christopher Lee, Patricia Jessel, Venetia Stevenson and Betta St. John.
Context setting 00:00; Synopsis 17:02; Discussion 30:42; Ranking 55:04
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screamscenepodcast · 7 months
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Happy Halloween, dear patrons of the night! For our special spooky content during the best time of the year, your hosts and their friends play the TTRPG Dread! Written by Ben Rowe, the title of this adventure is, "Beneath a Tortured Roof." 
Available now to patrons at all levels at patreon.com/screamscenepodcast
Dread Introduction - 00:00 Beneath a Tortured Roof, Part 1 - 31:35 Part 2, The Search - 2:02:59 Part 3, The Confrontation - 3:58:42 Post-Game Discussion - 5:18:14
Featuring music from ELPHNT, Bernard Herrmann, Kevin MacLeod, John Patitucci and Colin Stetson. 
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screamscenepodcast · 7 months
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HAPPY HALLOWEEN 2023: THE TOP TEN
Hey there, Creatures of the Night! Once again it is that time of year where we recap what films have made the cut of Scream Scene's top ten best horror movies of all time! (all time defined as 1895-1960) If you’re looking for some genuine classics to check out this year, we’ve got you covered, with running times and where to find them!
#10. I Walked With a Zombie (1943)
The second Val Lewton produced film on the list, I Walked With a Zombie is perhaps best described as Jane Eyre in the Caribbean, but what is surprising is that the film is also a well researched depiction of Voodoo practices for 1943. The haunting imagery, sparse sound design, and dreamlike poeticism of this film might make it among the most unique zombie movies you’ve ever seen, made in a time with zombies were supernatural undead slaves, instead of reanimated undead cannibals. Do yourself a favour and check it out - it’s available to buy online in SD for $9.99 from Apple TV, and $14.99 on Amazon Video, Google Play Movies and YouTube. 1h 8m.
#9. The Old Dark House (1932)
James Whale’s definitive take on this traditional mystery thriller formula is a movie that will have you laughing right until the moment it has you screaming. In some ways, it’s a movie of clichés, with the protagonists seeking shelter in an old mansion during a rainstorm in the night and having to deal with the reclusive family they find within. But the dark, brooding cinematography, and truly shocking twists that rivet up the intensity over the running time, all contribute to make this a harrowing watch. It’s one part Rocky Horror Picture Show, one part The Addams Family, and one part The Texas Chain Saw Massacre. I’m not kidding. The Old Dark House is currently streaming on AMC+, Criterion Channel, Flix Fling, and Tubi. 1h 10m.
#8. Horror of Dracula (1958)
Hammer Films had been producing X-rated horror and sci-fi content for a while by the time they got around to producing an adaptation of Dracula, but everything they learned from the success of The Curse of Frankenstein they applied tenfold to Dracula. From the subversive opening act to the shockingly graphic (for the time) finale, this film is full of action and excitement, as well as a sexually feral Count played by Christopher Lee for the first time. A Halloween crowd pleaser! Horror of Dracula is available to rent for $4.99 on Amazon Video, Apple TV, Cineplex, Google Play Movies, Microsoft Store, and YouTube. 1h 22m.
#7. The Spiral Staircase (1946)
This RKO classic is another great take on the old dark house subgenre, from noir director Robert Siodmak. A masterpiece of suspense, featuring wonderful production design and dynamite performances from its cast, this movie will draw you in to the world of a mute servant named Helen trapped in a dark manor on a stormy night with a whole cast of lunatics! A forerunner of giallo (no, really!), this classic and classy thriller is not to be missed! The Spiral Staircase is currently streaming on Classix, Flix Fling, and Plex. 1h 23m.
#6. The Fly (1958)
While the 1986 remake may be more well known today, the original rendition of this body horror classic still retains a punch with its central mystery, compelling drama, and traumatic ending. Excellent creature effects and memorable moments like a woman screaming seen through compound eyes cement this as one of the great sci-fi/horror films of its time! The Fly is currently available to rent for $4.99 on Apple TV, Google Play Movies, Microsoft Store, and YouTube. 1h 34m.
#5. Peeping Tom (1960)
While it may come across as fairly tame by today's standards, in 1960 the seminal British horror film Peeping Tom was considered so offensive it single-handedly ended the career of its director, former national treasure Michael Powell. Today, the film still has the power to disturb through its exploration of the relationship between victims, voyeurs, and viewers. Peeping Tom is currently available to stream on Tubi and to rent for $4.99 on Apple TV, Amazon Video, and Microsoft Store. 1h 41m.
#4. Gojira (1954)
Ishiro Honda’s classic giant monster movie, the progenitor of all kaiju and tokusatsu movies to come, is a masterpiece of ingenuity and imagination. But more than that, it’s a powerful statement about the horrors of nuclear war, an angry and relentless funeral dirge mourning for the Japanese lives lost and raging against the American foreign policy that continued to poison Japan with radiation even after the war. Godzilla is an apocalypse personified, the great revenge of the natural world against the hubris of man that has harmed it. But Gojira is also a film about the immense weight of personal and scientific responsibility weighed against the greater good, and its position on the use of weapons of mass destruction is perhaps more nuanced than you’d expect. Don’t let the campy reputation of Godzilla in the West fool you. Clear your mind of that and sit down to watch this powerful black & white epic. Gojira is streaming on Cineverse, Criterion Channel, Midnight Pulp, Plex, and Tubi, and can be rented for $4.99 on Apple TV. 1h 38m.
The American adaptation Godzilla, King of the Monsters! (1956) is also worth a watch, and is available on The Criterion Channel, Plex, Tubi, and to rent on iTunes. 1h 20m.
#3. Cat People (1942)
Cat People is brilliant. The first of Val Lewton’s horror movies for RKO, it best exemplifies his shadow drenched, suggestive, adult, contemporary, and ambiguous brand of horror. Irena is convinced that if she experiences sexual excitement, she will turn into a black panther and kill the man she loves. Her husband is convinced it’s all in her head. What is the truth? Cat People gives the viewer plenty to chew on while being the first horror movie to understand that less is more, that the monster is scarier if you can’t see it, and also how to pull off a jump scare.You can find this absolute classic to stream on Amazon Prime, and to purchase for $9.99 on Apple TV, Google Play Movies, Microsoft and YouTube. 1h 10m.
#2. Dr. Jekyll and Mr. Hyde (1931)
Finally dethroned from the number 1 spot after 265 episodes! Early on in the first Hollywood horror craze, Paramount Pictures managed to outdo their main competitor Universal with this masterpiece from director Rouben Mamoulian. With a use of sound, visuals, effects, script, and performance far beyond what most films were doing at the time, this adaptation reigns supreme among other versions of the same story. Fredric March utterly inhabits the dual title role, but it’s Miriam Hopkins’ performance that will stick with you in this superb examination of domestic abuse, alcoholism, and the beast that dwells within us. Currently streaming on the Criterion Channel, and available to rent on Apple TV, Google Play Movies, and YouTube for $4.99. 1h 38m.
#1. Psycho (1960)
It's our new number one! Not a big surprise, as Alfred Hitchcock's Psycho changed the horror genre for decades to come. A low budget thriller based around its two big twists, the film's power is a little muted now that those twists have been thoroughly disseminated through pop culture osmosis, Psycho is still a master class in pacing and tension through its first half, and contains an incredible performance from actor Anthony Perkins. You can rent Psycho on Amazon Video, Apple TV, Google Play Movies, Microsoft Store, and YouTube for $4.99. 1h 49m.
A new top ten with a new number one! Will Psycho keep its throne as long as Jekyll and Hyde did? Keep listening to Scream Scene to find out!
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screamscenepodcast · 7 months
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tbh shoutout to the over 40s on tumblr, sorry the internet acts like yall belong in the retirement home when ur literally just regular adults with hobbies
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screamscenepodcast · 7 months
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From Italian director Giorgio Ferroni comes the Gothic film IL MULINO DELLE DONNE DI PIETRA aka MILL OF THE STONE WOMEN (1960)... in COLOUR! The film stars Pierre Brice, Scilla Gabel, Wolfgang Preiss and Herbert Bohme.
Context setting 00:00; Synopsis 18:22; Discussion 29:57; Ranking 50:35
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screamscenepodcast · 7 months
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This new media/bookish trend of writing vaguely soppy "morally grey" villains with tragic backstories + sanitizing evil and making it safe enough for the soft gay uwu crowd by adding that "this guy is mean, racist and aids a fascist govt but AT LEAST he SUPPORTS LGBTQ!" means that nobody can properly enjoy well written evil and unhinged villains in media anymore, without some 20 year old on Twitter writing essays about how liking these characters means you're a Nazi sympathizer, child abuse apologist etc.
A lot of viewers can only digest and champion the "misunderstood tragic villains" who deserve "redemption arcs"- Azula, Jinx, s8 Dany, s4 Villanelle, the Darkling etc. On the other hand, deliciously and gruesomely irredeemable villains in darker, more mature media become "one-dimensional" or "mid" because they are unpalatable to fandom culture.
There is a weird pressure upon creators to make all characters likeable, unproblematic and "relatable" by the same hammy tropes: tragedies (dead partner, daddy issues), armchair progressive politics (Fire Nation is Evil but it has Women Soldiers in the Military, Feminist Icons!), or "I hate everyone but you" style dark romance (Daemyra and Alarkling). I am sorry but if the only villain you can appreciate is an "unproblematic", misunderstood one, you are NOT ready for media consumption outside of mainstream YA fantasy and children's literature.
This is the reason why tame liberal progressive books like The Priory of the Orange Tree and The Jasmine Throne gets shelved as "morally grey sapphics" while She Who Became the Sun and Baru Cormorant are called problematic and get negative reviews. This is the reason why CSM fans cry and sob about Makima being a villain and doing villainous things ("Omg how dare she not ask for consent??" She is a literal devil from hell, a war criminal and an allegory of govt. authority abuse of power. Sorry she isn't a feminist.)
You're free to filter the tags, but that's on you and nobody else. They are painted as villains. They are not misrepresentation. It's not on creators to make you feel comfortable about their evil characters. "A truly cool villain must be willing to murder but respect their wife and not be racist"– ok go back to reading AO3!!!! Personally I need more Makima Chainsaw Man and Lee Woo-jin Oldboy and Dorothy Daniels A Certain Hunger and Tywin Lannister ASOIAF and Logan Roy Succession!!!! Make villains nasty and unlikeable and unpalatable and bigoted and evil and gut-wrenchingly unpleasant again!!!
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PS: HOUSEKEEPING→ There is a human being and abuse survivor behind this blog. Please be mature adults and do not bring up your specific traumas, triggers and personal information to misdirect a conversation about fictional villains and guilt trip everyone by strawman arguments. This is about FICTIONAL VILLAINS. NOT invalidating your personal trigger.
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screamscenepodcast · 7 months
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Continuing their time in Italy, your deadicated hosts encounter SEDDOK, L'EREDE DI SATANA aka ATOM AGE VAMPIRE (1960) from director Anton Giulio Majano!
Designed to cash in on Mario Bava's success, this horror flick doesn't have much going for it...not to mention the gorilla on the loose!
Context setting 00:00; Synopsis 8:28; Discussion 18:23; Ranking 32:41
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screamscenepodcast · 7 months
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Your personal triggers and squicks do not get to determine what kind of art other people make.
People make shit. It's what we do. We make shit to explore, to inspire, to explain, to understand, but also to cope, to process, to educate, to warn, to go, "hey, wouldn't that be fucked up? Wild, right?"
Yes, sure, there are things that should be handled with care if they are used at all. But plenty more things are subjective. Some things are just not going to be to your tastes. So go find something that is to your tastes and stop worrying so much about what other people are doing and trying to dictate universal moral precepts about art based on your personal triggers and squicks.
I find possession stories super fucking triggering if I encounter them without warning, especially if they function as a sexual abuse metaphor. I'm not over here campaigning for every horror artist to stop writing possession stories because they make me feel shaky and dissociated. I just check Does The Dog Die before watching certain genres, and I have my husband or roommate preview anything I think might upset me so they can give me more detail. And if I genuinely don't think I can't handle it, I don't watch it. It's that simple.
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screamscenepodcast · 7 months
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Your deadicated hosts cover the directorial "debut" of Mario Bava, LA MASCHERA DEL DEMONIO aka THE MASK OF SATAN aka BLACK SUNDAY!
Starring Barbara Steele and John Richardson, we detail the different screenplays and film releases available out there.
Context setting 00:00; Synopsis 57:12; Discussion 1:15:05; Ranking 1:37:01
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screamscenepodcast · 7 months
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Your hosts peek through "Illusion-O" glasses to review 13 GHOSTS (1960) from William Castle! This spoopy children's horror stars Donald Woods, Charles Herbert and Martin Milner.
Plus, what's this? A new co-host joins the show..?
Context setting 00:00; Synopsis 13:28; Discussion 27:33; Ranking 38:28
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