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#february 1994
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february 1994.
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captainfreelance1 · 3 months
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Simpsons S5 E15 Deep Space Homer Fan Edit
A While Back I made a Drawing based my favorite Simpsons Episode Deep Space Homer, I recently become curious to see how the two would match up together.
So Under the Grounds of Fair Use, I decide too combine my drawing with footage of the actual episode itself.
I really think I did a good job editing it, I left my usual logo off this because I felt this was least amount work; I ever had too do also didn't want folks to think I was taking credit for other peoples work.
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sweetdreamsjeff · 2 years
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Jeff Buckley: SPIN’s 1994 Profile
 Archives » 1990s » Jeff Buckley: SPIN’s 1994 Profile
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Jeff Buckley performs during soundcheck at Hotel Utah in San Francisco, California, USA on 21st January, 1994. (Photo by Anthony Pidgeon/Redferns)
This article originally appeared in SPIN’s February 1994 issue. In honor of Grace‘s 25th anniversary, we’ve republished it below.
Sprawled on the floor of a mid-Manhattan recording studio, Jeff Buckley is showing off the newest addition to his instrumental repertoire: an antique harmonium. An elegant contraption of hand pumps, varnished wood, and ivory keys, the instrument was purchased as a tax write-off, to offset the advance from his 1992 signing to Columbia Records. But Buckley has grown attached to his new toy: “I first saw one of these on Mister Rogers’ Neighborhood when I was a kid,” he laughs, his fingers dancing across the keys, “and I knew I had to have one someday.”
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Buckley usually plays the electric guitar, accompanying himself as a solo vocalist in the small, dingy lower-Manhattan clubs and coffeehouses where he’s been a mainstay since 1992. There’s something disarmingly innocent about Buckley in performance. With his cherubic face, head full of curls, and shy, apologetic manner, he’s the closet thing the East Village has to an alternative heartthrob. Buckley’s real draw, however, is his voice, a pure, multi-octaved tenor that can glide from the anguished hysteria of a scat-singing Robert Plant to the lilting, serpentine moans of qawwali sensation Nusfrat Fateh Ali Kahn—in one effortless motion.
The son of the late folk singer Tim Buckley (with whom he claims to share little more than a famous last name), Jeff was raised by his mother, a classically trained pianist and cellist, and his step-father, an auto mechanic who turned him on to Led Zeppelin. For years, he avoided singing in public, performing instead as a guitarist in a series of fusion and reggae bands. “I used to lie to people and tell them I had nodes on my throat to avoid singing,” he now confesses. In 1991, he recovered his voice and moved to New York, playing in the avant-rock band Gods and Monsters with former Captain Beefheart guitarist Gary Lucas, before setting out on his own in 1992.
Even if Buckley’s debut studio recording, due in early ’94 and featuring both a bassist and drummer, hits big, he plans to continue playing alone. He traces his passion for solo performing back to his heroes, blues singers Robert Johnson and Son House, and their rowdy “barrel house” shows during the early days of country blues. “It was just the singer, his voice, the guitar, and this tiny shack,” Buckley sighs, “and people dipping their cups in a big barrel of whiskey. If you sucked, nobody danced. So I decided to perform in very small, inescapably intimate places—to see if I could make big magic in a really small place.”
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hockeytown-gifs · 1 year
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Somewhere in Ohio  -  Wings @ Whalers  -  Feb. 24, 1994
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subjectivecuriosities · 3 months
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My ★★★★ review of Naked Gun 33⅓: The Final Insult (1994) on letterboxd: https://boxd.it/5M32jd released 30 years ago this month.
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yetanothercomicbook · 4 months
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Great Balls of Fire
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Plasmer #4
Poor.
Final confrontation with Aftermath.
This is just a mess. Too many characters, too much random shit happening to (and around) them. By the end, it felt like literally anything could happen.
On Sale Date: December 28, 1993.
2/10
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thatsmyfive · 3 months
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horror girlfriends keeping each other warm and completely missing the fireworks 🔥🎆🎇
a late happy new year’s piece for valentine’s day with sam and deena from fear street
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thosekillerheels · 3 months
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Tnx Lance
““Under the Pink is a place. It's an internal place. It's the inner world, the inner life. You have to listen from your stomach. To me, it's all there. But you've got to be willing to put your moccasins on and walk down the road." ~ Tori Amos 🎹
30 years of Tori’s second masterpiece “Under the Pink” album 🎵🎹🤍”
Lance says:
And of course the fanboy in me has to write on every UTP appreciation posts: The album peaked at No.1 on the UK Album Chart and is certified platinum. “Cornflake Girl” and “Pretty Good Year” both UK Top 10 hits. And Tori received the ‘International Female Solo Artist’ nomination at the 1995 ‘Brit Awards’ 🙌🏻
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rabbitcruiser · 1 year
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The Field Building, also known as the LaSalle National Bank Building and Bank of America Building was designated a Chicago Landmark February 9,  1994.    
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Karidja Toure: February 14, 1994
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captainfreelance1 · 8 months
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I made this Drawing a few months ago, I based it on the iconic scene from 'Deep Space Homer' where Homer Simpson is enjoying a snack in Zero Gravity; I enjoyed making this drawing it was a lot of fun to make.
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snkrbonbon · 3 months
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Reebok Preseason ‘94 Mid “Big Game”
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razor-ramons-thighs · 2 years
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Crush article from a WWF magazine
Transcript below
COVER BOY
It’s no secret that Crush—the old Crush—had a lot of fans in the office of our magazine. We admired his wrestling style and thought he was a nice young kid. And we were just looking for the opportunity to put him on the cover. I’m fact, we were just about to when he was injured and had to return to his native Hawaii.
A few issues ago, he did make the cover indeed. But it was a different Crush, one we don’t admire and don’t like very much at all. The reason he made the cover is that he was—simply—big news.
As it turn out, our putting Crush on the cover may have made him even meaner and more confident that Mr. Fuji’s way is best for him. We bumped into him in a dressing room not too long ago, and this is what he told us.
“You people at that magazine, you never had me on the cover before. But now I’ve made it. I know you don’t like me, but you had to put me on. Because, Mr. Fuji told me, now I’m important. Mr. Fuji says that to get what I want, I have to be vicious and smash anybody in my way. You know what, you magazine people? You proved him right.”
If we did—at least in Crush’s mind—we’re sorry.
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subjectivecuriosities · 3 months
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My ★★★½ review of Trancers 4: Jack of Swords (1994) on
letterboxd: https://boxd.it/5IP8mn
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yetanothercomicbook · 6 months
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The End of Tomorrow
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Cyberspace 3000 #8
Very weak.
Final showdown with Gamble, as Adam Warlock battles Thanos.
The characters are all inside a dreamscape. Somehow. Anyway, after two issues of build up Warlock defeats Thanos with ridiculous ease and it's all over. Gamble is suddenly defeated, too. Somehow. And everybody is back in the ship.
A couple of important elements are left unresolved. Clearly, they were to be the basis of the next story arc. Instead, the series is abruptly cancelled here and we end on a couple of very big cliffhangers. Cliffhangers that will never be resolved anywhere.
Other plot points, from earlier issues, also go unresolved. All those time-travelling bugs, for instance, and the whereabouts of the rest of the ship. Plus, the real flesh-and-blood captain. I'm guessing she was lost in time somewhere (with the other half of the ship) and would half joined the series again at some point.
On Sale Date: December 21, 1993.
Gary Russell (8 of 8).
Steve Tappin (8 of 8).
2/10
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