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#fairy godmother charlie fairy godmother charlie fairy godmother charlie-
fandomworld9728 · 1 day
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(Inspired by Beauty and the Deer by @thisonesock ^-^ got the inspiration from this amazing fic to do my own fairytale inspired AU)
Cinderella AU:
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Alastor:
Is a human, cannibal, serial killer
Is just him and his mother
Was dressed up by his friend Rosie and dragged to the ball against his will
Rosie acting as some stand in for the Fairy Godmother and giving Alastor some fancy glasses to wear instead of his usual old worn-down pair
Was never there to meet the King but ended up dancing with him to have an alibi for the person he killed in the palace
Finds himself enjoying picking, teasing, and poking at the small man until he has to run from the guards
Drops his fancy pair of glasses in his hurry
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King of Hell pretending to be human royalty and allowing the hellborn a chance to blend in with the humans for one night under the guise of finding a new spouse
Charlie and Vaggie there as Princess and Royal Guard to have some fun also
Ends up bored with the whole thing until he gets swept up in a dance with Alastor
Wouldn't have entertained it but got intrigued by the scent of blood and death that clung to him
Enjoyed that this human had the guts to talk to him the way he did
Had actually chased after him when he had run off and snorted at the glasses that got dropped in the human's hurry much like Cinderella's glass slipper
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Happy Hotel
Swap au because everyone else is!
(playing more fast and loose with the lore more than a cheetah who can’t tie their shoes plz don’t get mad at me) 
***
Emily paced back and forth wearing the carpet in the TV studio thin. 
Seven years ago Emily was a seraphim, the seraphim in charge of keeping everyone in heaven happy. She was a good girl, always played by the rules, and did her job well. 
Seven years ago for the first time in history a sinner was redeemed right in front of her eyes. 
Seven years ago she started questioning the rules she used to blindly obey.
Seven years ago she fell.
Emily was the first fallen seraphim. She was clueless and scared if not for that redeemed sinner to lose paradise in the name of helping her keep safe in Hell. 
In Hell where the naked truth, the whole truth, was before her eyes. Hell, a cesspool of crime, hate, and abuse. Where angels would fly down once a year to rake up sinners as if they were a pest infestation. Her heart bleeds for the lost sinners, even if they were awful people, most of them didn't deserve such a fate. She would have said all sinners, if Hell had not jaded her heart. 
She wanted to help sinners, they were her people now, the seraphim had made their say. Yes heaven had cast her out, but that didn't mean sinners wouldn't benefit from paradise. As much as she was upset with heaven, she knew it would be better for any wayward sinner than the cards they were dealt now.
“Any more pacing and you’ll tear a hole through the carpet.” Emily snapped out of thought. Sir Pentious. The first redeemed sinner, and her closest friend. 
“Ah yes I just, suppose I'm nervous.” She gave a lopsided smile that crossed with a grimace. Who wouldn't be? By some stroke of miracle she got an interview with 666 news and finally an audience to share her idea with, the audience of all of Hell and not just her stuffed animals and Pentious. 
“Underssstandable yesss, but you’ll do fine i'm sssure of it.” Pentious smiled making his way towards Emily, “you have practiced thisss ssspeach for ssso long now that I would ssswear you recite it in you sssleep.” He smiled, placing his hands on Emily’s shoulders. 
Nodding Emily took a deep breath, “your right, I got this!” she smiled a small twinkle returning to her eye.
“I believe in you!” he spun the ex-seraphim around giving her a gentle shove in the direction of set, cheering with the gusto of a wife sending her husband off to war.
“Oh suck it up you little-*beep*” The camera was set to commercials and the news hostess spun her chair around stretching her legs before producing a pack of gum from her bosom. Cherri Bomb, spunky myspace queen turned new hostess with a fuse as short as her name would suggest. 
“Hello there, I'm Emily!” Emily smiled, holding her hand out for a shake. The cyclops rolled her eye before popping a bubble.
“No thanks, I don’t touch preps.” Cherri spun around in her chair before propping her feet on top of the desk. Emily gave a nervous chuckle before taking a seat of her own. Emily wanted to greet the co host but they were currently walking off a bomb explosion. She had to give it to sinners, they were very restant. 
“Thank you so much for seeing me, I'm so grateful.” Emily smiled, tapping her feet on the linoleum floor. Looking across the set she could see Pentious giving two thumbs up and a fangy smile. 
“F*** you bi*** the only reason why your on here is because otherwise we hafta’ cover that dooms day s*** again.” 
“Were on in three-”
Cherri shoved Emily out of the shot and kicked her feet to the floor, “and we are back!” She plastered on a huge smile giving bear claws to the camera. “And we are here with a guest! So Emmie,”
“It’s Emily-”
“fu** off!” Emily gulped as Cherri lit up a small cherry bomb, “anyways what is this biggest breakthrough idea that’s worth all of hell knowing about!” she smiled, chuckling the bomb at her coworker. 
***
A tall blonde demon skipped down the street humming wizard of oz showtunes, as if Hell was her playground. Skidding to a halt her curiosity was piqued. A not so small group of demons stood in front of a small TV and radio store staring at a very special episode of the news. 
Oh but what could this episode be about? It must be so interesting if everyone was curious about it. 
Standing in the shadows of the sinners she smiled to herself, something told her this was more than the normal slog of Hell’s gossip. 
***
“Well I,” She gulped, scanning the crowd. Pentious smiled, waving his arms in the air. It was obnoxious but it made her feel a bit safer. “So Hell has been at the mercy of angels for centuries and it’s so, so unfair.” 
“We already know that bi***.” 
“Yes, but what if there was a way to change that?” She smiled while holding a notebook towards the camera. The lined paper was covered in crayon and stickers with a step by step plan.
“I’d say you're delusional.” Huffed Cherri Bomb.
“But there is! You can escape Hell, all you have to do is redeem yourself!” She smiled flipping the notebook page to show a doodle of a stick demon turning into a stick angel. The studio was filled with a hush silence before everyone broke into hysterical cackling.
“Redeeming yourself? What a joke! What and all we gotta do is say please and thank you and eat all our veggies? Is that it? HA! This b**** comedy gold!” Cherri cackled, spitting her gum in Emily’s face. 
Emily’s face fell, what were they laughing? This wasn't how it was supposed to turn out. “But I'm serious, I really am!” She slammed her notebook down onto the news table trying to make her voice loud enough to break the giggling fit within the studio. “I even have proof it can work!” That made everyone shut up. 
“Oh ya? What proof?” Spat Cherri. Cherri was more than willing to entertain this delusion, she was just waiting for this to be clipped for memes the next day.
“Him! The first demon to be redeemed!” Emily pointed to Sir Pentious in the crowd. Every camera and eye in the studio whipped towards the snake, a spotlight even glowing behind him. Sir Pentious froze like a deer in the headlights.
“Then why is he down here?” someone from the crowd spoke up. 
“HAHA! OMG b****! Are you for real right now?” Cherri cackled spinning in her seat kicking her feet in the air. “This is better than a HotTopic membership! KAHAHA!” She squealed. 
Emily bit her bottom lip, she didn't know if she wanted to scream or cry, she hadn't even told everyone about the hotel yet! This isn't going like it was supposed to! “I-”
“Listen b**** your cute, fu**ing adorable even,” Cherri cooed pinching Emily’s cheek before shaking the ex-seraphims face, “but if you really think any of this is real, that snake boi over there is a redeemed sinner? Give me your dealer's number!” Cherri shoved Emily to the ground by her face. Gold trickled down Emily’s face, signaling a broken nose, but nothing hurt more than everyone mocking her. She was right! She was right! Why did no one believe her? 
***
The demon tilted her head, my how amazing indeed! She was glad she made time out of her day to watch this trainwreck. Perhaps she should bid this Emily a visit?
***
Emily and Sir Pentious were chased out of the studio shortly after their segamat ended. The night was ruined! And to top it all off their bikes were stolen because of course they were! The two of them ran all the way back to the hotel they had set up. Maybe hotel was a stretch. It was a duplex house with a downstairs home and an upstairs home. They revamped the basement so it was now three-ish houses. The only reason they could even afford such a place was because they claimed the cheapest house in money launders ave. 
Pentious opened the door for Emily as she dragged herself inside. Above the kitchen was a birthday banner flipped over with WELCOME scribbled on with fruit scented magic markers. The dining table had cupcakes in the tin waiting for the new residents that were supposed to show up.
“You did your bessst Emily! You really did, it’sss not your fault that everyone was against you!” Pentious gave a weak smile before handing a cupcake to Emily. Emily sighed, setting the sweet back on the table. She knew Pentious was trying to cheer her up, she was appreciative of it, but that didn't stop the pain of her ego getting curb stomped on live television. She collapsed on the moth-eaten loveseat of the living room. 
Pentious sighed, it really wasn't her fault, this was just hell being hell. Didn't stop him from worrying for his friends' well being. Before he could get too deep into thought there was a knocking on their door. His frill popped up in surprise. Wait, did someone just-
He swung the door open with a huge smile on his face before fear overtook his face. “YOUR MAJESTY!” he shrieked, giving a salute. Emily scurried up to the door only to freeze in place herself.
There in the doorway stood the princess of Hell herself, Princess Charlie Morningstar. The most powerful demon in all of hell after Lucifer’s sudden seven years absence. “May I come in?” she smiled, raising a hand in a wave. The second time that night Pentious froze, his eyes bulging out of his skull.
“Oh yes! Yes of course!” Emily squeaked running around the kitchen trying to find a chair for Charlie to sit in.
“Oh I must say this place is far more humble than I would imagine!” She smiled taking in the sights of mold slowly growing on the ceiling. 
“I-I must say I am more than honored to have the princess here at our hotel!” Emily squeaked, “but why?” 
“Why?” Charlie smiled, spinning towards Emily before throwing her arms in the air, “because you're singing my song sister!” she grabbed Emily’s hand before twirling her, “Redemption! Redemption! Redemption! Such a marvelous idea! Consider this an investment!” 
Emily’s eyes widen with stars, “wait are you saying-”
“Emily dear, I wish to help you with your endeavors to save our people!” Charlie cheered. Every part of Emily was now vibrating, there was no way! 
“Alright before we get down to business this isn't much of a hotel now is it?” 
“Yesss I, we diden’t-” Pentious stuttered, failing to make eye contact with the princess. Charlie flashed a huge grin before waving her hands.
“Let's fix that then, shall we?” With a wave of her hands everything was bathed in a candy apple red. Charlie spun around and sang as the furniture and building shifted and cracked turning into a now fully furnished two story hotel with an ever present apple motif. 
“Amazing-” Emily and Pentious were stunned. How? Why? 
“And let us not forget about the staff now!” Charlie smiled, spinning her way to the new and approved living room turned lounge. The two followed the princess in nothing short of awe.
Charlie kneeled in front of the TV. The air started to crackle and buzz as static filled the room, as if from the ring. Charlie reached into the TV before pulling out someone. This person tumbled from the electronic system. 
This person had a TV for a head as they jumped to their feet, “who, I, were, oh!” They smiled before bowing, “Princess Charlie!” 
“Vox!” She smiled while hugging the TV.
“What has you today?” Vox smiled. Charlie grabbed him by the shoulder twirling him to be face to face with Emily and Sir Pentious.
“Hi!” Emily squealed grabbing Vox’s hand, “Im-”
“Ah Emily, Sir Pentious, hey, hey, hey!” Vox smiled, giving the two of them brush handshakes. 
“How did you?” Pentious’s jaw dropped.
“Know? Oh, I see, everything.” Vox gave a large and slightly malicious grin as his face rippled with static. 
“Oh my.” Pentious gasped, not knowing what to do with that information.
Charlie skipped her way to the kitchen being tailed by Emily, who was now filled with nothing but admiration for the princess. 
Kneeling next to the cobbards Charlie pulled out a smaller woman, who barrel rolled into the bar. Wait when did they get a bar? Grabbing the woman by the collar of their shirt Charlie smiled, “this darling is Velvette!” Velvette could have been less thrilled as she played games on her phone, the pings of candy crush filled the room. 
“Hello Velvette!” Emily smiled, only greeted with a slight hum. 
“Vox is going to be our bendtner and Velvette is going to be our maid! And now we need guests!” Charlie threw her hands into the air Emily bracing herself for something cool to happen. 
The front door swung open. “Hey’a toots.” there stood Angel Dust a fluffy spider dressed in a sparkly pink and white suit.
“Angel!” Charlie cheered, giving the spider a bear hug.
“What have you got for me now?” Angel purred.
“I just have a teensy tiny itty bitty little favor for you, please?” Charlie gave large puppy dog eyes and a pouty lip. 
“Not like I have a choice do I?” 
Charlie giggled, “your our first guest at this-” She bent backwards to face Emily, “what is this place called?” 
“Oh!” Emily gasped with stars in her eyes, “I-I don’t know.” springing herself forward Charlie was now face to face with Angel Dust again, “the Happy Hotel!” she cheered creating a sparkly rainbow with her magic.
“Charming.” huffed Angel making his way to the lobby before draping himself on the couch, “how long am I in here for?” 
“Oh! Well, until I say so.” Charlie shrugged with a large smile, “and she should be here in three, two, one-”
A loud barrage of bullets greeted everyone's ears as the left wall blew up.
“Darling!” Charlie cheered at the woman standing in the rubble of the explosion. 
“Babe!” She smiled running to Charlie as the two spun around in a huge hug.
“And guest number two, my darling dear Vaggie!” Charlie smiled. Veggie in question has a grey and pink cameo outfit with a matching, well worn helmet. The helmet had a red bow tied around the sweatband and the words born in Hell scrawled in glitter glue on the side. A few bullets stuck under the ribbon. 
“I-I can’t say i'm not grateful, Im, I'm in debt to you!” Emily smiled with tears in her eyes, “but why? What, what do you want?”
Charlie bound her way over to the ex-seraphim before grabbing her hands, “let me put this in words we all understand.” She smiled. Vaggie rolled her eyes. “Here we go-”
“~you have a dream, your here to tell about a wonderful fantastic new hotel~
~Yes it’s one of a kind, right here in hell, ment to redeem clientele~”
***
I have no clue if i'm gonna carry on past the pilot but man are my ideas buzzing; anyways more notes!
Charlie owns Angel’s souls the same way Alastor did Husk
Lute takes Emily’s place, Nifty takes lute’s place
Adam is still adam lol
Vox and alastor still have beef because I can
Alastor is known as the big three as he has control over radio, tv, and gaming
Husk is still ex overlord of gambling and is still Al’s favorite play toy
Husk is gonna pull a pentious (as in join the hotel not die!)
This was not created to spread Emily and Pentious BFF propaganda I swear-
Vaggie is a sinner 
Charlie is doing this because she genuinely want to help but everyone thinks she is sketchy probably nothing to do with lucifer's seven year abastent nooooo 
Sinner Vaggie was created based off the full metal jacket poster (haven't watched the movie) and the dirty harry music video (gorillaz, two special interests with one stone ba-BY!)
Idk if im gonna switch anyone else’s role
Sera will still be Sera and I will do Sera slander until season two and we get her tragic backstory and then I’d feel bad for the Sera slander
Cherri is a scene queen and tom trench is still bullies on set lmao
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hitchell-mope · 1 year
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One day more by the majority of the cast
Verna: One day more
Another day, another destiny
This never-ending road to “Calvary”
All those who seem to know my crime
Will surely come a second time
One day more
(The screen lightens on the lake)
Ben: I did not live until that day
How could I live if we are parted?
Verna (in split screen): One day more
Bal: Tomorrow we’ll be miles away
But with you my world.
It started
(The screen lightens on the Lost Revenge)
Uma: One more day all on my own
(The screen lightens on devie’s suite)
Devie: Will we ever meet again?
Uma (in split screen): One more day with him not caring
Devie: I was born to be with you
Uma: What a life I might have known
Devie: And I swear I will be true
Uma: But he’ll never see me there
(The screen lightens on the R.O.A.R arena where Lonnie and Gil are walking through the rows of recruits, inspecting their fighting skills one last time)
Lonnie: One more day before the storm
(The screen lightens on the depot)
Anthony: Do I follow where they go?
Gil (in split screen): At the barricades of freedom
Anthony: Should I join my cousin there?
Lonnie: When our ranks begin to form
Anthony: Do I stay or do I dare?
Gil: Will you take your place with me?
The recruits: The time is now
The day is here
Verna: One day more
(The screen lightens on the isle and the villains)
Adam: One day more to revolution
Audreficent: We will nip it in the bud
Adam: We'll be ready for his school chums
Audreficent: We will wet ourselves in their blood
Verna (in split screen): One day more
Hook: Watch 'em run amuck
Ursula: Catch 'em as they fall
Both: Never know your luck
When there's a free for all
Jafar: Here a little dip
Queen of hearts: There a little touch
Both: All of them are goners
So they won't miss much
(The screen lightens on jaylos’s suite)
Carlos: One day to a new beginning
Jay: Raise the flag of freedom high
(On the island)
Audreficent: Oh you know I will be queen
The villains: Yes we know you will be queen
Carlos: There's a new world for the winning
Jay: There's a new world to be won
(At the depot)
Anastasia (in amazement at the sound all around her): Do you hear the people sing?
(Anthony gets out of the limo he’s been using)
Anthony: My place is here
I’ll fight with you
Verna: One day more
(At this point the screen splits into eight equal pieces)
Bal: I did not live until that day
Devie: Tomorrow you'll be worlds away
Jaylos: But with you my world it started
Uma: One more day all on my own
Adam: We will kill these people's heroes
Audreficent: We will follow where they go
Adam: We all know their little secrets
Audreficent: know the things they know!
Verna: One day more!
Jafar: Watch 'em run amuck
Ursula: Catch 'em as they fall
Hook: Never know your luck
Queen of Hearts: When there's a free-for-all
Adam: One more day to revolution
Audreficent: We will nip it in the bud
Adam: We'll be ready for his school chums
Verna: Tomorrow is the judgement day
Tomorrow isn’t far away
Tomorrow is the judgement day
All: Tomorrow we'll discover
What the gods in heaven have in store!
One more dawn
One more day
One day more!
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okay okay. instead of "Alastor is a father figure to Charlie"
i raise you "Alastor is Charlie's (evil) fairy godmother". because it's more accurate
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paincaat · 2 months
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charlie's evil fairy godmother
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just some ipad doodles inspired by this post
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grayluforever · 4 months
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Blessed Shrek AU
Alastor=Shrek
Charlie=Fiona
Angel=Donkey
Vaggie=Dragon
Seviathan: Lord Farquaad
Gingerbread Man= Niffty
Pinocchio= Baxter
Big Bad Wolf=Loona
Three Little Pigs= Cletus Collin and Kennie
Old Woman= Valentino
King Harold= Lucifer
Queen Lillian= Lilith
Fairy Godmother=Martha
Prince Charming= Stolas
Puss in Boots= Sir Pentious
Doris= Sallie May
Rumpelstiltskin= Vox
Kitty Softpaws= Cherri Bomb
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I feel like it would be funny if the Legends were exposed to so much temporal radiation from the shenanigans that none of them aged, but no one realizes why:
Sara thinks it's because of the whole alien hybrid thing
Jax thinks it's because of the Firestorm thing
Ray thinks it's because of the Atom suit
Mick straight up does not care
Kendra thinks it's a Hawk thing
Nate thinks it's from the Steel Serum
Amaya has her spirit totem cancel it out, so that feeds into the illusion
Zari 1.0 assumes Totem shenanigans or because of her removal from the timeline
Wally thinks it's the speedforce
Charlie is already immortal, she has double eternal youth now
Nora thinks's it's Fairy Godmother Magic
Constantine thinks it's because of one of his many demon deals
Ava thinks it's a clone thing
Mona thinks it's from Wolfie
Gary has no idea how humans age
Behrad thinks it's the Totem
Zari 2.0 thinks it's because of her beauty products
Astra think's it's because she grew up in Hell
Spooner thinks it's because of the aliens
Gwyn hasn't been around long enough to notice
Gideon knows and is waiting for someone to figure it out
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yurinika · 28 days
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Just did a rewatch of Cinderella 3 and I can't stop imagining them as YV characters as Disney characters
Cinderella
Cinderella -sugarboo
Prince -Alphonse
The talking mouse -Charlie
Fairy godmother -either Finn or auron
Anastasia -Faust or seth
For beauty and the beast I'm stuck between Lucien(angel) or Auron(rook).
Tarzan is Seth and scout no one can change my mind.
Brave deadass gives Faust or Casper vibes.
Tiana gives Faust energy too or Sugarboo!!
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respectthepetty · 5 months
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Hi Petty! Totally random question that came to me...do you have any favorite series with obvious character color coding? And by obvious I mean like...Power Ranger color coding obvious.
TLWR: I can't answer this.
@negrowhat, This isn't random because you were just reblogging Y Destiny posts, and that show was Power Rangers color coded!
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So it shouldn't be surprising that Y Destiny's director is Cheewin since most of Director Cheewin's shows are extremely color coded like Middleman's Love, You'll Never Eat Alone, and Bed Friend.
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And although Playboyy isn't unmistakably color coded, it still has color coding, and Cheewin won't let us forget that.
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Hell, look at the description of his upcoming series Deep Night which states that "[The characters] aren't the only ones bringing colour to the club" so I'm guessing it, too, will be color coded.
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I think Cheewin really enjoys color coding, which is why Domundi continues to hire him since Domundi wants color coding in its shows like Cutie Pie and Naughty Babe! And it's probably why Cheewin gave me one of my favorite noticeably color-coded shows, Secret Crush on You, where Phaya and Dr. Cocomelon (as you call him) were the bestest color-coded friends ever.
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Everyone was color coded in that show, even the fairy godmothers.
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But outside of Cheewin, I LOVED Destiny Seeker!
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Which is why it won a Colors Award for Best Group Effort since it played into the traditional way of color coding with the main characters, but gave the side couple an interesting color dynamic, then had the younger third couple color coordinate.
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It was fascinating, and I wish it was more easily available internationally, so others could enjoy it!
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Japan leaned into obvious color coding with I Became a Lead in a BL Drama
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And I loved it!
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However, I also feel like another one of my favorite shows from Japan, My Love Mix-Up, was obviously color coded.
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While others seemed shocked by me stating that even though the promo material was color coded, which is something I found out after watching the entire series.
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So although I know what you're asking, it's slightly difficult for me to answer because (and this isn't me bragging), I find most color coding obvious, like in another color-coded favorite from Korea, Love Tractor, I understood it was color coded from the trailer, as I do many shows.
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Yet I got a few questions about it because others did NOT easily see that Yechan was a Green Guy and Yul was a Blue Boy even though I believed it was blatant color coding with no room for confusion.
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Much like how I picked up from the trailer of another favorite Korean series, The Eighth Sense, that Ji Hyun was light coded and Jae Won was dark coded. This shot was in the trailer with several others similar to this color scheme, yet it was just me out here seeing what I believed to be very recognizable color coding.
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So, to me, most color coding is Power-Rangers-level obvious. And I love seeing people slowly figure that out nine episodes in, when I had it pinned down before the first episode even began.
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Or in some cases, by the second episode because the first episode only showed the characters in uniforms or only had one scene with them.
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Which is why people are still flabbergasted that I knew Way and Charlie were lying without the subtitles even though Way, a blue teammate, looked like this in episode three of Pit Babe, and Charlie who supposed to a Blue Boy was red in the first episode.
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So to answer your question in the longest way possible, if a show has color coding, for the most part, it's obvious to me. I struggle sometimes figuring out what the colors mean like with The Sign and Last Twilight, but I still notice the colors, and it's funny since both shows use blue, green, and orange, which were the same colors I struggled with in Our Dating Sim since the orange threw me off (it represented uncertainty).
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I like writing about colors so much because what I think is Power-Rangers-level obvious is not obvious to others, and what I struggle with, some of you see clearly.
And I love when people tag me and say they noticed colors but "they were so obvious it was impossible to miss them" because it proves this point! Colors aren't obvious until we are actually paying attention to them. I'm positive someone watched Y Destiny and didn't even notice the colors. I'm just as confident people watched I Became a Lead in a BL Drama and didn't realize it was color coded.
And I hope you nor anyone else who reads this takes this is a mean-spirited dig about not noticing color coding. It's not much like my post about some folks not being able to tell the difference between Sprite and Zee in Twins. We don't notice the obvious when we aren't looking for it. You notice people's hands on others' throats. @colourme-feral notices locations. @dribs-and-drabbles notices clothing. Yet none of those things are obvious to me.
And that's why I can't really answer this question because the colors are obvious to me.
. . .
But Live in Love, if it gets made, will be Power Rangers color coded.
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That's obvious.
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420technoblazeit · 4 months
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as an ace person alastor makes me so happy ;-; idk most regular shows don't even have an ace person. and yet hazbin hotel, in which at least half the jokes are about sex and everyone is having sex and referencing sex all the time, they still said "actually we're still going to have an asexual person. who's referenced to be asexual within the show. and it's probably the most normal thing about him". HFUEAJDJS makes my ace heart go brrrr. he's just cool, you know? i totally get not liking him too much, and i really do wish they fleshed out his character a bit more (although i don't think it should be the alastor show either lol), but as an ace person he holds a special place in my heart.
okay that's all. love your blog, thank you for somehow managing to share all my interests (posting about supernatural in the year of our lord 2024?? go you!) you have a banger sense of fashion byeeeee
i ranted SO much about alastor but like. i dont hate him, i dont think he's a bad character. i think he's fun especially when he gets to play evil fairy godmother to charlie and he can be entertaining, i just dont like that the writers tend to write him as someone's who's basically impervious to damage or narrative consequence. which the finale did do a better job with to be fair, i thought he was more interesting in that last episode than he was for a good chunk of the series. and i like that they had the most tumblr sexyman of all the characters be completely aroace. rosie's joke about him being an ace in the hole was funny. ty for the ask, hope u have a lovely day. im gonna post about spn until i die i htink it's just occured to me that it's been like. a year since my second spn phase started goddamn. anyway have a good one!
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hannahhook7744 · 5 months
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My Descendants Fancasts Redone (Part 1);
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Rachel McAdams as Princess Amber of Enchancia (from Sofia the first).
Song that makes me think of them: "Who I Am Hates Who I’ve Been" by Relient K.
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Cary Elwes as Prince James of Enchancia (from Sofia the first).
Song that makes me think of them: "One Call Away" by Charlie Puth.
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India Eisley as Princess Sofia of Enchancia.
Song that makes me think of them: "Half of My Hometown" by Kelsea Ballerini.
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Emily Tosta as Shelly the mermaid (from Sofia the first).
Song that makes me think of them: Can't think of any. Am up for suggestions.
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Cariba Heine as Princess Oona of Merroway Cove (from Sofia the first).
Song that makes me think of them: Can't think of any. Am up for suggestions.
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Bailee Madison as Princess Cora of Merroway Cove (from Sofia the first).
Song that makes me think of them: Can't think of any. Am up for suggestions.
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Hailee Steinfeld as Princess Clio (from Sofia the first).
Song that makes me think of them: Can't think of any. Am up for suggestions.
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Dalia Bela as Princess Hildegard (from Sofia the first).
Song that makes me think of them: Can't think of any. Am up for suggestions.
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Trevor Jackson as Finn the Mer-boy, from Jake and the neverland pirates.
Song that makes me think of them: Can't think of any. Am up for suggestions.
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Victoria Justice as Stormy, from Jake and the neverland pirates.
Song that makes me think of them: Can't think of any. Am up for suggestions.
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Krysten Ritter as Marina, from Jake and the Neverland pirates.
Song that makes me think of them: Can't think of any. Am up for suggestions.
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Dane Dehaan as James Brown Jr./Jim Jr. , son of Jim Dear and Darling.
Song that makes me think of them: "Loser Like Me" by Glee Cast.
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McKenzie Jefferson as Lulu Brown, daughter of Jim Dear and Darling.
Song that makes me think of them: Can't think of any. Am up for suggestions.
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Alyson Hannigan as Eliza, Fairy Godmother's niece.
Song that makes me think of them: "Popular Song" by Mika.
Also remember some of these people are supposed to be older than they were in canon since these are their fancasts for when they are in the descendants verse (where several years have past).
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adarkrainbow · 4 months
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Long ask. Bear with me, please.
I'm still thinking about what counts or not as a fairy tale.
To be honest, I think the only pre-requisites for something to become a fairy tale in pop culture is for it to be a popular fantasy children's story in public domain. And kinda look like a fairy tale, too.
In your opinion, which work would be considered a fairy tale if it weren't for copyright?
Let me give, my examples
C.S. Lewis' Narnia books, especially the first one, The Lion, the Witch, and the Wardrobe. If Alice in Wonderland and Wizard of Oz are considered fairy tales, especially in crossovers, Narnia should be too as it shares many themes, plot points, and character archetypes.
Charlie and the Chocolate Factory. It literally uses all fairy tale archetypes and cliches under the sun, even if it ditches magic for extremely soft sci-fi. Willy Wonka is like Frau Holle or that fairy godmother from Toads and Diamonds, the four brat children are like those siblings and step-siblings who are always magically punished, and even as a child I knew Charlie Bucket was Cinderella but with no focus on romance. He's the youngest sibling that always is magically rewarded.
It is quite funny because I had the idea to make a post about this subject specifically! But since you asked I'll drop some elements of my planned posts here - it can be a good introduction!
Now if you ask me, "fairytale" can't be everything and anything, but that's probably because I come from France where "fairytales" are literaly a literary genre first, and then a category of folktales and legend, and we have specific categorizations different from other countries (again, the merveilleux/fantastique divide for example which determines the French approach to supernatural and fantasy, but is absent from English literature if I am not mistaken).
I... personally do not believe any "popular children story" would be a fairytale. Else that would make the first Harry Potter books a fairytale, or the Winnie the Pooh stories a fairytale or Despicable Me or the recent musical Troll movies fairytales. I think the inherent decision to make something "for children" fairytale like is bad because, again, fairytales were not originally meant for children and thus should not be limited to a child audience.
From my point of view, a fairytale needs to be either a folktale that hold itself in a specific format that makes it separate from legends and myths (the type of local folkloric stories told by old storytellers to children in the countryside for example - but with a clear plot, clear characters, and beginning and ends, separating it from vague legends ; and with a minimum religious element, to separate it from myths for example). I do not like to think of Greek myths as "Greek fairytales". For example, to take an example of the folkloric fairytales of France vs the legends: we have in Bretagne the belief in "les lavandières de nuit", "the night washer-women", ghostly, otherwordly apparitions of women washing clothes at night, and you should never help them else you'll end up dead or with your arms broken. If someone simply tells you what I told you above "It is said there are ghostly women who wash linen at night...", this is more of a "legend", like ghost stories, or "Oh, this is a fairy mound haunted by fairies!" or "It is said a monster lives in this cave". But if you actually tell the story of a specific peasant boy with a specific name, who due to specific reasons ends up meeting these women, and either escapes or falls to their fate, we already are closer to the folktale and thus the "fairytale of Bretagne". But this is all obvious, as these kind of fairytale-folktales were those collected by Grimm and Jacobs and Moe and others...
And then you have literary fairytales, which are stories meant to evoke or imitate the folktales described above, and can derive in many ways (be more "literary") but still identify or present themselves or link themselves to these folktales. These are the Perrault and d'Aulnoy and Andersen fairytales for example. This category can be pushed further with what we call in French "contes détournés" - you could call them "fractured fairytales" to take back a common English term, that is to say all the parodies and rewrites and deformations of fairytales, sometimes for humoristic effects, other times not. Modernization and expansion of fairytales are part of that, so to speak. But we stay in a domain where the story is presented or follows the code and format of fairytales, while also explicitely avoiding, pointing out or reversing the common tropes and rules.
But where the Narnia books and the Dahl books enter, we reach a domain that is not fully fairytale but rather a crossroad between three genres deeply intertwined. "Fairy tales" (or rather "modern fairytales") ; "Fairytale-Fantasy" and "Children fantasy".
Children fantasy is basically any modern children story (by modern I mean deliberately fictional and written as fiction) that involves magic and the supernatural. And these stories can be influenced by fairytales, since it is something children are very aware about, but not always. Peter Pan, just like the Oz books, are "children fantasy" - a form of fantasy for children primarily, or rather a form of children stories that step into the fantasy realm. Pinocchio is one of the oldest "children fantasy", as in a work primarily aimed at children, but with magical and fantastical elements in it.
"Fairytale-fantasy" however is a term usually given to a subgenre of fantasy works that, instead of taking inspiration from epic sagas (epic fantasy) or horror works (dark fantasy) or other things ; takes inspiration from fairytales and folktales. The same way Tolkien was the father of "epic fantasy" he was also the father of "fairytale fantasy" through his Hobbit novel, and also other works (his Tom Bombadil poems, his Farmer Gilles of Ham novel).
The thing is that "children fantasy" and "fairytale fantasy" are deeply interconnected since both can draw source from fairytales and folktales to build entirely new stories. As a result there is a frequent overlap. The Oz books belong as much to "children fantasy" (one of the biggest success in terms of magical series of children-book) as "fairytale fantasy" (they were a pure deconstruction of typical fairytales, explicitely playing with fairytale codes, and later becoming an "American fairytale" classic). The Narnia books are also part of this crossroad, as they are "children fantasy" (they are a traditional fantasy story with epic tones, but for children and teenagers), while also being "fairytale fantasy" (taking inspiration and paying homage to several fairytales and folktales). They all belong to this category of works which are not fairytales per se (since they are not of folkloric origins, nor were they meant to be faithful rewrites or perfect pastiches of traditional folkloric fairytales), but definitively works of fiction based upon fairytales, inspired by fairytales, and mant to take fairytales into the "next step" of the world of fiction.
The main difference between "children fantasy" and "fairytale fantasy" would be as such. Children fantasy, while sometimes inspired by fairytales, is not always tied to fairytales and can be completely fairytale free. For example many of Roald Dahl stories do pay homage to fairytales and are inspired by his fairytales (his witches in The Witches, his giants in THE BFG, Wonka and his factory, the Giant Peach, etc...), he is part of the "writers of modern fairytales". But you have also lot of children stories with magic that do not involve any fairytale reference. Children fantasy can be inspired and allied by fairytales, but is not defined by them.
On the opposite side, "fairytale fantasy" is defined by fairytales - but not by age. Yes some of the most famous "fairytale fantasy" works are for children: the Oz books or the Narnia books. But just as many are for adults and definitively not for children. Neil Gaiman wrote a Coraline for children, but his Stardust is definitively for adults. The movie "Legend", while one of the most iconic fairytale-fantasies, is for adults.
So, I think the real way to point out what a fairytale is, is to look at the format and intentions of the author and of the work, to see if it fits the literary fairytales of old. There needs to be a conscious emulation, pastiche or imitation of traditional fairytales, there needs to be something that make it feel like a fairytale, and not like a story inspired by fairytales. But honestly... this is deep down really, really hard to draw a line as it mostly comes to personal definitions and appreciations. The genre of fairytales is vast and blurry, as it covers traditional European folktales and a specific short literary genre first, but was then expanded to cover other literary works and non-European folktales - and so the lines are... muddled.
I do not hesitate to say that "Over the Garden Wall" is actually a modern fairytale, as seeing the show made me literaly feel again the same kind of feeling I had when I first discovered fairytales. But I can understand why people would consider it "fairytale fantasy" rather than a "modern fairytale" because it was made with the intent of it being a children show and fantasy show first and foremost. Dahl stories are definitively "modern fairytales" - but the fact they are set in "modern day" and a grounded reality where the supernatural is not supposed to exist can disqualify them from being traditional fairytales ; or the humor and parody and play with the fairytale codes can also create a distanciating humor that make them fairytale subversions or pastiches or parodies rather than fairytales. Pinocchio has everything that fits a literary fairytale - but its format also evokes old "story-cycles" like the Reynard adventures or Gargantua ones, and its lack of simplicity and uniformity, or rather its long, flowing nature can also disqualify it from being a fairytale and rather make it a fairytale-inspired fantasy....
Honestly the narrowest definition you can have of "fairytale" is: printed works that explicitely designate themselves as such, from collected folktales (Grimm) to literary fiction written to emulate and imitate them (Andersen). This is the most narrow definition you can have. But then, one can expand to include all folktales that inspired fairytales ; or on the other side, one can push into the literary direction, to include stories that do not have the fairytale format, but that were so heavily inspired and shaped after fairytales, and gained such a popular influence and widespread presence, that they became "modern fairytales". But then this also opens the door to questions such as "What is a myth?" or "What about literary myths?" (like Faust or Don Juan or Frankenstein, all those famous "literary myths" as we call them in French).
As you can see by this convoluted answer, it is not a clear-cut question and nobody can truly answer it. Everybody will have a different opinion, and there is no real limit. The question mostly defines in how the work label itself. Perrault and Grimm and Andersen works called themselves fairytales, so there is no doubt about it. But take Neil Gaiman's Stardust - an iconic of fairytale fantasy, and yet Gaiman refers to it as a "romance in Faerie", evoking more the genre of fantastical and supernatural romances (medieval-meaning of the sense) like "The Well at World's End" and others - and the work is also very inspired by fantasy fae stories with a vague proto-urban fantasy feel to it, like "Lug-in-Mist". Same thing with the movie "Legend" which is definitively inspired by fairytales and a fairytale-fantasy, but was sold as a "fantasy movie" or even "heroic fantasy" movie first and foremost. Meanwhile the Oz books were intended by Baum to be a "modern, American fairytale" - even though their novel format and their franchise nature removes the idea they can become as "traditional" as the folktales he meant to imitate...
I'll stop there for now, but long story short: It's complicated, and when in doubt, don't hesitate to refer to intermediary terms like "children fantasy" or "fairytale fantasy", which clearly evoke modern fictional works and can highlight a difference with classic literary fairytales or folkloric fairytales, without rejecting the idea these "modern fairytales" aren't fairytales in their own right.
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daughter-of-melpomene · 10 months
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𝙉𝙀𝙒𝙀𝙎𝙏 𝙋𝙇𝙊𝙏 𝘽𝙐𝙉𝙉𝙄𝙀𝙎
Alright, since I realize I haven’t exactly been as active on here recently as I would like to have been, I thought I would attempt to make up for it by letting you guys in on some of the newest OC babies I’m planning on introducing soon. I hope you guys like these little tidbits, and (even though I don’t have any of their intro posts up yet), feel free to ask me whatever questions you’d like about them!!
BAILEY TAYLOR, GLEE:
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— Texas native who transfers to McKinley at the beginning of season two after her mother’s job is relocated to Lima.
— Generally your typical sweet Southern belle, but also fiercely independent and has a feisty streak.
— Well-set up to be popular when she first transfers, but quickly becomes an outcast after giving a tongue-lashing to some jocks after she watches them slushy Tina, so she joins New Directions.
— Generally sings country and pop music outside of the group numbers, but occasionally busts out a showtune (and does some country duets with Sam).
— Either a Tina or Santana ship, I haven’t quite decided yet.
CLARKE TALEB, TRIPLE FRONTIER:
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— Her story is set in kind of an AU post-canon after the boys recover the stolen money from the ravine, where Santi officially retires and they all move to the same town close to each other (and also where Frankie doesn’t have a baby and broke up with his girlfriend because I just. Can’t really deal with that).
— Quite literally bumps into Frankie at a bar (and spills her drink all over him) and very quickly becomes friends with all four of them.
— A total energetic and social ray of sunshine who’s very comfortable in her bisexuality and active in her local queer community, and helps the boys come to terms with their various non-straight identities.
— The main singer at a local burlesque club, and KILLS it as a performer.
— In a poly ship with all four former Delta Squad boys, who are all also dating each other (except for Will and Benny, obviously).
GRETA DWARF, DISNEY’S DESCENDANTS:
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— Daughter of Grumpy of the seven dwarves fame.
— Pretty much lives up to her father’s name; doesn’t put up with one bit of crap and is never afraid to speak her mind (which normally doesn’t make most people happy, but she doesn’t really like people anyway).
— Is definitely an outcast in Auradon and at school; the only people who actually talk to her at school outside of the teachers are Ben and her cousin Doug, who’s actually a little scared of her.
— Befriends Mal almost immediately after the VKs get to Auradon (they are truly kindred spirits) and decides to try and help them steal Fairy Godmother’s wand because she resents Auradon and how fake and falsely cherry it is.
— Doesn’t really lose her prickly streak by the time the Coronation rolls around, but does come to realize that not everyone in Auradon is so bad and she needs to let people in more.
— Definitely besties with Mal, but also strikes up unlikely friendships with Carlos and Lonnie (and kind of becomes Carlos and Jane’s unofficial protector since they’re both pretty quiet and she is. Not).
— Also an Evie ship because I simply have to give my beloved girl a girlfriend. <3
ISAAC HOLLIDAY, TWLIGHT:
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— A boyfriend for my bi king Charlie Swan. <3
— A tailor who runs a clothing shop in downtown Forks - Charlie constantly brings his uniform to his shop whenever it gets ripped.
— Definitely suspects the Cullens of being vampires but can never prove it until Charlie lets him know about Edward and this man just jumps up and shouts “I KNEW IT!”
— Sweet but fiercely loyal and protective Gryffinpuff king. <3
— Definitely acts as a non-Charlie adult confidant to Bella and is the best stepdad when he and Charlie finally get together.
— Also used to have a bit of a crush on Carlisle and still gets nervous around him even after getting together with Charlie because Carlisle is just. So pretty.
LUCY SCRUBB, INDIANA JONES:
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— A British archeologist working with American Army Intelligence who gets assigned with Indy to help him find the Ark of the Covenant.
— Kind of shy and socially awkward (mostly due to constantly being underestimated in her field for being a woman) but incredibly intelligent and observant and knows when to stand her ground and not take other people’s crap.
— (Also probably autistic, but, well, they didn’t really have the language for that back then. But she is.)
— An incredibly sweet and compassionate woman who would do anything to help people in need (but also tends to trust too easily, which is why Indy is good at balancing her out).
— Indy likes to call her Lou, and she pretends to hate it, but she secretly loves that he thinks enough of her to give her a cute nickname.
— A ship for the daring professor himself, obviously!
VIA WINCHESTER, SUPERNATURAL:
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— (Yes, I know Winchester sister OCs are overdone, I don’t even care.)
— Technically her first name is Olivia, but she doesn’t like it and prefers to go exclusively by Via.
— Sam and Dean’s half-sister, fifteen years old in the first season, who was born out of a three-night stand between John and her mother.
— John didn’t stick around, obviously, but he kept tabs on Via and her mother and when the woman was killed in a car accident shortly after Sam left for collage, he came and got her and started training her to be a hunter.
— Immediately loves her two older brothers and is fiercely loyal to and protective of them, but shares a closer bond with Dean since she’s spent more time with him.
— Doesn’t like John at all, however, both for essentially abandoning her and her mother and for trying to turn all his children into hunters rather than letting them have normal childhoods, which is a point of contention between her and Dean.
— Despite her anger towards John forcing his kids into early training, she loves being a hunter and has a particular affinity for taking down vampires.
— A badass baby lesbian (who not only knows Dean is bi WAY before they even meet Cas but takes one look at Sam the first time they meet and is like, “Well, this one’s not straight either”).
— Might not have a love interest, or I might make another OC to give her a girlfriend, I haven’t decided yet (I’ll probably wait until I get a little further into the series).
Alright, that’s it for my more immediately upcoming OCs!! Again, feel free to ask me any questions you want about my newest babies!!
Tagging some of my OC community besties: @dancingsunflowers-ocs, @luucypevensie, @carmens-garden, @endless-oc-creations.
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negative-speedforce · 1 month
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1, 6, 7, 10, 32 for Siv and Pippa please?
1: what’s your muse’s favorite album of all time / favorite artist?
Siv: Siv's favorite album is Born To Die: The Paradise Edition by Lana Del Rey. Her favorite artists are generally "Tumblr indie pop sad girl" artists like Lana Del Rey, Mitski, Halsey, and Marina and the Diamonds.
Pippa: Pippa's favorite album of all time is Playing Both Sides by Jessi Juno, but out of real-world albums, it'd probably be Kiss by Carly Rae Jepsen. Pippa loves bubble pop, like Katy Perry, Brittany Spears, Charli XCX, etc.
6: what do they normally dream about? nightmares or nonsense?
Siv has been haunted by nightmares since she was a kid. Strange dreams of a man in yellow haunted her all through her childhood, then, after those nightmares became reality, her dreams became a lot more trauma-based.
Pippa's got a pretty even mix of nightmares and nonsense. A lot of times, her dreams are just... weird. Like having a glittery pink werewolf drag queen fairy godmother or something.
7: do they wake up groggy or alert? do they like mornings?
Siv hates mornings, and refuses to wake up before 7am, no matter what. If Siv wakes up before 7, she'll feel like literal death all day, no matter what they do to wake themself up.
Pippa's a morning person. She likes to wake up good and early, work on some art or maybe do some yoga, then go down to the community center or the elementary school to teach her visual art classes.
10. what shampoo scent do they like the best and why?
Siv uses some random bottle of Old Spice shampoo that she can never really remember the name of. Wilderness Farts or something like that? They have no idea, only that the label has green on it. Siv likes it because it doesn't make them smell too dainty or soft, and it honestly smells really freaking good to her.
Pippa likes to get one of those custom shampoos from the internet, since most shampoos don't really treat her curl pattern right. Since it's custom, she can usually decide on the scent, which she usually goes for a nice, mature vanilla sandalwood. It's a mild enough smell that it doesn't bother her students with allergies, but it smells nice to her.
32: do they critique others easily? do they judge from afar?
Siv is the QUEEN of judging people. They're the biggest hypocrite on the face of the planet, and refuse to judge themself by the standard they judge everyone else (the intense self-loathing will judge Siv by itself).
Pippa prefers to assume the best in others. Even if people are being assholes to her, she'll attempt to avoid the situation, but she'll still try to assume something nice about them, like "maybe they were just having a bad day" or something.
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libitfandom · 4 months
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So some things I’m just swirling about in my brain.
Based on his part in Ready for this, I think Alastor’s goal with Charlie is to see rise up and come into her own as leader and especially as a Ruler of Hell. He genuinely wants to guide her and mentor her into becoming a power player in hell. To what end I’m still not quite sure. I’m certain Charlie is at the center of whatever deal he made. Her Ascending in power probably is both part of his deal and something that could potentially get him out of it.
Of course him nearly dying under the conditions of his contract has him feeling powerless and terrified. Likely he’s going to be doubling down on his behaviors self to gain back any sense of control once he’s unbound.
But for now he’ll play the evil fairy godmother until Charlie is strong enough to get him out of his deal.
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asterouslyaesthetic · 11 months
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something about fairy godmother!merlin after gudako lets it slip that she thinks cindereli's dress is gorgeous and that she'd love to try it on makes me feral
so of course, when she wakes up in the middle of the night, she's in a beautiful castle, in a beautiful dress, staring at the mirror like she can't believe it's actually her
and then comes a knock at the door, and who appears but merlin himself, dressed up and ready to escort her to the ball
and there are tons of people there, mostly background characters with little bearing on her day to day life, but some of them are also the friends and family and classmates she hasn't seen in what feels like years
randomly, servants enter her dream and get put into appropriate costumes. abby and dantes are also there the entire time as bodyguards (abby is her lady in waiting/maid and dantes is her suave mercenary friend, it's in the script that merlin never ends up giving her), mash is there as a princess from a neighboring kingdom, and oberon is ALSO there, he forced himself there because he got no invite and he heard about it from castoria, and kind of miffed he didn't hear about this first because he can also do that. it's very important to him that gudako knows that, even if he'll never do it for her, obviously
she spends the night dancing away (always making sure to check on merlin, though he doesn't dance himself), until the clock hits twelve and merlin spirits her back to a room that looks like chaldea, but there are subtle touches to it that suggest its either OG chaldea or novum chaldea with the things she's missing from her OG room that sion couldn't replicate
and he makes her some hot chocolate, mimicking a certain someone (which causes a brief lull in the conversation after which merlin mocks the man mercilessly, but in a very frenemy way, and it gets a small smile out of her as she tells him not to make fun of the dead, but she's still agreeing with him), and they talk about how fun the night was
until gudako jokes about how she didn't have a prince charming. you can't have fairy tales without prince charming, who is the princess supposed to marry??
they end up debating whether she actually didn't have one or if she just isn't a princess who needs a prince charming right now (gudako rejects the premise that she doesn't want one—why does everyone else get knight kings, she says, pointing at shirou and hakuno for artoria and charlie), and she offhandedly says that if fairy godmothers looked like him, prince charmings would be out of a job
and that—
and that catches him off guard because the very next thing she says is "maybe prince charming was the fairy godmother who helped me along the way"
and he automatically says, "i'm not sure that's how the saying goes, my lord"
but anything else he can say dies in his throat when she stands up and asks him to dance with her and how can he say no when she's smiling at him so brilliantly
"shall we, o' wizard of mine?"
"as my lord commands."
and they live happily ever after
(when morning comes, gudako wakes up to a surprise in her bed. she figures out pretty quickly that he's just pretending to sleep, so she kicks him off her bed.
"my lord is a cruel master," he complains, cuddling her.
after they show up to breakfast like that, gawain straight up asks if she needs him to bail her out and is extremely disappointed when he finds that's not the case.)
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