i'm too mentally unwell for this (people shoving ragbros angst in my face at 10 am)
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desperately need people to understand that alicent is a victim but she’s also an abuser and a perpetrator
that she actively makes choices to harm other women because of jealousy and envy and the greed deep in her bones because submitting to suffering didn’t get her what those women fight to grasp for themselves.
she is absolutely a victim, in show.
that doesn’t change that she abused rhaenyra and her children, her own son, most likely helaena given how she flinches every time her mother touches her, and is actively weaponizing the patriarchy of westeros against other women- rhaenyra primarily, but also mysaria and dyana.
she isn’t the moral, righteous force of good that even she thinks she is, she’s a wounded woman directing all of the rot, pain, and fury inside her at the wrong people and forces.
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As much as I hate verlaine, I have to admit that the man suffering in the trenches of depression after Rimbaud's death is perfect for my rimlaine.
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literally wanna dieeeee I realized belatedly that not only was down bad written for me due to being an alien abduction metaphor song but it perfectly describes my situation w/my ex who dumped me 3 days into our second vacation in his country
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I've been working through RtDL DX's Extra Mode fairly slowly, so I'm only just getting close to finishing it up now. I got all 120 Energy Spheres earlier today, and uhhhhhhh
Fun fact: This dialogue is entirely new to DX! It's not in the original. I went back to my old file on the Wii and checked.
Haha yeah you little shit, we know you're planning to betray us soon (still love you though <3)
WHAT THE FUCK????????
EXCUSE ME????????
And then he goes on to explain a bit more, as seen above. But uhhhhhh,,, yeah!!! He's not actually Halcandran!!!! That's a new piece of Lore right there. My jaw dropped while reading it lmao
Anyway, moving on from that bombshell of a sentence, since we still aren't done with the full dialogue,
Remember that post I made a bit over a month ago talking about some of Manager Magolor's dialogue, where I was wondering if that dream of his regarding the theme park also applied to Main Mode Magolor?
I WAS FUCKING RIGHT!
Hell yeah this is such a victory for me I was so excited to read that dghsghfs
Magolor stole the Master Crown so he could make a giant theme park Confirmed and Canon and Real /hj
And then we also get a fun little reference to the Kirby Clash games!
A steal in Kirby's eyes, maybe, but that's only because he doesn't understand real-world currency.
And to close out this post, here are the last two lines of dialogue from this conversation!
Anyway. I'm losing my mind 💖
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One of my favorite things about the worldbuilding in The Left Hand of Darkness is the "perverts" in Gethenian society—those who are permanently in one of the kemmer forms. The "normal" person on Gethen goes through a kemmer cycle with periods of somer, but that's not every Gethenian. People whose bodies don't work this way get treated with repulsion. Genly compares them to "homosexuals" in his society, and that comparison is really instructive. Gethenians may not have gender roles and identities the way we do, but they do have societal norms, including about bodies and sexuality. And those norms leave people out. They are imperfect and sometimes they are unfair. I think this is part of the point.
In subtle ways, this theme is woven throughout the book's descriptions of Gethenian cultures. To stick to sexuality, something similar can be said about the different norms surrounding incest on Gethen and the empathic treatment of Estraven's past relationship with Arek. There is no taboo about incest between siblings on Gethen, only on siblings vowing kemmering, but if a child is born of it, the parents have to separate (and it seems like Estraven is separated from Sorve because of this). The reason for including this element, in my reading, isn't to impose our own moral standards by "showing" that Estraven's relationship with Arek was "bad" (in fact, we learn fairly little about it, beyond that Estraven cared deeply for him.) Instead, I think it's partly to demonstrate the dissonance between Gethenian mores and our own, and unsettle both. Because, like Genly, we see Gethenian norms as strange, we can notice that they bring about particular situations and cause particular hurts. Even the custom of vowing kemmering monogamously for life, which sounds more familiar, is shown as double-edged. Estraven breaks a taboo by making his "false" vow to Ashe, but was trying to build a new life with Ashe really wrong?
These things are not 1:1 to any "real life" issue, but like everything else in this story, I think they're chosen because they are provocative. It's really meaningful to me that even in terms of gender and sexuality, Gethen isn't painted as a utopia, but as a real place. Le Guin shows us two sets of norms and asks us not just "are our norms arbitrary and/or constructed rather than essential truths?" but also "are norms always socially constructed? Should we question them sometimes? What harm is done to maintain them? Who is being left out?"
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To be clear, I'm sending this ask not to start an argument but because talking about S/amson's morality as a subject interests me. This is all intended politely, though I am bad at tone. While my personal thoughts on S/amson's stuff in act 3 are a little complicated (shit of him to do, and they have him be excited about the annulment on the templar route, the latter of which I do have to wonder if they did simply bc the writers hate addicts (they do) or not. Still it did happen and it IS odd when people try to act like he had less part in the attempted genocide of the gallows than C/ullen, who was way more hesitant than S/amson), how did you come to the conclusion that he was purposefully throwing mages at slavers? He says pretty explicitly that he didn't know and was trying to get mages out of Kirkwall, are you assuming he's lying or is there some extra information I'm missing? I guess I could see why he might lie here if that was his intention, but I don't… really think he is? there's nothing to point to it? I see "he gave mages to a slaver" as a point a lot in the S/amson discourse, but I don't know how people are coming to the conclusion that he wasn't genuinely doing the best with the no resources he had at that moment, and the smuggler he was using ended up being a slaver without his knowledge. This being said, the fandom posing him as super good compared to C/ullen is really weird, and while I understand why it happens, it is frustrating seeing people ignore his blatent flaws.
do i think he deliberately gave mages over to slavers? no, i don't think that. i also don't think a lack of deliberateness absolves him of blame. k/irkwall is notorious for slavers - how many do we kill in game? we find a bunch just hanging out in lowtown, and the docks, and near the wounded coast. but the guy who lives on the edge of the docks never suspects that the man taking runaways for free is a slaver?
with regards to f/eynriel, s/amson is very explicit about how he didn't help f/eynriel as much as possible because he didn't have money. instead, he directs f/eynriel to a ship captain he knows. he knew the slaver, and he sent both o/livia and f/eynriel to him. when h/awke says "of course your friend's a kidnapper", s/amson quickly says r/einer's not a friend, but someone who "isn't scared to try out this business". but what business is he referring to? f/eynriel doesn't have coin, that's the entire reason s/amson turned him away. what other reason does a ship captain in kirkwall HAVE to take people on for free? s/amson deliberately sends f/eynriel to someone else to deal with. and when he heard rumours that person was selling people, what did he do? nothing, until h/awke comes looking.
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These two lines really make me feel like Susie is only a bully for, let's say, survival reasons. But that's as coherent as i can get so i'm going to ramble the rest of my thoughts on the tags.
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i Need to draw more clemviminnie shit but how am i supposed to do that when minnie only exists alongside them for 2 episodes then dies
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tbh out of the games I’ve played all the way thru thus far (0, 1, 2, 3) I think y3 is by far the strongest in regards to kazumaji content/implications, at the very least when it comes to majima’s feelings and displays of affection and whatnot. like. it’s legitimately hard if not impossible to adequately explain some of majima’s actions in this game as anything other than being out of way-beyond-platonic love for kiryu and it makes me want to slam my head against a wall and scream
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Day Five -> July 20th: Role Swap, Secrets, Trust
Read More For (Very Tame) Nakey Ladies (Coriane Jacos/Elara Merandus)
I, your best kept secret,
Whisper into your shadows
With heated breaths, gentle sighs.
You, my best kept secret,
Moan as I enter
Eyes roll back, muffled cries
-Onur Taşkiran
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Random yes but thank u for making that frusan art awhile ago it's adorable and i love seeing more art of this underappreciated ship :D!!!
ahhh thank you!!! frusan is so underrated FOR REAL, i guess it's probably because after Islands they all but disappeared (like i think they were only shown twice after that and that's including in Fionna & Cake (which i actually missed when i watched it bc its such a brief glimpse)) but like. still. I actually have a little idea for another frusan drawing (frieda and susan talking on a roof grown-up edition) but I have to break up the dialogue into parts & think of more Susan Reactions so it's not just Frieda monologuing at her lol
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I'm feeling very normal about my lil blood-covered muffin who just avoided his bad end by the sheer luck of it.
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Nobody’s going to get this comparison because I’m willing to bet the overlap of these two fandoms is, like, ten to fourteen people total, but
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literally nothing is funnier to me than my own obsession with the emperor
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