Sonder Chapter 83: Raise a Family Here [~3300 Words]
“Welcome home, boss,” Jake says as he opens the door and hops out, making a sweeping motion for them as they exit.
“Thank you!”
“We’ll give you two as long as you want. We’ll wait out here.”
“Again, thank you. Won’t be long. Everyone will be here soon,” Kurt replies, intertwining his hand with Blaine’s as they head for the front door. “You do the honors, honey,” Kurt whispers in his ear.
You can read Chapter 83 [here] or from the beginning on AO3 [here].
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Hi! I just read your post about Mateo recently. If I may, can you give me any specific instances in the narrative of the show where Mateo isn’t called out as heavily as they should have? I’m just curious?
During the Shuriki returns arc in particular, Mateo makes some pretty glaring mistakes that I feel like he should've gotten much more flack for (and based on what we see elsewhere in canon, I feel pretty confident that if Gabe, Naomi, Isa, or Esteban at least --and possibly even Elena-- had made these mistakes, they wouldn't have been swept under the rug nearly as quickly as they were for Mateo).
While it's unfair to completely blame Mateo for Carla's manipulating him during the "Rita" arc, I feel like it's reasonable to hold him a *bit* accountable. He did after all blab highly confidential information (on more than one occasion) to try and impress a pretty girl with how clever and important he was. (Something tells me that if any of the others had done likewise, they would've been called out for it. But because it's "beloved" Mateo, we don't even get "wait, you told Rita how to get into your workshop? And you've known her for only a few weeks? What were you thinking, Mateo?") Moreover, he never even apologizes for this or promises to do better/be more careful with such important, sensitive information in the future.
Even more aggravating is his behavior in "The Scepter of Night." Mateo is so eager to play the hero and claim all the glory for himself that he twice (!) disobeys a direct order/abandons the plan and goes looking for the scepter piece on his own. This directly leads to Fiero and Victor finding the scepter piece and (temporarily) stealing it. And it's really only due to luck and very conveniently-timed infighting amongst Shuriki's allies that Elena and co. are able to get the scepter piece back. While Mateo does receive some (brief) criticism, it's nowhere near the level that it should be.
Also noteworthy Elena doesn't really get particularly "mad" at him (especially considering how angry we see her get at other characters even for more minor things) . She's not truly, actually angry at Mateo (and Gabe and Naomi are only a bit angrier); she's just a little frustrated and disappointed at him in the moment. And apart from a (very short) little "do better next time" speech, Mateo doesn't face any real consequences or lingering resentment unlike other characters who do.
When Isa obeys direct orders in "Sister of Invention," she has to face consequences (Elena grounding her). Similarly, Elena holds a grudge against Esteban for days (if not weeks) after he interfered with the Feast of Friendship (a much lower stakes mistake than Mateo's imo). Moreover, it's possible to interpret Esteban's staying behind in Avalor when the others go to see the Norberg Lights as a punishment (either self-inflicted or imposed by Elena) for his actions in the previous episode.
In contrast, Mateo just gets a brief "I expected better from you" speech from Elena and Gabe jokingly assigning him push-ups as punishment (which he immediately takes back when Mateo tries to do them). I'll give Mateo a little bit of credit for actually apologizing this time (which he doesn't always do). But it's still frustrating that everyone is so ready to forgive and forget Mateo's missteps immediately while this same courtesy is seldom shown to others.
I think it's worth directly comparing a few Mateo-centric episodes with a few more similar ones that focus on other characters so that we can see how there does seem to be a noted narrative bias in his favor compared to the others.
Let's start with two "feeling kind of insecure" episodes: "Spellbound" for Mateo vs. "Naomi Knows Best" for Naomi. In the former, Mateo expresses doubt that he's capable of rising to the occasion as royal wizard. No one (except Gabe and he gets over it by the end of the episode) blames him for not having reached his full level of confidence and potential right away and not being able to immediately solve the problem. And Elena in particular (and by extension the narrative) gives him so much validation and support. Whereas in "Naomi Knows Best" (and to a lesser extent "Finders Leapers" and the "Carla-as-Rita" arc as well) the narrative "punishes" Naomi for her feelings of self-doubt. We're told that *if only* Naomi had trusted her gut instincts and stood her ground right away, Elena and co would not fallen right into the trap and that Naomi needs to screw her head back on straight and embrace confidence ASAP to fix her mistake.
When Mateo feels insecure, the narrative gives him every reassurance about how capable and special he is, that he can learn at his own pace, and his insecurity isn't really such a problem after all. When Naomi feels insecure, the narrative encourages her to get over her doubts as quickly as possible because unlike with Mateo, there's "no time" for her to wallow in self-doubt and actually the fact that she even had said doubt in the first place is what "caused" the disaster.
On a slightly different note, Naomi is also called out for taking a little free, fun time for herself in "The Last Laugh" when the group needs her, and yet somehow I have a feeling that Mateo would've been allowed to take a day off if he wanted without any protest. He complains about long hours in "Movin' on Up" and Elena gives him the big royal wizard's chambers for him to relax and unwind in. Naomi asks for one (1) day off to spend with her childhood friend for her birthday , and suddenly it's big drama. (And at the time, Naomi asked for said day off, all Elena needed from her was help doing paperwork. The Team Ash stuff came up unexpectedly.)
Similarly whenever Gabe and Mateo get their little rivalry on ("Spellbound," "Party of a Lifetime," "Captain Mateo" and a few other examples) , the narrative either presents them as equally at fault or Mateo as the only one in the right.
When Gabe brings in Bronzino to train the Royal Guards in magic, it's specifically because Mateo failed to explain how and why he was training the guards in the way he was. If he'd just explained how they were going apply the seemingly basic exercise they were doing to real magic, Gabe likely would've allowed Mateo to continue the training at his own pace.
(Also like. it's super hypocritical imo for Mateo to get annoyed at Gabe feeling impatient/impulsive about their apparent-lack-of progress when Mateo himself is easily the second most impulsive character in the show after Elena.) Mateo feels entitled to keep important information to himself (or blab it to a cute girl he barely knows) even when its no one else's best interest. He's only okay with being "cautious and patient" when he specifically is the one setting the pace. And yet, Gabe is the only one who is called out for his behavior in this episode--even though he might not have acted as he did if only Mateo had trusted him and the guards with an explanation in the first place.
And then there's just a few other "dude not cool" little moments that never really get acknowledged/Mateo never apologizes for. For instance, there a two low-key terrifying Mateo moments in "Captain Mateo" that are not only not acknowledged but are also framed in context as Mateo being just "so funny and quirky". Near the end of "Should be in Charge," Mateo magically gags Gabe so he can't protest anymore about Mateo taking over as leader of the mission. And this is after having already enchanted one of the stationary suits of armor to come to life and fight Gabe. (Gabe admittedly does lightly shove Mateo out of the way during his parts of the song, but that's still a far cry from literally drawing a sword on Mateo as Mateo does via magic to Gabe.)
It's played for laughs (The Grand Council is just smiling happily in the background throughout the scene which is so yikes), so it's easy to overlook what's actually happening. Frankly, it's pretty horrifying that Mateo's natural instinct upon his experience/authority being questioned is to literally attack and then silence. (And attack and silence someone who is supposed to be one of his best friends and closest allies at that!)
Rather than the narrative acknowledging that maybe it's a bad idea to immediately grant power to someone to someone who is so retaliatory against fairly minor criticism, the Grand Council just gives Mateo exactly what he wants and doesn't even offer a "maybe next time, let's not gag or attack our friends, okay?" alongside it. I mean sure Mateo does step down as captain at the end of the episode, but it's very specifically presented as his and Gabe's voluntary choice and not an order from Elena/the Council.
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(tw attempted suicide)
Thinking so so so so SO much about a modern AU where the "power binding mark" is a tattoo that Xie Lian's horribly abusive ex and former dom Jun Wu forced Xie Lian to get in a prominent location so everyone would be able to see at a glance who Xie Lian belongs to.
It took him a long time to get away.
Now he always wears turtle necks.
He's convinced he'll never find anyone willing to date him when he's got such a tattoo.
And of course, then he meets Hua Cheng...
(Xie Lian is also trans)
(Xie Lian also has wrist scars from trying to kill himself)
Just imagining a scene where they're finally getting close to each other and instead of being able to use his words, Xie Lian just says, "I need you to know, there are three things you have to accept about me, and if any of them aren't okay, you should leave right now" and he takes off his shirt to reveal his top surgery scars, his suicide scars, and his horrid tattoo.
Of course Hua Cheng understands all three (and HE uses HIS words so they both can be sure he's understood correctly) and accepts all three.
(Xie Lian will also be gentle domming HC into oblivion)
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I've been playing nekopara catboys paradise all day and I'm honestly about to pass out
They'd better be producing a whole ass game because I CAN'T CONTINUE LIVING MY LIFE WITH ONLY THAT
I'll ramble under the cut because my bestie is sleeping so he can't hear my screams, no spoilers though
Okay, first of all; I thought Fennel would be my favorite since he's my type, but playing the prologue I ended up liking Laurier more than I should lol. When it came to choosing the route I thought "I'll play Laurier's first, the two I liked less and lastly, Fennel :3" after all, I'd start with something I liked and end with the same! It all made sense in my OCD head!~
So I've been waiting all day to get to Fennel's because it was hinted that he would have a similar plot to Laurier aND I'M SO FURIOUS THAT THEY JUST PUSH THAT PLOT AWAY DURING HIS ROUTE, I'VE BEEN WAITING ALL DAY FOR NOTHINGGG TT—TT
Anyways, Laurier is best route best boi best cat ever. Please kitty come sleep in my bed I have candy meow (Fennel is still my second favorite, but I still think they did him dirty ok)
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“Tell to me, Tam Lin,” she said, “Why came you here to dwell?”
“The Queen of Faeries caught me, when from my horse I fell. And at the end of seven years, she pays a tithe to Hell— I so fair and full of flesh, I fear it be myself.”
("Tam Lin," Fairport Convention version)
Here’s the thing— Martyn knows how this kind of story is supposed to go.
The plucky hero goes into the heart of the enchanted wood, and through a bit of cleverness and the virtue of their pure heart, they rescue the victim from the horrible entangling grasp of whatever evil faerie creature has them. Now, he wouldn’t say he’s got a pure heart, necessarily, but he is certainly clever, and, well— he’s made several forays into the enchanted wood, as it were, and gotten away unscathed each time.
But what do you do when the victim refuses to leave with you?
He’s tried reason. He’s tried logic. He’s tried gifts. He’s tried impassioned pleas. Ren still keeps going back to the Shadow Lady. He keeps insisting he’s not enchanted and that “his Queen” wouldn’t take away his free will, which is unfortunately exactly what someone enchanted and without free will would say, so he can’t really take Ren’s word for it.
He’d love to work with Ren, really he would. (He’d love to get into that very solid and defensible tower with a proper moat and everything, too.)
He just doesn’t want to take on a fae as well.
The Shadow Lady has extended her reach far, and though Martyn knows she’s got limits on her power, the sight of her doing something to Ren to make him harmless to her when he went red— something with enough magic to black out the sun in the middle of the day and nearly knock Martyn to the ground with the pressure— well, he’s pretty sure that speaks for itself. Grian had warned them about her, early on in the game, and though Grian is lost to the red names now, his warning still holds water, at least in Martyn’s mind.
Maybe the problem is that he’s thinking about this as the wrong kind of story. Maybe this isn’t one where the clever hero spirits away the innocent victim from the faerie queen, leaving her to curse his name from afar.
Maybe he’ll have to take up dragon-slaying.
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