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DU™️ Romanowitch -Inner City EP @thisisromanowitch CAT# DU-HYPRGLTCH4 https://detund.bandcamp.com/album/inner-city-ep Romanowitch takes us on a tour of Inner City, a gnarly album of screaming textures to bash your face in with a brick to. The album embraces the noise and dirt and organizes it into doom 808 type beats; some sort of post apocalyptic horror-core that somehow still retains massive amounts of funk. Clearly inspired by some of the incredible music classified as deconstructed club, I think this album illustrates an interesting angle of inspiration in Hyperglitch. It's hard to say what is and isn't Hyperglitch at this point but I think Romanowitch shows us a fascinating lens in all the different inspiration that can come into it. Romanowitch's signature style can be seen in every aspect of his creative output, from his collaborations with contemporary dancers, to his videos to his music. He doesn't always go as hard as he does in Inner City, that's why this album is a special treat. The Hyperglitch series is an exploration of what I see as a new genre emerging, still in the early days it's taking shape through the experimentation of various artists. Not all of them would classify themselves as hyperglitch, this is just a name I've given to this idea that I see taking shape. To me this feels like a new beginning, and I hope it will be something that new and upcoming artists identify with and want to join in on. If you're interested in more discussion about this, consider joining the glitch.cool discord. The Hyperglitch series is now on Detroit Underground! If you haven't been keeping up with it check out the previous releases on Force Inc. With the exciting move to Detroit Underground we have also paired up with designer Antireal who will be doing all the album art in the series. ~words by @WOULG Graphic Design by ANTIREAL.INFO Produced and written by Romanowitch. Mastering by Woulg. Additional voices on track 5 taken from « Clipping. - Five » Additional voices and noises on track 6 by Julianne K. #detund #detroitunderground #hyperglitch #glitch #idm #experimentalmusic #sounddesign #glitchmusic #DUHYPRGLTCH https://www.instagram.com/p/CNfsgpflQ98/?igshid=8ggjsnbl2dqs
#detund#detroitunderground#hyperglitch#glitch#idm#experimentalmusic#sounddesign#glitchmusic#duhyprgltch
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DU™️ Romanowitch -Inner City EP @thisisromanowitch CAT# DU-HYPRGLTCH4 https://detund.bandcamp.com/album/inner-city-ep Romanowitch takes us on a tour of Inner City, a gnarly album of screaming textures to bash your face in with a brick to. The album embraces the noise and dirt and organizes it into doom 808 type beats; some sort of post apocalyptic horror-core that somehow still retains massive amounts of funk. Clearly inspired by some of the incredible music classified as deconstructed club, I think this album illustrates an interesting angle of inspiration in Hyperglitch. It's hard to say what is and isn't Hyperglitch at this point but I think Romanowitch shows us a fascinating lens in all the different inspiration that can come into it. Romanowitch's signature style can be seen in every aspect of his creative output, from his collaborations with contemporary dancers, to his videos to his music. He doesn't always go as hard as he does in Inner City, that's why this album is a special treat. The Hyperglitch series is an exploration of what I see as a new genre emerging, still in the early days it's taking shape through the experimentation of various artists. Not all of them would classify themselves as hyperglitch, this is just a name I've given to this idea that I see taking shape. To me this feels like a new beginning, and I hope it will be something that new and upcoming artists identify with and want to join in on. If you're interested in more discussion about this, consider joining the glitch.cool discord. The Hyperglitch series is now on Detroit Underground! If you haven't been keeping up with it check out the previous releases on Force Inc. With the exciting move to Detroit Underground we have also paired up with designer Antireal who will be doing all the album art in the series. ~words by @WOULG Graphic Design by ANTIREAL.INFO Produced and written by Romanowitch. Mastering by Woulg. Additional voices on track 5 taken from « Clipping. - Five » Additional voices and noises on track 6 by Julianne K. #detund #detroitunderground #hyperglitch #glitch #idm #antireal #experimentalmusic #sounddesign #glitchmusic #DUHYPRGLTCH #newmediaart #vectorart https://www.instagram.com/p/CNf_RxmlKeo/?igshid=hch6nalepn82
#detund#detroitunderground#hyperglitch#glitch#idm#antireal#experimentalmusic#sounddesign#glitchmusic#duhyprgltch#newmediaart#vectorart
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DU™️ @jim77077kimchi - Space Container Cat# DU-HYPRGLTCH7 curated by @woulg https://detund.bandcamp.com/album/space-container Jim Kimchi's Space Container feels almost post transhumanist in its rejection of any sort of "instrument" sounds, anything remotely human in this album feels foreign, it's as if we are discovering music from an ai's perspective. First comes noise, then refinement, sculpting, shaping; everything feels like it's been carved out of a solid crystal of noise. Each tone and harmonic lovingly carved from the crystal and brought into life. We can almost hear the noise fighting back but Jim Kimchi somehow manages to not only control it, but bring a whole album out of it. The journey begins when we awaken as an AI in a simulated reality. We skip abruptly through the fragmented memory of something visceral, human, but distant and long since corrupted. We begin to remember what music is, what it's for, what it means. We begin to find the pieces of what we were. What it meant to feel. And then we're thrown into an error - frozen until whatever god made us finds enough mercy to end task. At least that's what it feels like to me. The thing that excites me about this album is how very few of the sounds are themselves, the "drum kit" here is made of sounds that are similar enough to kicks and snares to stand in for them but they really are not those sounds. I really like this idea of stretching the meaning of a sound. A kick for example, how much can we change it and still say it's a kick. What aspects does it need in order to still function as a kick? And we can apply this type of stretching to any sound. For me these are some of the most exciting parts of making music on a computer, we are not tied to these old ideas anymore, and it takes time to expand away from them but I think that's part of what's happening in this album. This has already been happening, but Jim caries the flag another step further in the right direction. W+P by Jim Kimchi #idm #sounddesign #duhyprgltch #hyperglitch #hyperglitchmusic #detund #detroitunderground https://www.instagram.com/p/CcKYZOzLDnW/?igshid=NGJjMDIxMWI=
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DU™️ @jim77077kimchi - Space Container Cat# DU-HYPRGLTCH7 curated by @woulg https://detund.bandcamp.com/album/space-container Jim Kimchi's Space Container feels almost post transhumanist in its rejection of any sort of "instrument" sounds, anything remotely human in this album feels foreign, it's as if we are discovering music from an ai's perspective. First comes noise, then refinement, sculpting, shaping; everything feels like it's been carved out of a solid crystal of noise. Each tone and harmonic lovingly carved from the crystal and brought into life. We can almost hear the noise fighting back but Jim Kimchi somehow manages to not only control it, but bring a whole album out of it. The journey begins when we awaken as an AI in a simulated reality. We skip abruptly through the fragmented memory of something visceral, human, but distant and long since corrupted. We begin to remember what music is, what it's for, what it means. We begin to find the pieces of what we were. What it meant to feel. And then we're thrown into an error - frozen until whatever god made us finds enough mercy to end task. At least that's what it feels like to me. The thing that excites me about this album is how very few of the sounds are themselves, the "drum kit" here is made of sounds that are similar enough to kicks and snares to stand in for them but they really are not those sounds. I really like this idea of stretching the meaning of a sound. A kick for example, how much can we change it and still say it's a kick. What aspects does it need in order to still function as a kick? And we can apply this type of stretching to any sound. For me these are some of the most exciting parts of making music on a computer, we are not tied to these old ideas anymore, and it takes time to expand away from them but I think that's part of what's happening in this album. This has already been happening, but Jim caries the flag another step further in the right direction. W+P by Jim Kimchi #idm #sounddesign #duhyprgltch #hyperglitch #hyperglitchmusic #detund #detroitunderground https://www.instagram.com/p/CcKYVb6LnQu/?igshid=NGJjMDIxMWI=
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DU™️ @jim77077kimchi - Space Container Cat# DU-HYPRGLTCH7 curated by @woulg https://detund.bandcamp.com/album/space-container Jim Kimchi's Space Container feels almost post transhumanist in its rejection of any sort of "instrument" sounds, anything remotely human in this album feels foreign, it's as if we are discovering music from an ai's perspective. First comes noise, then refinement, sculpting, shaping; everything feels like it's been carved out of a solid crystal of noise. Each tone and harmonic lovingly carved from the crystal and brought into life. We can almost hear the noise fighting back but Jim Kimchi somehow manages to not only control it, but bring a whole album out of it. The journey begins when we awaken as an AI in a simulated reality. We skip abruptly through the fragmented memory of something visceral, human, but distant and long since corrupted. We begin to remember what music is, what it's for, what it means. We begin to find the pieces of what we were. What it meant to feel. And then we're thrown into an error - frozen until whatever god made us finds enough mercy to end task. At least that's what it feels like to me. The thing that excites me about this album is how very few of the sounds are themselves, the "drum kit" here is made of sounds that are similar enough to kicks and snares to stand in for them but they really are not those sounds. I really like this idea of stretching the meaning of a sound. A kick for example, how much can we change it and still say it's a kick. What aspects does it need in order to still function as a kick? And we can apply this type of stretching to any sound. For me these are some of the most exciting parts of making music on a computer, we are not tied to these old ideas anymore, and it takes time to expand away from them but I think that's part of what's happening in this album. This has already been happening, but Jim caries the flag another step further in the right direction. W+P by Jim Kimchi #idm #sounddesign #duhyprgltch #hyperglitch #hyperglitchmusic #detund #detroitunderground https://www.instagram.com/p/CcG7_hkvsnj/?igshid=NGJjMDIxMWI=
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DU™️ @jim77077kimchi - Space Container Cat# DU-HYPRGLTCH7 curated by @woulg https://detund.bandcamp.com/album/space-container Jim Kimchi's Space Container feels almost post transhumanist in its rejection of any sort of "instrument" sounds, anything remotely human in this album feels foreign, it's as if we are discovering music from an ai's perspective. First comes noise, then refinement, sculpting, shaping; everything feels like it's been carved out of a solid crystal of noise. Each tone and harmonic lovingly carved from the crystal and brought into life. We can almost hear the noise fighting back but Jim Kimchi somehow manages to not only control it, but bring a whole album out of it. The journey begins when we awaken as an AI in a simulated reality. We skip abruptly through the fragmented memory of something visceral, human, but distant and long since corrupted. We begin to remember what music is, what it's for, what it means. We begin to find the pieces of what we were. What it meant to feel. And then we're thrown into an error - frozen until whatever god made us finds enough mercy to end task. At least that's what it feels like to me. The thing that excites me about this album is how very few of the sounds are themselves, the "drum kit" here is made of sounds that are similar enough to kicks and snares to stand in for them but they really are not those sounds. I really like this idea of stretching the meaning of a sound. A kick for example, how much can we change it and still say it's a kick. What aspects does it need in order to still function as a kick? And we can apply this type of stretching to any sound. For me these are some of the most exciting parts of making music on a computer, we are not tied to these old ideas anymore, and it takes time to expand away from them but I think that's part of what's happening in this album. This has already been happening, but Jim caries the flag another step further in the right direction. W+P by Jim Kimchi Design by ANTI-REAL @4nt1r34l antireal.info #idm #sounddesign #duhyprgltch #hyperglitch #hyperglitchmusic #detund #detroitunderground https://www.instagram.com/p/CcD1EbmPhNO/?utm_medium=tumblr
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DU™️ @jim77077kimchi - Space Container Cat# DU-HYPRGLTCH7 curated by @woulg https://detund.bandcamp.com/album/space-container Jim Kimchi's Space Container feels almost post transhumanist in its rejection of any sort of "instrument" sounds, anything remotely human in this album feels foreign, it's as if we are discovering music from an ai's perspective. First comes noise, then refinement, sculpting, shaping; everything feels like it's been carved out of a solid crystal of noise. Each tone and harmonic lovingly carved from the crystal and brought into life. We can almost hear the noise fighting back but Jim Kimchi somehow manages to not only control it, but bring a whole album out of it. The journey begins when we awaken as an AI in a simulated reality. We skip abruptly through the fragmented memory of something visceral, human, but distant and long since corrupted. We begin to remember what music is, what it's for, what it means. We begin to find the pieces of what we were. What it meant to feel. And then we're thrown into an error - frozen until whatever god made us finds enough mercy to end task. At least that's what it feels like to me. The thing that excites me about this album is how very few of the sounds are themselves, the "drum kit" here is made of sounds that are similar enough to kicks and snares to stand in for them but they really are not those sounds. I really like this idea of stretching the meaning of a sound. A kick for example, how much can we change it and still say it's a kick. What aspects does it need in order to still function as a kick? And we can apply this type of stretching to any sound. For me these are some of the most exciting parts of making music on a computer, we are not tied to these old ideas anymore, and it takes time to expand away from them but I think that's part of what's happening in this album. This has already been happening, but Jim caries the flag another step further in the right direction. W+P by Jim Kimchi Design by ANTI-REAL @4nt1r34l antireal.info #idm #sounddesign #duhyprgltch #hyperglitch #hyperglitchmusic #detund #detroitunderground https://www.instagram.com/p/CcD1C_gPvAN/?utm_medium=tumblr
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DU™️ @jim77077kimchi - Space Container Cat# DU-HYPRGLTCH7 curated by @woulg https://detund.bandcamp.com/album/space-container Jim Kimchi's Space Container feels almost post transhumanist in its rejection of any sort of "instrument" sounds, anything remotely human in this album feels foreign, it's as if we are discovering music from an ai's perspective. First comes noise, then refinement, sculpting, shaping; everything feels like it's been carved out of a solid crystal of noise. Each tone and harmonic lovingly carved from the crystal and brought into life. We can almost hear the noise fighting back but Jim Kimchi somehow manages to not only control it, but bring a whole album out of it. The journey begins when we awaken as an AI in a simulated reality. We skip abruptly through the fragmented memory of something visceral, human, but distant and long since corrupted. We begin to remember what music is, what it's for, what it means. We begin to find the pieces of what we were. What it meant to feel. And then we're thrown into an error - frozen until whatever god made us finds enough mercy to end task. At least that's what it feels like to me. The thing that excites me about this album is how very few of the sounds are themselves, the "drum kit" here is made of sounds that are similar enough to kicks and snares to stand in for them but they really are not those sounds. I really like this idea of stretching the meaning of a sound. A kick for example, how much can we change it and still say it's a kick. What aspects does it need in order to still function as a kick? And we can apply this type of stretching to any sound. For me these are some of the most exciting parts of making music on a computer, we are not tied to these old ideas anymore, and it takes time to expand away from them but I think that's part of what's happening in this album. This has already been happening, but Jim caries the flag another step further in the right direction. W+P by Jim Kimchi Design by ANTI-REAL @4nt1r34l antireal.info #idm #sounddesign #duhyprgltch #hyperglitch #hyperglitchmusic #detund #detroitunderground https://www.instagram.com/p/CcD1BotPJIC/?utm_medium=tumblr
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DU™️ @jim77077kimchi - Space Container Cat# DU-HYPRGLTCH7 curated by @woulg https://detund.bandcamp.com/album/space-container Jim Kimchi's Space Container feels almost post transhumanist in its rejection of any sort of "instrument" sounds, anything remotely human in this album feels foreign, it's as if we are discovering music from an ai's perspective. First comes noise, then refinement, sculpting, shaping; everything feels like it's been carved out of a solid crystal of noise. Each tone and harmonic lovingly carved from the crystal and brought into life. We can almost hear the noise fighting back but Jim Kimchi somehow manages to not only control it, but bring a whole album out of it. The journey begins when we awaken as an AI in a simulated reality. We skip abruptly through the fragmented memory of something visceral, human, but distant and long since corrupted. We begin to remember what music is, what it's for, what it means. We begin to find the pieces of what we were. What it meant to feel. And then we're thrown into an error - frozen until whatever god made us finds enough mercy to end task. At least that's what it feels like to me. The thing that excites me about this album is how very few of the sounds are themselves, the "drum kit" here is made of sounds that are similar enough to kicks and snares to stand in for them but they really are not those sounds. I really like this idea of stretching the meaning of a sound. A kick for example, how much can we change it and still say it's a kick. What aspects does it need in order to still function as a kick? And we can apply this type of stretching to any sound. For me these are some of the most exciting parts of making music on a computer, we are not tied to these old ideas anymore, and it takes time to expand away from them but I think that's part of what's happening in this album. This has already been happening, but Jim caries the flag another step further in the right direction. W+P by Jim Kimchi Design by ANTI-REAL @4nt1r34l antireal.info #idm #sounddesign #duhyprgltch #hyperglitch #hyperglitchmusic #detund #detroitunderground https://www.instagram.com/p/CcCEZe7FNKN/?utm_medium=tumblr
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DU™️ @jim77077kimchi - Space Container Cat# DU-HYPRGLTCH7 curated by @woulg https://detund.bandcamp.com/album/space-container Jim Kimchi's Space Container feels almost post transhumanist in its rejection of any sort of "instrument" sounds, anything remotely human in this album feels foreign, it's as if we are discovering music from an ai's perspective. First comes noise, then refinement, sculpting, shaping; everything feels like it's been carved out of a solid crystal of noise. Each tone and harmonic lovingly carved from the crystal and brought into life. We can almost hear the noise fighting back but Jim Kimchi somehow manages to not only control it, but bring a whole album out of it. The journey begins when we awaken as an AI in a simulated reality. We skip abruptly through the fragmented memory of something visceral, human, but distant and long since corrupted. We begin to remember what music is, what it's for, what it means. We begin to find the pieces of what we were. What it meant to feel. And then we're thrown into an error - frozen until whatever god made us finds enough mercy to end task. At least that's what it feels like to me. The thing that excites me about this album is how very few of the sounds are themselves, the "drum kit" here is made of sounds that are similar enough to kicks and snares to stand in for them but they really are not those sounds. I really like this idea of stretching the meaning of a sound. A kick for example, how much can we change it and still say it's a kick. What aspects does it need in order to still function as a kick? And we can apply this type of stretching to any sound. For me these are some of the most exciting parts of making music on a computer, we are not tied to these old ideas anymore, and it takes time to expand away from them but I think that's part of what's happening in this album. This has already been happening, but Jim caries the flag another step further in the right direction. W+P by Jim Kimchi Design by ANTI-REAL @4nt1r34l antireal.info #idm #sounddesign #duhyprgltch #hyperglitch #hyperglitchmusic #detund #detroitunderground https://www.instagram.com/p/CcCEX4flPzt/?utm_medium=tumblr
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DU™️ @jim77077kimchi - Space Container Cat# DU-HYPRGLTCH7 curated by @woulg https://detund.bandcamp.com/album/space-container Jim Kimchi's Space Container feels almost post transhumanist in its rejection of any sort of "instrument" sounds, anything remotely human in this album feels foreign, it's as if we are discovering music from an ai's perspective. First comes noise, then refinement, sculpting, shaping; everything feels like it's been carved out of a solid crystal of noise. Each tone and harmonic lovingly carved from the crystal and brought into life. We can almost hear the noise fighting back but Jim Kimchi somehow manages to not only control it, but bring a whole album out of it. The journey begins when we awaken as an AI in a simulated reality. We skip abruptly through the fragmented memory of something visceral, human, but distant and long since corrupted. We begin to remember what music is, what it's for, what it means. We begin to find the pieces of what we were. What it meant to feel. And then we're thrown into an error - frozen until whatever god made us finds enough mercy to end task. At least that's what it feels like to me. The thing that excites me about this album is how very few of the sounds are themselves, the "drum kit" here is made of sounds that are similar enough to kicks and snares to stand in for them but they really are not those sounds. I really like this idea of stretching the meaning of a sound. A kick for example, how much can we change it and still say it's a kick. What aspects does it need in order to still function as a kick? And we can apply this type of stretching to any sound. For me these are some of the most exciting parts of making music on a computer, we are not tied to these old ideas anymore, and it takes time to expand away from them but I think that's part of what's happening in this album. This has already been happening, but Jim caries the flag another step further in the right direction. W+P by Jim Kimchi Design by ANTI-REAL @4nt1r34l antireal.info #idm #sounddesign #duhyprgltch #hyperglitch #hyperglitchmusic #detund #detroitunderground https://www.instagram.com/p/CcCEWrSFSwU/?utm_medium=tumblr
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DU™️ @jim77077kimchi - Space Container Cat# DU-HYPRGLTCH7 curated by @woulg https://detund.bandcamp.com/album/space-container Jim Kimchi's Space Container feels almost post transhumanist in its rejection of any sort of "instrument" sounds, anything remotely human in this album feels foreign, it's as if we are discovering music from an ai's perspective. First comes noise, then refinement, sculpting, shaping; everything feels like it's been carved out of a solid crystal of noise. Each tone and harmonic lovingly carved from the crystal and brought into life. We can almost hear the noise fighting back but Jim Kimchi somehow manages to not only control it, but bring a whole album out of it. The journey begins when we awaken as an AI in a simulated reality. We skip abruptly through the fragmented memory of something visceral, human, but distant and long since corrupted. We begin to remember what music is, what it's for, what it means. We begin to find the pieces of what we were. What it meant to feel. And then we're thrown into an error - frozen until whatever god made us finds enough mercy to end task. At least that's what it feels like to me. The thing that excites me about this album is how very few of the sounds are themselves, the "drum kit" here is made of sounds that are similar enough to kicks and snares to stand in for them but they really are not those sounds. I really like this idea of stretching the meaning of a sound. A kick for example, how much can we change it and still say it's a kick. What aspects does it need in order to still function as a kick? And we can apply this type of stretching to any sound. For me these are some of the most exciting parts of making music on a computer, we are not tied to these old ideas anymore, and it takes time to expand away from them but I think that's part of what's happening in this album. This has already been happening, but Jim caries the flag another step further in the right direction. W+P by Jim Kimchi Design by ANTI-REAL @4nt1r34l antireal.info #idm #sounddesign #duhyprgltch #hyperglitch #hyperglitchmusic #detund #detroitunderground https://www.instagram.com/p/CcBADt4lj-X/?utm_medium=tumblr
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DU™️ @jim77077kimchi - Space Container Cat# DU-HYPRGLTCH7 curated by @woulg https://detund.bandcamp.com/album/space-container Jim Kimchi's Space Container feels almost post transhumanist in its rejection of any sort of "instrument" sounds, anything remotely human in this album feels foreign, it's as if we are discovering music from an ai's perspective. First comes noise, then refinement, sculpting, shaping; everything feels like it's been carved out of a solid crystal of noise. Each tone and harmonic lovingly carved from the crystal and brought into life. We can almost hear the noise fighting back but Jim Kimchi somehow manages to not only control it, but bring a whole album out of it. The journey begins when we awaken as an AI in a simulated reality. We skip abruptly through the fragmented memory of something visceral, human, but distant and long since corrupted. We begin to remember what music is, what it's for, what it means. We begin to find the pieces of what we were. What it meant to feel. And then we're thrown into an error - frozen until whatever god made us finds enough mercy to end task. At least that's what it feels like to me. The thing that excites me about this album is how very few of the sounds are themselves, the "drum kit" here is made of sounds that are similar enough to kicks and snares to stand in for them but they really are not those sounds. I really like this idea of stretching the meaning of a sound. A kick for example, how much can we change it and still say it's a kick. What aspects does it need in order to still function as a kick? And we can apply this type of stretching to any sound. For me these are some of the most exciting parts of making music on a computer, we are not tied to these old ideas anymore, and it takes time to expand away from them but I think that's part of what's happening in this album. This has already been happening, but Jim caries the flag another step further in the right direction. W+P by Jim Kimchi Design by ANTI-REAL @4nt1r34l antireal.info #idm #sounddesign #duhyprgltch #hyperglitch #hyperglitchmusic #detund #detroitunderground https://www.instagram.com/p/CcA__ABFpTz/?utm_medium=tumblr
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DU™️ @jim77077kimchi - Space Container Cat# DU-HYPRGLTCH7 curated by @woulg https://detund.bandcamp.com/album/space-container Jim Kimchi's Space Container feels almost post transhumanist in its rejection of any sort of "instrument" sounds, anything remotely human in this album feels foreign, it's as if we are discovering music from an ai's perspective. First comes noise, then refinement, sculpting, shaping; everything feels like it's been carved out of a solid crystal of noise. Each tone and harmonic lovingly carved from the crystal and brought into life. We can almost hear the noise fighting back but Jim Kimchi somehow manages to not only control it, but bring a whole album out of it. The journey begins when we awaken as an AI in a simulated reality. We skip abruptly through the fragmented memory of something visceral, human, but distant and long since corrupted. We begin to remember what music is, what it's for, what it means. We begin to find the pieces of what we were. What it meant to feel. And then we're thrown into an error - frozen until whatever god made us finds enough mercy to end task. At least that's what it feels like to me. The thing that excites me about this album is how very few of the sounds are themselves, the "drum kit" here is made of sounds that are similar enough to kicks and snares to stand in for them but they really are not those sounds. I really like this idea of stretching the meaning of a sound. A kick for example, how much can we change it and still say it's a kick. What aspects does it need in order to still function as a kick? And we can apply this type of stretching to any sound. For me these are some of the most exciting parts of making music on a computer, we are not tied to these old ideas anymore, and it takes time to expand away from them but I think that's part of what's happening in this album. This has already been happening, but Jim caries the flag another step further in the right direction. W+P by Jim Kimchi Design by ANTI-REAL @4nt1r34l antireal.info #idm #sounddesign #duhyprgltch #hyperglitch #hyperglitchmusic #detund #detroitunderground https://www.instagram.com/p/Cb-m-iTJ2ZX/?utm_medium=tumblr
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