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#drone reviews
rcfunlandblog · 9 months
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R/C Fun Land - The go-to resource for everything related to remote control toys
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jesperfaheyy · 5 months
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Exploring the Globe of Pastimes: Discover Your Enthusiasm and Enrich Your Life
Pastimes are not merely tasks we take part in during our downtime; they are electrical outlets that enable us to share our creative thinking, soothe stress, and locate joy in the straightforward enjoyments of life. Whether it's horticulture, paint, playing a music instrument, or composing, hobbies use a distinct method for self-discovery and personal growth. In a fast-paced globe where we are often eaten by work and obligations, carving out time for pastimes is more vital than ever. They provide a much-needed break from the day-to-day work, allowing us to reenergize and reconnect with ourselves. Furthermore, leisure activities can additionally work as a method of getting in touch with others that share our passions, fostering a sense of area and camaraderie.Paragraph 2: The beauty of leisure activities depends on their variety; there is something for everybody. Whether you're an introvert seeking relief in singular quests or an extrovert yearning to participate in team tasks, there is an abundance of options to check out. From photography and cooking to treking and weaving, the opportunities are limitless. Not just do leisure activities provide a method for relaxation and imaginative expression, however they additionally have many mental and physical health and wellness benefits. Involving in leisure activities has actually been verified to reduce stress and anxiety, increase mood, boost cognitive feature, and also enhance physical conditioning. Whether we're honing our abilities, discovering something brand-new, or just indulging in a cherished pastime, leisure activities improve our lives in ways we may never ever have envisioned. So, do not be reluctant to begin on a brand-new pastime or revisit an old one-- you never ever know where it may lead you!
Read more here Click Here For Additional Info
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zeroloop · 5 months
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Tomzon A24 Mini Drone
Tomzon A24 Mini Drone per Bambini e Principianti, Battle Drone Telecomandato con 3 Batterie 24 Min di Volo, Drone Giocattolo, Quadricottero RC con 360° Protezione, Modalità di Lancio/3D Flip, Giallo Nella scatola trovi il mini drone, il telecomando, tre batterie, un cavo micro USB per ricaricarle, quattro eliche di ricambio e i manuali di istruzioni. Il telecomando richiede tre batterie AAA che…
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amolmrong80 · 1 year
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Click Here For More Details >>>(DJI Mavic 2 Enterprise Advanced - Compact Commercial Drone with Thermal and Zoom Dual-Camera, and Spotlight and Loudspeaker Attachments Built for Search & Rescue, Fire Fighting, Inspection, and More)
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THEY CANT JUST END IT THERE WHAT THE FUCK?!?!
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detective-ws · 7 months
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I JUST WATCHED ALL OF THE EPISODES OF MURDER DRONES THAT ARE CURRENTLY OUT
OMG I LOVE IT SO MUCH
THE ANIMATION IS WONDERFUL, THE LIGHTS ARE REALLY PRETTY, AND EVERYTHING ELSE!!! IT WAS OVERALL JUST A JOy tO WATCH!!!
10/10 WOULD RECOMMEND
(before checking it out please note that there is a lot of robot gore)
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daydreaming-robot · 2 months
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My review for murder drones episode seven
SPOILER WARNING
Holy shit they were not kidding when they said so much is gonna be revealed. That is one hell of a lore bomb.
- First thing first, the Absolute Solver said that N was one of the main reasons that it wants them to retain their personalities after the trio was repurposed. Which confirms a long speculation I had. N and J’s personalities stayed the same, while V on the other hand, has her personality altered to a more ruthless state. In the beginning of episode two, V has a more softer and sweet personality back when they were all worker drones.
- The heart is actually Nori, Uzi’s mother. Who apparently survived everything. As shown in episode two the only way to kill a murder done is at the heart, seems like it also works for hosts of the Absolute Solver. By the way, why does Nori don’t want her own daughter to know that she’s alive( it’s already told to her by N either way)
- The cross is actually an USB drive that halts the Solver’s possession. Which it wants to destroy (and did it in the episode)
- When J recognizes the railgun, the visor says “Prior Hazard” pretty much says she remembered her own death
AND NOW THE MAJOR POINTS
- How the core collapsed is insane, as that’s what the Solver wanted. Apparently the humans put Nori in a private facility to prevent the Solver from taking over. And the intern grabbed Nori’s friend, Yeva for help. When the Solver got booted out from Nori’s system it played one last trick. The singularity explosion. Nori cannot control it so Yeva has to cut her hand off, but a major red flag is how the hand fell into the fleshy pit. And the core of Copper 9 went bye bye
- It’s getting more and more obvious that N killed Uzi’s mother, I dread the day it’s finally told. Uzi’s reaction isn’t gonna be good
- The vision(or flashback) N had. It showed all the disassembly drones massacring all humans on Copper 9. But at the end of it, N’s screen flashed purple and said “ Access Denied, Contact Admin” pretty much assuming that N and maybe V are resistant to the Solver’s influence. Thanks to Uzi’s hacking
- THE REVEAL THAT TESSA IS CYN IS INSANE. The Solver fused Cyn’s zombie drone body with TESSA is both insane and terrifying at the same time. Cyn is wearing TESSA’S SKIN AND HAIR, also her drone number is 1001, interesting to note.
- The ending scene, I have no idea how Uzi, ended up in outer space. And the shot of the planet, including the core crater looks like an eyeball looking at Uzi(that’s on me)
This episode left me on the edge of my seat and I’m scared for the season finale
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robotoast03 · 6 months
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Murder drones episode one review/discussion.
So I decided to give this show a go after seeing my moot @thatguywhodoesstuff post rebloging memes and fan-art about it. Spoilers below
The animation was amazing I loved how plasticy and shiny the drones looked, especially how their eyes are the most expressive and useful bit about them.
One thing that made me laugh was N; it having to do with his name, like it’s just N, nothing else (unless later on it does mean something). Also the fact the main character is named after a gun is great. And that her catchphrase is “Bite me!” The world itself is the part I was most interested in. Though I wonder if somehow a human survived the frozen hellscape the drones call home. One last thing I’ll say is that glitch productions has become my fave indie animation studios after tadc and now this show. I’ll make another review after i watch ep. 2
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snowballsmb · 2 months
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Time for another one of my media review posts!
Murder Drones…. This is, with no exaggeration, one of the best shows I’ve seen, period. The writing is very self aware a fair portion of the time, and it doesn’t fall into the trap I see too many stories fall into of trying to avoid that fact, making it feel forced. Not here, this show is self aware and it leans into it hard (which in my opinion heightens the comedy aspect of the show.
The characters are so unbelievably loveable, even some of the background characters that feel like you should want to hate them. Uzi is so extremely edgy, and again, instead of pretending otherwise she leans into like there’s no tomorrow. N is like Silver the Hedgehog in my eyes: an absolute cinnamon roll. This dude has done horrible things, and has seen even worse, and yet he’s a seemingly unbreakable beacon of positivity, giving the people he cares about an anchor in a raging sea of bullshit. V went from murderous psychopath to the vibes of a protective older sister in only 6 episodes, and her character arc has been one of my favorite parts of the show. Plus she’s an absolute badass! If there’s one character I didn’t love the direction with was Doll, but hey, there’s still the season finale coming up.
The OST is honestly stunning! Like, there’s that gif of the dude playing a piano that catches fire? The whole symphony caught fire with this OST.
One thing that especially blew my mind was how fucking good the animation is. Like, I don’t think I’ve seen anything that can match Murder Drones in the animation department. The combo of the animation and soundtrack during the big battle in episode 7 was awe inspiring, nothing short of it! And there’s always layers upon layers going on visually, both artistically and lore wise, that makes rewatches even more fun, because you get to pick up on more and more little details here and there that you didn’t notice before.
--// absoluteSolver_trn
[like object non-interactive]
I’m gonna be honest, I usually don’t do well with anything in the horror genre. But this show somehow took my discomfort around horror and turned it into thorough enjoyment! I think something I appreciate about it is it doesn’t lean too heavily into jump scares (there are a few, but that’s far from its main source of spooky), and almost all of the characters are robots, so there’s not even close to as much blood as there definitely could be. Overly bloody things and jump scare spam are the types of horror shows/movies/games that I handle the worst… I don’t handle them well at all.
I went in with some expectations (due to seeing A LOT of fanart over the past months) but didn’t really know what to expect. Those expectations were blown to smithereens. And for all the reasons I listed above, I have to rate Murder Drones a 10.7/10
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thethirdbill · 7 months
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My video about watching the Murder Drones Pilot is up! I hope you enjoy my thoughts and reactions (and weird theory) if you check it out!
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rcfunlandblog · 9 months
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Remote Control Fun Land: Where Imagination Takes the Wheel
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In a world dominated by screens and digital devices, there exists a charming oasis of tangible excitement and creativity known as Remote Control Fun Land. This enchanting realm combines the thrill of remote control with the art of craftsmanship, offering enthusiasts of all ages a chance to explore miniature worlds where their imagination takes center stage. In this article, we'll embark on a journey into the captivating universe of r/c robot reviews, uncovering its diverse appeal and the endless possibilities it offers.
Miniature Aviation Adventures: At the heart of Remote Control Fun Land lies the exhilarating world of miniature aviation. Here, enthusiasts have the chance to pilot their own radio-controlled airplanes and drones. From nimble gliders to high-speed jets, the range of R/C aircraft caters to all skill levels. Beginners can enjoy stable, easy-to-fly models, while experienced pilots can push the limits with aerobatic maneuvers. Remote Control Fun Land often hosts airshows and competitions, fostering a sense of community and providing a platform for pilots to showcase their skills and innovations.
Off-Road Excursions: Beyond the skies, Remote Control Fun Land extends its appeal to the rugged terrain of off-roading. Here, thrill-seekers can explore a dynamic world of remote-controlled vehicles, including rock crawlers, monster trucks, and desert buggies. The attention to detail in replicating real off-road experiences is astounding, with vehicles equipped with advanced suspension systems, durable builds, and high-torque motors. Enthusiasts can embark on exciting off-road adventures, conquering challenging obstacles, and participating in adrenaline-pumping races that test their driving skills.
Nautical Exploration: Remote Control Fun Land also offers a serene aquatic escape for water enthusiasts. Remote-controlled boats and ships allow enthusiasts to navigate bodies of water, from peaceful ponds to open lakes. Whether it's leisurely sailing or high-speed boat races, these miniature vessels provide an immersive water experience. The intricately crafted boats, complete with realistic details and precise control systems, bring the joys of sailing and racing to life, offering a tranquil contrast to the high-octane activities of Remote Control Fun Land.
The Art of Scale Modeling: An artistic facet of Remote Control Fun Land is the world of scale modeling. Enthusiasts painstakingly recreate miniature versions of cars, planes, tanks, and more, paying meticulous attention to every detail. These intricate models often take center stage at Remote Control Fun Land exhibitions, showcasing the dedication and craftsmanship of the builders. The scale modeling community is a hub of creativity and precision, where enthusiasts can share their expertise, exchange tips and techniques, and inspire each other.
Building Bonds and Community: Beyond the vehicles and models, Remote Control Fun Land thrives on community. Enthusiasts gather to share their experiences, offer guidance to newcomers, and build lasting friendships. Remote Control Fun Land venues frequently host workshops, races, and exhibitions, providing opportunities for like-minded individuals to come together. Whether you're a novice seeking guidance or a seasoned enthusiast looking for camaraderie, the sense of belonging and shared passion within the Remote Control Fun Land community is truly remarkable.
In conclusion, Remote Control Fun Land is a captivating realm where imagination knows no bounds. It offers a unique blend of technology, craftsmanship, and community, allowing enthusiasts to revel in the joy of piloting miniature aircraft, conquering remote terrains, sailing serene waters, crafting intricate models, and building enduring connections. Amidst the digital age's constant distractions, Remote Control Fun Land stands as a sanctuary where individuals of all ages can indulge in hands-on, imaginative pursuits. Whether you're a newcomer or a seasoned hobbyist, Remote Control Fun Land beckons, inviting you to explore its endless realms of creativity and enjoyment.
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lightthemaskedone · 2 months
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Just got my amazing Shuichi charm from @cassiedoughgirl 's Etsy!! The product is great, so go check out their stuff! Gonna hang it up in my car soon!
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Also a lineup with some of my desk stuff!
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episodicnostalgia · 5 months
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Star Trek: The Next Generation, 120 (Apr. 11, 1988) - “The Arsenal of Freedom”
Teleplay by: Richard Manning & Hans Beimler Story by: Maurice Hurley & Robert Lewin Directed by: Les Landau
The Breakdown
The USS Drake has gone missing after being sent to investigate a planet (Minos) whose entire population has ALSO gone missing; so naturally the Enterprise has been sent to figure out why there are so many missing people connected to one planet.  On a probably-unrelated-note, it turns out the Minosians were arms dealers who sold super advanced weaponry, but I’m sure that won’t be relevant to the following 45 minutes.  Anyways, the Enterprise arrives at Minos to find zero signs of life, except for a hailing frequency originating on the planet’s surface.  Obviously Picard accepts the call, but it just turns out to be one of those un-skippable YouTube advertisements for a highly advanced weapons system, and Picard is like “That was weird. We should send some people to the surface to check that out.”
For what must be a first for this ENTIRE crew, Tasha makes a rational security decision in convincing Riker to keep the away team as small as possible, in the interest of general ship safety (since there is absolutely no sign of the missing Drake, which I honestly think is a MUCH bigger red flag than Picard is making it out to be).  Riker agrees (taking only himself, Tasha, and Data), but gets himself caught in a statis field almost immediately, so Picard throws caution to the wind and beams himself AND Dr.  Crusher down to help out… somehow.  Although, credit where credit is due, Picard does have the foresight to leave Geordi in charge of the Enterprise with orders to abandon him and the away team if it means protecting the ship.
Naturally all this leads to a double-jeopardy situation.  Down below, the away team keeps getting attacked by little killer drones that regenerate-and-adapt every time one gets shot down; meanwhile separate drone starts attacking the Enterprise, slowly picking away at the shields (oh, and it can cloak, making it tough to kill).  Geordi finally figures out a way to outsmart his mechanical nemesis by using the displacement of Minos’ upper atmosphere to reveal the drone’s location.  At the same time Picard conveniently falls into a pit that happens to contain a control panel that activates the holographic salesman (from the aforementioned automated message) who prompts him to finalize the purchase of their killer drones, in order to “end the demonstration”; thus completing what has apparently been a VERY high-stakes sales pitch. 
At this point it’s been concluded that the Minosians accidentally created a killing machine that was so effective it accidentally murdered their entire species, in addition to anyone who came poking around.  Since the Enterprise is now safe, and the mystery of the Drake’s disappearance is solved (in that the crew are confirmed to have met a nightmarish end), we can chalk this up to another happy ending!
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The Verdict
There’s something to be said for a straightforward adventure story, and ‘arsenal of freedom’ successfully delivers on that front.  I can’t say there’s enough going on here for me to classify this episode as one of “the greats,” but it makes good use what it does have.
The highlight of this episode has to be Geordi’s command of the Enterprise.  It’s nice to see some genuine progression for a character that I’ve often felt gets overlooked, made all the better by the fact that I found his solution to the drone battle refreshingly plausible!  Usually when Star Trek is dealing with cloaked adversaries, it gets resolved with some kind of tachyon-scanner-upgrade-techno babble.  That’s all well-and-good AS LONG the writers also take care not to abuse such genre-conventions (which is another matter entirely), but I still tend to prefer solutions that adhere to the laws of physics.  As for Geordi’s time in command, I also appreciate how this episode builds on his previous experiences, in throwing him a greater challenge to overcome.
The away team’s adventure definitely makes up the weaker half of the episode, but even that is at least cheesily entertaining, avoiding any glaringly cringy moments.  My main criticism would be over how convenient Picard’s discovery of the control panel was, allowing him to call off the drones; but this is far from the most egregious deus ex machina on a Star Trek show, and it certainly won’t be the last.
But yeah, fun stuff.
3 stars (out of 5)
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Additional Observations
I’ve gotta say, the skies of Minos are a beautiful shade of bluescreen- I mean blue.
TNG always suffered from a “women character problem”, in that the writers seldom knew what to do with them, so I was pleasantly surprised with this episode.  It’s not so much that writers did anything groundbreaking with the ladies here, but this has been their best overall use of them up to this point, by my reckoning. Tasha is shown to be competent and reliable, Crusher is able to keep her wits about her after she’s injured (even getting some added backstory), and even Deanna’s council to Goerdi isn’t half bad (which is really saying something for these early episodes).  The show still has a tremendous amount of work left to do in this regard, but it’s at least a tiny step in the right direction.
BATTLE BRIDGE:  This is only the second time we’ve been shown the Enterprise’s saucer section separating from the rest of the ship.  It’s a pretty cool feature that will be seldom used, but it’s an effective way to sell the raised stakes of a given situation, and thoughtfully applied here.
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So anyway, after watching Murder Drones Episode 7... (WARNING: SPICY TAKE CONTAINED WITHIN AS WELL AS GENERAL SERIES SPOILERS.) (Also somewhat of a series review I guess?)
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I hate to say it but I think I'm just done with the series at this point. Or if nothing else I've just kinda stopped giving a shit. At most I might continue to watch out of morbid curiosity but I'm past the point of caring about it on any other level. I'm just here to watch the fire burn.
I wanted to give it the benefit of the doubt. I really did. But the problems I have with the show just kinda continue to persist. It's sort of a death by a million cuts thing where my issues just continue to pile higher and higher with each new episode.
Please don't take this as a personal attack if you like the show, if you enjoy it that's fine. You're entitled to. This is just my own opinion however if you don't want to read me being overtly negative and critical of the series then feel free to just continue scrolling. If however you'd like to know more then I implore you to click the "Keep reading" button and you can get a better understanding of why I feel this way and why I have a love-hate relationship with this show.
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I have tried very hard to push my feelings aside and put on a positive face.
I kept telling myself "Maybe they'll get better as they go. Maybe the storytelling will get better as it goes on." but every episode I just feel even more confused and frankly kind of annoyed.
Everything just goes by so quickly, we're almost never given time to ruminate or rest. Sometimes it feels like entire scenes are missing with how it jumps between things. Hell, a good example is in-between episodes 4 and 5 where it feels like we missed something in-between. (Episode 5 in general is very confusing and probably my absolute least favorite, but that aside.) The last scene we see is Uzi and N falling asleep on the bus then somehow I guess we're back at the colony in Uzi's room and V is there too now? We don't even know V is there too until later either. At first we think it's just N but then it's revealed V is also unconscious. (And I guess also somehow hooked up to the same simulation or whatever N is? Also how do they know the parts neither of them were there for?) This is just a single example but they do things like this more than once. Jumping between scenes with no context.
It's still unclear who did what or why and they killed off Doll who was like the only character that had a definite motivation which also annoyed me. She was like the only character we actually had a very solid understanding of so to see her get killed off without a thought was almost kind of symbolic with how the writing in this show is. (Though I guess at the same time even Doll didn't 100% make sense like for instance why she was perfectly fine with slaughtering random members of the colony just like the DDs that killed her parents even though they hadn't wronged her or anything to warrant it. I understand she likely needed to due to the solver infection but during the prom scene for instance she kills two random worker drones for basically no reason, just because she could.)
I don't really get the point of masquerading as Tessa or even why Uzi is important or why the Solver wants her. (Especially when it still has a body, that being Cyn.) [Also why did Cyn need to access the files in the first place if they were just going to blow it up anyway? lol. My only guess would be maybe she somehow doesn't know every drone that's infected with the solver? Which is... strange if that is the case.]
The show just seems to never actually answer any questions and just continuously piles on more and more questions.
But if I went into intricate detail on every little thing that bothers me or doesn't make any sense I'd be writing a novel and this post is already getting kind of long and ranty. Plus I feel like that'd be a bit petty of me to do. (In addition to just taking way too long.)
I know I said before I would reserve my judgement until after the show is "Over" so I guess I kind of lied. But since what I presume to be Season 1 is coming to a close and it'll probably be a long while before Season 2 is announced if Glitch's previous tendencies are any indication I'd say it's a decent enough time to form an opinion. If the show hasn't got me by the end of the first season I feel like something might be wrong. I will not deny, it could also just be the show isn't for me to begin with which I guess I can respect. So I won't go out of my way to say it's bad, but I don't like it. And considering there's only one episode left of season 1 I highly doubt it's going to save it for me. It feels like I'm watching the series out of context when I'm not.
I also really dislike how the series uses so many "Blink and you'll miss it." moments to dispense lore. It gets really tiring, I shouldn't have to analyze a show frame by frame just to have an idea of what is going on. I hate to act like I'm an authority here but I feel like that's bad writing. It feels like the writer(s) completely misunderstand the idea of "Show, don't tell." almost completely.
In general the show suffers from how rushed everything is likely due to it's short 8 episode format, but instead of trying to fit the narrative to their limitations it seems like they're trying to cram all of this lore and information into these tiny 8 episodes and the result is a confusing mess.
Now I'm not familiar with Vicker's history but I would assume this is likely his first big project that has gotten this much attention. It feels like he's trying to go way too big and it shows. The show is almost hurt by it's own ambition to be this big sprawling narrative with deep lore and intricate detail when it probably would've been smarter to go for a much more straightforward or simple form of storytelling.
I feel like it would have been a better idea to instead filter things a bit more, knowing that we only have 8 episodes I feel like they should've cut out any unnecessary elements and tried to get everything across that they wanted to as concisely as possible. Like if something wasn't 100% necessary to the narrative it should probably be removed.
In general the show seems to suffer from over ambition, despite that severe restriction. It feels like the 8 episode limit for Season 1 hurt it more than anything not to mention with how expensive the series is to produce I can see another reason why they would want to rush things and not take too much time to let things flow naturally.
I see a lot of people praising Uzi and N's relationship as well as V's "Character development" but honestly I didn't see much of it at all. Again everything feels so rushed, from our perspective at most Uzi has only known N for a few days at most same for V, it almost feels like kind of whiplash from how she goes from being uncaring psycho to laying down her life for the others.
I'm honestly not even sure what Doll's point for existing even is beyond her debut episode either since she doesn't really play much of a role beyond it or really do anything too interesting afterwards. Barring the trap that led to V's death she kind of just exists. Until she doesn't. I feel like she was a waste of potential like a lot of things in the show so far.
Here's hoping that Season 2 is allowed to have better pacing because... yeah I'm a bit tired of the plot going a million miles at once.
During GlitchX it was hinted that Season 2 might happen and I recall Liam saying something implying that Season 1 is "Just the setup." so one can hope I suppose.
Anyway yeah, probably not going to be discussing it as frequently anymore. So if you were only here for my insane Murder Drones related ranting and want to unfollow now, that's perfectly fine. But I can't ignore my feelings any longer.
I'll still talk about it, but probably not with the same passion I used to. Again it sucks because I really wanted to like the series but... yeah they just keep fucking it up.
(Unless Season 2 actually addresses my complaints anyway. Again assuming it actually does happen. Season 1 will still be tainted, sure. But I'm hoping I can at least be able to say "It gets better after Season 1.")
Oh yeah, everything else is fantastic though the animation, the voice acting, the soundtrack... I just wish the writing was on-par... I feel like the problem is they're being overly ambitious and trying to cram all of this lore and plot into these mere 8 episodes and it just isn't enough.
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minglana · 8 days
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going to exam revision, light some candles, cross some fingers, pray, etc for me😭😭😭
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mywifeleftme · 7 months
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196: Earth // The Bees Made Honey in the Lion's Skull
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The Bees Made Honey in the Lion's Skull Earth 2008, Southern Lord (Bandcamp)
The most money I’ve ever spent on a vinyl record is on the stupid fucking quadruple LP Mellon Collie and the Infinite Sadness boxed set, but that was only because I allegedly scuffed the first track on the first side of LP1 of my friend’s copy while putting it away at a party, so I had to buy him a replacement and got his old dinged one—but I’ll write about that another time. The most money I’ve ever spent on a vinyl record I wanted was on Earth’s The Bees Made Honey in the Lion’s Skull, and specifically on one of the editions bound in faux Bible leather that Southern Lord reissues from time to time. From the first time I heard the record back in 2008, from the first time I read the title really, Bees has held a strange fascination for me. Despite being a broke college kid, I ordered a Bees Made Honey hoodie using my first credit card and hemmed and hawed over whether to snag the leather record, though I didn’t even know how to use a turntable. I didn’t end up actually scoring a copy till more than a decade later, by which time I’d already pretty well carved the thing’s grooves so deep in my brain I didn’t need to listen anymore to hear its contents.
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The inner sleeve.
Still, there’s the pleasure of handling it, opening up the gatefold and reading the hoary language in elaborately-filigreed gold text:
“from strength sweetness from darkness light the bees made honey in the lion’s skull”
A1. Omens and Portents 1: The Driver A2: Rise to Glory B3: Miami Morning Coming Down II (Shine) B4. Engine of Ruin C5: Omens and Portents II: Carrion Crow C6: Hung from the Moon D7: The Bees Made Honey in the Lion’s Skull D8: Junkyard Priest
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I grew up just religious enough to really fear God and love His language, especially as filtered through all the fantastical art that’s borrowed the diction of the King James Version to command a sense of gravitas. It’s a tone of voice that still compels me, and it’s the perfect dressing for this era of Earth’s looming, desertified music. Starting with 2005’s comeback Hex; or Printing in the Infernal Method, Earth has been working on a form of Western-inspired instrumental post-rock that looks to the Bible and fire-and-brimstone writers like Cormac McCarthy for words to match the weathered lurch of Dylan Carlson’s lithic guitar. Bees continues this direction, and it’s broadly considered the best of the band’s later efforts: something elemental captured in the songs; extra pristine production; sterling contributions from Steve Moore on a variety of pianos and organs, plus famed jazz guitarist Bill Frisell; and above all the languid pulse of drummer Adrienne Davies, the sheer weight of her pauses (best exemplified on the title track).
When Davies joined the band in 2002, she became the long-term musical partner Carlson had never really had, and her playing has become as distinctive a signature of Earth’s sound as his. In the exhaustive 2023 documentary Even Hell Has Its Heroes, her interview is the most enlightening from a musical perspective. An amateur when she began casually jamming with Carlson, she soon found that all of the drumming instructors and guides she consulted emphasized focusing on how to refine the angles of her playing, minimizing the time and effort required to play a beat. But for Davies, playing in a band whose rhythm swells and resides like the breathing of a massive steer, this advice ran counter: her arms wave in slow, swooping arcs, drawing out the tempo in the air before falling into the drums, letting gravity provide the consequential force.
Despite the band’s mugshot stares and stupendous volume, that signal phrase holds: “from strength sweetness / from darkness light.” There’s no violence in this songs, only some obdurate quality of endurance; no aggression, only flickers of the transcendent among the amps. That’s the notion embedded in its title, a nourishing work transpiring within sinister ruins.
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196/365
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