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#do i need to see a doctor???
inkskinned · 8 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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I’m Me
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thecruel · 9 months
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“Every job I do, I’m always trying to hone my craft and develop new skills to add to my arsenal. Every job I do is like an apprenticeship because I never went to drama school. I’m learning on my feet.” — Ewan Mitchell, The Face, December 2022
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variousqueerthings · 4 months
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the appeal for nine and rose for me, is that nine gets to reconnect with the wonders of the universe by seeing it through this young woman's eyes and rose gets to have a fantasy of being taken out of everyday life and see the wonders of the universe, as a simple fairytale/(re)introduction to the world for the audience
the appeal for ten and rose for me, is that they double-down on this premise because it's inevitably going to end and is constantly ticking down to that end throughout this story, and the only way for them to move through life now is to pretend that nothing ever ends which makes them increasingly detached from reality, and is in and of itself a tragedy
the appeal for ten and martha for me, is that ten is spiralling and martha is a doctor to her core, and both of them want to fix everything for everyone else except themselves and so they're mirrors of a similar self-destructive sacrificial drive that makes them orient around each other in an unhealthy coping-mechanism kind of way that martha eventually has to detach herself from, even though there were the wonders...
the appeal for ten and donna for me, is that donna is actually very level-headed, and in many ways very capable, even though she doesn't believe in herself she can make decisions that are healthier than either rose or martha could, and the doctor initially through wanting her to believe in herself forces themself outside of their bubble of despair, which somewhat breaks the cycle of the previous companions (although, not properly until a very long time later)
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heynhay · 11 months
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i love everybody because i love you
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chitinleg · 1 year
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"Mister Bashir, what a pleasure it is to finally meet you."
Julian, why in god's name would you invite him to play the villain?
#my art#ds9#julian bashir#elim garak#star trek deep space nine#garashir#image desc in alt text#pencil#ok so on the outset it may look to some viewers as though julian invited garak to play the villain to get dommed by the scary lizard#this is not the case. not in my heart#in my heart julian felt a burst of something funny when Garak asked him ''what if you'd killed me''#and he responded ''what makes you think i wasn't trying'' and garaks face blooms into a sudden understanding and respect. ooh.#That's that heady shit. catching garak off guard. ooooh. that's that High Quality Endorphins Happening. but. gotta pack that up for later#(he will not unpack that later) because garak also just threatened to kill 5 of his friends who are STILL IN DANGER. NO TIME FOR THIS.#so after everything. and MONTHS after OMB. he invites garak to something like a playful rematch. sort of.#after all theres only so long that garak can stomach being a sidekick u know? he needs to be able to do his own machinations.#so they make a character for him thats a villain. a little more cerebral than falcon. a little more ambiguous in his motivations.#now there's also. a secret game at play here (there are always games. doctor) and its actually between garak and his own self#you see garak Also wants bashir to defeat his character. he also wants to be shocked. challenged. a little dismantled even (state forbid!)#and because garak wants that for himself? hes going to fight tooth and fucking nail to make sure it doesn't happen.#that Gayle clip from ''COMPANY IS COMING'' but its garak yelling ''WE CAN'T LET THEM KNOW WE [WANT]!!!''#and its a horrible idea for both of them but. oh so so exciting#you understand.#these rituals arent intricate so much as they are transparent but all encompassing. a fish doesnt know its swimming in water until its out#you understand? you understand.#thank you to anyone who found the time to read these tags i hope you enjoyed yourself and/or found what you were looking for#also garak is dressed so boring bc hes hiding himself u know how it is
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lost-tardis-room · 28 days
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thoschei could never become canon because it would be terrible and probably ruin all of it and make it immediately become uninteresting. however that's okay and will never happen because it already is canon 👍
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quietwingsinthesky · 28 days
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i really do think the desire to paint ten as unambiguously The Worst™️ when it comes to his relationship with martha is out of this desire to uncomplicate their relationship. to decouple them as friends and people who profoundly impacted each other’s lives. it’s just an easier narrative to swallow: that ten was Awful to her and then martha kicked him to the curb when she realized she was too good for him. easier, maybe, then dealing with the troubles of unrequited affection don’t have to be anyone’s fault, or that ten shut martha out in a lot of ways but let her in in others that he wouldn’t let any other companion near, or that they were still friends, they still wanted to see each other and be around each other, even though it was messy and sometimes hurt. you know?
#sometimes the doctor is shitty. this is not news we know this. this is part of the package. its what makes their relationships with their#companions so interesting so important.#like. how do i put this. i see posts sometimes about how ten was ‘leading martha on’ implying that he was taking advantage of her feelings#to keep her around. and. okay. so. putting aside how that’s a weird thing to say about anyone period.#its also just. from my viewing experience. not true?#the doctor is just sort of Like That. he’s too intense he’s too quick to grasp for emotional intimacy he’s too messy.#but he’s not leading her on. he really is just Like That.#like i feel by getting caught up in the fact that martha is hurt by being compared to rose and is hurt by the fact that the doctor can’t or#won’t return her feelings. and like. yeah. of course that hurts.#but in being caught up in that. i think what im saying is that it feels like people sometimes forget that he’s. not required to do that.#like just because she has feelings for him doesn’t mean he needs to get over himself and return them or else he’s using her. that’s. that’s#not how relationships work. people can have romantic feelings and still be friends and not have anything come of it and that’s not a#terrible outcome. thats just how friendships are sometimes.#thats the core of it to me. they’re friends. the way people post about ten & martha sometimes i wonder if everyone’s forgotten that they#are friends. that they last parted as friends. that martha doesn’t hate him or secretely resent him for how he treated her.#like. she’s got complicated feelings about the whole thing. but they didn’t stop being friends.#i tell you what: if the doctor was in trouble and called for help. you could be damn certain that martha jones would be one of the first#people to answer. that’s what i know.#doctor who#the doctor#tenth doctor#martha jones
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expectiations · 17 days
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The Husbands of River Song is not and has never been about the Eleventh Doctor being a deadbeat, distant husband (gross mischaracterization by the way) and the Twelfth Doctor being the "better, more mature, affectionate" husband.
It was about River Song. It was about River and how the events in Manhattan took such a toll on her. It was about letting us see River dealing with grief the way The Snowmen showed us how the Doctor coped after losing believing he had used up all his time with River.
Looking at THORS now with The Ruby's Curse in mind, I get the instinct (for lack of a word that I cannot remember) that the Manhattan incident Blue Roach read from River's diary was not the Manhattan episode that we saw in series 7.
On that note, I'd also like to bring up the fact that the Doctor grounds River and River grounds the Doctor. As Tree talked about in one of her tags, River's empathy is more cognitive than emotional and after musing on it for a bit – considering that the Doctor can no longer go to Manhattan (which may have changed in later series but I wouldn't know at the moment because I have yet to overcome series 7b) and that River does spend time with her parents in Manhattan post-TATM, would the latest Manhattan incident in River's diary be the funeral for Amy? Amy's death? Perhaps even Anthony's? I mean, we already know Rory died five years earlier than Amy. So, knowing how deep River's love for her mother is, it's not too farfetched to say that River spent that time with them. River was by their bedsides as they drew their last breath.
Then Rory's gone, Amy's gone, Anthony's gone. Where does that leave River? Where is the Doctor? (sulking on a cloud on top of Victorian London? trying to figure out the mystery of his newest companion? all while constantly mentioning a certain Professor Song who actually turns out to be his dearly sort of departed absolutely beloved wife?)
Without her parents (and her husband) to ground her, she goes on this maddened, grieving space Robin Hood spree. She seeks fun to fill in the void and takes up marriage as a hobby/side quest. Does she look for the Doctor? Perhaps. Yes, actually. Considering she crashed her latest sort-of-husband's ship onto a planet where she purported the TARDIS to be.
But... she's stealing the TARDIS. She could have just called the Doctor, yeah? So, she doesn't want the Doctor to know then. Well... yeah, considering she has two sort-of-husbands in hand.
So, River would just have gone on from one space Robin Hood spree to the next had the TARDIS not sort-of-stranded herself on Mendorax Dellora to make sure her Water stopped being stubborn and reconcile(?) with her Thief?
Also taking note of how River has read stories about them and knows that Darillium is purported to be their last night together (I could also bring up the fact that this is why I find it easy to digest the "River meeting regenerations of the Doctor younger than the Tenth Doctor makes sense and doesn't break cannon nor ruin SITL/FOTD" but that would take a whole other post). Does this River believe her time with the Eleventh Doctor has ended? The same way series 7b Eleven believed his time with older versions of River has ended? Is this all part of some grand fuckup in communication all thanks to their tangled timelines?
Maybe. Maybe not.
But has River not just been running from her family's death? Has River been running from her supposed last night with the Doctor?
"But River doesn't run." Oh yes. Yes, she does. She knows when to stand her ground. She knows when to charge. And she knows when to run.
"That's out of character for her." No, it's not. She's not invincible. She's this well trained assassin, yes. But invincible? No.
Invincible from the tendency to be blinded by their emotions? Obviously not.
River lies. And River runs.
She is not afraid of her death. She is afraid of the day when her husband, her Doctor, looks into her eyes and looks right through her. And it shouldn't kill her but it does. It did.
So she ran and ran until her bigger-on-the-inside Mum gently reached out and put her back together with the only person left who could ground her. Who she didn't recognize at first but still fell in love with (and would have loved even if he hadn't been revealed to be her actual, long missing husband). Who finally found out their last night wasn't just any night – it was a twenty-four year long last night. Who finally gave her a breather from all the running she'd been doing.
And oh what a night that was (it was the talk of the universe).
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eightdoctor · 8 months
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since they’re bringing back beep the meep for the 60th, i think they should also bring in other obscure eu characters. it could be really cool and refreshing to see them acknowledge a piece of the franchise that is so rarely mentioned. like, idk, i think this one guy could really fit in with the nuwho vibe, but idk if anyone’s heard of him his name is fitz kr
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chiropteracupola · 2 months
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granby + iskierka + keynes
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rosiesriiveters · 2 months
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Keep thinking of Rosie allowing everyone else to experience the trauma of war around him in any way they need to. Whether it be after listening to his crew member choke through the Munster story, reaching a hand out to comfort him, making sure the replacements are all settled and feel comfortable with him - establishing that he's someone who can be trusted with any issues - and listening to Crosby tell him he's scared he's becoming a monster and reassuring him, and yet refuses to give himself the same grace.
Thinking about how he doesn't tell Crosby about what he saw after he was shot down, what he witnessed in that camp. He's never really the one telling any stories in the series. He listens and watches, lets others say whatever they need to, all the while keeping his cards close to his chest.
Thinking about Rosie smiling while watching his crew and the other airmen enjoying themselves at the flak house, and yet not allowing himself the same enjoyment. Thinking about how the doctor at the flak house got Rosie to look after himself only when he framed it that looking after himself is looking after his crew.
Thinking about Rosie re-upping, choking slightly on his words as he explains he can't bare the thought of sending some rookie in his place to only get himself and his crew killed.
He won't give himself the grace or patience he deserves, but by god he'll take care of everyone around him.
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edge-oftheworld · 2 months
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real talk though how much of their success was facilitated by the fact liz hemmings sees 'child with adhd' and thinks 'future world renowned musician' and just invested so much love and time and money into nurturing not only her own child's ambitions but also these two kids he brought home from school and the table drummer from her year 9 math class of 2009
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Can You Hear The Rumble? - Vergil x Reader
Music Inspired Fics (Devil May Music) - Cirice, by Ghost
Pairing: Vergil x Reader
Summary: Everyone knew the kind of demon a hunter should be wary about is the one who plays with their victim's minds. You and Vergil were very proud on the outside - but how would it be when having to save each other on the inside for the first time?
TRIGGER WARNING: A lot of blood, cuts, bruises, scars and suffering on both Vergil and the reader's sides. The reader also struggles with perfection and self-loathing - in a "I'm never going to be a good person" kind of way, because I needed to get more intimate on the reader's part as well - and there are scenes with the reader covered in cuts and bleeding, though not self-imposed, it could be read like that. Those scenes are the reader's and Vergil's internal images of themselves. Reader and Vergil meet each other on their imperfections and the darkest parts of their souls, so BE WARNED. This might not be everyone's cup of tea and there are lots of potential triggers.
Author's Note: @tokkis-shelf asked me if Vergil's part of the Halloween special was inspired by Cirice, and here we are now. It is what kickstarted the song-fic requests! As with a lot of people, I think, Cirice is pretty personal to me.
In the video, it was so comforting to me seeing the black sheep being represented hahahaha and I guess that's why people love it so much. The part where they hold hands? I died, I'd never let go, I cry my soul out upon watching. (I did a very similar drawing to that scene when I was in school around 15 years ago, so it drop-kicked me out of my body xD)
Now, when writing this, I kept in mind that this song has a double meaning and can be quite comforting and quite manipulative at the same time - hence why I use the "can't you see that you're lost without me?" in two different situations, 'cause I think Cirice can be interpreted in so many ways and each person takes what they need from this song. I hope you guys like it!!
Plus, the song the reader and Dante sing at the end is The Power of Love, by Huey Lewis and The News
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Cirice, by Ghost
“Can’t you see that you’re lost…?”
It happened every time Vergil walked in the darkness.
That voice in the back of his head, silently taunting him, the hiss of a quiet viper in the hopes of taking him back to the darkest parts of his soul. Quiet, lurking, whispering… Mundus always there, somewhere in the folds of his consciousness, guiding him back into the void – luring Vergil back into his shackles.
“Can’t you see that you’re lost without me?”
As if Vergil couldn’t belong anywhere else, as if his place was in Hell. After all he had been through, after all the sins he perpetrated, he believed wholeheartedly there was no hope for him at all – only a fool’s hope; only a glimmer of a wish he wasn’t as tainted as he was… A desire to not be such a monster as he was.
Pacing quietly through the empty cathedral, Vergil had already learned not to give in to those thoughts – to keep them at bay, as only a whisper in the darkness, of trickster voices that would always remind him of how inhuman he was.
It was times like this Vergil longed for the faint glimmer of the moon, or the warm ghostly light of a candle. It was easy to get lost in the dark, but a single ray of light could help through the direst of situations. That night, though, it seemed like the moon had fallen asleep behind the curtains of the clouds – Selene hiding her tears for her earthly lover in his eternal sleep.
None of you knew what that night entailed – you weren’t even certain what you were dealing with. That was the reason why Lady strutted in the Devil May Cry, not too fond of taking a job she didn’t know if it was up to her abilities.
“Well, looks like I have a new one for you to pay your debt, big guy!” Her singsong voice interrupted the ambience of the jukebox; Lady entering the shop with Kalina Ann and all.
“Eh, I’m never gonna be free of my debt, Lady, let’s be honest.” Dante sighed, putting his feet down and throwing his magazine across the table, shooting her a serious glare. “But things have been borin’ lately, so one of your odd jobs’ not gonna hurt. Whaddya have for me?”
“You talk as if I never help you enough to maintain this place.” She lifted one eyebrow, approaching the big desk at the middle of the shop.
“Gotta give the woman credit, Dante. Last month’s bills were on her.” You shrugged as you had finally come out of your shower, happy to see Lady around, still drying your hair with the towel as you went down the stairs.
“See? Someone who has a bit of common sense.” Her smile was nothing short of devilish as she gestured towards you.
“You know where you are, Lady. ‘Common sense’ isn’t much of a thing in this household.” You greeted her by quickly blowing her a kiss while passing by, making your way towards the couch where Vergil was quietly reading.
“Ey, you’re hurtin’ my feelings like that.” Dante put one of his hands over his heart, laughing alongside you as you kept on your way. “But fine. I’ll give ya that, Lady. So, what’s up? What job do you wanna throw at me this time?”
“I am not throwing it at you.” And there it was: you could always see when Dante stroke a nerve when Lady got defensive and with that fiery stare on her multicolored eyes. “If you wanna do it, great, if you don’t, I can deal with it myself just fine. I’m here to be a good friend since you can barely afford all that pizza you keep stuffing yourself with!”
As you sat by Vergil’s side, you both exchanged a telling glare. Just like you, Vergil was used to observing people. Granted, he didn’t know Lady as much as Dante or even you, but he did know her since he was very young. That fiery, easy-to-anger personality had been there since they first met at the Temen-ni-gru – and Vergil argued it was one of Lady’s traits that would never change.
Something he was quite pleased with, if he had to be honest with himself. It was a good trait for a human demon hunter like her. Dante always praised human’s hearts and particularly their love and empathy – Vergil praised their burning anger that made them unconquerable in the direst of circumstances.
“Jeez, alright, alright, don’t shoot me!” Dante raised his hands as if he was at gunpoint, making you wheeze quietly. Vergil side-eyed you for a while – half judging, half holding his own laugh. “It’s not like I have much of a choice, do I?”
“Humpf.” Lady rolled her eyes and took a slice of pizza from the box resting on the desk, pointing at Dante with it right after. “You know I wouldn’t bring you something if it wasn’t important.”
“Actually, you would.” With those words, Dante rested his arms crossed on the table – all the while, you and Vergil watched it all as if it was a show. Who needed a TV when you had those two? “But you’re bein’ too dodgy ‘bout it, babe. What’s goin’ on?”
“I got a call from a priest in a city nearby.” Lady’s answer was uncharacteristically quiet, followed by a bite from the pizza while she seemed pensive and in any hurry to chew it. “I’ve done some jobs there, know the guy, he’s nice. All the times he called me, it was always a quick, good-paying job. He said some weird things have been happening at the cathedral for the last couple of weeks.”
“Not to sound mean, but there’s always somethin’ strange happenin’ at churches.” Dante’s eyes carried a bit of skepticism: ‘weird things’ didn’t always entail a job for the Devil May Cry – and it usually ended with all of you hunting a rogue raccoon or something.
“I know. But this guy, he doesn’t get scared easy, ok? He’s one of those types of priests who’ll try to shoot down a couple of demons with a shotgun and, if that doesn’t work, he gives me a call.” Those words, though, made you and the Spardas raise your eyebrows. Indeed, it was a rare type of priest, but a good one to keep as acquaintance. “He said the cathedral is increasingly quiet, even from noises outside, with occasional distant noises that are not done by any of those who live there. After it all started, the other priests reported having weird nightmares, of being chased by something in the dark, inside the cathedral – this thing whispering things they can’t understand. Alright if it happened to one or two, but soon all of them started waking up in the middle of the night with similar nightmares – and, catch this, the higher ups of the clergy didn’t tell the common priests about it, but they all reported the very same dream.” Those words caught everyone’s attention. Vergil finally closed his book and leaned forward, paying attention to Lady’s retelling of the priest’s misfortunes. “The priest has been trying to figure out what’s going on, but some old books appear to go missing from the library, only to re-appear as if nothing has happened. Some books are missing pages, something that never happened before. He also said the inside of the cathedral has been getting darker and darker as the weeks go by. As if something is approaching – his words, not mine.”
Vergil immediately furrowed his brows and seemed to turn into an ice sculpture right by your side. You risked a glance, finding him with his usual dark aura – pensive, somber and quiet; hunter’s eyes showing themselves in a matter of seconds.
“Rare are the creatures in Hell in search for knowledge…” He muttered loud enough for his brother and Lady to turn their attention to him. “But those who do, are usually among the worst. Haunting noises, torn books, nightmares, dead silence and total darkness…”
“What? You think those Hell Piranhas came out of their pit?” Dante’s question had a bit of fun in the words, but his eyes were serious and he didn’t allow his lips to smile.
“Could be. Could also be a demon trying to mimic them to hide something else.”
“Hell Piranhas?” You and Lady didn’t need a cue to ask at the very same time. Neither of you had ever heard of that – and both of you had heard of a lot.
“This is not their name, but it is how Dante calls them since we were kids.” Vergil almost sighed in response.
“How we both called ‘em. Mister smart-pants over here isn’t that much better than lil’ ol’ me.” Dante winked at both of you, making you giggle quietly in return. “They’re kinda like illusion demons, but they like stayin’ in the darkness and gatherin’ knowledge. Usually work for someone bigger, though.”
“And even if they don’t, they swallow up all their knowledge and that is dangerous in itself. Afterwards, they feed from the victims they have been toying for so long.” Vergil continued Dante’s thought, ignoring his brother’s previous words. The more you didn’t think about what Dante had said about him, the better – for Vergil couldn’t deny it. “They hunt in packs, and the more victims, the more powerful they become. Some call them the Pit Deceivers, others call them the Lie Weavers…”
“You call them Hell Piranhas.” You concluded bluntly, making Vergil stare at the horizon with emptiness in his eyes – he could say all he wanted, flex all his demonic knowledge, you heard the Piranhas and now you’d never forget it.
“I never heard of them.” Lady had her eyebrows furrowed, searching her memory for some story like that.
“They either don’t leave the pit that much or not many humans survive to tell the story. That’s why.” Dante pointed at a great, old book Vergil had left on one of the tables a long time ago and now it was its official resting place. “You can find it only in the likes of the Codex Daemonica.”
“So either we have them around, or it’s something else. Something bigger. Right?” As you asked, Vergil only agreed with his head as the attentions turned to you. “Or something mimicking the Piranhas.” And Vergil had to sigh at your addition. He would never have peace again. “The mimic or the master, what kind of demon would the Piranhas answer to? If they are that obscure, I take it their existence is more of a niche knowledge in Hell rather than a common information.”
“On that, you are correct…” Vergil murmured in response, falling back into his pensive demeanor. You knew he would be lost for a while.
“See? Good thing I brought this for you, then.” Lady waved dismissively at Dante, but you could sense a little edge in her playful voice. Dealing with big things was fine, same as dealing with cruel demons and the ones that played the big-scary-one persona. Unknown demons were another kind of monster – one only Dante and Vergil used to deal with. “Plus, they always pay well.”
“Eh, I won’t be seein’ much of that money, if I know ya well.” Dante scoffed, having a small smile hidden in the corner of his lips; his tone and demeanor, though, were quite somber and you knew the red devil was taking it seriously.
“If you don’t mind, Dante, I would like to take over this one.” Vergil finally declared while getting up from the couch. “I know some of the hellish creatures who might make use of the Weavers or mimic them.”
“Fine for me, I’m needin’ some time to rest.” Dante sighed, but looked right back at you while Vergil rested his book on the big Devil May Cry desk. “But I’m gonna feel a lot better with someone around to keep an eye on ‘im, pretty thing.”
“Well, I didn’t intend on letting you guys deal with this all by yourselves anyway.” You got up from the couch, immediately receiving a glare from Vergil. “I’m going, blue devil, whether you want it or not. I want to get acquainted with these Piranhas.”
Vergil only closed his eyes, letting out the longest and most regretful sigh you ever heard in your life.
And there you were – although Vergil lost track of you quite a while ago. He knew the stirrings rippling through his heart when you were in danger; and being the fierce human you were, Vergil wasn’t worried about having you search for the demons in the cathedral.
There was, though, a slight uneasiness. That voice echoing in the darkest parts of his soul, it always came as an omen – causing nothing but destruction, inside or outside of himself. Vergil never could really say which one would be, but both were devastating.
“Veeeeergil…”
His steps came to a dry halt in the middle of the cathedral. The night outside the colorful stained-glass windows was pitch black, robbing the colors of their warmth and light – the fire on the candles, long dead in that cold night. The whisper that crept to his ears, like stark chalk on a chalkboard, dragged itself through the marble floor and took a hold of his soul in its clutches.
It was a different kind of sound – different from the ones inside himself, calling him to the darkness. It was from the outside… The Lie Weavers. Slowly coming up, finding him as their next victim. He was close to one of the places they were certainly lurking in the shadows, patiently waiting for someone they could consume.
Vergil never feared the darkness. Tightening his grip around Yamato, his steps resumed his way, approaching the places in the cathedral the faint light of the night could barely touch. Those demons should have known their end was near, and he was the harbinger of their demise – he expected all kinds of trickery, of resistance, of fight from them.
He did not expect to hear a familiar voice, filled with uncertainty.
“Vergil…?”
Halting his steps once more, this time his silvery eyes lost their predatorial gaze as his heart jumped in his chest – even if for a slight second.
“Mother?”
His answer was but a whisper before he was swallowed by darkness.
*
When engaging with illusion demons, one should be aware of not falling into their element: when engulfed by it, those demons were more powerful than expected, able to subdue even the strongest of foes. Breaking from their control required mental and emotional discipline rather than brute force.
It was a slight second – a foolish slip from his human soul, disarmed by the trickery of Eva’s voice – and Vergil was surrounded by a sea of darkness and turmoil. His heart stirred with anger towards himself for being such a child, a vulnerable stupid child, tricked by a puppet of something his heart missed so much.
Eva was long dead. There was no demon able to bring her back. And he would never see her again. All that logic was tossed aside in a spark of a second by his stupid human heart, trembling upon hearing her speak his name again. Granted, Vergil only heard his mother in his dreams, barely remembering how her voice sounded in reality, and this time he heard outside himself – but he should have seen it coming. Illusion demons, trickster demons, cruel demons… They all relied on the barely closed scars inside his damned human soul.
Vergil could always count on them to re-open those wounds, making him bleed as much as he did on the floor of that cursed cemetery so many years ago – and he was a fool to fall for it after he had been through so much.
“Vergil… Can you hear me…?”
“I can, you damned deceiver. You can stop these theatrics – mimicking my dead mother will not affect me.” His voice cut through the dark like the sharpest of ice, his predatorial gaze back into his silver eyes.
“I… Don’t understand you, son. I cannot find you.” Her voice had a tinge of sorrow and desperation – but it was exactly like Eva’s voice. Vergil remembered it with a tinge of gold, probably a result of the haze of nostalgia, but today it was grounded and melancholic – perhaps, that was how Eva had always sounded… He just didn’t remember it. “I can’t find you. You aren’t home.”
“I haven’t been home for a long while.” Vergil didn’t even try to hide the growl that raised from his chest as he argued with that creature. He was used to having a puppet of his mother parading in front of him to hurt his human soul even more, but that was already getting on his nerves. Taunting him about the fact his mother ran to find him that fateful night wasn’t part of the usual games those filthy demons played – and to say they were honing his wrath was an understatement. “And I will never be back.”
“I… I cannot see you, Vergil. Where are you…? Why…?” He could hear the weeping in her voice, faint sobbing while the desperation made her words tremble. Vergil raised his head in the darkness, holding his own heart not to quiver: she wasn’t real and it was all a gimmick to affect him. He would not be affected. He was stronger than that. “Why couldn’t I save you? Those demons they… They hurt you, didn’t they? Oh, my child! My son! They hurt you and I could do nothing! I couldn’t be your mother!”
“Enough with this, filthy, hellish creature!” His voice finally exploded from his chest, roaring in the dark and echoing through the void, finding only silence. “You have no right to desecrate my mother’s memory like this! Shut your putrid mouth and stop with your rancid lies!”
The glint of the Yamato being unsheathed made the darkness recoil for a split second, only to envelop the Dark Slayer once more. His grip was tight, his eyes fiercely looking for his first opponent to direct a very well-placed judgement cut that could end all those creatures with just one swing of his hand. Vergil had enough and all the patience he carried in his being wouldn’t be enough to stop him from overkilling those demons – he just had to know where to direct his wrath.
“Don’t say those words, Vergil… You are not… Not like this.” Her voice still trembled, and his hand was still certain around Yamato. Vergil knew quite well at that state he was a weapon of mass destruction, he just had to find his opponent. His soul was screaming for him to do that, to put a stop to all that mockery. “You are good… You are my son.”
Vergil would have sliced that demon into a thousand million pieces without flinching, even if it took the form of his mother – but his eyes widened as a soft, warm hand touched his face. In all those years being taunted by demons, being tricked and mocked, seeing so many puppets of Eva, Sparda and Dante, none of them had touched him… And none of them genuinely felt like them.
It had been so many lost years he hadn’t felt his mother’s touch – last time, she could cup his entire face, thumb lovingly caressing his innocent eyebrows, but now her thumb could only reach his cheekbones. Nevertheless, it felt like her: not like a golden, nostalgic lost memory of how she felt, but exactly like Eva’s hands, even with the slight roughness of her continuous gardening.
“It took me so long to find you… I am so sorry.”
“You are not my mother.”
“Don’t say that.” Her answer was a sorrowful whisper, her thumb now carefully caressing his sharp cheekbone. Vergil closed his eyes, unable to move, convincing himself all of that wasn’t real and not allowing his heart to sway – forcing his arms to remain frozen by his side, fighting the urge to embrace her. Reminding himself: his mother was dead, killed while trying to save him, a long time ago, and nothing could bring her back. “Your heart hasn’t hardened as much as not to recognize me. You…” Her voice once more became soft, as if trying to do the same with his soul. “You are not a monster… You are my son, my Vergil.”
With those words, Eva’s hand was finally met with a tear – melting the ice from those silvery eyes.
*
There was an impending storm rumbling inside your chest.
Whenever that turmoil took ahold of your heart, you knew Vergil was in trouble. You had just finished checking your side of the cathedral, finding some things out of the ordinary but no demons, when the waves became aggressive in your chest. Your steps were already taking you to meet him, but you found yourself walking even hastier – the sound, though, eaten by the shadows that seemed to only grow around you.
Neither of you had calm seas of feelings: they usually raged like a maelstrom of emotions you could barely get through without some destruction – be it internal or external. But there was a certain note of melancholy and desperation in your heart at that moment that made you know Vergil was hurting – and that hurting, you knew quite well.
It was almost ironic how you apparently despised each other at the beginning, but after a while you came to understand; that aversion was there because you, in a certain way, were a mirror of each other. You could see in him the traits in your soul you disliked the most, and Vergil did see in you the same thing – those traits, however, were the same ones that brought you together, and made both you and Vergil feel seen and understood for the first time in your lives.
He didn’t judge your sins, as you didn’t judge his. To your eyes, he was never a monster, and to his, you could never be as crooked as you thought you were. You found each other in imperfection and, in that, you managed to talk and feel on the same level – after that, every feeling of admiration, care and love was easy to blossom.
You understood that storm, that thunder rumbling inside your chest at that very moment. You could feel it exactly the way he felt – and you knew Vergil needed help… Even if he would never say so himself.
You couldn’t hear or see him, though. You found yourself exactly at his area of patrol in the cathedral, but there was no clue as where your blue devil had gone – and for him to completely disappear, imposing presence and all, was quite an achievement in itself. The air was stiff, heavy as if the windows had never been opened, eating up any sound from the inside and the outside. The darkness was heavier than the one you had previously patrolled, shadows allowing only a few glimpses of the opulent decoration and the path in front of you – although, you couldn’t see more than a few meters beyond your feet.
If you couldn’t trust your sight or your hearing to find him, you could trust your heart: the storm would guide you. Closing your eyes, you allowed your feelings to take over, following with your footsteps in the direction you could hear his soul calling.
Those shadow creatures wouldn’t be able to hide him from you: no matter what happened or where you found yourselves, you would always be able to feel Vergil’s presence and find him in the darkest of hours.
And as the thunder in your chest cracked violently, your feet came to a halt and you opened your eyes.
Right in front of you, there was only darkness. Not like in the shadows that took the cathedral little by little, but pitch-black darkness, that no light could cast aside. To enter it would mean to be completely bare: vulnerable, lost, without guidance, naked – but the screaming in your soul made it very clear Vergil was in there.
Contrary to your lover, you were afraid of the dark. You always preferred to have a little light by your side, for you never knew what could be lurking alongside you, ready to pounce and drag you to certain suffering and death. You protected yourself by being forever vigilant, as you always did – a trait that exhausted you, yes, but luckily, in the last few years, you had Vergil around to keep a light by you when your body started giving out.
For that reason, you would never fear entering the darkness for him.
And with a deep breath, your bold steps took you inside the dark.
*
Your feet were cold, bare, stumbling over a sticky floor. Even if your eyes could see only darkness, you felt the freezing air of that night slicing your skin: you were shirtless and something was hurting… Oozing. The cold wind mixed with a faint warmness that leaked from the open wounds on your skin.
Blood. You were bleeding.
Your arms immediately wrapped around you – those scars, they were showing. They never showed before.
Running your hands quickly over your body, you could feel the warm blood slipping through your fingers; some wounds barely holding themselves closed while others still poured as in the day they were created.
That was the version of yourself you used to fiercely hide. None of those wounds were physical, none of them could be seen… But whenever you looked in the mirror, you saw them there, under your skin, under your soul, quietly resting until you couldn’t hide them anymore.
“You are lost…”
It was always the same voice, of something dark, something inside you that could break your soul if you didn’t shove it back into the darkness like you always did. That was why you were afraid; that was why Vergil always kept a faint glow by your side whenever you couldn’t hold yourself together. The dark was dangerous to you – to both of you.
“You are lost without me…”
“I can survive quite well without you…!” You growled to the darkness, keeping that part of yourself at bay. The part that gave in to the pain, that bathed in the blood and didn’t want to get up… And the part that would bathe and rise in rage, making you survive at great cost to those around you.
You were past that. And you didn’t need that to survive. You didn’t have to survive, you could live.
“Can’t you see that you’re lost…?”
“Vergil!” Your scream was a roar in the dark, looking for the one you plunged into the darkness to find. You wouldn’t give in to the trickery of those Piranhas – and you would get Vergil out of there.
They would learn they shouldn’t fear only the son of Sparda: they should also fear you.
“You think you can find him…?” After the mischievous ethereal voice questioned, you heard a giggle rippling around your feet as you stumbled on the sticky floor to find your lover. “You think you are that good? You think you aren’t a monster?”
You furrowed your brows, doing your best to ignore the voices. You knew it was that part inside of you that always taunted how broken you were, how imperfect your soul was. For the longest time you believed there was nothing good in you, nothing to save you from a life of loneliness, until you crossed paths with Vergil.
He was broken too – and he would never judge the things you did to survive your lethal wounds.
“Vergil! Can you hear me?! I’m here to find you!”
“How chivalrous, how heroic! What are you trying to accomplish?” The giggles pooled around your feet, threatening to drag you inside that pool of viscous darkness. “Trying to prove yourself? You’re never going to be perfect. You’re a black sheep, an outcast, remember? The likes of you aren’t heroes.”
“Oh, I’m no hero…” You growled back, fighting against the things trying to pull you back; fighting against the pain of the freezing cold and warmness of blood. “I’m a fucking fighter. You’re messing with the wrong kind of monster, fucking Hell Piranhas.”
“Piranhas…?” A faint whisper in the dark broke whatever control those things were trying to have over your body, starting at your feet. It was Vergil’s whisper – followed by a louder speaking tone. “Y/n! I can feel you, where are you?!”
“Trying to find you!” You screamed back, immediately dragging your feet towards Vergil. You couldn’t see him, but you could feel where he was – and there was nothing those demons could do against that.
The darkness seemed to shift for a couple of seconds. You couldn’t understand what was happening, but you saw a faint, ghostly pale glow in the dark – almost imperceptible, but your heart knew, you could finally see Vergil.
And, in return, he could see you. Moving his feet, Vergil dragged heavy shackles through the floor, screeching in a horrid, soul scratching sound as he willed his body to move towards you. You could hear him grunting with the effort, another set of chains being dragged as Vergil moved his arms – slowly, but surely, wearing all of his strength to get to you.
You felt the viscous ripples of the floor creeping up your legs, almost on your knees, doing their best to pull you away – back into the darkness, back to the taunting voices, to the doubt, the hurt, the self-loathing.
“Vergil! Let me hear your voice! You’re still there, right?!”
“Yes. I am always here.” His answer came with grunts of effort, barely above the noise of the chains screeching around him.
The darkness shifted again, and his form became even more visible, as yours did to him – followed by a scream that rumbled in his chest, Vergil managed to get even closer. That made something spark inside yourself, that thundering storm breaking in your soul cracking in a scream that broke the insidious tentacles holding you back and making you lunge forward.
Once again, the glow you diffused only to each other seemed to get stronger as the darkness wavered.
“Y/n…” He growled once more, the shackles screaming on the floor as he reached out to you.
“Vergil…!” You reached out in return, barely making out the form of his fingers in the dark.
As you were almost touching each other’s hands, the heavy, muffling darkness faltered once more. You could finally see one another, as you were in that godforsaken place.
Vergil was shirtless, his body covered in wounds – new and old – bleeding profusely. His silvery eyes were red, sunken in deep shadow, surrounded by a deep purple mist on his dry skin. You could see his bones under his pale skin covered in so many lacerations you wouldn’t even know where to start healing him. His knuckles were battered, showing the flesh underneath, as well as his wrists covered by heavy iron shackles – wounds from fighting against them for so long. His hands were still long and elegant, but bony and covered in bruises.
You had never seen Vergil so hurt, so broken, so… Vulnerable.
In return, his eyes took in shock the vision of you: as shirtless as him, as battered and wounded as he was. Even if not locked in the shackles he wore for so long in Hell, you walked barefoot leaving a trail of blood behind you. Those scars, those wounds, those bruises… He knew they were there, but he had never seen those. You looked weak and tired, bloodshot eyes under dry skin, as if you hadn’t slept in ages… And those things you fought so much to conceal, now crystal clear in front of him.
Those were the scars you carried inside yourselves. The wounds you had to fight against every day – that you had to try to heal, even if sometimes it seemed impossible. The things you would never show, but, somehow, you managed to sense it in each other… Now you could see it, clear as a bright night.
And, even if you wouldn’t admit to yourselves, those were the very same breaking thunders that would keep you moving – fiercely fighting, fiercely surviving.
As you took in each other’s internal selves, Vergil’s silvery eyes finally found yours.
A loud thundering noise shook the floor underneath your feet twice, as your hearts rumbled alongside the devastating sound. You lunged forward, holding Vergil’s hand as if your life depended on it. Never breaking your eye contact, Vergil held your hand with the strength you would expect of the legendary Dark Slayer. You made each other stronger, and there was nothing that could come between you now.
His shackles immediately screeched back, pulling Vergil violently away from you. At the same time, you were grabbed by the viscous darkness – your knees, your legs, your abdomen, your arms. It pulled you back with vicious strength, doing its best to drag you away from him – back into the darkness.
“Don’t let me go!” You screamed back, tightening your grip around his bony hand.
“I will never let go!” He growled, doing the same, trying to drag his body forward – failing to notice you willed yourself towards him as he pulled you into his arms. Those silvery eyes never moved away from yours.
“You are lost…! Lost…!”
The voices chanted and screeched around you, doing their best to drag you apart. For a moment, your hand slipped and you let out a desperate scream, hurting your lungs as you were almost pulled back into the void. Vergil’s cry resembled a roar as he willed his body to move and tightened his grip in a way he didn’t hold even Yamato.
He hadn’t held his brother’s hand once. This time he wouldn’t make the same mistake. This time, he would hold you even if that damned the both of you to the darkest pits of Hell.
“Can’t you see…? Can’t you see that…?”
“I am lost…!” You barked back to the voices, still staring into Vergil’s eyes, trying to catch your breath while your lungs stung as if you were inhaling a thousand knives.
As Vergil looked into your eyes, though, he knew exactly what you were going to say – and he could safely say it was the very same thing he struggled to find the words to.
“Without you.” His answer came in a dark tone, ragged from the effort he too made to be able to hold your hand.
The thunder rumbled twice again – the voices shrieked and you suddenly found yourselves being launched into each other’s arms as the forces that bind you broke into a million pieces.
Vergil’s arms wrapped around you, one of his hands holding your head close to his chest, as you wrapped yours around his waist, keeping him as close as you could. His head rested on top of yours, and you kept your eyes closed – washing away the blood above his heart with the tears that streamed down your face.
“Don’t ever hide from me.” Vergil’s voice was uncharacteristically shaky, somber but reassuring. You had never been so vulnerable in front of him – and even upon seeing you like that, his reaction was to take you in his arms, to welcome you. “I’m not afraid of the dark.”
“And I’m not afraid of your darkness.” You tightened your arms around his cold, bony body as you felt tears running through your hair. “I can see beyond your glimmer, and I’m not afraid of what’s in the dark.” Your voice shook as you took a deep breath and Vergil’s arms held you even closer – his body shaking with the tears falling from his eyes. “It’s you. And I’m never afraid of you.”
“Neither am I of you.”
His answer was but a whisper – a whisper enough to break the darkness into a memory to be kept away in the deepest pits of Hell.
I can feel the thunder that’s breaking in your heart I can see through the scars inside you
*
*
*
*
“You killed the Piranhas from Hell with the power of love?”
Vergil wanted to crawl into a hole and disappear. Or die. Or both.
Probably both.
The whole crew was there as you and Vergil never came back from the job as quickly as expected – and when you did, it looked like you hadn’t slept in days.
The priest was more than happy with the result of your work – even though you never discovered why the Weavers decided to come out of hiding nor what they wanted. The congregation was just happy they were gone and the whole reason behind it would be a long-term thing for the Devil May Cry to work on – or to keep an eye on; maybe something bigger was approaching.
You and Vergil didn’t feel like going back to the shop, though. When you were hurt physically, things were very much ok to deal with, but when the wounds were emotional… You needed time for yourselves.
Unlike his brother, Vergil was a little more responsible with his money – and you, a lot more than the two. You managed to find somewhere to spend a few nights… Which involved the both of you talking out everything you felt and saw. It was harrowing at first, something neither of you were versed in and honestly were terrified of, but it eventually brought you even closer together.
So, to say you had defeated the Lie Weavers with the power of love was something that killed Vergil inside.
And you could almost see his internal self, glaring at you with a ‘really, after all of this you say this kind of foolishness’ look in his sad, silvery eyes, as Lady stared at both of you and made the question everyone was thinking.
“Yep. Power of love, it’s a curious thing.” You shrugged, making Vergil physically groan by your side while Dante slapped his table with a huge grin on his face.
“Make a one man weep, make another man sing! Hell yeah, Back To The Future, babe!” He winked back at you as you smiled in response.
“Of all the people you could end up dating, Vergil…” Trish sat on Dante’s desk, crossing her long legs while sporting a devilish smile on her rosy lips. It was interesting how her voice could never really sound like Eva’s. “It had to be someone who references the same songs as your brother.”
“Alas, fate plays many games…” Vergil rolled his eyes, but as they rested on you, there was a vulnerability you saw only once in that pitch black darkness. “But it is kind enough to give us what we need.”
No one ever really understood what he meant, but Dante was the only one who managed to see something inside his brother’s silvery eyes that could only reflect in yours – and that made him genuinely smile.
Indeed, you would never be the romance of a fairy tale book or a romantic comedy – but you could see what lied beyond each other’s scars; taking a glimpse at the worst of each other without fear and finding whatever light was left inside. You could understand – and that was much more than most lovers in the world would ever have.
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variousqueerthings · 6 months
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im just thinking about 2005 nu!who starting for a new audience (me) with mystery and sorrow and the idea of trying to rebuild yourself after a massive, horrific event, but also everything that came before that slowly being revealed to weigh you down as well (the companions who were left behind or who died, the way you were treated by your own people, the relationships that hurt you, the demons still in the closet, the constant running), and it ending on a narrative that healing really is possible for this character
and 2024 nu(nu)!who starting for a new audience with exuberance and curiosity and the joy of upcoming exploration after having allowed oneself that healing, and yes, being able to let go of that weight, but having so much affection and tenderness towards ones past selves and the effort it took to get to this place, and wherever this story goes, it doesn't start with grief or fear or trepidation, it starts with giddy excitement for what's about to happen
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isagrimorie · 10 days
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Star Trek Voyager 4E16 - Prey
Tuvok: You missed. Since species 8472 invaded the ship, you've become increasingly agitated. Seven: They were the only species to offer true resistance to the Borg. They destroyed millions of drones, hundreds of our worlds. I have reason to be agitated.
---
Janeway: A single act of compassion can put you in touch with your own humanity. Seven You are trying to justify your present decision. Janeway: No, I'm trying to help you see this as an opportunity to grow. I know you don't want to do it, Seven, but I'm telling you as your Captain, and as your friend, you won't regret it. Seven: No. Your decision is tactically unsound. We will be surrounded by Hirogen ships in approximately two hours. If we do not surrender the creature, they will destroy us. A lesson in compassion will do me little good if I am dead.
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