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vinxwatches · 8 months

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watching disenchantment season 1

the parts of it i have seen i remember thinking seemed pretty nice. i don't remember what it was, just that it seemed interesting. the artstyle, simpsons styles, isn't too appealing, but if it's good it'll survive a weak artstyle (it's not like the lower decks looked amazing. not bad but not amazing). lets have a look

netflix opening. yes it's a surprise. i pirate basically everything. no job no income, no income no subscriptions, that's my rule. also fuck big corporations. so far i've never been disapointed with their stuff, but in general i don't disappoint easily and it's not like i watched a lot of their stuff. still they are pretty good about lgbtq+ stuff which makes them one of the less shit companies.

ok yea no like 10 seconds in and i know i'll like the princess. i am, in fact, increadibly easy to please. ok yea no i love the vibe 3 min in. oh how i love some lawful evil. "take of those clothes and come down wearing something princesslike" are not safe words with someone who's confident and doesn't like you. ok, thei visual gags fucking rock. ... this is a lot of notes for less then 6 minutes in. this'll be a good one.

ok that gate is neat and something i may steal for my dnd game. a gate that's a gate into a different realm, damn, it's probably not something i can visually describe well enough to make work.

ok, that's more digs at religion then i'd expect from a show like this. i mean i love it but i can imagine a lot of people didn't.

punching your way trough a glass in lead windows? look elfs and demons i can suspend my disbelief with, but doing unrealistic things with real things is just more immersion breaking.

ok, racist antelope was not a one off joke, it was a two off joke. honestly amazing.

ending of the first episode was on the weaker side, and we don't even have a status quo yet. oh well. still a great episode. i hope they can keep the jokes going.

is mermaid song a genre? because i always really like it.

oh, is the status quo going to be trying to kill the guy and failing? if so i'd love it but i wouldn't guess it.

weak endings seem to be a trend, or at least happened both times now.

ok, you made me lol with a dad joke.

i love the jokes based in history. like yea lemons were probably rare in northern europe seen as they grow further south. sure trade did always exist, but fruit is hard to transport, but bringing them back after crusades? yea, makes sense. also that drug looks like ginger.

ok, the exorcist has some great animation jokes. an exorcist with good aftercare... i mean that does already make him better then most modern exorcists, even with the attempt to kill her to get the demon to leave her, that's nothing special.

yea ok that concludes it this show sucks at endings. the rest of the episode makes it worth it but damn do they suck.

not a fan of Elfo's useless "i want to be with her" thing. it's just creepy. like haha stuck in the friendzone, but no, if you follow someone around not because you can just want to back them that's just creepy.

ok, so this episode is really about that. now to see if it's a moment of change or to acknowledge a problem and yet try to return to the status quo. welp, i'm afraid it's the latter. yet somehow the strongest ending... doesn't mean a lot but maybe shit'll get better with time.

"how dare you bring logic into gods house" fucking love it. also i just noticed that episodes are named chapters, which is just neat. is season 2 named book 2?

i'd love it if she picked up witchcraft. don't expect it, would love it.

"i'm bad at everything" except swordfighting in the last episode, getting things organized, and cleaning up a multi murder scene with but 1 (serious) error.

ok, ep5 easily the strongest ending. not strong, but not weak. and yes now i'll be listing the quality of all endings. because i saw a glimmer of a pattern at the start and now i can't stop. because i'm normal like that /s

damn ep6 starts with a delightful tune on the violin.

ok, there seems to be growth in their relationship. i wonder if it'll stick. also endings continue getting better.

ok, fun twist, also man how do you think you're going to get out of this web of lies my guy? like i lie often, or at least used to, got less stuff to lie about nowdays, and lies need to stay small, believable and concentrated. if you're late for work you don't make up a story about family drama, you lie about local traffic that has no way of coming back up in a much later date and they have no reasonable way of knowing.

damn Tes is a lot of fun. hope we'll see her again.

damn how they re-use characters is really neat. making them deeper characters then they were.

"i'll play you a sad song on the words smallest lute" i mean funny... and googled it to make sure, and no the violin is post medieval period. nevermind then.

damn, not even half way trough season 1 and we seem to be near a finally. mid way big change?

main character death? i don't buy it. damn, i saw that twist coming. oh, did not see that choice coming. like it makes the most sense, but character never make that choice. it's always moving forward and returning to the status quo. they did the exact opposite and now i'm hooked.

damn, that title though (ep10). very happy opening, and then that end. "it took all season" i love such meta jokes.

oh damn, this was well planned out, the kingdown/city was designed for this. amazing. and damn that was foreshadowed

the shows title takes on such a massively different meaning. it started, in my mind, like "oh you think this story is enchanting? nah, we're the cynical joke show. this story is disenchanting" but oh no, it's something completely different.

the room they walk into is supposed to be creepy, with red-ish walls and darker and tall furniture... while i'm sitting in my room. with a black floor. 2 silver and 1 red wall, up to the ceiling black wardrobe, and i'm just thinking "oh that room looks nice". am i the villain? no, but i'm probably at least somewhat goth. including swears in regular phrases to seem ominous also doesn't do much when that's just how it talk too.

damn that's one hell of an episode, setting up where things are going to go while also moving the story a lot. i'm sure that wasn't the last we saw of those 3, probably 4 even.

ok, dealing with the problem of evil, and calling god out for the vileness that is inherit in the character growth excuse.

"emotional support demon" now who came up with it first? the click (the youtuber) or this show?

damn the infernal stronghold looks really cool. the book of people send to hell includes a lot of popes. nice.

not really a twist, it was really obvious, but still nice.

i love the chewing out of god. yes i'm easily pleased sue me.

what the fuck happened between ep 12 and 13? how is everyone alive again? the thing it had wrong was that it was the wrong episode as 13. the site works great, but it often has errors like this. i need to check that the episode is titled the same as the site says it's called.

oh, i like her new look and outlook.

it's a surprisingly good resolution with some more nice mysteries.

damn i really love ex queens exit. it's just so not standard and with a lot of depth to it. a lot of depth we never saw in her before but makes total sense with what we did know, and it's a really heart-warming breakup, something that needs to be normalized more.

neat interpretation of a classic mythological creature. and not a minute later we're taking the other half of those stories. but i really like what they did with it.

damn that's some cliffhanger. what's up with the damn musicbox?

also the 3d in this show stays surprisingly good. the blending between 2d and 3d is far from flawless, but it still allows them to do a lot of cool visual stuff.

and damn that reveal of ogre matters.

not a fan of the circus being thieves. not a good stereotype to continue. also not a fan of my suspicion that they'll double cross. and i was correct. old media or new they keep coming back to this.

do like the twist, but the stereotype is still bad.

cool underwater scene, but you'd both have drowned.

ok, going for a joke ending that made me lol. well done.

name the play "the king & me"? like the untrustworthy story? odd choice.

having to work trough emotional problems? great lesson, great to touch on. i'm also currently binging the show to escape my emotions so i fail to properly apricate it.

looks like a dragon, looks more like an airship.

don't get me wrong i love steampunk, but i prefer when the types of magic words stay separated. or if the steampunk world is dead dwemer style, that one also works.

OH. that's an ending and an half. of all the characters i could believe this would be the one as they can die having fulfilled their purposes in the plot.

talk about a witch-hunt. the kings last action? nope, the queens. fuck

i was thinking of doing the whole show in one post... lets not

#disenchantment #disenchantment season 1

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chasing-dreams-since-1995 · 9 months

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It all comes down to this! The final countdown begins!

#netflix #disenchantment #bean #princess tiabeanie #final countdown #final season #season 5 #tiabeanie #bean and mora #September 1 #princess bean

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diamondnokouzai · 9 months

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[guy who never leaves his apartment except to go to the dollar store or joanns] why dont i have irl friends

#.din #.txt #i miss [hometown] my friend there would go to joanns with me. now i have to go make a new friend to wander around joanns with. this is bull #also when i go to non dollar store/joanns activities ive been told that i resemble season 1 oona of disenchantment. a very -_- man.

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zincbot · 2 years

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i hate elfo i'm glad he's dead

#disenchantment #i just finished season 1 pls don't tell me if they bring him back to life i'm sick of his little elf face #lmao sorry for the neg to any elfo fans out there #my favourite characters are zog and luci unfortunately and i think bean is a good protagonist #i don't super like the show unfortunately but it's cause i keep comparing it to futurama in my mind #but on the other hand i love recognizing all the voice actors

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renthony · 1 year

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Some recs for adult animation I enjoy:

People always seem to think I only watch kids' shows, so here's a list of animated television shows I adore, that were all made with adults in mind:

King of the Hill - Genuinely didn't think I'd like it, but I actually really love it? I expected something that was basically just The Simpsons or Family Guy, but got a surprising amount of emotional depth from the main cast. Bobby Hill is my son boy.

Futurama - I am legally obligated to list Futurama. I have watched the entire series so many fucking times. I'm going to watch the reboot and we all know it.

Disenchantment - It's more than just "Futurama medieval fantasy" but tonally, they are pretty similar. I enjoy it immensely. Bean is a #bicon, and that's fucking canon <3

Samurai Jack - The original show aired as a kids' show, but the revival apparently put it into the adult category. I haven't gotten that far yet, but holy shit, it's so good so far. Even the "kids' show" part is pretty mature, imho.

Bob's Burgers - I fucking love Bob's Burgers. I need to catch up on the more recent seasons. A sitcom that DOESN'T have parents who clearly hate each other? Whaaaat?

Harley Quinn - I'm not caught up, and there are aspects I have critiques of, but overall, it's been fun as fuck. I LOVE this interpretation of Ivy so fucking much.

Metalocalypse - My dad's a metal musician, so this was on in my house all the time when I was a teenager. I haven't watched it in *years* but I still reference the early seasons in conversation constantly. The Duncan Hills will wake you, motherfuckers.

Big Mouth/Human Resources - They are better than you think they are, and the "ugly style" reminds me of classic Klasky-Csupo. Compare it to Rugrats and tell me it doesn't have similar caricature styles. Story-wise, it nails the exact blend of panicked awkwardness I felt as a disaster tween, it has SO MANY queer characters. They dramatically improved on their more problematic aspects after getting called on it in seasons 1 and 2. And Human Resources made me sob like a little baby in the episode with Kieth from Grief.

BoJack Horseman - Starts off as a goofy gross-out humor sitcom but very quickly becomes a serious drama. Incredibly heavy and dark, but holy shit the catharsis. Delves into a lot of musings about morality, celebrity culture and Hollywood, generational trauma, and the perpetuation of cycles.

Tuca & Bertie - Goofy slice-of-life about characters navigating their 30s. Lots of musings about family, trauma, sexual abuse, queer dating in your 30s, friendship, and trying to survive it all. I relate so fucking much to the main cast.

Magical Girl Friendship Squad - It's a magical girl cartoon about milennials. Their magical girl weapons are birth control pills and a bong. It's fucking amazing. I'm really sad nobody else seems to have heard of it. :(

Little Demon - Sitcom about the Devil's daughter. Unsure if it's going to get a season 2, since it's about to get taken completely off of Hulu. Still worth watching if you can, because it's so fucking good. Centers on a teenage girl navigating Being A Teenage Girl while also dealing with her dad being the Devil and her mom being a traumatized mess who's figuring her own shit out.

Q-Force - The advertising did this show so fucking dirty. It was genuinely fucking funny, and it was clearly made with love. This isn't straight people making fun of us, this is queer people making queer comedy. Watch it.

Arcane - Arcane's politics are all over the place and I am in my "Silco Was Right" corner, which is right next to the "Magneto Was Right" clubhouse. But goddamn, the animation is gorgeous and the story is intense.

The Legend of Vox Machina - I haven't watched Critical Role, so I can say with confidence that this show is fucking amazing even if you have zero interest in the original gameplay streams. Fantasy animation for grownups, where they can show blood and titties, my beloved. <3

#original post

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mandareeboo · 11 months

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Disenchantment Season 1 Episode 1: A Princess, an Elf and a Demon Walk into a Bar.

#Disenchantment #Bunty #Falc talks

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niceinchnails · 9 months

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Uf you guys have good adult cartoon recs you can send them to me but i am not watching south park and the bojack horseman artstyle is ugly to me so i wont watch it unless someone tells me its really really good and i have to try it so if you ever think "man iso would relaly like bojack horseman" nows the time to tell me. And im on season 2 of family guy and its kind of boring and im on like 1/4th of season 1 of bobs burgers and i wanna watch more but its kind of boring right now And im wondering when it gets better cause i wanna watch more cause i think it gets really good according to what you guys post abt it and i tried disenchantment but unfortch it didnt really do it for me : ( What was i talking about Oh yeah adult cartoon recs give it to me

#recs

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daydreamsia · 1 year

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I just realized - the villains in the show are showing up in a really weird order (only speaking of seasons 1-3 and Secret of the Lost Kingdom).

In my mind it would make more sense if season 2 was for Valtor - maybe he comes out of hinding after 16 years when he heard the Power of the Dragon Flame is back. He has been sent by his creators (the Ancestral Witches) to gather power in order to free them from their imprisionment and bring the Shadow Phoenix back to former power.

He would also be the one turning Bloom into Dark Bloom in order to get a hold of her powers.

Of course he would have gotten Icy and Stormy out of Light Rock Monetary (Darcy refused, wanted to stay and he respected that). He would have given them a piece of the Shadow Flame in order to boost their powers and created the Gloom. (In my mind the Ancestral Witches created him with a spark of the Dragon Flame and a spark of the Shadow Flames).

Everyrhing else would play out similar to season 2. Valtor would just be the one in Darkars Place. And i guess the Pixies wouldn't play as big of a part in the beginning.

Season 3 would then be about the Ancestral Witches and Icy who is the only one of the Trix left, since Stormy stayed in Omega whilest Icy followed the calling of Belladonna and chose to fight on their side. And she gets really mad. In the prozess of gaining enaugh Power she's tapping into Dark Magic and gains Disenchantment (through killing someone).

The Winx Girls would still earn Enchantix and I guess Icy would have to do the main things Valtor does in the show - giving others (mainly Cassandra and Diaspro) what they want in order to help the ancestral Witches get out of their prison.

The Winx (minus Bloom, because her Enchantix is incomplete) get the Water Stars (also Bloom has to stay away from them because they could destroy her power). The Witches get out of their imprisionment. Dark Bloom has a little comeback to because the incomplete Enchantix makes everything weird.

In the end Icy would be defeated in a final fight á la Agni Kai and the Spirits of the Ancestral Witches would get set to rest for good. But! they were able to Reawaken the Shadow Phoenix.

So he would be the last villain for the Winx in my Version of Secret of the Lost Kingdom.

I know this is far from beeing a full-fledged plan - it's just a late night thought i had. It would make so much more sense to me like that because Darkar is the literal Darkness. He should be the big end boss.

I will think more about this and might use it for my AU.

#just late night thoughts #winx club rewrite #winx trix #winx valtor #winx ancestral witches #winx darkar #winx shadow phoenix #au-ix idea

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ninja-muse · 1 year

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2023 Release TBR

⭐️🏳️‍🌈 - queer rep 🇨🇦 - Canadian author ⭐️ - BIPOC MC

📘 - have an ARC bold - newly added

Courting Dragons - Jeri Westerson (historical mystery) - January 3

In the Upper Country - Kai Thomas (historical fiction) - January 10 🇨🇦⭐️

On Savage Shores - Caroline Dodds Pennock (history) - January 24 ⭐️

Impossible Histories - Hal Johnson (history) - February 7 📘

Malady of the MInd - Jeffrey A. Lieberman (history/psychology) - February 21 📘

In a Land Without Dogs the Cats Learn to Bark - Jonathan Garfinkel (literary historical fiction) - February 21 📘🇨🇦

Rose/House - Arkady Martine (science fiction) - March

Greymist Fair - Francesca Zappia (YA fantasy) - March 28 📘

The Remarkable Retirement of Edna Fisher - E.M. Anderson (fantasy) - April 21

Death of a Bookseller - Alice Slater (mystery) - April 25 📘

Moorewood Family Rules - HelenKay Dimon (contemporary fiction) - April 25 📘 DNF

The Disenchantment - Celia Bell (historical fiction) - May 16 📘🏳️‍🌈

The Water Outlaws - S.L. Huang (historical fantasy) - June 20 🏳️‍🌈 ⭐️

The Ghost Theatre - Mat Osman (historical fiction) - June 27 📘

Lines Drawn Across the Globe - Mary C Fuller (history) - July 15

The Haunting Season - ed. Bridget Collins (horror/short stories) - August 1 (Canadian release)

Shigidi and the Brass Head of Obalufon - Wole Talabi (contemporary fantasy) - August 8 ⭐️

Like Every Form of Love - Padma Viswanathan (memoir/true crime) - August 22 🇨🇦 🏳️‍🌈 📘 ⭐️

My Roommate is a Vampire - Jenna Levine (fantasy/romance) - August 29 📘

Dark Lord’s Daughter - Patricia C. Wrede (middle grade fantasy) - September 5 📘

The Circumference of the World - Lavie Tidhar (slipstream) - September 5 ⭐️

Sleep No More - Seanan McGuire (urban fantasy) - September 9

The Undetectables - Courtney Smyth (urban fantasy) - September 26 🏳️‍🌈

Goth - Lol Tolhurst (cultural history/memoir) - September 26 📘

After the Forest - Kell Woods (historical fantasy) - October 3

Menewood - Nicola Griffith (historical fiction) - October 3 🏳️‍🌈 📘

While Idaho Slept - J. Reuben Appelman (true crime) - October 3

The Jinn-Bot of Shantiport - Samit Basu (science fiction) - October 3📘 ⭐️

Eve - Cat Bohannon (science/history) - October 3 📘

A Stroke of the Pen - Terry Pratchett (fantasy) - October 5

By Any Other Name - Erin Cotter (historical YA) - October 10 🏳️‍🌈📘

Being Ace - Madeline Dyer (YA nonfiction) - October 10 🏳️‍🌈📘

Under the Smokestrewn Sky - A. Deborah Baker (portal fantasy) - October 17

I Love Russia - Elena Kostyuchenko (journalism) - October 17 📘

Lay Them To Rest - Laurah Norton (true crime) - October 17 📘

The Innocent Sleep - Seanan McGuire (urban fantasy) - October 24

Emperor of Rome - Mary Beard (history) - October 24

The Bigfoot Queen - Jennifer Weiner (contemporary fantasy/middle grade) - October 24 📘

A Power Unbound - Freya Marske (historical fantasy) - November 7 🏳️‍🌈

In the Pines - Grace Elizabeth Hale (history) - November 7

All the Hidden Paths - Foz Meadows (fantasy romance) - December 5 🏳️‍🌈

Heartstopper, Vol. 5 - Alice Oseman (YA contemporary fiction) - December 12 🏳️‍🌈

Prescribed Burn - Arkady Martine (science fiction) - date unknown

#upcoming releases #the tbr list of doom #booklr #bookblr #books

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historyhermann · 1 year

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Booming LGBTQ Representation in Animation in 2021 [Part 1]

Two of the choices for “Fan Favorite Couple” in Autostraddle’s Annual Gay Emmys in September 2021 were in animated series. Both choices are highlighted here by yellow boxes.

In December 2020, I wrote that there is “hope in the future for diverse storylines and expanded representation,” adding that there is “a lot to look forward to in 2021 in terms of animated series…[which] will undoubtedly affect the ongoing war between streaming platforms for more subscribers, profits for themselves, and film distribution itself.” That still rings true, and 2021 has even more representation that I had imagined in December 2020, with continuing series like The Owl House, Disenchantment, Helluva Boss, Star Trek: Lower Decks, the third (and final) season of Final Space, and many others. The representation in 2021 is part of the “whirlwind” of LGBTQ representation which creator Noelle Stevenson described in November 2021.

Reprinted from Pop Culture Maniacs, my History Hermann WordPress blog on Jan. 15, 2023, and Wayback Machine. This was the seventh article I wrote for Pop Culture Maniacs. This post was originally published on January 5, 2022.

When Autostraddle, a digital lesbian culture publication, posted about their annual awards show, the Annual Gay Emmys, in September 2021, the influence of LGBTQ representation in animation was evident. [1] While most of the nominees for the categories were live-action series, there was an entire category dedicated to such series, “Outstanding Animated Series.” Harley Quinn, Blues Clues & You!, the “Obsidian” episode of Adventure Time: Distant Lands, The Owl House, “The Politics Episode” of One Day at a Time, and Magical Girl Friendship Squad were nominees. [2] The Harley Quinn episode “Something Borrowed,” was one of the nominees for the “Best Episode with LGBTQ+ Themes” category, and two couples in animated series were nominated for the “Fan Favorite Couple” question. When the results were announced Harley Quinn won for Outstanding Animated Series, although it was unfortunately the only animated series to win in a category. Of the series nominated, Magical Girl Friendship Squad and One Day at a Time ended in 2020, [3] Distant Lands ended in 2021, while three others are ongoing (Harley Quinn, Blue Clues & You!, and The Owl House).

Keeping this in mind, reviewer Jade King, in a review of The Owl House, said “we shouldn’t look toward giant corporations for continual queer representation.” While that still rings true, many of the shows with LGBTQ representation are produced and broadcast by such companies. For instance, of the over 20 Western animations noted in this article, almost all of them are produced by the subsidiaries of companies like Disney, WarnerMedia, NBCUniversal, ViacomCBS, and Sony, which bring in more than $1 billion a year. [4] The same is the case with many of the Japanese anime series noted in this post, which tend to have more LGBTQ representation, generally, than Western animation, although the instances of representation between Western and Japanese animation is slowly reaching the same level, and Japanese anime often plays into “many problematic aspects” and stereotypes in one way or another. King also pointed out that queer representation is not a competition, but should be a collaboration, rather than putting down one show while elevating another, arguing that “queer representation isn’t a linear path to acceptance. It’s messy and inconsistent.”

In 2021, shows on streaming platforms lead the way when it came to representation. Netflix tops the list in this regard, with shows like Disenchantment, Carmen Sandiego (to a lesser extent), and City of Ghosts. With Disenchantment, the show was described as “queer through and through,” with what some would call queer vibes throughout, had its third part air on Netflix in January of 2021. Recurring characters Odval (voiced by Maurice LaMarche) and Sorcerio (voiced by Billy West) were shown to be a gay couple, while there was an implied gay couple between Big Jo (voiced by LaMarche), and his assistant, Porky. Furthermore, Princess Bean, called a “rebellious, alcoholic, adventurous princess” by one reviewer, the show’s protagonist, voiced by Abbi Jacobson, was shown to be bisexual or pansexual. This is illustrated through her kissing the elf, Elfo (voiced by Nat Faxon), trying to have sex with various men, seeming to have feelings for Lady Bowmore (voiced by Tress MacNeille), female explorer, and falling in love with a mermaid named Mora (voiced by Meredith Hagner). This is further supported by the fact that Jacobsen is bisexual herself, making the representation that much more genuine. As for Carmen Sandiego, it was more implied than anything else. In February, in Instagram Live interview, Duane Capizzi, the showrunner of Carmen Sandiego, said that it was intentional that Le Chevre (also known as Jean Paul) and El Topo (also known as Antonio) were together, and confirmed them at a couple, calling them villains which are “sweet,” but you “can’t help but love.” [5]

Carmen Sandiego and Julia Argent in the Carmen Sandiego: To Steal or Not to Steal animated film

Some fans also speculated that protagonist Carmen Sandiego had feelings for Julia “Jules” Argent, called “Carulia” by fans, but that has not been confirmed by Capizzi or anyone on the show’s staff. Similarly, for City of Ghosts, the LGBTQ representation was subtle rather than outward like in Disenchantment. In the case of that series, Thomas, one of the show’s protagonists, a specialist of the Ghost Club and voiced by transgender child actor Blue Chapman, was non-binary, confirmed as such by show creator Elizabeth Ito. One episode of the series also showed a character with two mothers. The series, more broadly, was praised for its simple animation and characters, but having “strikingly complex” stories and background art which reflects the “realities of one of America’s richest cultural melting pots,” Los Angeles.

Disenchantment, Carmen Sandiego, and City of Ghosts were not the only Netflix shows with LGBTQ characters. The kids-oriented Ridley Jones also included such characters. The preschool animated series included a non-binary bison named Fred voiced by Iris Menas, and two characters (Aten and Kosi) voiced by Andrew Rannells and Chris Colfer, two openly gay actors. The series was created by Chris Nee, who created series like We The People and Doc McStuffins, both of which featured LGBTQ characters. Nee described herself as gay and “relatively butch” in an interview in 2021. Jacobson, who had voiced Bean in Disenchantment, voiced Katie, the protagonist of the animated film, The Mitchells vs. the Machines. In the film, she wears a pin with a rainbow flag and later is noted as having a girlfriend named Jade at film school, with the representation relatively subtle. More outward, in terms of the representation, were Chicago Party Aunt, which included a a gay man named Daniel, and Q-Force, which featured an assortment of LGBTQ characters. The latter series, which had caused great controversy and consternation online due to its use of stereotypes, features a gay protagonist named Steve Maryweather (voiced by Sean Hayes), a gay man named Benji (voiced by Gabe Liedman), a lesbian woman named Deb (voiced by Wanda Sykes), and a gay drag queen named Twink (voiced by Matt Rogers). A late-comer to this article was Arcane, the first part which aired from November 6 to November 20. Show writer Amanda Overton confirmed that Caitlyn Kiramman was a lesbian, saying that there is no word for gay or stigmatization against it in Piltover, meaning that Caitlyn could “marry any gender or race suitor,” but such a person would become “a part of her house.” Overton also said that the relationship between Caitlyn and Vi is “naturally developing,” with the trauma that Vi’s parents were killed by Enforcers, with Vi also confirmed as a lesbian as well. On Twitter, Overton said that everyone on the show’s crew is “working together to tell the same story.”

On November 25, 2021, the final season of F Is For Family, aired on Netflix. It included Louis, the gay brother of Sue, a character voiced by Neil Patrick Harris, an openly gay actor. It also included Ginny Throater, who divorces her husband, Greg Throater, and is bisexual, while Greg is gay, and divorces her as a result. Additionally, Eileen, Frank’s sister, is lesbian and becomes Ginny’s lover. The second and final season of the Netflix series, Centaurworld, premiered on December 7. It featured three gay characters: Zulius, Ched, and Splendib. Zulius, who was hinted to be gay in the show’s first season was confirmed as such in the second season, while Ched was revealed to be gay. Furthermore, Zulius is voiced by Parvesh Cheena, an openly gay actor.

Other than shows on Netflix, there were multiple series on other streaming platforms included LGBTQ characters. For instance, Volume 8 of RWBY, running from November 2020 to March 2021, which streamed on the Rooster Teeth website, featured a trans woman named May Marigold, who is voiced by a trans woman, Kdin Jenzen, a bisexual catlike woman named Blake Belladonna (voiced by Arryn Zech), and various lesbian characters. The latter included Ilia Amitola (voiced by Cherami Leigh) and a couple (Saphron and Terra Cotta-Arc) who have a child named Adrian. At the same time, the first season of Invincible, which aired on Amazon Prime from March to April 2021, included a gay recurring character named William Francis Clockwell, voiced by openly gay actor Andrew Rennells.

HBO Max, also owned by Warner Media like Rooster Teeth, featured a gay couple, Jonny Quest and Hadji Sing, in Jellystone!, while Young Justice, which focuses on young superheroes from DC comics, has a rash of such characters. Specifically, Kaldur’ahm/Aqualad (voiced by Khary Payton) is polysexual, while Marie Logan (voiced by Danica McKellar) is bisexual or lesbian, Eduardo “Ed” Dorado Jr. (voiced by Freddy Rodriguez) is gay, Violet Harper (voiced by Zehra Fazal) is genderqueer, Wyynde (voiced by Robbie Daymond) is gay, and Harper Row (voiced by Fazal) is bisexual. The second half of the fourth season of Young Justice premiered in late October of 2021 and aired until December 30, 2021. While Kaldur reappeared in the newest season and with speaking lines, characters such as Ed, Bart, Violet, and Harper either had no lines, were only pictured, or only their voices were heard. At the same time, Logan died in Season 2, Wynnde has not made an appearance. These are unfortunate developments.

The HBO Max preschool series, Little Ellen, featured same-sex couples, with a second part of season one released in October, while Summer Camp Island, which also airs on HBO Max, includes a non-binary couple (Alien King and Puddle) and two presumably gay ghosts. It was also implied in various episodes that Timothy Brice Campbell in the HBO Max series Close Enough was either gay or bisexual. The second and presumably final season of gen:LOCK premiered on HBO Max and it featured a genderfluid character named Val(entina) Romanyszyn. Her character was not only groundbreaking as a genderfluid character by smashing apart tropes attributed to such characters, but is voiced by a non-binary pansexual voice actor named Asia Kate Dillon. Val confirmed that she was pansexual in the same season and Robert Sinclair was shown to be gay, with a boyfriend named Chris.

Continued in part 2

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chasing-dreams-since-1995 · 10 months

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DISENCHANTMENT IS BACK FOR ITS 5TH AND FINAL SEASON ON SEPTEMBER 1ST! LETS GO!

#disenchantment #final season #netflix #yeah boy #September 1 #series finale #futurama #the simpsons #matt groening

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ass-deep-in-demons · 9 months

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9 people you would like to get to know better

Tagged by @nihilizzzm, and @hippodameia! TYSM to you both <3! Boromir nation unite!

1. 3 ships: John Marlott x Lady Jemima Harvey (The Frankenstein Chronicles), Erendil x Elwing, Eol x Aredhel (The Silmarillion) - just the recent ones that appealed to me

2. first ever ship: Sailor Moon x Tuxedo Carmen

3. last song: I Just Died in Your Arms Tonight by Cutting Crew

4. last movie: Greta Gerwig's Barbie

5. currently reading: Children of Hurin by JRRT. (I'm reading the entire Tolkien Legendarium before I publish my MGiME fanfic to make sure it's as canon-compliant as possible. I still have like a 1000 pages of lore ahead Valar save me...)

6. currently watching: new season of Disenchantment on Netflix.

7. currently consuming: I've had a greek salad wholegrain wrap for dinner.

8. currently craving: Hot chocolate... I am not immune to the autumn vibes ;P

9 people to tag: @sparetooth, @varricscrossbowbianca, @fenharel-enaste, @thetempleofthemasaigoddess, @esta-elavaris, @cardboard-guitar, @dorkybimbo, @marsharmonicorchestra, @backwoodsbigfoot

#tag game #ass deep in demons

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imdcathsmeow · 6 months

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"Disenchantment makes Futurama look like The Simpsons."

Now that I've finished watching the whole series I finally understand what Matt Groening meant by this.

I started Disenchantment last month and thought it was pretty slow but then picked up the pace towards the end of Part 1. I gradually fell in love with the characters and worldbuilding. Not to mention the gorgeous animation and stunning visuals.

I can't believe I'm saying this but Disenchantment is the best-looking Matt Groening series ✨

THEY WENT ABSOLUTELY HARD ON THE BACKGROUNDS LIKE WOW I AM JUST IN AWE 😲

And the music???? PERFECTION 😌

I knew they had most of the Futurama cast on board but I didn't think they also had most of the og crew and writers too 😂 I was like "Wait a minute! I recognize those names in the credits!!!" 😆

Also appreciate the amount of representation they gave us 🏳️‍🌈💗

It still might change but for now Part 3 is my favorite season where I feel like the show finally found its footing and the perfect balance.

I GENUINELY, WHOLEHEARTEDLY HAD NO IDEA DISENCHANTMENT WAS GONNA THROW A SAPPHIC VERSION OF THE LITTLE MERMAID TO MY FACE????

I mean they kinda hinted at it in Part 2 when Bean showed an interest in mermaids but I guess I didn't fully process it and brushed it off as a minor thing 😆

Bean and Mora's chemistry is INSANE and no it's not just because of my attachment to The Little Mermaid. They're actually so cute together 🥰🥰 We got to see these vulnerable, raw and emotional moments shared between them as well 🥺

Pretty much all the characters we've known and loved had a happy ending 😭😭

The way Disenchantment presented love as its most significant theme proves how much heart was poured into it ❤️❤️

The Simpsons and Futurama both have had their fair share of potential series finales, but this time it really feels like we finally got a proper conclusion to a Matt Groening series.

While it may not be perfect and left a few unanswered questions, it's still a very heartwarming and satisfying end. Disenchantment's officially on my list of comfort shows that I'd do a yearly rewatch of 😊

9/10

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