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superman86to99 · 3 months

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Action Comics #700 (June 1994)

"THE BATTLE FALL OF METROPOLIS"! Metropolis falls, quite literally! But, on the bright side, so does Lex Luthor, because Lois Lane finally busts his ass after 700 issues (give or take).

This super-sized anniversary issue starts with Lois recapping all the dirt she's dug up on "Lex Luthor Jr." during the past several months, including the fact that he's actually the original, supposedly dead Lex Luthor in a clone body. Lex tried to have Lois discredited by planting wacky headlines with her byline at the Daily Planet's computers and framing her for financial crimes (on top of blowing up her apartment), but now she finally has hard evidence of his crimes thanks to her informant at LexCorp, only known as "Deep Quote." (Is this the first reference to Linda Lovelace's oeuvre in a Superman story? Comics and/or porno historians, sound off in the comments.)

Despite having been fired from the Planet (see: "wacky headlines" above), Lois manages to present her evidence in front of Commissioner Henderson, Perry White, and Planet owner Franklin Stern... who still thinks this cloning business sounds like "science fiction." That's a weird thing to say when you live in the DC Universe. Hell, there's a whole government agency devoted to cloning just outside Metropolis! Or maybe I should say there was, because, right when Stern is about to apologize to Lois, everyone hears a massive explosion coming from Project Cadmus' direction -- as seen last issue, some of Lex's armored henchmen just dropped a goddamn mountain on Cadmus while fighting Superman and Superboy.

Superboy, who was all laughs last issue but seems to be taking his friends' apparent deaths much harder now, wants to look for survivors, but Superman again tells him there's no point, because "there's no one alive in Cadmus that needs our help anymore." Instead, they go look for the Lex-Men who caused this whole mess so they can bring them to justice. They're soon joined by Supergirl, who takes every opportunity she can get to destroy LexCorp property since breaking up with Lex himself in her recent miniseries (and that was before she found out he's actually a creepy old guy in a young body).

Meanwhile, Lex (whose clone body is rapidly deteriorating) is hiding in his yacht with his most faithful cronies, his scientific aide Dr. Sydney Happersen and his long-time physician Dr. Gretchen Kelley, the same woman who pretended to be his "mother" for the Lex Jr. ruse. Since Lex is gonna be here for a while, Dr. Kelley volunteers to go to the city and pick up some meds for him. Lex thinks that's a great idea... until he sees Kelley on TV, spilling the beans on his whole operation to Lois. That's right, Kelley was "Deep Quote" all along! Which was pretty obvious if you've been paying attention, but then again Lex has a long history of rejecting the obvious.

Kelley also spilled the beans on Lex's location to Superman, who suddenly bursts into the yacht to nab him once and for all. But Lex has an ace that he's been hiding up his sleeve for a long-ass time: a slew of "sonic torpedoes" reverse engineered from tech left behind by the alien invaders from DC's 1988 Invasion! crossover, which he hid somewhere under Metropolis in case he ever felt like pulverizing the city. Lex, who thinks he'll die any moment, seems perfectly willing to take millions with him -- until Superman asks him if he really wants the people of Metropolis, "his" city, to remember him as the guy who blew the whole place up. The "American Hitler," as Superman puts it.

Lex, who got into this whole mess in the first place because he wanted people to love him more than Superman, breaks down and agrees not to launch the torpedoes.

And then, for the first time in his life... Dr. Happersen disobeys Lex Luthor's wishes. Too bad those wishes were "let's not destroy a city."

After years of quietly taking abuse from Lex, Happersen finally snaps and launches those torpedoes. Lex tries to stop him by shooting at him with the death laser in his iron lung (of course Lex Luthor has a death laser in his iron lung), but it's too late. The torpedoes are activated, meaning that the city is as cooked as Happersen himself, who dies in Superman's arms seconds later.

Superman asks Luthor where the torpedoes are buried, but Lex, who looks genuinely distraught, honestly doesn't know. He always let Happersen handle little details like that.

Before Superman can even reach Metropolis, one of the torpedoes has already hit the WGBS building. He gets there right in time to race against the torpedo headed for the Daily Planet... but, as you might have guessed from this issue's cover, the torpedo wins the race.

If the city hadn't been evacuated a few issues ago due to the Underworlders' terrorist attacks, everyone in the Planet's staff would be dead now (thanks, ugly sewer mutant terrorists!). Superman does manage to prevent Lois, Ron Troupe, and, unfortunately, Jimmy Olsen from getting rolled over by the Planet's iconic globe after the building collapses, but only by destroying what's left of it. Perry White is following the action from the Planet's temp offices outside the city, and he looks about as emotionally devastated as he did in the issue when his son died.

Meanwhile, the other underground torpedoes are doing their best to turn Metropolis' skyline into a flat line. The only major building spared is the one belonging to Clark Kent's old employer, Newstime Magazine, but only because its owner happens to be a demonic entity with torpedo-deflecting powers, Lord Satanus. To his credit, Satanus does plant an idea in Superman's mind for how to stop the rest of the torpedoes: digging a big ditch all across Metropolis to intercept them (thanks, demonic entity posing as media magnate!).

As Superman, Superboy, and Supergirl stop most of the torpedoes, Satanus helps them out by redirecting the remaining ones to a more deserving target: LexCorp's giant L-shaped building, which is now shaped like a bunch of rubble.

With the torpedo problem solved, Luthor is finally arrested and exposed to the citizens of Metropolis as a no-goodnik, as Superman begins the long task of rebuilding the city by putting the Daily Planet globe back together. Yes, Metropolis is in pretty bad shape, and even Superman himself seems discouraged for a moment, but as Lois correctly points out: hey, at least it ain't Coast City!

Creator-Watch:

This issue marks the end of Roger Stern's distinguished run as Action Comics writer, which began exactly 100 issues ago... sort of, since he started writing Action when it was a weekly series and Superman only got two pages per issue. When John Byrne suddenly left the Superman books some months after that, in late 1988, Stern was an obvious choice to replace him, given his closeness to Byrne, his ample talents, and, well, the fact that he was already there.

Since then, Stern became one of the main architects of the over-arching storyline that made this era in Superman comics so special. His role as the Super-Squad's resident "continuity cop" enriched these comics tremendously. For instance, according to Dan Jurgens, it was Stern's idea to bring back an obscure character called Hank Henshaw as the Cyborg Superman instead of creating a new baddie for "Reign of the Supermen," which is the sort of thing that makes digging through hundreds of backissues worth it. Stern also wrote the bulk of the years-long Eradicator saga, Supergirl's evolution from lump of goo to proper hero, and, of course, Lex Luthor's long, strange journey leading to this issue (more on that later).

It's hard to imagine our beloved '86-'99 period without Roger Stern. Good thing he'll be back before too long, albeit in a reduced capacity...

Character-Watch:

With this issue, we a bid adieu to doctors Sydney Happersen and Gretchen Kelley, two of the most memorable characters ever to serve as Luthor's lackeys. Both were introduced in Byrne's Superman #2 (1987), and it's interesting that both were instantly portrayed as somewhat sympathetic: Happersen doesn't want to remove the kryptonite from Metallo's chest because he thinks it'd kill him (and looks shocked when Luthor pulls it out anyway), and Kelley is the one that warns Lex about Lana Lang's bizarre allergy to truth serum.

(Probably didn't help that they had a serious mold problem in that room.)

It's also interesting that Kelley was the only lackey on a first-name basis with Lex, hinting at the backstory that was revealed in Action #660: she was a small-town doctor until a young Lex swept her off her feet and turned her into his lover, only to ditch her for someone with larger boobs. Kelley became an alcoholic and ended up in jail, ruining her medical career, until Lex came to "reclaim" her and gave her a permanent job. I'm guessing the "old lovers" bit was added mainly to make the Lex Jr. story seem plausible, but it also helps explain why someone like her would stick with Lex for so long. She was clearly still in love with him, and the Lex Jr. ruse allowed her to imagine an alternate life where they were more than just employer and employee. I always like this bit from Action #676, before readers found out Lex Jr. was Lex Sr.:

In the Lex Jr. storyline, Kelley wasn't just lying to the world; she was lying to herself. Until she just couldn't lie anymore, I guess.

As for Happersen, he never had a backstory, but he didn't really need one. He was the prototypical meek henchman who'd do anything for his boss despite being treated like trash, which is why I found his breakdown at the end both logical and satisfying. Kelley and Happersen will each get a couple of flashback appearances after this issue, but they've been completely ignored by every revamp and reboot since. As much as I like them, I'm completely okay with that because their stories are over, and that's such a rare thing in comics.

Plotline-Watch:

The big subplot in this issue is Lana Lang's wedding to Pete Ross, which she said she wanted to hold "as soon as possible" after encountering Bizarro (and confirming that she's absolutely over Clark) in Action #697. Lois, Clark, and Supergirl are a bit busy to attend, but Ma and Pa Kent are there and even lend Lana their farmhouse for the ceremony. Other than Pa watching the chaos in Metropolis on TV, these scenes are completely disconnected from the rest of the issue, and I suspect they're only here for two reasons: 1) to tease readers with "Someone's getting married!" in the preview blurbs (remember that Lois and Clark had been engaged for a few years by now), and 2) to give Superman legends Curt Swan and Murphy Anderson some work. That last part makes the scenes worth it, in my opinion, especially since we even get a peek at how Swan would draw the Super-Mullet when Lana is thinking back on everything she's gone through with Clark.

The "we've had buildings dropped on us" scene Lana remembers is from Action #644, and the one who dropped the building was actually Supergirl/Matrix when she was suffering from Eradicator-triggered insanity. The "I've been kidnapped" issue, meanwhile, is Byrne's classic Superman #2, which leads us to...

Intentionally or not, there's a good numbers of parallels between this issue and the aforementioned Superman #2: Lana's most tragic moment and Lana's happiest moment; Happersen and Kelley's introduction and their exit; Superman angrily bursting into Lex's office and triumphantly bursting into his yacht; Lex getting away with it and Lex getting arrested. But the most significant connection is the fact that Superman #2 was the first time Lex put on his kryptonite ring, which is what sets off the long chain of events leading to this issue: him getting cancer (Action #600), faking his own death (Action #660), moving his brain to a younger body (revealed in Action #678), being infected with a clone-only disease (circa Man of Steel #31), and ending up as a sick, raving lunatic in an iron lung outfitted with death lasers.

What's definitely intentional, knowing Stern, is the fact that Lex's last stand happens in the Sea Queen, the same luxury yacht where he first met Superman (The Man of Steel #4). Both issues end with Lex getting arrested, but presumably he'll be behind bars for longer than two hours this time -- or maybe not, since the last time we see Luthor, he's thinking that "there are cards I've yet to play!" We'll find out what he means in Action #701.

While Lois is presenting her evidence against Lex, we learn that she first came into contact with Dr. Kelley/"Deep Quote" at the end of the "Bizarro's World" storyline, right after she learned of Lex Jr.'s sickness/shocking baldness (Superman #88). Unsurprisingly, Lex didn't like Lois seeing him like that and ordered Happersen to capture her, but Kelley helped her escape and they hit it off.

When exactly did Kelley decide to turn on Lex? A flashback suggests that it happened during the Supergirl miniseries, where she has an uncharacteristic outburst towards Lex for the way he "uses" Supergirl even though she loves him. We didn't even comment on that scene at the time, but now it seems pretty obvious that, even though Kelley does care for Supergirl, she was actually talking about herself.

Deep cut: at one point, Superman tries to find Lex by taking a Lex-Man's helmet to Professor Hamilton, who says that he recognizes this technology from the armor Lex once trapped poor Jose "Gangbuster" Delgado in, forcing him to act as a remote-controlled bodyguard (Adventures #451). Hamilton's efforts go nowhere, but I appreciate being reminded of Jose's most delightfully bizarre misadventure ever. Miss that dude and his horrible luck.

I also appreciate the shout out to Invasion!, and I wonder if Stern was planning Lex's sonic torpedo gambit from way back in Superman #28, which includes a scene in which Pentagon officials give Lex access to the alien weapons recovered in Australia. I also wonder if Lex thought to himself, "Hmmm, Australia... seems like a nice place to pretend to be from if I ever clone myself a new body."

Something that doesn't pay off is the implication that Colin Thornton/Lord Satanus would become a major villain now that Luthor is (temporarily) out of the picture. He'll pop up here and there, but something tells me that if Stern had stayed on Action, he would have made sure Satanus factored more heavily in big storylines going forward (or even just one big storyline).

Patreon-Watch:

This post ended up being double-sized like the issue itself, so this time we owe double-thanks to our patrons Aaron, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Kit, Sam, Bol, and Gaetano Barreca, for helping us take the time to write it. Double-thanks! Join them at https://www.patreon.com/superman86to99

And believe it or not, we have even more to say about this issue, so don't miss Don Sparrow's section after the jump...

Art-Watch (by @donsparrow):

We begin with the cover, and it’s something of a strange one for such a huge numbered issue. Jackson Guice rightly recognizes that the destruction of the Daily Planet is the most arresting image within the story, so that’s what he highlights, Raiders of the Lost Ark-style, but it’s a bit hard to know what to focus on here. It’s not the best figure drawing of Lois Lane, with her hands in a claw like shape, but she’s still front and centre. The other possible area of focus is on the Daily Planet globe itself, which then boasts an uncomfortably spread-eagle Superman trying to stop its roll. But, I give points to Guice for going with a moment from within the story, and not just a generic “this is an anniversary issue” type cover, like we often see. Plus the cross streets of Jurgens/Grummett/Bog/Kitson on the street sign is a fun find.

Inside, we’re greeted immediately with a full splash of a satisfied Lois. Guice’s Lois has always looked photo-referenced to me, for better or worse. In this case, I think Guice is a little let down by the colourist, who extends the pinkness of Lois’ bottom lip all the way to the corner of her mouth which turns her smile into more of a smirk than I think the inks on their own intend.

On page 6 we get another version of Guice’s rubble pits—not a strength for him as much as someone like Tom Grummett, who was born to draw rubble (And everything else!) as the edges of the pit always look a little sharp to me.

Superboy’s rage at the destruction of Cadmus is well-observed—and Superboy looks very much like the youth he is—he can sometimes be drawn like a small adult, instead of having softer, teenaged features, but Guice does a good job on this page. Supergirl’s coy expression as she lets the libidinous Superboy down gently on page 14 is a funny drawing, and a great character moment in all the action, to boot.

It may just be novelty, or nostalgia, but the quieter moments back in Smallville, as Lana Lang prepares for her wedding ceremony, are my favorite pages. Curt Swan’s gentle, naturalistic lines are a nice counterpoint to the hectic pace of the fall of Metropolis.

The entire page of Lois revealing Lex Junior’s crimes to a live television audience is all well drawn—there’s an urgency in Lois’ posture to the camera that feels very real as you read it. This, followed up shortly by Lex’s horror at Dr. Kelley’s betrayal is another great piece of drawing. Then, on the very next page, Superman Kool-Aid-Man-ing his way through Lex’s hideaway is maybe the best single image of Superman in the book.

There’s a cute tribute to former Super-teamster, Jerry Ordway, as Peggy (who shares her first name with Jerry Ordway’s real life wife) plays De Koven and Scott’s “Oh Promise Me” not on a Steinway piano, as she might have on our Earth, but rather a “Jordway” piano. If the lyrics we see sound familiar, it could be because this same wedding song appeared in numerous film and TV weddings, including All in the Family, Mama’s Family and, for you Canadian readers, the Sullivan-produced Anne of Green Gables: The Sequel, during Diana’s wedding. I do wonder if Revered Brewster was supposed to look like Ordway—his hairstyle is similar, though Brewster is a little heavier set than Ordway.

Back to the “action” of Action #700, pages 33-35 all make great use of a diagonal panel layout, to maximize the space as Superman gives chase to the missiles, which unfortunately find their target, the Daily Planet. Perry White’s shattered expression as he watches the place he loves fall apart is particularly haunting.

The effect of Collin Thornton’s demonic helmet overlaid his human form is a great visual. Lastly, for those of us old enough to remember the attacks of 9-11, there’s an eerie prescience to these images of tangled debris and smoking skylines.

On the whole, the events here—Luthor going full villain, Metropolis being reduced to rubble—seem fitting in scale for a nice big round issue number like 700. But, given how relatively quickly these changes are undone in the issues to come, it also feels symbolic of the post-Death-and-Return era of comics—just trying status-quo changing “events” and trying to recapture the buzz they stumbled into with the death storyline.

SPEEDING BULLETS:

There’s a funny in-joke during Lois’ phone call with Superman, as editor Mike Carlin slips in a warning to Tom Grummett about an issue being late. Though Grummett is not normally known for lateness, at this time he is drawing both Superboy and Robin comics monthly, so he can be forgiven for the odd slip.

Jonathan Kent railing at the television in response to Lex’s seeming impunity feels completely modern to me, reading it in 2024. Honestly, couldn’t you see certain political factions of today defending Lex’s actions, had they been perpetrated by the de facto leader of their party?

How do we feel about Lex not being quite villainous enough to blow up Metropolis? Does it feel like a cop-out, or would it have put Lex into a level of villainy the writers didn’t want to go to? Story-wise, I have to admit, it feels strange that the disasters seen on the cover and throughout bear the fingerprints of Sidney Happersen, and not Lex Luthor, the greatest criminal mind of our age. [Max: I like it! Lex is evil, but he does seem to love Metropolis in his way, and he wouldn't spend so much time on philanthropic ventures if he didn't need people's adoration on some level. I think this is an interesting conundrum Stern put him in, and having Happersen do what Lex couldn't is a clever way to make sure the issue didn't end in a big anti-climax.]

GODWATCH: As with many a Roger Stern script, religious references abound in this issue, particularly during the wedding scenes, where the newlywedded Lana and Pete certainly seem devout. The unabashed love the Kents show for Lana is very moving throughout. [Max: There's also Lex saying "God forgive me" when he admits he doesn't know how to stop the torpedoes, which is a scene that's always stuck with me. THAT'S his real punishment: not jail, but actually experiencing guilt for a moment.]

As this entire issue is a study in contrasts, we jump from a country church wedding to a demonic character named LORD SATANUS giving Superman the firebreak idea that saves the city! There’s something very funny about that.

Does Collin Thornton know that Clark Kent is Superman? It doesn't seem like he does, but with his array of observational powers, you’d think he’d have figured it out. [Max: I'm sure there's something somewhere that contradicts it, but I like the idea of Thornton offering Clark that editor job years ago because he knew his conscience had been compromised by the Eradicator and he wanted a superpowered pawn to use against Blaze.]

Do you agree with Supergirl, that Dr. Kelley is someone to be admired, or given mercy? Sure, she helped bring down Lex in his latest evil, but she went along with so much, for so long, she’s hardly heroic, is she? [Max: I assume that by "I hope the courts are merciful," Supergirl means "I hope they give her prison library access and not the electric chair." I do feel sorry for Kelley, but she definitely deserves to go to jail for a long time for all those other horrible crimes she didn't prevent, starting with Lana's torture.]

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coverpanelarchive · 11 months

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The Demon #10 (1990)

#DC comics #the demon #alan grant #val semeiks #denis rodier #todd klein #robbie busch #klarion the witch boy #klarion bleak

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themailedfist-blog · 6 months

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Pulptober 25th: Better Crimefighting Through Science - Nyctalope

Another early pulp hero I've never heard of for today (though, after a bit of research I can somewhat understand why that is the case, given the author's... shall we say dubious political history during a certain world conflict after the first one). The idea of a proto-cyborg so early in superhero history is certainly an interesting one and it's an undeniably interesting look for a pulp hero. Art by Ladronn and Denis Rodier

#pulptober 2023 #pulptober #the nyctalope #ladronn #denis rodier

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comfortfoodcontent · 1 year

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A selection of scenes from Action Comics #673

Writers Roger Stern Pencilers Bob McLeod Inkers Denis Rodier Colourists Glenn Whitmore Letterers Bill Oakley

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onlylonelylatino · 2 years

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Superman versus Lobo by Denis Rodier

#superman #lobo #bibbo #denis rodier #dc comics #modern age #mike carlin

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cryptocollectibles · 2 months

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Supergirl and Team Luthor #1 (March 1993) by DC Comics

Written by Roger Stern and Louise Simonson, drawn by June Brigman, Jackson Guice, Denis Rodier and Dennis Janke.

#Supergirl and Team Luthor #Supergirl #Lex Luthor #1993 #DC Comics #Superman #Metropolis #Roger Stern #Louise SImonson #Etsy #Vintage Comics #Comic Books #Comics #Jackson Guice #Denis Rodier #June Brigman #Dennis Janke #Kerry Gammill #Bob Wiacek

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tomoleary · 8 months

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Kieron Dwyer and Denis Rodier - Action Comics #716 (DC, 1995) Original Cover Art

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#kieron dwyer #Denis Rodier #action comics #original art

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sisaloofafump · 2 days

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The complications of being engaged with a secret identity…

I just wanted to share these scenes because I love them

Superman vol 2 issue #73 & #62 written and drawn by Dan Jurgens with Brett Breeding (1992)

Action Comics #695 written by Karl Kesel (guest writer!) and drawn by Jackson Guize & Denis Rodier (1993)

#the third one? on the roof?? 👀#I love that so much #the art is perfect #yeah it’s #dc comics #superman #clark kent #lois lane #clois

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balu8 · 2 months

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Action Comics #698: Losing It

by Roger Stern; Butch Guice; Denis Rodier; Glenn Whitmore and Bill Oakley

#dc comics #action comics #butch guice #roger stern #comic book

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fantomcomics · 10 months

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What’s Out This Week? 7/19

We’ll see y’all at our Live Zine Reading on the 22nd!

Big Game #1 (of 5) - Mark Millar & Pepe Larraz The comics event of the summer is here! Okay, this is so top secret we can't even show you the main cover because it spoils something MASSIVE. Just trust us when we say that this is going to be the comic book event of 2023-and it's NOT what you're expecting. Does the crossover really go that wide? Yes, it does. BIG GAME pulls together KICK-ASS, KINGSMAN, NEMESIS, THE MAGIC ORDER, and ALL the Millarworld franchises in one special event!

The Bomb: The Weapon That Changed The World GN - Laurent-Frederic Bollee, Didier Alcante & Denis Rodier

On August 6, 1945, at 8:15 in the morning, an explosive charge of more than 15 kilotons fell on the city of Hiroshima. Tens of thousands of people were pulverized, and everything within four square miles was instantly destroyed. A deluge of flames and ash had just caused Japan's greatest trauma and changed the course of modern warfare and life on Earth forever. The world was horrified by the existence of the bomb-the first weapon of mass destruction. But how could such an appalling tool be invented? In The Bomb, Didier Alcante, Laurent-Frédéric Bollée, and Denis Rodier have created an exhaustive and definitive work of nonfiction that details the stories of the unsung players as well as the remarkable men and women who are at the crux of its history and the events that followed.

Doom Breaker GN Vol 1 - Blue-Deep

Zephyr is the last human fighting evil in a world abandoned by the gods. After being slain by Tartarus, the Demon Lord, all of humanity seems lost. However, much to the sinister amusement of the gods, Zephyr is reincarnated to save humanity and avenge those he loves. Can Zephyr finally have his revenge against Tartarus and save the woman he loves, or is he doomed to repeat the past?

Frontera GN - Julio Anta & Jacoby Salcedo

As long as he remembers to stay smart and keep his eyes open, Mateo knows that he can survive the trek across the Sonoran Desert that will take him from Mexico to the United States. That is until he's caught by the Border Patrol only moments after sneaking across the fence in the dead of night. Escaping their clutches comes at a price, and lost in the desert without a guide or water, Mateo is ill-prepared for the unforgiving heat that is sure to arrive come sunrise. With the odds stacked against him, his one chance at survival may be putting his trust in something, or rather someone, that he isn't even sure exists. If you'd asked him if ghosts were real before he found himself face-to-face with one, Mateo wouldn't have even considered it. But now, confronted with the nearly undeniable presence of Guillermo, he's having second thoughts. As his journey stretches on, Mateo will have to decide exactly what and who he's willing to sacrifice to find home.

The Great Snake’s Bride GN Vol 1 - Fushiashikumo

For 500 years, a giant snake god has lived in the ancient mountain. Miyo, an unlucky young woman from the nearby village, has been offered as a tribute: she is to be the snake's bride. Miyo always feared that the enormous talking snake would devour her whole, but once she's taken in by the god, he treats her like a wife rather than a meal. His flicking tongue vibrates through gentle words, his powerful slithering body wraps around hers in an embrace. This god is kinder than his monstrous form implies, and Miyo thinks she could learn to appreciate the non-human form his love takes. What does it truly mean to be the bride of a beast?

Heart Eyes Complete Series TP - Dennis Hopeless & Victor Ibáñez

Sanity-eating monsters ended humanity. The unlucky few who survived now hide in the cracks of a broken world. And yet somehow, beneath the graveyard that used to be San Antonio, Rico met Lupe, the girl of his dreams. But how did she get here? And why is she smiling? No one survives out in the street. No one smiles where the monsters lurk.

Homicide GN Part 1 - Philippe Squarzoni & David Simon

Homicide, the celebrated true crime-book from the creator of HBO's The Wire, is reenvisioned in this first volume of a gritty, cinematic graphic novel duology. In 1988, journalist David Simon was given unprecedented access to the Baltimore Police Department's homicide unit. Over the next twelve months, he shadowed detectives as they took on a slew of killings in a city where killings were common. Only the most heinous cases stood out-chief amongst them, the rape and murder of eleven-year-old Latonya Wallace. Originally published in 1991, Simon's Homicide became the basis for the acclaimed television show Homicide: Life on the Streets and inspired HBO's The Wire. Now, this true-crime classic is reimagined as a gritty two-part graphic novel series.

Imitation GN Vol 1 - Kyoung-Ran Park

As a member of the obscure idol group "Tea Party," Ma-Ha dreams of becoming a big star one day. Little did she know that she'd go viral so soon...by embarrassing herself in a popular talk show! But as the saying goes, there is no such thing as bad publicity...right?

Impact Winter: Rook One-Shot - Travis Beacham & Andrea Milana

Hundreds of years before a comet hit Earth and created a cold, dark world ruled by vampires... A wandering Roman centurion saved a woman from being sacrificed by druids. Honor bound to return Fionnuir to her homeland, Rook embarked on a journey across ancient Britain, where all manner of human and inhuman creatures dwelled...but none more dangerous than the demon he'd sworn himself to.

Lovesick TP - Luana Vecchio

"Nature has a kind of innocent cruelty, while man... Why can't man's cruelty be called innocent?" In one of the most lurid corners of the dark web, subscribers pay a high price to be maimed, tortured, and killed by ruthless and irresistible dominatrix DOMINO. This is what they call love in the LOVESICK CLUB. But as Domino faces emerging threats and mounting pressure from a needy audience, what price will she have to pay for success in this literally cutthroat world? And what will she have to become to survive? LUANA VECCHIO invites you into a digital underworld of blood and neon to explore the limits of consent, love, and idolatry in one of the most erotic and extreme stories in recent years!

Marvel Comics: A Manga Tribute GN

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Mika & The Howler GN - Agata Loth-Igaciuk, Berenika Kolomycka & Crank!

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Misfit Mansion GN - Kay Davault

Foster's Home for Imaginary Friends meets Hilda and the Troll in this spooky and sweet middle grade graphic novel about a monster girl who sneaks out of her foster home and into a human town in search of a forever family but finds more than she bargained for. Despite her monstrous appearance, Iris has never felt like she belongs in a mansion filled with kelpies and gorgons and unicorns. She longs to find a family. Unfortunately, she and her housemates are trapped in a "foster home for horrors" run by former paranormal investigator Mr. Halloway. So, when a human boy named Mathias breaks the house's sealing spell, Iris and her companions are set free upon the town of Dead End Springs. What Iris doesn't know is that Mathias is also a paranormal hunter (the kind who seeks to capture and destroy the horrors), or that there are other dangers ahead. As Iris searches for a home, she makes human friends, explores a brand-new world... and stumbles upon a dark secret that Halloway has kept locked in the basement of the house. Will this long-slumbering mystery destroy the family Iris so desperately seeks?

Offshore Lightning GN - Saito Nazuna

Nazuna Saito began making comics late. She was in her forties when she submitted a story to a major Japanese publishing house and won an award for newcomers. Offshore Lightning collects Saito's early work as well as two recent graphic novellas "In Captivity" (2012) and "Solitary Death Building" (2015), both focused on aging and death.

Pool Boys #1 - Josh Trujillo & Josh Cornillon

Pool Boys welcomes you to the interdimensional Solitaire Resort. This steamy romance focuses on found love, fleeting connections, and the fun we have along the way. Featuring pinups by Sina Grace, Luciano Vecchio, Jacoby Saucedo, and more, with a cover by David Talaski.

Project Arca: Into The Dark Labyrinth HC - Romain Bennasaya & Joan Urgell

In the not-too-distant future, the planet Earth has been destroyed, its orbit withering and its citizens desperate to escape to the stars. The solution? The Arca, massive vessels bound for the distant promised land of Leonis. When the passengers of Arca III awaken from their long intergalactic journey, they realize they're not in Leonis. Not only that, their journey has taken much longer than the planned two hundred years, and has landed them in a starless, seemingly endless place. Eric Rives, the ship's second-in-command, and his partner Jia Tang are sent on an exploratory mission to investigate the dark labyrinth that surrounds them... but what they find is beyond belief.

Scrapper #1 (of 6) - Cliff Bleszinksi, Alex De Campi, Sandy Jarrell & Juan Ferreyra Blade Runner-style action mixes with big emotions as stray dog Scrapper and his buddy Tank fight for justice against the totalitarian forces of a post-apocalyptic domed city. But when the fight comes to his home, Scrapper will face losing what's most important to him-and gain a terrifying truth in the process. (Don't worry, Mom. The dog doesn't die.)

Star Wars Inquisitor: Rise Of The Red Blade - Delilah S Dawson

When the Jedi Order falls, the Inquisitors rise.. From the aftermath of Order 66 comes a new group of former Jedi, each with their own reason to serve the Empire under Darth Vader. Among them is Iskat, who survived the destruction of her old Order to claim a new destiny in the Force. Iskat joins the Inquisitors in the hope of uncovering her hidden past that the Jedi refused to share with her.

Video Game Of The Year SC - Jordan Minor & Dan Ryckert

Pong. The Legend of Zelda. Final Fantasy VII. Rock Band. Fortnite. Animal Crossing: New Horizons. For each of the 40 years of video game history, there is a defining game, a game that captured the zeitgeist and left a legacy for all games that followed. Through a series of entertaining, informative, and opinionated critical essays, author and tech journalist Jordan Minor investigates, in chronological order, the innovative, genre-bending, and earth-shattering games from 1977 through 2022. Minor explores development stories, critical reception, and legacy, and also looks at how gaming intersects with and eventually influences society at large while reveling in how uniquely and delightfully bizarre even the most famous games tend to be.

Wanted 20th Anniversary Edition #1 - Mark Millar & J. G. Jones Celebrate 20 years of Millarworld this month with this special gold-logo edition of the comic that started it all, featuring the reprinted first issue of WANTED itself alongside exclusive interviews, sketches, and behind-the-scenes material! Learn how WANTED went from the page to the screen in record time and set a course for not only the Angelina Jolie movie, but the Netflix empire that came after.

Whatcha snagging this week?

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barabansetbabets · 1 year

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23 book I want to read in 2023

I've seen a few people do these lists, so here's mine

La Reine Margot – Alexandre Dumas

This one is a little cheating, since it’s on my TBR, but it’s not really a classic that really attracts me, especially with my last experience with a Dumas. (Sorry, when I was 12 I found D’Artagnan so dumb I couldn’t even finish the book, which just didn’t happen at that age)

The Queen’s Thief – Megan Whalen Turner

I heard so much about this serie from Booklr and it’s on Arhive.org, so I’m really excited for this one !

How the One-Armed Sister Sweeps Her House – Cherie Jones

Trying to read books from all over the world, and this title make it very intriguing. Though the summary leads me to think it will be a very though read.

Handicap à vendre – Thibault Petit

A book about disabled’s rights in french worplaces (and the utter shit it is), mostly about Intellectual Disabled I think.

Aya de Yopougon - Marguerite Aboue & Clément Oubrerie

This is a mildly famous Comic Serie in France, and I’ve never read it so I want to finally bridge that gap.

Middlegame - Seanan McGuire

Once again a pretty popular book on booklr, and as I liked Every heart a Doorway I’m very excited for this one !

The Bomb – Alcante, Bollée & Denis Rodier

French Comic about the making of the Atomic Bomb. One again a though read, but it got praised a lot in France.

Les Indes Fourbes - Alain Ayroles & Juanjo Guarnido

Another french comic that got praised a lot. Seems interesting, but since it’s a comedy about the American Conquest, i’m a little wary about representation…. Guess I’ll read and see.

The witcher, Season of Storm – Andrzej Sapkowski

My Witcher period is a little behind me, but it’s the only book i have left to read so it’s worth the shot.

If on a winter’s night a traveler – Italo Calvino

This one get praised a lot for its narration and writing. I wiish I could read it in italian, but french will hae to do.

Quest for Fire - J.H. Rosny Aîné

Fantasy in prehistoric times ? Sign me up. (It’s very old so there’s little chance I will love it, but eh. Sometimes an okay read is all you can ask for.)

Texaco – Patrick Chamoiseau

I liked another novel by the same author, and this one won a big french award back in 1994.

Tè Mawon – Michael Roch

I’ve been meaning to read a Michael Roch’s books for years – and I SWEAR that this year is THE year I finally do ! (Once I get a job)

Iron Widow - Xiran Jay Zhao

This has been recced by everyone and their sisters (my sister at least) so I’ll try to finally read it!

Assassin’s apprentice - Robin Hobb

Never read anything by Robin Hobb. I’m a fake fantasy fan.

The City we became - N.K. Jemisin

Another book loved by a lot of people. I absolutely loved How Long 'til Black Future Month so this is a book i’m sure to love.

In mother’s land - Élisabeth Vonarburg

Once again it’s a book I’ve been meaning to read for years. It’s a SF book, where mens are scarce. and basically describing the new society. Exactly my genre of book!

Postcolonial Love Poem – Natalie Diaz

I want to try to read poetry, and this one seems good.

A doll’s house – Henrik Ibsen

It’s a norwegian play from the 19th century. It was apparently very feminist for its time, so much that it stirred a controversy way beyond the world of theatre so I’m curious to read it.

Therese and Isabelle – Violette Leduc

A lesbian autofiction. Need I say more.

Harrow the Ninth – Tamsyn Muir

I don’t care about my wallet state. I WANT to read this book and the next so much

La Horde du Contrevent – Alain Damasio

A french SF classic. I borrowed this book from my sister about two years ago, so it’s time I read it. Fun fact, this book pages are numbered down instead of up, which probably the most french thing I’ve ever seen. so edgy.

Toward the Terra - Keiko Takemiya

A SF manga drawn by a shojo artist. Looks beautiful and I hope it will be interesting to read!

Here's to hoping I will not be stuck in a reading slump for six months like last year

#books #booklr #long post

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superman86to99 · 1 year

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Action Comics #698 (April 1994)

Superman vs. an army of muscular, exploding Lex Luthors! And also... himself, because his newly enhanced powers are so out of control that he’s officially more dangerous to Metropolis than any clone army.

Last issue ended with LexCorp being attacked by monsters and Lex Luthor Jr. blaming Project Cadmus for it. In truth, this is the work of rogue geneticist Dabney Donovan, one of the scientists who helped clone Luthor a younger, sexier, cancer-free body. Luthor once tried to kill Dabney to leave no evidence that he’s faking being his own Australian son, so Dabney returns the favor by invading LexCorp tower with his genetically-engineered abominations. Dabney’s remote-controlled monsters finally reach Lex at the top of the tower, but... it’s not Lex, it’s a dummy with a wig on. Which is rigged to explode. All CEOs have one.

Meanwhile, despite his various problems with Luthor in the past, Superman is doing his best to defend LexCorp tower from the monsters (after all, Lex isn’t the only one who works there) but he’s hampered by his erratic powers and the fact the his body seems to be growing for no reason, which is always disorienting. Superman is able to knock down one of the monsters and, upon removing his luchador-like mask, is confused to see that it looks just like Luthor. In fact, all the big monsters do, because Dabney has a special sense of humor (and access to Lex’s DNA).

Superman puts down the rest of these mindless Lex-trocities, which spontaneously combust upon being defeated, and he has to turn on his heat vision to stop the last one. Unfortunately, now he’s unable to turn it off -- in fact, Superman’s heat vision is suddenly so potent that he can’t even close his eyes or he’ll burn his super-eyelids off. After accidentally causing some more property damage to the street in front of LexCorp, Superman has to fly into the ocean and cool off underwater for an hour before regaining his ability to blink. But at least his power troubles seem to be over!

NEXT: Superman’s power troubles get even worse.

Plotline-Watch:

The smaller monsters attacking LexCorp are the same “P-Bak” critters that Dabney and Cadmus’ Director Westfield sent after Superboy in Adventures #506. Presumably Dabney was in a rush and didn’t have time to redesign them so they’d have Lex’s face, too.

Lex checks in on poor Dr. Happersen, still recuperating from his Bizarro attack, not because he’s worried about him but to tell him to stop whining and keep working on the Supergirl project (as seen in the Supergirl miniseries). Luthor’s lackeys really need to unionize and get some better health benefits.

Superman’s power woes are actually making him feel nostalgic for the days of Lex Luthor Sr., back when all he had to do to solve his problems was show up at Lex’s office and find out what gizmo to punch (like the last time his powers went out of whack, in Superman #10).

Lois Lane finally finishes the exposé on Lex Luthor “Jr.” she’s been working on for months, but just as she electronically mails it to the Daily Planet, Lex hacks into the system using the secret backdoor included in all LexCorp PCs and rewrites the entire article so that “there won’t be a soul alive who will ever again believe Lois Lane!” See, this is why is “e-mail” thing will never catch on. Anyway, we’ll find out next issue just how good Lex’s creative writing skills are.

Patreon-Watch:

This post was made possible by our patrons Aaron, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Kit, Sam, and Bol, who got to read half of it a whole week ago (yes, Don finished his section way before me again). Obligatory link to see if we can trick more people into joining us: https://www.patreon.com/superman86to99

And now, Don Sparrow’s section, at last liberated for all the world to see!

Art-Watch (by @donsparrow):

We begin with the cover, and it’s a good one, by Jackson Guice. It puts me in the mind of old “X-Ray Specs” ads from inside comics, though I couldn’t find one that was a specific pose match. Still, a good use of colour to have the bones of Superman’s hand “inked” in solid red.

Inside the issue, we are first greeted by not one full page splash, but three—Superman outpacing the Whiz Wagon, by land and by air. While I think Cadmus/Kirby stuff can tend to overwhelm the Superman mythology at times, I will never tire of seeing that car! [Max: Same!]

There’s an interesting juxtaposition early on, with Director Westfield observing goings-on from his situation room, followed immediately by Dabney Donovan’s similar, but lower-tech observation station, from which he spies on basically everyone.

We’re given another double page spread on pages 12-13, as Superman decks some of the giant creatures sent by Donovan. Denis Rodier’s chunky ink brush lines resemble Kirby at the best of times, but with all these Cadmus creations about, the connection is made all the more visible.

A little later in the story, both Guardian and Jimmy comment that it appears that Superman is growing, but there’s really no context clues in the artwork to sell this idea. He isn’t really placed next to anything for a convincing sense of scale, which feels like a missed opportunity. [Max: Agreed, he looked taller in exactly one panel in which he’s looking down on Guardian, then goes back to looking normal in the next.]

Jackson Guice has always excelled at drawing a realistic and beautiful Lois Lane, and his version of casual around-the-apartment Lois is no exception. Lastly, his depiction of a wizened and ageing Luthor is very well done, and a precursor to the (much later) return of a thin Lex Luthor, which we haven’t seen since the Byrne reboot.

STRAY OBSERVATIONS:

My issue has a colouring error on the second page, where Superman’s normally yellow/gold belt buckle appears to be white or silver. [Max: Same in my Spanish reprint!]

I’m sure Dabney’s cameras are well hidden, but it appears as though Guardian is looking straight at it, as Donovan monitors the Whiz-cam. Also: thank God that’s the only Whiz-cam we’re shown, that could have been much worse. [Max: I think Dabney is just hacking into the feed seen in the previous page. Also, I’m guessing Lex is the only one with the other type of “whiz-cams” in these comics, considering his habit of spying on women’s dressing rooms...]

Groan: yet another addition to the “since Doomsday” file, where Inspector Henderson thinks to himself that he hasn’t “heard such an edge in his voice…since he went up against Doomsday.” It is an unfortunate (and understandable) habit of this era to liken everything back to Doomsday, in order to elevate whatever is happening in the present story. [Max: We really dropped the ball not having a “Since Doomsday-Watch” section.]

This issue is structured a bit oddly, especially for a comic called “Action”. The action in this issue all takes place early on, with the rest of the issue making up a very long denouement.

Love the care with which Superman speaks on the telephone, not trusting the line not to be observed.

Interesting that burgeoning internet technology is a major plot point here. Nowadays we’re used to stories involving hacking or digital trespass, but in 1993, this was incredibly novel. [Max: Lex was the original Zero Cool.]

#superman #roger stern #jackson guice #denis rodier #project cadmus #guardian #paul westfield #dabney donovan #sydney happersen #muscular exploding lex luthor jrs #whiz cam #not that type of whiz cam sorry tumblr

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superpoweredfancast · 6 months

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The Return of Superman 30th Anniversary Special #1 Review

The Return of Superman 30th Anniversary Special #1 DC Comics Written by Dan Jurgens, Louise Simonson, Jerry Ordway and Karl Kesel Art by Travis Moore, Jon Bogdanove, Jerry Ordway, Tom Grummett, Dan Jurgens and Brett Breeding Inks by Jon Bogdanove, Doug Hazelwood and Denis Rodier Colors by Adriano Lucas, Glenn Whitmore and Elizabeth Breitweiser Letters by Rob Leigh and Richard Starkings The…

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#comic book review #DC Comics #the return of superman

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personal-reporter · 6 months

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La bomba al Wow di Milano

Fino al 28 gennaio 2024 al Wow di Milano con la mostra La bomba il protagonista è il fascino dell’apocalisse nucleare, tra fumetto, illustrazione e cartoons. Fin dal 1945, la bomba atomica è entrata nell’immaginario, infatti tantissime opere, dal fumetto al cinema, hanno raccontato cosa succederebbe in un conflitto nucleare, oltre a un futuro in cui l’energia atomica avrebbe potuto migliorare la vita di tutti o hanno rivelato i retroscena di alcuni episodi fondamentali della storia del secolo scorso. Il percorso espositivo è scandito da pannelli di approfondimento sulle tappe storiche fondamentali dell’energia nucleare e della bomba atomica, seguite da approfondimenti tra tavole originali, pagine a fumetti, manifesti cinematografici, riviste, giornali e oggettistica. L’atomo e l’energia nucleare sono al centro di due importanti storie a fumetti statunitensi, Nel mondo degli atomi con Brick Bradford, in cui l’eroe e i suoi amici vengono miniaturizzati per un viaggio all’interno della struttura della materia, e Il mistero dell’Uomo Nuvola, un’avventura di Topolino dove uno scienziato in grado di imbrigliare la potenza dell’atomo decide di distaccarsi dal resto dell’umanità, spaventato dagli utilizzi della sua scoperta. Il contributo italiano alle scoperte fondamentali della fisica nucleare viene raccontato nel film I ragazzi di via Panisperna (1988), alla mostra con il manifesto cinematografico, che prende il nome dalla via in cui si trovava l’Istituto di Fisica a Roma, coordinato da Enrico Fermi e di cui faceva parte anche Ettore Majorana, che scompare misteriosamente nel 1938, la cui vita è raccontata nel volume a fumetti Il segreto di Majorana di Francesca Riccioni e Silvia Rocchi, in mostra con alcune tavole. Il Progetto Manhattan è narrato con grande attenzione ai dettagli nel volume a fumetti La bomba di Didier Alcante, Laurent-Frédéric Bollée e Denis Rodier de lo scoppio di Hiroshima dal punto di vista giapponese si trovano nel manga Gen di Hiroshima di Keiji Nakazawa, accanto a importanti testimonianze d’epoca, come il numero della rivista Time edito dopo la resa del Giappone e i numeri di Oggi su Hiroshima e gli esperimenti di Bikini. La tragedia di Hiroshima è lo spunto anche di una storia di Martin Mystère, Le mille gru di Hiroshima di Andrea Cavaletto e Fabio Piacentini, con una selezione di tavole digitali. Nel lungo periodo della Guerra Fredda l’energia nucleare e la bomba atomica sono raccontate nei fumetti, sia ipotizzando cosa succederebbe in caso di una guerra atomica sia mostrando un atomo amico e umanizzato. Da questo punto di vista sono emblematici Atomino Bip Bip, amico di Topolino creato da Romano Scarpa nel 1959, in mostra con illustrazioni, studi e una tavola della celebre storia Topolino e il Bip Bip-15 (1960), e Atomino, creato nel 1963 da Marcello Argilli e Vinicio Berti per il settimanale a fumetti Il Pioniere, oltre a molti popolari protagonisti alle prese con armi nucleari, come il tarzanide Akim, la perfida Satanik e il simpatico Kolosso. Uno spazio particolare è dedicato a due personaggi che prendono vita proprio da una bomba, Godzilla e l’Incredibile Hulk. Godzilla, che nel 2024 festeggia 70 anni, è in mostra alcune tavole realizzate dal disegnatore Alberto Ponticelli per la miniserie Godzilla: Gangsters & Goliaths e per l’Incredibile Hulk sono esposti i più bei poster e gadget d’epoca insieme a spettacolari tavole dei grandi autori del personaggio, come Mark Bagley, Rick Leonardi, Alan Kupperberg. In mostra c’è anche una tavola di Watchmen, il capolavoro di Alan Moore e Dave Gibbons che vede tra i protagonisti Dottor Manhattan, un fisico nucleare che acquisisce immensi poteri dopo un esperimento di fisica subatomica. Il tema dei rischi che comportano le armi atomiche e l’energia nucleare è al centro anche di due storie di Diabolik, La luce del male (1998), in cui il Re del terrore aiuta un vecchio amico colpito dalle radiazioni degli esperimenti atomici su un’isola tropicale, e Incubo atomico (2007), dove Diabolik sventa la minaccia di un gruppo di terroristi. Il fiorente filone post-atomico vede gli autori immaginare come sarebbe il mondo dopo la catastrofe, come nel giapponese Ken il guerriero, serie manga molto amata, che nel 2023 festeggia quarant’anni di pubblicazioni. Tra supereroi atomici e dopobomba comici e tragici, la Bomba è una costante narrativa e la satira ha avuto un ruolo prezioso dove, oltre agli ipotetici effetti di una bomba atomica su Milano o altre città, contrasta i sogni di militari e dittatori con il dito sul bottone rosso. Giornali e documenti d’epoca completano la visione storica dalla percezione collettiva della Bomba, oltre che nella musica e nelle altre arti, modificando il costume. Read the full article

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