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voguefashion · 3 months

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Edward Enninful's British Vogue (December 2017-March 2024)

December 2017: Adwoa Aboah by Steven Meisel

January 2018: Taylor Swift by Mert & Marcus

February 2018: Margot Robbie & Nicole Kidman by Juergen Teller

March 2018: Gigi Hadid & Bella Hadid by Steven Meisel

April 2018: Gugu Mbatha-Raw by Mikael Jansson

May 2018: Vittoria Ceretti, Halima Aden, Adut Akech, Faretta Radic, Paloma Elsesser, Radhika Nair, Yoon Young Bae, Fran Summers & Selena Forrest by Craig McDean

June 2018: Cara Delevinge by Steven Meisel

July 2018: Ariana Grande by Craig McDean

August 2018: Oprah Winfrey by Mert & Marcus

September 2018: Rihanna by Nick Knight

October 2018: The Beckham's by Mikael Jansson

November 2018: Fran Summers by Inez and Vinoodh

December 2018: Stella Tennant, Adut Akech, Primrose Archer & Saffron Vadher by Steven Meisel

January 2019: Dua Lipa by Nadine Ijewere

February 2019: Emma Stone by Craig McDean

March 2019: Naomi Campbell by Steven Meisel

April 2019: Naomi Scott by Nick Knight

May 2019: Kate Moss by Mikael Jansson, Jamie Hawkesworth & Inez & Vinoodh

June 2019: Madonna by Mert & Marcus

July 2019: Zoë Kravitz by Steven Meisel

August 2019: Karlie Kloss by Steven Meisel

September 2019: Adut Akech, Gemma Chan, Greta Thunberg, Jameela Jamil, Chimamanda Ngozi Adichie, Adwoa Aboah, Jacinda Ardern, Francesca Hayward, Ramla Ali, Christy Turlington, Salma Hayek, Sinéad Burke, Jane Fonda, Laverne Cox & Yara Shahidi by Peter Lindbergh

October 2019: Kaia Gerber by Steven Meisel

November 2019: Jourdan Dunn by Nick Knight

December 2019: Emma Watson by Alasdair McLellan

January 2020: Taylor Swift by Craig McDean

February 2020: Lupita Nyong’o by Steven Meisel

March 2020: Irina Shayk by Mert & Marcus

April 2020: Jodie Comer by Steven Meisel

May 2020: Rihanna by Steven Klein

June 2020: Judi Dench by Nick Knight

July 2020: Rachel Millar, Narguis Horsford & Anisa Omar by Jamie Hawkesworth

August 2020: Reset by Mert Alas, Lubaina Himi, Alasdair McDean, Craig McDean, Nadine Ijewere, Nick Knight, David Hockney, David Bailey, Martin Parr, Marcus Piggot, Jamie Hawkesworth, Tim Walker, Juergen Teller & David Sims

September 2020: Marcus Rashford & Adwoa Aboah by Misan Harriman

October 2020: Emma Corrin by Charlotte Wales

November 2020: Serena Williams by Zoë Ghertner

December 2020: Beyoncé by Kennedi Carter

January 2021: Kate Moss by Mert & Marcus

February 2021: Dua Lipa by Emma Summerton

March 2021: Angelina Jolie by Craig McDean

April 2021: Janaye Furman, Precious Lee, Mona Tougaard & Achenrin Madit by Steven Meisel

May 2021: Thandiwe Newton by Mikael Jansson

June 2021: Billie Eilish by Craig McDean

July 2021: Malala Yousafzai by Nick Knight

August 2021: Margot Robbie by Lachlan Bailey

September 2021: Gemma Chan by Hanna Moon

October 2021: Zendaya by Craig McDean

November 2021: Adele by Steven Meisel

December 2021: Lady Gaga by Steven Meisel

January 2022: Kristen McMenamy by Steven Meisel

February 2022: Amar Akway, Majesty Amare, Akon Changkou, Nyagua Ruea, Abény Nhial, Maty Fall, Janet Jumbo, Adut Akech & Anok Yai by Rafael Pavarotti

March 2022: Naomi Campbell by Steven Meisel

April 2022: Anya Taylor-Joy by Craig McDean & Queen Elizabeth ll by Antony Armstrong-Jones

May 2022: Lila Moss by Steven Meisel

June 2022: Gisele Bündchen by Steven Meisel

July 2022: Beyoncé by Rafael Pavarotti

August 2022: Cara Delevingne, Cynthia Erivo, Ariana DeBose, Jordan Barrett & Munroe Bergdorf by Mert & Marcus

September 2022: Linda Evangelista by Steven Meisel

October 2022: Timothée Chalamet by Steven Meisel

November 2022: Her Majesty Queen Elizabeth II Tribute

December 2022: Simone Ashley, Senna Miller, Yasmin Finney & Elizabeth Debicki by Scot Trindle

January 2023: Iman by Nadine Ijewere

February 2023: Priyanka Chopra Jonas by Zoë Ghertner

March 2023: Rihanna, A$AP Rocky & son by Inez & Vinoodh

April 2023: Jill Kortleve, Precious Lee & Paloma Elsesser by Inez & Vinoodh

May 2023: Sinéad Burke, Selma Blair, Aaron Rose Philip, Justina Miles & Ellie Goldstein by Adama Jalloh

June 2023: Miley Cyrus by Steven Meisel

July 2023: Miriam Margolyes, Janelle Monae & Rina Sawayama by Tim Walker

August 2023: Maya Jama by Steven Meisel

September 2023: Linda Evangelista, Naomi Campbell, Cindy Crawford & Christy Turlington by Rafael Pavarotti

October 2023: Lily Gladstone & Leonardo DiCaprio by Craig McDean

November 2023: Emily Ratajokwski, Adwoa Aboah , Irina Shayk, Adut Akech, Karen Elson & Mona Tougaard by Sean Thomas

December 2023: Kate Moss,Lila Moss, Olivia Colman, Jodie Comer, Stormzy, Little Simz & Tilda Swinton by Tim Walker

January 2024: Emma Watson, Tolu Coker, Priya Ahluwalia Torishéju Dumi & Amber Valletta by Charlote Wales

February 2024: Julia Roberts by Lachlan Bailey

March 2024: Karen Elson, Irina Shayk, Laverne Cox, Anya Taylor-Joy, Serena Williams, Rina Sawayama, Karlie Kloss, Jourdan Dunn, Amber Valletta, Precious Lee, Cindy Crawford, Jodie Comer, Gemma Chan, Adut Akech, Vittoria Ceretti, Gugu Mbatha-Raw, Cara Delevingne, Jane Fonda, Gigi Hadid, Linda Evangelista, Adwoa Aboah, Miley Cyrus, Paloma Elsesser, Iman, Victoria Beckham, Ariana DeBose, Jameela Jamil, Oprah Winfrey, Salma Hayek, Christy Turlington, Selma Blair, Maya Jama, Anok Yai, Kate Moss, Kaia Gerber, Cynthia Erivo, Naomi Campbell, Simone Ashley, Dua Lip & Lila Moss by Steven Meisel

#edward enninful #british vogue #vogue uk #vogue #vogue covers

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imperfectfragilediary · 3 months

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Vogue Italia March 2015

Mia Goth, Freja Beha Erichsen, Zachary Quinto, Donna Mitchell, Joel Schumacher, Jamie Bochert & Yuri Pleskun, Christopher Niquet & Gigi Hadid, David Alexander Flinn & Kirsten Owen, RJ King & Edie Campbell, Julia Nobis & Issa Lish, Benn Northover & Stella Tennant, Harry Brant & Kim Peers, Miles McMillan & Agyness Deyn, Scott Barnhill & Crista Cober by Steven Meisel

Styled by Karl Templer

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garadinervi · 9 months

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«Rampike», Vol. 2, Nos. 1 & 2, Special Double Issue: 'Electricitee', Edited by Karl Jirgens, Toronto, 1982 [UWindsor Institutional Repository, University of Windsor, Windsor. room 3o2 books, Ottawa]

Contributions by René Lévesque, Marshall McLuhan, John Meisel, Martin Esslin, Joseph Beuys, France Théoret, Dave Godfrey, Kerry Trengrove, Takis, David Rosenboom, Nicole Brossard, Louis Dudek, Frank Davey, Ziggy Blaseje, David Hylnsky, Jonathan Borovsky, Barbara Astman, Holuska, bpNichol, Germaine Beaulieu, Presence Panchounette, Dennis Masi, Karl Jirgens, Laurie Anderson, Dave McFadden, Jean Paul Curtay, Michel Gay, George Bowering, bill bissett, Robert Kroetsch, Clark Blaise, Piotr Kowalski, Peter Gnass, William Furlong, Rosetta Brooks, Nash the Slash, Richard Strange, Andrew Patterson, Chris Devonshire, Jim Montgomery, Martin Bartlett, Al Mattes, Allan Erdmann, Richard Hill, George Manupelli, Art et Industrie, Alexis Wallrich, Claudette Abrams, Sheree Lee Olson, John Grube, Tom McNeeley, Gerry Shikatani, Don Thompson, Tom Dalton, Steve Smith, Robert Priest, Ken Norris, Shaunt Basmajian, Bill Culbert, John Roberts, Rodney Werden, Noel Harding, Terry McCubbin, Endre Farkas

Cover Art by Ints Plampe

#graphic design #typography #art #poetry #magazine #cover #magazine cover #rampike #karl jirgens #ints plampe #uwindsor institutional repository #room 3o2 books #1980s

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dustedmagazine · 4 months

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Morricone Youth — Battleship Potemkin (Country Club)

Sergei Eisenstein’s Battleship Potemkin is a landmark in early cinema, a 1925 silent film of epic scale and ambition, which chronicles a late Tsarist-era mutiny aboard ship that strikes a chord and ignites a full-scale rebellion in the port city of Russia. It is well worth watching, if only for the stunning “Odessa steps” sequence, where the Tsar’s army ruthlessly guns down civilians in sympathy with the striking sailors. The images of a mother begging for her wounded child’s life or a baby in a carriage bumping headlong down the stairs are striking and memorable—and they have special resonance now, when Odessa is again under siege by a Russian army with few qualms about collateral damage.

The film has had a number of scores over the years, the original by Edmund Meisel, one from 1950 by Nikolai Kryukov , and a widely circulated 1975 50th anniversary edition incorporating symphonies by Dmitri Shostakovich (that’s the version currently on the Criterion Channel). Eisenstein himself hoped that his movie would be rescored every 20 years, so that its sound would remain relevant to new audiences.

Enter, then, Morricone Youth, a New York City-based orchestra dedicated to live scoring classic films. The ensemble, a sort of bus man’s holiday for musicians in other bands, has performed music for films including David Lynch’s Eraserhead, Alfred Hitchcock’s The Lodger and George Romero’s Night of the Living Dead. The band, which is headed by Devon E. Levins, regularly performs its scores while the film is running in select theaters across the country. It is in the process of recording and releasing these scores. Battleship Potemkin is the latest.

On listening to this excellent soundtrack, with its languid, East European waltzes, its stirring snare-shot battle sequences, its antic re-enactments of rebellion and eventual triumph, you might regret not having the opportunity to hear this music in its rightful setting, a movie theatre. And yet, the music itself is evocative enough to hold your attention. “Vakulinchuk’s Dream” with its bell-like keyboard lines and its soaring trumpet is full of eerie yearning, exactly the sort of thing to embody a sailor’s longing for equality. The syncopated lurch of “Giliarovosky Is Watching,” with its sinuous, near-tango-ing tainted sensuality insinuates danger and trickery. “Cossacks Charge,” the music for that Odessa Steps imagery, snaps to attention on military drum rolls and advances relentlessly on piano motifs. And “Funeral” with its haunting, disembodied voices, is lovely and heartbreaking, exactly as it ought to be.

All of which is meant to say, yes, it’s probably better with the movie, but it’s pretty great with just your speakers and your imagination, too.

Jennifer Kelly

#morricone youth #battleship potemkin #country club #jennifer kelly #albumreview #dusted magazine #film score #silent film #odessa steps

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new-sandrafilter · 2 years

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The Chalamet Effect: Timothée Talks Fate, Fashion And Being An Old Soul

At 26, Timothée Chalamet is already a consummate, cool-as-they-come movie star. As he gets set to become the actor of his generation, Giles Hattersley goes in search of the real boy wonder. Photographs by Steven Meisel. Styling by Edward Enninful.

BY GILES HATTERSLEY

15 September 2022

He arrives, a princeling in jeans and a rock-metal T-shirt, bounding sprite-like from one of those blacked-out Cadillac tanks preferred by the famous (reluctant or otherwise). It’s June in New York and Timothée Chalamet’s hometown is gently sweltering. But, for once, the paps are nowhere to be seen and so his body language is a joy to behold, as he bounces into Champs, a vegan diner in Brooklyn, somehow channelling both a street-style star and Buster Keaton.

We’re shooting a Vogue video. He enters with curls un-frizzed, a smile that reaches all the way to his eyes and a head to shoulder ratio rarely glimpsed outside of children’s drawings. In a swift half-decade, this publicity-averse, sensitive, ambitious, inscrutable dreamer has become both art-house stalwart (Call Me by Your Name) and box-office king (Dune). Then something odder (certainly rarer) occurred. A baton was placed in his hand, passed down the decades by dint of James Dean and River Phoenix, David Cassidy and Leonardo DiCaprio: Chalamet became boyfriend to an entire generation. In fact, it was DiCaprio (in a moment of near-literal baton passing when they first met in 2018) who bequeathed Timmy his career rule: “No hard drugs and no superhero movies.” So far, so good. Give or take. Oh, to be 26 and Hollywood’s most wanted.

Timothée wears vintage T-shirt, Contemporary Wardrobe. Leather trousers, Balmain. Steven Meisel

And wow do they want him. “I…” he says, laughing, unsure what to do with that information. It should be noted that Chalamet’s default setting is uncertainty. Thoughtful, courteous, smart? Absolutely. Able to articulate a definite opinion about anything? Absolutely not. Never mind. The charm is very real: “We met before,” he says, recalling some 3am dance floor-adjacent small talk we had a few years ago. Far from the navel-gazing “f**k boy” the internet occasionally likes to paint him as, he’s checked my Instagram and read some past interviews. Immediately he wants to talk about Lady Gaga, who he doesn’t know but finds “fascinating!” He is a rare interviewee – albeit a classic deflector – in that he much prefers to ask the questions: “Where are you staying?” “What did you think of [the London production of] Cabaret?” “How are you feeling?” Of course, once the recorder is running, the fidgeting begins in earnest. “But for Luca, anything,” he says of Luca Guadagnino, auteur supreme, in whose Bones & All Chalamet stars this autumn as cannibal drifter Lee. Part road movie, part addiction allegory, he plays opposite Taylor Russell on a bloodied, nomadic flee through America. It is a performance so pristinely heartbreaking, so tenderly horrific, so violent and vulnerable, it feels – as his work so often does – like he’s carved out a new genre of man.

Call it the Timothée effect. It’s everywhere, bewitching fans, directors, fellow actors, fashion houses and now British Vogue, for whom the half-French, half-American, fourth-generation New Yorker becomes the first man to appear solo on the print cover. We meet again the following day in SoHo. He keeps a rental apartment in the city, and his parents only live uptown, but he prefers staying in hotels, so we head up to the pool deck of The Dominick, his current bolthole, where the hostess leads us to some lounge chairs, her eyes bugging silently at the celebrity angel who has touched down to earth in the middle of her shift.

Eyes bug a lot with Timmy. In return, you occasionally spot a flash of kindly exhaustion in his. His manners are almost comically superb and an antenna attuned to the energy of absolutely everyone around him at all times is a terrific resource for an actor – enervating for a human, though. “I hate talking about this kind of stuff, but like the pressure of, you know, being in the public eye, whatever the f**k that means,” he says, annoyed by the concept even. He finds the world too desperate for answers to questions he doesn’t have answers for. “It’s always like, ‘Who are you?’ ‘Do you know who you are?’” It’s possible he does not. To be honest, after a while in his company you start to wonder if you know who you are either. His small talk has this habit of pulling at the fabric of time and space. “You’re the captain of your fate,” he says excitedly at one point. “Master of your fate and captain of your soul. Like those things where you can, like, draw with both knobs.” An Etch A Sketch? “Exactly. You shake it up and then it’s all gone. You can’t just keep building on the same Etch A Sketch.”

This analogy ends up haunting me for days. Not that there aren’t flashes of more earthly self-reflection: “I had a delusional dream in my early teenage years to have, in my late teenage years, an acting career,” he says. “And in my late teenage years, working on Homeland and starting to do theatre in New York, I felt like I reduced my goal to something more realistic, which was to work in theatre and hopefully make enough money doing either a TV show or something I could sustain myself [with]. And then it felt like every dream came true, exponentially. And then life is moving at six million miles per hour.”

Leather waistcoat and leather trousers, Gucci. Cotton vest, Intimissimi. Leather boots, Miu Miu. Bandana, Rockins. Steven Meisel

“When Covid hit, it required me to take a step back and be humbled to the idea that the greatest rock star…” panic suddenly crinkles his features. “No, I don’t want to use that word, sorry, sorry. Scratch rock star. But [everyone has to] deal with, like, taxes and the dentist and real adulting, you know? I should have been trying to get my adult feet under myself a little bit earlier than I did,” he says. “I found myself having to really, you know, be honest with myself that where I’ve been able to get myself to in life was balls to the wall, like throwing everything at [it] at a young age that, by some miracle, got me to where I am. But to then transition to an adulting mindset…” Taxes and the dentist? He laughs. “I’ve always paid my taxes, I always went to the dentist, but I’m suddenly very aware of that.” It’s classic quarter-life stuff, lived at hyper-speed. “So the ways I feel older than 26 I have always felt,” he says, relaxing. “It’s not like I feel like I’ve had some mental breakthrough that has given me perspective. The perspective that feels ‘old man’, I feel like I was born with it.” Such as? “The empath thing, the thinking for everyone in the room, the sort of misplaced idea, this sort of illusion, of control based on trying to feel for everyone.” In Bones & All, reunited with Guadagnino, who directed him to an Oscar nomination for Call Me by Your Name, he wove elements of himself into the character. “With Lee, the illusion of control is based on feeling for no one and not even interacting with anyone.” That Lee’s affliction is cannibalism, not being very famous, perhaps gives some insight into the extreme head-f**k of the latter. “And I guess that’s where I’m at.”

Does the institutionalisation of a film set suit you? “Yeah. But then no, because I want experiences to be unique.” He likes the immediacy, the rough and readiness, of some social media, he says. “There’s a benefit to the TikTok generation that I feel like I’m a part of too: selfies and stuff, and the comfort with the camera.” Are you talking about the two selfies you post a year, I tease? “Oh, man,” he says, chuckling. “You know, you know.” He is of his generation and yet no two-dimensional exemplar. Confessional Instagram Live rambler Timothée is not. Manifestly shy, self-conscious, perhaps a little scared of what people think of him, he does not find a balm for his issues in forging digital intimacy with millions of followers. To be honest, he doesn’t really like to talk about what he had for breakfast.

Or, heaven forbid, his romantic life. Do you ever imagine yourself as a father one day? As a husband? There follows an almighty pause. “You know what, I’m going to get back to you on that.”

Mostly his love life has been revealed in the grainy pixels of paparazzi long lenses. The twin pillars of young celebrity – dating and deals – have not been cashed in on. Is it true he’s never shot a fashion campaign? “Yeah, I haven’t done any.” Surely you’ve been offered everything? He blinks, politely. “When [success] came my way, I felt very particular that I didn’t want people and I really didn’t want to see myself cashing in,” he says. He adores fashion, is close friends with several designers and has worn floral Alexander McQueen and glittering Louis Vuitton on red carpets to internet-breaking effect. Even today, in perfect denim shorts, a simple tee and a smattering of jewellery, he looks spot on. As for his feelings on being British Vogue’s first solo man cover star? “The nature of the world now, you know... It felt right to not make it too statement-y,” he says. He didn’t want to overthink it or overstep. He just wanted to play some characters, to live the fashion. He loved the shooting process, loved incorporating womenswear into the styling and likens working with Steven Meisel to Denis Villeneuve.

Archive chain-mail top, Stella McCartney. Pearl and palladium-plated necklace, Justine Clenquet. Leather and silver stud bracelet, Chrome Hearts. Steven Meisel

For much of the past year, he’s been living in London, filming the upcoming movie musical Wonka, an origin tale of the early life of the Roald Dahl anti-hero. Directed by Paul King, of Paddington fame (be still my beating heart), he leads a cast of Brits including Olivia Colman, Paterson Joseph and Rowan Atkinson. When a first glimpse of him in costume surfaced online – in crimson velvet, smouldering under a top hat – the internet lost its mind. “In this one, Wonka f**ks” read one memorable tweet. Chalamet starts cracking up. “You know what’s really funny about that is it’s so misleading. This movie is so sincere, it’s so joyous.” How many musical numbers do you have? “Seven!” Making it provided a perfect situation for him: escape. “I hate to say it, but the dream as an artist is to throw whatever the f**k you want at the wall, you know? And I guess what I’m realising is that one’s personal life, one’s adult life, can be quite boring and the artist’s life can still be extraordinary.”

With that he pulls his cap down and puts his defences up, ready to weave through the busying bar area and up to his room. In a few weeks he’ll travel to Budapest to film the second instalment of Dune, then to Venice to launch Bones & All, and then ever onwards, up and up and up. But he worries a key point has been missed. “I’m grateful,” he says. He gives me a hug and asks me to be kind. A man caught in the stasis of life’s first quarter, always looking for the answers.

The October 2022 issue of British Vogue is on newsstands on Tuesday 20 September.

#timmy #timothee chalamet

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workersolidarity · 4 months

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🇮🇱⚔️🇵🇸 ☠️ 🚨

ISRAELI OCCUPATION FORCES ACKNOWLEDGE THE DEATHS OF TWO MORE SOLDIERS IN GAZA

The Israeli Occupation Forces (IOF) acknowledged the deaths of two more soldiers on Monday. Bringing the total number of soldiers killed in the fighting in Gaza to 156.

The two soldiers killed were named:

☠️ Master Sgt. (res.) Nitai Meisels, 30, of the 14th Armored Brigade, from Rehovot.

☠️ Sgt. Rani Tamir, 20, of the 50th Battalion of the Nahal Brigade, from Ganei Am.

Occupation Authorities said both soldiers were killed in Gaza as a result of operations invading the Gaza Strip Sunday.

Earlier Sunday, IOF authorities announced a total of 10 soldiers killed over the day, and a total 14 over the weekend as Occupation Forces ramped up its operations invading the north and central areas of the Gaza Strip, including Gaza City,

Those soldiers names were:

☠️ Staff Sgt. David Bogdanovskyi, 19, of the Combat Engineering Corps’s 603rd Battalion, from Haifa.

☠️ Staff Sgt. Orel Bashan, 20, of the Combat Engineering Corps’s 603rd Battalion, from Haifa.

☠️ Staff Sgt. Gal Hershko, 20, a squad commander in the Combat Engineering Corps’s 603rd Battalion, from Yiftah.

☠️ Staff Sgt. Roy Elias, 21, of the Combat Engineering Corps’s 603rd Battalion, from Tzofar.

☠️ Staff Sgt. Itamar Shemen, 21, a paramedic in the 36th Division, from Lapid.

☠️ Master Sgt. (res.) Nadav Issachar Farhi, 30, a combat medic in the Yiftah Brigade’s 7810th Battalion, from Herzliya.

☠️ Master Sgt. (res.) Eliyahu Meir Ohana, 28, of the Yiftah Brigade’s 7810th Battalion, from Haifa.

☠️ Sgt. First Class (res.) Elyassaf Shoshan, 23, of the 646th Brigade’s 6646th Battalion, from Jerusalem.

☠️ Sgt. First Class (res.) Ohad Ashur, 23, of the 646th Brigade’s 6646th Battalion, from Kfar Yona.

☠️ Cpt. Oshri Moshe Butzhak, 22, a team commander in the Nahal Brigade’s reconnaissance unit, from Haifa.

#source1

#source2

@WorkerSolidarityNews

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bloggossipboy · 8 months

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Campanha: Dolce & Gabbana Caretto 2023

Confere a nova campanha da Dolce & Gabbana pelas lentes de Steven Meisel com stylist de Karl Templer com beleza de Guido Palau e Pat McGrath com os modelos Akbar Shamji, David Gandy, Jon Kortajarena, Kit Butler, Leon Dame e Xu Meen. ● Siga o GB nas redes sociais: ●● Facebook Page | Twitter | Tumblr | Pinterest | Instagram ●●

View On WordPress

#David Gandy #Dolce & Gabbana

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fashionbooksmilano · 2 years

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The World in Vogue

Seven momentous decades of the namnes, the faces, and the writing that have held the public eye in The Arts Society Literature Theatre Fashion Sports Worls Affairs

Secker & Warburg, London 1963, 416 pages, 25 x 33 cm.,

euro 90,00

email if you want to buy [email protected]

A stunning collection of 300 photographs of some of the most celebrated actors, artists, models, First Ladies, and social figures from around the world, drawing on stories from the pages of Vogue as well as never-before-published images by iconic photographers. These trendsetters and newsmakers are captured by such famous photographers as Cecil Beaton, Jonathan Becker, Eric Boman, Horst P. Horst, Edward Steichen, Irving Penn, Richard Avedon, François Halard, Helmut Newton, Stephen Meisel, Snowdon, Toni Frissell, Bruce Weber, Herb Ritts, and Annie Leibovitz. Not only did these photographers take dazzling portraits—in studios or on location—that caught these iconic figures in classic, playful, or dramatic moments but they also documented their parties, weddings, houses, and gardens. Writers like Hamish Bowles, Paul Rudnick, Truman Capote, Francis Wyndham, Jeffrey Steingarten, Joan Juliet Buck, William Norwich, Gloria Steinem, Georgina Howell, Vicki Woods, Marina Rust, Michael Specter, and Jonathan Van Meter tell you the stories behind these figures and events. Here are the glamorous weddings of Plum Sykes in Yorkshire, Lauren Davis in Cartagena, and Minnie Cushing in Newport; Truman Capote writing about cruising the Yugoslavian coast with Lee Radziwill, Luciana Pignatelli, and the Agnellis; gardens from East Hampton to Corfu designed by landscape architect Miranda Brooks; Inès de La Fressange’s apartment in Paris; Gloria Steinem reporting on the 540 masked partygoers at the Black and White Ball Truman Capote threw for Katharine Graham at the Plaza hotel; the gardens of Valentino’s seventeenth-century Château de Wideville, outside Paris; the designers, the best-dressed, and the stars at the annual Costume Institute party at the Metropolitan Museum; Mick Jagger and his family in Mustique; Jacqueline Kennedy and Michelle Obama; Kate Moss, Madonna, Angelina Jolie, Cate Blanchett, Ali MacGraw, Anjelica Huston, Nicole Kidman, Cher, Iman and David Bowie, Penélope Cruz, Charlotte Rampling, and many more. Richly illustrated in black-and-white and color, The World in Vogue: People, Parties, Places is a stunning look at portraits, houses, gardens, and parties of celebrated figures from many worlds.

01/07/22

orders to: [email protected]

ordini a: [email protected]

twitter: @fashionbooksmi

instagram: fashionbooksmilano, designbooksmilano tumblr: fashionbooksmilano, designbooksmilano

#World in Vogue #actors #artists #models #First Ladies #social figures #Cceil Beaton #Hors #Steichen #Irving Penn #Avedon #Helmut <newton #Bruce Weber #Herbs Ritts #photography books #fashion books #fashionbooksmilano

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thequeengisele · 2 years

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I read someone ask what the hell gisele did before Victoria’s Secret and they said she was just a VS model to them. 😭🤣

Well she didn’t sign her Victoria Secret contract until 2000.

Here’s a little of what she accomplished pre VS:

-in 1998 she worked for all the big Vogues in editorials,walked for every major fashion designer and had ad campaigns for Versace,Chloe,Ferre,Missoni,Ralph Lauren and Valentino. She was highly in demand. The new “it” girl in fashion. She had covers for British Vogue,Vogue Brazil,i-D,Allure,ELLe,Marie Claire,Cosmo,Arena magazines. She worked with the biggest photographers; Helmut Newton,Steven Meisel,David Sims,Patrick Demarchelier,Mario Testino,Michel Comte,Ellen von Unwerth,Michael Thompson.

-1999 she was so big in fashion, she won Vogue model of the year award at age 19 beating out other heavy contenders at the time Carmen kass,Angela Lindvall,Maggie Rizer and Frankie Rayder. Given to her by Anna Wintour…She went onto be put on the cover of American Vogue with the headline “return of the sexy model”. She was the poster child for the anti waif models. She was in ad campaigns for Celine,Dolce & Gabbana,Versace,Valentino. She went onto have 3 American Vogue covers all in one year at only age 19. When celebs were beginning to saturate the covers…covers for W magazine 3 times,ELLe,Vogue Brazil,Vogue UK,Vogue Paris,Vogue Italy, (the big 4 Vogues accomplished at age 19). Numero Magazine,Harper’s Bazaar. Continuing to work with all the photography giants.

She walked the runways for Alberta Ferreti,Alexander McQueen,Anna Sui,Balmain,Blumarine,Calvin Klein,Carolina Herrera,Celine,Chanel,Chloe,Dior,Dolce & Gabbana,Dkny,Donna Karan, Gianfranco Ferre,Givenchy,Gucci,Helmut Lang,Hugo Boss,Jean Paul Gaultier,Jil Sander,John Galliano,Lanvin,Loewe,Louis Vuitton,Marc Jacobs,Marni,Max Mara,Michel Kors,Missoni,Miu Miu,Moschino,Narcisco Rodriguez,Oscar de la Renta,Prada,Ralph Lauren,Salvatore Ferragamo,Rifat Ozbek,Sportmax,Tommy Hilfiger,Valentino,Versace,Versace Haute Couture,Victoria’s Secret,Yves Saint Laurent ;and many more)!

That is all pre Victorias Secret and pre Leo….any more questions?

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