Staatsoper Stuttgart -Die Frau ohne Schatten (in italiano)
Foto ©Matthias Baus
Per i lettori poco pratici della lingua tedesca, ecco la mia recensione tradotta in italiano
View On WordPress
0 notes
Hermann David Salomon Corrodi (1844 -1905, Italian) ~ Fisherman and Mermaids in the Blue Grotto on Capri, n/d
3K notes
·
View notes
Monks Walk To The Mountain Monastery of Athos, 1905
Art by Hermann David Salomon Corrodi
2K notes
·
View notes
Hermann David Salomon Corrodi.
229 notes
·
View notes
Hermann David Salomon Corrodi (Italian, 1844–1905)
Veduta costiera con fanciulla nell'antico palazzo, c. 1880s.
oil on canvas, 101.5 x 64.5 cm.
856 notes
·
View notes
Hermann David Salomon Corrodi - Shrine at Venice, Sundown (n.d.)
178 notes
·
View notes
Hermann David Salomon Corrodi
57 notes
·
View notes
Hermann David Salomon Corrodi (1844-1905)
"Camel Train in a Sandstorm"
Oil on canvas
Orientalism
49 notes
·
View notes
Staatsoper Stuttgart - Die Frau ohne Schatten
Foto ©Matthias Baus
Die Neuproduktion von Die Frau ohne Schatten, mit der die Staatsoper Stuttgart die Spielzeit 2023/24 eröffnete, war ursprünglich vor drei Jahren geplant
Continue reading Untitled
View On WordPress
0 notes
A View On The Mediterranean Coast by Hermann David Salomon Corrodi (1844-1905)
391 notes
·
View notes
From Francis Ford Coppola's instagram:
"These are 4 books that strongly have influenced @megalopolisfilm and my view of the "society we live in." I offer three by David Graeber and one short story by Herman Hesse.
To see where I’m coming from, please understand that our family, Homo Sapiens, has been around for 350,000 to 400,000 years. There is much evidence that the last 10,000 years have been under patriarchy (male domination) due to male animal herders from Steppes of Asia and the advent of "the horse." With that unfortunate innovation, men swooped down like something out of a #Kurosawa movie, and began woman-enslavement in particular, slavery, war, caste, plague, and many things we all should agree are terrible. Also, "man" began writing, usually out of the need to record who was entitled to bags of barley and matrimony of various types, to ensure that our heirs were actually our children. Before this period of so-called “civilization” were thousands of years of matriarchy. Unlike patriarchy, women did not necessarily give out orders, but rather things were settled in egalitarian councils led by women, and often with a wise woman giving perspective.
A wonderful glimpse into that world is in Herman Hesse’s unfinished tetralogy THE GLASS BEAD GAME, which is followed by three short stories, of which I recommend “The Rainmaker”
8 notes
·
View notes