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uaoociqnpe · 1 year
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Aemond Targaryen - Love of My Life
Warnings: Aegon obviously, slight mention of alcohol, allusions to sexual harassment and violence, allusions to nightmare and self inflicted wounds OTHERWISE FLUFF FLUFF AND FLUFF
Words: 2.0k
SHE/HER PRONOUNS // 3rd PERSON VIEW
Summary: Aemond Targaryen didn’t seem like the loveliest person in Westeros but with Y/N, he would do anything to keep his betrothed happy and safe. He was the happiest with her, before and after marrying her.
**Valyrian translation after the imagine, below the --- line. Hope you enjoy and let me know your thoughts.**
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Aemond Targaryen wasn’t kind to everyone. Especially to the ones who crossed him or even annoyed him. 
Aemond Targaryen was only kind to a few people, including Y/N. She meant everything to the silver haired prince.
They both had met each other as children, as they both grew up in King’s Landing. Aemond had seen her for the first time reading a book in the castle’s library. As a child, it was Aemond’s peaceful place and it quickly became theirs. They would often meet after dinner, spend the night reading and talking about plenty of things. He was himself when he was with her. He loved the way she liked him as a person, not as a prince or as an arse. He loved the way she would tell him about everything, only because she trusted him. She would come to him if something was wrong and even as children, they would never lie to each other.
Many years of harmony passed until Aemond lost his eye. He became more distant even though Y/N wanted to be there for him. He wouldn’t let anyone in, at least he tried to let her in, but it was terrifying for him. Her seeing him so destroyed, tainted, as a monster. Yet Y/N did not see him as all those things, she came to his bedroom every so often, talk like they were children again and he would lose himself in her. He would become a child again, a happy one, a kind one. He would get drunk on the sound of her laughter, and he knew that he only wanted her in his life.
Two years after his eye was gone, his mother started to propose women to him, to get him to choose one of them. To make them his betrothed, but he only wanted her. He only wanted Y/N.
“Mother, I will not marry any of those girls.” He dropped on the Queen.
“And why is that, Aemond?” Because I only want Y/N, mother. I want her to be my wife. He urged to say it. He had to. And he did.
“I want to marry lady Y/N.”
His mother looked at him. He looked back at her, all seriousness in his eye. She nodded and walked away. The day after, his mother told him what he could marry her.
He was the happiest man in all Westeros.
The minute she had stepped into his room for their daily encounter, he ran to her and pulled her into his arms.
He spun her around in the air and she giggled loudly. His hands were spalled on her waist and hers tangled in his long hair.
He finally set her down on the ground, the height difference making its way back.
“What have you eaten to make you this happy, my dear Aemond? Have you had a new saddle for Vaghar or something?” She walked deeper into his room to sit on the velvet seat, her beautiful dress promoting her beautiful body.
“I have wonderful news. But I need you to hear me first, no talking.” She nodded as he approached her, kneeling before her.
She looked at him with big innocent eyes.
“We have known each other since we were children, and I have loved every single moment with you, my lady. Tis the day where I am asking you, with my family blessing, to marry me. I have loved you since I saw you in the library. When this,” he said, touching his patched eye, “happened, I closed myself to everyone but you did not let me shut you out. You stayed and I realised then that all I wanted, in my whole existence, was you. I only want you; you are the only one for me. I love you, and I’ll never stop. I swear on the gods. I love you. Would you do me the honor of becoming mine forever?” He exhaled softly; his hands went to grab a small box from his lapel.
He opened the small box before the woman he loved. Her gaze shifted from his face to the beautiful ring, impaled with a blue sapphire decorating it.
“Aemond… I-I…” She was speechless. The expression on her face was unreadable.
He tried to pull away, thinking he made a fool of himself but she pulled his face to meet hers halfway. Their lips joined into sweet harmony and he pulled himself even more into her. His hands roamed on her body, finding their way to the low of her back, her legs spreading to let Aemond get closer.
She pulled away from his lips, her hands on his strong face.
“Yes, I’ll marry you, Aemond. I’d marry you today, I’d have married you if we were children and I’d marry you again any day. I love you, Aemond Targaryen, I always have and I always will.”
His eye was glassy, a huge grin on his face appeared. He pulled one of his hands away, removing the ring from its box and placing around her ring finger. It was perfect.
She smiled so brightly, Aemond kissed her again. He was in heaven and he will always be if he’s with her.
Their wedding happened only weeks after the proposal and Aemond was the happiest with her. She was his and it was everything he ever dreamed of.
One night, a couple of years after their union, she was known as the untouchable wife. Yet someone in his family did not respect the “untouchable” aspect.
She was at a celebration, as were all of Aemond’s family. Music was filling up the room, the banquet was filled with too many people to count. But she could feel the presence of her dear husband behind her. They were both sitting at the main table, he grabbed her hand that landed on her thigh and kissed it, intertwining his fingers as well.
He pulled away, standing up, telling her he’ll be right back. Before he could pull back, she told him that she will go up directly to their room, it was late and she was tired. He nodded, offered her a sweet smile, and kissed her forehead sweetly.
As she made her way up, she was met with Aegon, his brother. Aegon was known for his sense, or his lack of sense, for the word “no”.
“Hello, wife. How dare you look so fine this evening!” He reeked of wine and many other beverages.
“Aegon, I am not your wife. Please go back to the venue, I’m sure there’s more women interested in you.” I desperately wanted him to go away.
“Mhm, must you have mistaken me, lady Y/N, yet I don’t like that attitude of yours.” He suddenly gripped her wrist tightly, and she tried to get out of his reach.
“Let go Aegon. Let. Me. Go. Now.” She ordered yet he pulled her flush to his chest and she hated every second of it. He breathed her in, and she pulled even harder to get out of his reach. He gripped her waist and before she knew it, she was pinned to a wall with both of her hands pressed behind her back, hitting the brick wall.
As he pressed himself even closer to her, she punched him between his legs and slapped him down on the ground before running away to her chambers.
Time passed before Aemond returned to their room. Y/N was asleep when he came into the room. Her peaceful form decorating the bed, her hair draping the pillow. He reached to her side, sitting besides her. He placed a sweet kiss on her forehead before reaching his side of the bed.
They were both sleeping in no time before Y/N was stirring up in her sleep. Aemond, like the light sleeper that he is, woke up in a second. She was whimpering in her sleep, her head snapping from sides to sides. She was clawing at her wrist, which Aemond tried to get her to stop.
“Jorrāelagon, wake up. Come on”, he clasped lightly at the hand that was clawing the other. “Y/N, wake up, come on, wake up.” He shook her slightly, sitting up in the bed.
She woke up and jolted up with small cry, she tried to pull away from him, as if he had hurt her.
“It’s alright, issa jorrāelagon, you’re alright. You're safe.” She realised that it wasn’t Aegon. It was only him. Only Aemond, the boy who she had loved for so long.
She melted into sobs when he pulled her in his arms, her legs pulled over his, one arm around her waist and the other one cradling her head. Her head and heavy sobs laid on his chest, his face resting by her head.
“Did you have a nightmare, dōna mirre?” She nodded weakly. Her sobs resuming. He praised her with sweet word in her ear, he cradled her in his arms, assuring her that she was safe.
Her sobs calmed down and she found peace in his heartbeat.
He looked down at the sight of her wife, he saddens at her gaze, his heart breaking because something is troubling her.
The hand that was cradling her head softly pulled at the wrist she was hurting in her sleep. He saw, even in the dim darkness, that there were marks, not of her nails, but of a tight embrace.
“Who did this to you, my love? When did this happen?” He questioned her softly, not wanting to startle her.
“I don’t want you to be mad.” She responded lightly.
He pulled her chin, making her look up at him.
“Love, I won’t be mad, I promise. I just want to know the truth.” He brushed her hair out of her face.
“It was Aegon. He was drunk, like always, but I was walking up to go to our room and he called me his wife, and he pulled my wrist,” She sniffled, Aemond felt her breath accelerate.
“Breathe my love, take your time.” He purred. Aemond was boiling on the inside but he could never be harsh on her.
“He pushed me to the wall, started to press himself against me, and I punched him away. I ran as fast as I could. I thought he was going to run after me, Aemond, I was so scared.” She truthfully told Aemond, her tears seeping his night shirt.
“Oh, dōna mirre, I’m sorry he’s done this to you. I’ll handle him in the morning, and I promise you he won’t ever touch you again, nobody will.” He caressed her hair, calming her down. He kissed the palm of her hand, trailing kisses down to her inflamed wrist. She calmed down, leaning into his touch.
Aemond pulled her down with him, to lay together in the bed.
“Everything is going to be just fine, darling. Rest in my arms, you’re safe.”
She turned to be faced with his chest. She looked up to his figure, some strands of glittery hair falling on his face.
“I love you, valzȳrys. Thank you for always being here for me.”
“No need to thank me, that’s what I’m here for. I love you." He whispered in her ear, pulling her against him, kissing her forehead and the rest of her face sweetly. She fell asleep in his arms, as she always did.
He’d deal with Aegon in the morning, and everything will be alright.
She’ll be alright. She was with Aemond after all.
“Ao sagon se jorrāelagon hen issa glaeson.” He pressed one last kiss on the ring that laid upon his wife’s finger and went into a peaceful sleep.
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I hope you like this imagine, I had a pleasure writing this. Here are the traduction in english for the Valyrian words.
Jorrāelagon: Love
issa jorrāelagon: my love
dōna mirre: sweet thing
valzȳrys: husband
Ao sagon se jorrāelagon hen issa glaeson: You are the love of my life
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operation-priority · 3 months
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Tankiste Operating Inside the Tank
This is an impression of a French tank crewman operating inside their tank. One may see this uniform on tankiste when in their vehicles during battle. The iconic leather 'Veste en Cuir' can be seen, similar to the coats worn by the Paris Fire Brigade. These coats were mainly issued to motorists and tank crews, however its fire-resistant qualities meant that flamethrower troops also wore them into battle. Many variants of this coat exist and the model shown here is a standard double-breasted version with a leather collar and left breast pocket. Other more common examples would feature a felt collar. The black coat was worn over the light blue tunic as its color masks the constant bombardment of vehicle oil and grease the tankiste would attract when operating inside their vehicle. Burn resistant gloves can be worn as well, mainly used to handle hot extracted shells from the tank's guns.
What is truly unique to the tankiste uniform of the Great War is the tank crew splatter mask, seen looped around the neck and worn. When bullets and other projectiles impacted the outside of the tank, the shock of these objects would sometimes cause the armor to spall on the inside. Flakes of armor would fly off inside the tank and depending on the impact strength and size of the spall, could cause irritation, wounds, or even death to the crew. By far the number one leading cause of injury in the tanks was head injuries. Because of this, the British would design a splatter mask that protected the wearer from medium to small sized armor spalling and burns. The masks consists of a steel faceplate perforated with horizontal slits with a nosepiece and chain mail covering the lower face. The faceplate is covered by brown leather on the outside and chamois leather on the inside. The mask is fastened to the face using four canvas ribbons.
The AS would obtain the masks through American officers who had trained with the British tankers and 1,840 masks would be first issued to crews of the Schneider CA and Saint-Chamond tanks in May 1918. The first three light tank companies’ part of 501e RAS named AS 301, AS 302, and AS 303 would also be entrusted to test the splatter mask in real battle conditions in late 1918. While the mask was effective in protecting the crew's face from spalling, many would opt to not wear it in order to maintain unobstructed visibility when inside the tank. This is an original example which I am incredibly happy to have as they are quite rare nowadays.
Another unique piece of kit for the tankiste was their Adrian helmets - or more specifically the modifications the tankiste would perform to them. As the Artillerie Spéciale was considered to be part of the regular artillery, the tankiste were issued standard Casque Adrian Modèle 1915 with the artillery badge of a flaming bomb over two crossed cannons. The front brim of the standard Adrian helmet did not allow the tankiste to get decent visibility through the 5 mm wide vision slits on the tank, so the tankiste would cut off the front brim to allow for closer viewing. Some modified helmets would have makeshift padding of either cloth or leather on the front of them. Others just folded over a few millimeters of the brim so the sharp edge of the cut was not exposed. The modifications would begin to be seen in late 1917 and was widespread among the crews by late 1918. It would spread naturally through the tankiste in the field and by the time that Generals had taken note of the unauthorized modifications, they would have already seen the combat improvements this modification would give the crews and allowed for it to be done. This helmet features the second model liner with six teeth and four corrugated aluminum spacers which reduce helmet wobble. The leather helmet liner was fixed onto the Adrian helmet through the use of two spikes on each side which puncture the scrap wool outer panel on the liner and are then folded over to secure the liner to the helmet.
Also pictured is a pair of civilian racing binoculars. It was up to the tank commander on whether they wanted to purchase a pair of binoculars for use in the tank. There were several options available at the time, both within military bazaars and within the civilian realm. Soldiers equipped with basic civilian binoculars was not an uncommon sight.
We also see the use of a flare pistol, specifically a Pistolet Géant pattern flare pistol designed by Manufrance before the war. As a tankiste within the Artillerie Spéciale, a flare pistol such as this would be used to signal supporting friendly artillery to lay down smoke shells to mask the tank's movement during attack. Each tank was, in theory, provided a flare pistol for this purpose. Smoke was important for masking the movement of the tanks during the attack because the tanks main threat apart from mines was accurate German artillery fire. There were several methods the AS would use to prevent German guns from being able to engage the tanks such as having an aircraft that would accompany the advance of the tanks. This aircraft was mainly tasked with directing counter-battery fire on enemy artillery. A further six fighter aircraft would be attached to protect this plane from responding enemy aircraft.
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hoodievixen · 10 months
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I don't know if anyone has done this, but I decided to take it into my own hands. I will figure out where Vlad Master's Wisconsin mansion is located. Sorry if this is sorta rambling, I am writing this as I'm going to bed.
I have lived in Wisconsin my entire life, so I'm familiar with the area.
When we see it in episode 7, it isn't in a suburb, but more so out in feild. This crosses off him loving in Madison. You might think maybe out in the suburbs of Madison, but all the mansions like Vlad has are located near Maple Bluff with is a short drive to down town, and right next to eachother.
I can't humor the idea of it being in the northern part of the state, as when the Fenton's get a call from Vlad Jack comments on the 608 area code, which only covers south central and south western Wisconsin. It helpful to narrow down where exactly it could be. Also can't be near Green Bay, like one would expect due to all the Packer's decor he has, something you'd only find in Air BnB's on Green Bay.
With a reunion for UW Madison being held in his mansion, it needs to be within reasonable driving distance from Madison. Now I'm talking about Midwesteners, for those who don't live in the Midwest, half hour is a short drive. So I'm gonna go <2 hour drive from Madison.
I'd like to welcome you to the village of Marrimac, most well known for its ferry, however it is surround by State parks. The most well known one is Devil's Lake. The cities it's closest to are Baraboo, home of Circus World, and Wisconsin Dells, what is called the "Water Park Capital of the World" But is mainly tourist trap. I mentioned this cause I think the whole, owned by the Dairy King thing plays in well with stuff you'd find in the Dells.
Now it's located in the 608 area code. The entire area is spalling with forests and farm land. It's only about 45min - 1hr from Madison, on senior ditch day many high school students from around Madison make the drive to Devil's Lake for the day.
Now is this the only possible place. No. Just now I thought of the possibility of Spring Green. But I like it being located in the Marrimac area.
Other Wisconsinites, feel free to add your thoughts. I am in no way attached to this headcannon (?)
I also hate how Vald called Danny little Badger (or how the fandom decided he has) as the "Badgers" he's referring to are how you refer to students of UW Madison, as the school mascot in Bucky Badger. It just isn't something we say / do.
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scotianostra · 1 year
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Two birthdays today from the film industry, I don’t know much about either , but they were only born a year apart on January 8th.
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Happy Birthday Gillies MacKinnon, born in Glasgow in 1948.
After studying mural painting at Glasgow School of Art, he became an art teacher and professional cartoonist, and spent six months travelling with a nomadic tribe in the Sahara, what an adventure that must have been! 
He studied at Middlesex Polytechnic in the 1970s and the National Film and Television School in the early 1980s. His graduation short Passing Glory, an austere recreation of the Glasgow of his youth, was premiered at the 1986 Edinburgh International Film Festival, where it won the first Scottish Film Prize. He then went on two direct two projects for BBC 2’S Screen Two, Small Faces, about three teenage brothers,  in a downtrodden section of 1960’s Glasgow and The Grass Arena the true story of John Healy, a boxer turned alcoholic turned chess master portrayed by Mark Rylance. The film won several prizes, including the Edinburgh Film Festival’s Michael Powell Award for Best British Film.
MacKinnon also directed notable TV shows including, Trial and Retribution and George Gently. More recently he directed the TV film Torvill and Dean, and the latest version of Whisky Galore.
I recommend his latest work, a film called The Last Bus…….Life is a journey and The Last Bus takes pensioner Tom Harper (Timothy Spall) on an epic trip from the remote village he calls home, back to the place where he was born.   The film also stars our very own Phyllis Logan, in it Spall uses his free bus pass to travel from John O'Groats to Land’s End in Cornwall, It's a joyful film that is also sad in places.
The second birthday boy is Iain Smith was born in Glasgow in 1949, and graduated from the London Film School in 1971.
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He worked in London for several years before returning to his native Scotland to make “My Childhood”, for the British Film Institute, the first of the award winning trilogy.
He formed his own production company in partnership with Jon Schorstein and produced television commercials, documentaries, children’s feature films and low budget dramas, and in 1978 production managed Bertrand Tavernier’s “Deathwatch” starring Romy Schneider and Harvey Keitel. A year later he joined David Puttnam and Hugh Hudson to make “Chariots of Fire” starring Ian Charleson and Ben Cross.
Smith has worked with some of the best actors in Hollywood, including Julia Roberts in Mary Reilly, Robert De Niro in the Mission and Spygame with Robert Redford and Brad Pitt. His most famous Scottish work is arguably as an  associate producer of Local Hero. He alson worked on some Hollywood titles including The Fifth Element, The A Team(movie) and The Killing Fields.
Iain Smith has served on the boards of the UK Film Council, Scottish Screen, the Joint board of Creative Scotland, the Scottish Film Council, the Scottish Film Production Fund, the Scottish Film Training Trust as a Governor of the National Film and Television School, a director of the Children’s Film and Television Foundation, and as Chair of the Edinburgh International Film Festival.
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HCS-La Squadra’s Dictionary, where are they from? Part 4
Part 1 Melone and Ghiaccio
Part 2 Formaggio and lluso
Part 3 Risotto and Prosciutto
Pesci; 
Pesci
Campania, (Eboli)
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Pesci grew up with his nonni in Eboli, but after their death he spent all his adolescence in Naples.
He loved his nonna more than anything else.
"Ua" to express every kind of emotion.
He wasn't exactly the smartest kid at school, but he always had a good nature.
Pesci has some problems speaking correct Italian.
His Italian teacher used to slap his fingers with a rule when he got a conjugation wrong.
A Zizzona enjoyer. (it's a kind of mozzarella)
He would drink coffee at anytime of the day. Risotto and Prosciutto do this too.
In Naples, he moved into the Le vele di Scampia neighborhood.
Le vele di Scampia was known to be one of the most dangerous blocks in Naples because of the Camorra.
Pesci started smoking since he moved to Scampia.
"Carlo Levi ha scritto 'Cristo s'è fermato ad Eboli' perché non ha mai visto Scampia" (Carlo Levi wrote 'Christ Stopped at Eboli' because if he'd stopped in Scampia, they'd steal his cross.)
Napoletano and Salernitano (and its variation: Ebolitano) are probably the richest dialects in expressions.
Pesci making an overnight snack at 3 a.m.
"STO FACENN NU MARONN E CACIO E MACCARUN E NESSUN HA DA SCASSA' U CAZZ."
(I'M MAKING FUCKING MAC AND CHEESE AND NOBODY CAN STOP ME.)
Pesci after seeing Ghiaccio slipping on his own ice:
"Agg pariat a vita mij, sto murenn!"
(I've never had so much fun in my life! Now I can rest in peace...)
Pesci whispering to himself after being unfairly reproached by Prosciutto
"...par o cazz"
(You dumbass...)
Pesci when Melone hasn't pronounced a "C" because of his thick accent, and nobody has understood a single word.
"tien a guerr n' cap...fa pac co'c'rviell"
(Make peace with your brain because you're so confused that you can't understand your own words.)
Pesci when someone underestimate him
"O scè ij teng e spall o cupert, e capit a chi apparteng?"
(Don't you know who I belong to?)
Pesci when asks for something to Risotto or Prosciutto
"mai pu cumann."
(Please, don't feel obliged to.)
Favorite expressions (dialect)
"Uè, fratm!" (Yo Bro!)
"Agg capit..." (Got it...)
"Jamm bell!" (Let's go!)
"Uanm" (I don't know. No seriously, I literally have no idea about what's going on)
"Aumm Aumm" (To do something in a sneaky way)
"Facimm a croc" (Like it or not, we gotta deal with it)
"Ma over faj?" (Are you serious?)
"M staj abbuffann la uallera" (You're boring me)
"Sto prorij na chiavc" (I feel sick/I'm in pain)
"Foss a maronn." (I hope so.)
"Accusì nun va'..." (That's no good...)
"Uagliò!" (Dude!)
"Agg semb trmmat e fridd, maij e paur." (Ironical: "I'm shaking with fear, I'm so scared!")
"A 'bbona 'e Dio." (Whatever happens...)
"Teng o' cor' ind o zuccr." (I think I'm in love.)
"Assa fa a maronn." (Finally...)
"...lo dici a 'soreta!" (Typical comeback that can be translated as: your sister!)
"Stamm nguiat." (We're screwed.)
"Chella granda zompapereta e mammeta." (Your mom's a big bitch.)
"M' agg scassat u cazz." (I'm fucking done.)
"SFACCIM!" (Typical imprecation)
"Accideti!" (Die.)
"Vafammocc a mammeta." (Son of a bitch!)
"Chittammuort." (Go fuck yourself)
"Omm e merd." (Piece of shit.)
"Cap ‘e cazz." (Shithead.)
"MARO'." (Damn!)
"Chiav’t a lengua ‘ncul, Strunz"(Shut up, fucker.)
"Va' a fa na casc e bucchin." (Go deepthroat everyone in your town.)
"Mamm ro carmmn" (typical imprecation)
"LEVT A NANZ!!" (Get out of my way!)
"MANNAGGIA U L'ENT CRIST!" (This clever imprecation substitutes a terrible blasphemy.)
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lunamagicablu · 1 year
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Che cosa fanno le Fate? Come trascorrono il loro tempo?Facendo di tutto ed occupandosi di tutto. Proprio come gli umani.Immerse in un’atmosfera di idilliaca armonia, naturalmente, lungo argini informi di chiassosi corsi d’acqua, tra le radici di annose querce, tra avanzi gloriosi di antichi ruderi. E ancora, sulle soglie degli usci di grotte ed anfratti o tra le fondamenta dei fantastici castelli di roccia e di ghiaccio, costruiti da venti e piogge. …. potrebbe trovarsi addirittura contenuta in una sfera di cristallo…Se siamo in gita e stiamo attraversando questi boschi delle meraviglie, queste isole dei desideri, potrebbe capitarci, soprattutto se siamo un po’ distratti, di sentire sulla nuca come un tocco d’ala o sulla guancia la carezza di un velo o alle spalle l’eco di un sospiro o il calore di uno sguardo…Ancor di più se è notte e c’è la luna piena.Sono le Fate. Leggere e inafferrabili come farfalle.Invisibili. Certo!A guardarsi intorno con gli occhi dei bambini, però… forse…Se ci si imbatte in informi gradini affioranti dal suolo, si potrebbe anche vederli trasformare in un scalinata ornata di fiori e rampicanti, che si spinge fino ad una piccola fenditura di un contorto tronco di quercia.A meglio osservarla, però, quella non ci appare più come semplice fenditura… assomiglia più ad una soglia… la soglia di una porta ornata di fiori e ghirlande e…. ad osare spingervi dentro lo sguardo… oh! non c’è parola che possa esprimere la meraviglia: là dentro, dentro quel tronco d’albero, si nasconde la casa di una Fata.A guardarla bene, potremmo scoprire che assomiglia proprio alla casa dei nostri sogni.
storiamitieleggende.wordpress.com
art  by RivenTairov
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What do fairies do? How do they spend their time?Doing everything and taking care of everything. Just like humans.Immersed in an atmosphere of idyllic harmony, of course, along the shapeless banks of noisy streams, among the roots of age-old oaks, among the glorious remains of ancient ruins. And again, on the thresholds of the doors of caves and ravines or among the foundations of fantastic castles of rock and ice, built by winds and rains. …. it could even be contained in a crystal ball…If we are on a trip and we are crossing these woods of wonders, these islands of desires, it could happen to us, especially if we are a little distracted, to feel the touch of a wing on the nape of the neck or the caress of a veil on the cheek or the 'echo of a sigh or the warmth of a look…Even more if it's night and there's a full moon.It's the fairies. Light and elusive like butterflies.Invisible. Of course!Looking around with the eyes of children, but… maybe…If you come across shapeless steps emerging from the ground, you might even see them transform into a stairway decorated with flowers and vines, which leads up to a small crevice in a twisted oak trunk.Looking at it better, however, it no longer appears to us as a simple fissure… it looks more like a threshold… the threshold of a door decorated with flowers and garlands and…. to dare to look inside… oh! there is no word that can express the wonder: inside that tree trunk, the house of a fairy is hidden.Looking closely, we may find that it looks just like the house of our dreams.
historymythsandlegends.wordpress.com
art by RivenTairov
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lamilanomagazine · 3 months
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Serie A, 25^ giornata: niente secondo posto per il Milan, brutta sconfitta a Monza per i rossoneri
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Serie A, 25^ giornata: niente secondo posto per il Milan, brutta sconfitta a Monza per i rossoneri.   Lazio-Bologna (1-2) I biancocelesti, pur avendo nelle gambe le fatiche infrasettimanali di Champions, sono chiamati ad una grande prova di fronte ad un Bologna che sogna in grande. Isaksen, Felipe Anderson e Immobile nel tridente offensivo schierato da Sarri. Thiago Motta risponde con Saelemekers, Orsolini e Zirkzee davanti. La Lazio passa in vantaggio al 18’, con Immobile e Isaksen che scambiano ai limiti dell'area di rigore e il danese che trova l’angolino vincente. Il Bologna pareggia al 39’. Provedel regala a Fabbian l'assist per El Azzouzi che non perdona. Nella ripresa, il Bologna la ribalta al 78': Zirkzee calcia alla grande insaccando all’angolino basso su assist di Kristiansen.   Empoli-Fiorentina (1-1) Derby toscano tra Empoli e Fiorentina. I padroni di casa vanno a caccia di punti in chiave salvezza, gli ospiti cercano di rifarsi dopo la sconfitta subita nel recupero contro il Bologna. Nicola fa scendere in campo Zurkowski e Cambiaghi dietro l’unica punta Cerri. Italiano sceglie Sottil, Beltran e Gonzalez a supporto di Belotti. Al minuto 30, vantaggio dei viola al Castellani: Mandragora imbecca Beltran dal limite dell'area che incrocia di destro e infila la palla all'angolino basso alle spalle di Caprile. Nella ripresa, secondo rigore consecutivo realizzato da Niang al 56’. Piatto destro per l’1-1 definitivo.   Udinese-Cagliari (1-1) Tre punti pesantissimi in palio per Udinese e Cagliari che potrebbero valere buona parte della salvezza. Cioffi conferma Thauvin alle spalle di Lucca. Ranieri risponde con Luvumbo e Gaetano a supporto di Lapadula. La sblocca la squadra di casa al minuto 14. Zemura riceve palla al limite dell'area, defilato sulla sinistra. Zampa gli concede qualche metro e Zemura per metterla dentro. Pareggio del Cagliari poco prima della fine del primo tempo. Gaetano apre sulla destra per Augello che fa partire un cross per l’ex Napoli che va a colpire di testa, mettendo il pallone nell'angolino basso alla sinistra della porta difesa da Okoye.   Frosinone-Roma (0-3) Allo Stirpe di Frosinone i padroni di casa giocano per tenersi lontani dalle zone calde, mentre gli ospiti rincorrono la zona Champions. Gelli, Reinier e Soulè formano la trequarti dietro Kaio Jorge nell’11 titolare di Di Francesco. De Rossi sceglie El Shaarawy, Azmoun e Baldanzi con Lukaku unica punta. Dopo la bella rete di Huijsen nel corso del primo tempo, a ridosso della mezz'ora della seconda metà di gara, Azmoun sfrutta un intervento imperfetto di Turati ed insacca la rete del raddoppio. Paredes, 10 minuti dopo, trasforma il penalty del definitivo 3-0 che chiude il match. Il rigore viene concesso dall’arbitro per il tocco di mano di Okoli sulla conclusione da fuori di Baldanzi.   Monza-Milan (4-2) Allo stadio Brianteo si affrontano squadre che sono in una posizione di classifica tranquilla per i rispettivi obiettivi, anche se il Milan ha la possibilità di superare la Juve al secondo posto. Palladino fa giocare dal 1’ minuto Colpani e Carboni a supporto di Djuric. Pioli sceglie Okafor, Loftus-Cheek e Chukwueze con Jokic unica punta. Il Monza fa mala al Milan con Dany Mota. Il portoghese guadagna il calcio di rigore segnato da Pessina al 45’ e poi mette la propria firma sul 2-0 che chiude il primo tempo. Gesto folle di Jovic che reagisce a palla lontana su Izzo e viene punito con il rosso. Il Milan resta in 10 ma la riprende con le reti di Giroud e Pulisic. Al 91' Bondo trova una splendida conclusione a giro di destro che batte Maignan. I brianzoli impreziosiscono la vittoria con il gol di Colombo in contropiede per il 4-2 definitivo.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article
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Cassandra Crossing/ Archivismi: API, quando il gioco si fa duro
New Post has been published on https://www.aneddoticamagazine.com/it/cassandra-crossing-archivismi-api-quando-il-gioco-si-fa-duro/
Cassandra Crossing/ Archivismi: API, quando il gioco si fa duro
(563) — Oggi ci sposteremo su un differente piano di utilizzo di Internet Archive, quello della “programmazione” via API; ma prima dovremo obbligatoriamente parlare di doveri e responsabilità degli utenti di Internet Archive.
29 dicembre 2023 — Nelle ultime due puntate (è da oggi disponibile una lista completa degli articoli di “Archivismi”) ci siamo occupati di un’archiviazione elementare su Internet Archive; archiviare un singolo file ci ha comunque aperto una parte significativa del sistema che abbiamo davanti, e delle potenti funzionalità che ci mette a disposizione.
Molto, molto altro rimane da mostrare, anche solo per le operazioni di archiviazione manuali. Prossimamente descriveremo e realizzeremo una vera campagna di archiviazioni, raccontando le minuzie ed i problemi spiccioli che distinguono i casi reali dagli esempi che troviamo sui manuali.
Ma oggi tratteremo di un argomento già accennato di sfuggita in una puntata precedente, e che porta la potenza archivistica che Internet Archive mette a disposizione dei suoi utenti ad un nuovo livello. Parliamo ovviamente della possibilità di “programmare” le operazioni su Internet Archive.
Non ci vuole un genio per immaginare che un servizio come Internet Archive esiste perché ha alle spalle un piccolo esercito di programmatori che scrivono, mantengono e fanno evolvere una base di software dedicato. E per inciso, per fomentare la mai estinta “Classifica dei migliori linguaggi di programmazione”, anche in Internet Archive Python la fa da padrone!
Ma torniamo all’argomento di oggi.
In breve: sì, è possibile usare Internet Archive usando script o veri programmi che automatizzano le operazioni di archiviazione che decidiamo di realizzare.
E sì, questo viene realizzato “esponendo una API”. Per il conforto dei non programmatori, significa semplicemente che è possibile automatizzare le operazioni da compiere utilizzando degli script o dei veri e propri programmi, che eseguono, ovviamente via Rete, precise chiamate a delle funzionalità elementari di Internet Archive, definite appunto in una API — Interfaccia per la Programmazione Applicativa.
Non ci sarebbe bisogno di dire altro, semplicemente di fornire nuovamente il link al Portale degli Sviluppatori di Internet Archive, e lasciare che chiunque abbia mai trafficato, anche solo realizzando uno script .bat per il DOS, scopra ed utilizzi la potenza delle API di Internet Archive.
Ma no, un minimo di indicazioni e raccomandazioni preliminari sono comunque necessarie, prima di fare anche solo un piccolissimo esempio.
In primis, Internet Archive non pone limiti predefiniti a quello che un utente può fare dei servizi che vengono forniti; ad esempio non limita a priori la quantità di informazioni che possono essere archiviate.
Ma nessuna realtà esposta al pubblico può essere “indifesa”, visto che una percentuale di imbecilli, profittatori e delinquenti esistenti al mondo è presente anche tra gli utenti di Internet Archive.
Come la storia della Rete ha più volte dimostrato, realtà collaborative di grandi dimensioni, ad esempio Wikipedia, riescono a sopravvivere e svilupparsi solo se gestite come un ibrido tra democrazia imperfetta e tirannia illuminata. Internet Archive non fa eccezione.
E’ per questo che alcune risorse, come ad esempio le Collezioni, vengono centellinate e fornite solo a richiesta. Una serie di amministratori di vario livello supervede e controlla infatti il funzionamento e l’utilizzo di Internet Archive, e tiene in riga, bacchetta od espelle gli utenti disfunzionali. Una tale presenza non deve essere vista come un problema od un limite, ma come una risorsa; infatti gli amministratori hanno il ruolo principale di aiutare tutti gli utenti ad utilizzare Internet Archive.
Gli amministratori sono tuttavia una risorsa preziosa e scarsa; mandare una email agli amministratori, quando non direttamente previsto dalle procedure (ad esempio per la creazione di una Collection) deve essere vista come ultima risorsa, da utilizzare solo dopo un’attenta lettura della documentazione e dell’help in linea, molte prove, una ricerca nel blog e perché no, anche sui normali motori di ricerca. Mi raccomando!
Ma non si era detto che avremmo programmato qualcosa? Verissimo, e passiamo subito alla pratica. E per partire da qualcosa di semplice ed innocuo, ipotizziamo di aver trovato una serie di cose che ci interessano, ad esempio parecchi numeri di una rivista, e di volerli scaricare in maniera veloce, affidabile, e che non richieda operazioni manuali ripetitive.
E per semplicità, faremo il tutto da linea comandi, senza utilizzare direttamente le API e quindi senza dover scrivere un vero programma in Python o simili; ci basterà scaricare il programma Python “ia” ed utilizzarlo. ia è un programma già “pseudo-compilato”, cioè scritto in un “linguaggio” intermedio detto Python Bytecode, che è portabile su qualsiasi piattaforma abbia un ambiente Python3 installato.
L’utilizzo di una versione di Linux, Debian, Ubuntu etc., è vivamente consigliato. Potete anche utilizzarlo in una macchina virtuale Virtualbox o VMWare su qualsiasi computer.
Dovrebbe anche funzionare l’ambiente WSL di Windows, ma qui Cassandra non procede oltre ed abbandona gli arditi che volessero cimentarsi; anzi, eventualmente aspetta da loro dei feedback a riguardo per integrare questo articolo.
Quindi torniamo con Cassandra alla sua amata Debian, ed installiamo e configuriamo ia con la procedura che troviamo qui. Ma anche un semplice
sudo apt install internetarchive
è sufficiente. Miracoli di Debian …
In breve, su un computer dove sia installato l’ambiente Python3 si deve scaricare dove preferiamo, oppure installare, il comando ia, renderlo eseguibile, ed infine lanciarlo con il parametro configure per associarlo al nostro utente (avete creato il vostro utente, vero?).
E’ tutto pronto; come primo esempio con il seguente comando possiamo scaricare il solo pdf originale del nostro articolo di esempio, che avevamo caricato la scorsa puntata.
$ ./ia download cassandra-crossing-2558-il-dizionario-di-cassandra-archivismi — no-directories — format=”Text PDF”
cassandra-crossing-2558-il-dizionario-di-cassandra-archivismi: downloading Cassandra_Crossing_2558_Il Dizionario di Cassandra_ Archivismi.pdf: 100%|█| 513k/513k [00:00<00:00, 709kiB/s
Ma se avessimo voluto scaricare tutto l’oggetto, file derivativi inclusi, avremmo potuto scrivere ancor più semplicemente
$ ./ia download cassandra-crossing-2558-il-dizionario-di-cassandra-archivismi
Avremmo così ottenuto una directory con lo stesso nome dell’identificatore dell’oggetto, contenente tutti i file da cui è formato. Lo stesso procedimento funziona anche per scaricare una intera collezione, o parti di essa. Un’altra raccomandazione, calcolate prima quanto è grande la selezione che avete fatto; su Internet Archive ci sono oggetti di dimensioni enormi.
Per avere aiuto, oltre che consultare la guida online, basta dare i comandi
$ ./ia help
$ ./ia help download
$ ./ia help upload
Terminiamo con altre raccomandazioni in ordine sparso.
Se caricate nuovi oggetti, è meglio usare il metodo con foglio elettronico in formato CSV, di cui trovate un esempio qui o nella guida. In questo modo avrete sempre sotto controllo tutti i parametri insieme. Dare tutti i parametri da linea comandi può essere complesso e si possono facilmente commettere errori.
Quando creerete i vostri oggetti, inseriteli sempre nella collezione test_collection, come è mostrato anche nel foglio di esempio. I motivi li abbiamo già spiegati.
Quando invece inserirete i vostri primi oggetti definitivi, non inserite tra i parametri la collection, lasciando quella di default opensource. Buona sperimentazione!
Ed anche per oggi è tutto. Stay tuned per la prossima puntata di “Archivismi”.
Scrivere a Cassandra — Twitter — Mastodon Videorubrica “Quattro chiacchiere con Cassandra” Lo Slog (Static Blog) di Cassandra L’archivio di Cassandra: scuola, formazione e pensiero
Licenza d’utilizzo: i contenuti di questo articolo, dove non diversamente indicato, sono sotto licenza Creative Commons Attribuzione — Condividi allo stesso modo 4.0 Internazionale (CC BY-SA 4.0), tutte le informazioni di utilizzo del materiale sono disponibili a questo link.
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nardogranata · 5 months
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Il Nardò si butta via. Il S. Maria ringrazia.
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NARDO'- S. MARIA CILENTO 0-1
Goal: 8' s.t. Nunziante
NARDO' (3-5-2): Viola; Urquiza (14’ st Ferreira), Lanzolla (30’ st Dammacco), Gennari; Milli (26’ st Cellamare), Ceccarini, Addae (14’ st Gentile), Guadalupi, Russo; Dambros, D’Anna.
Reserve: Furnari, De Giorgi, Ingrosso, Ciannamea, Mariani.
Trainer: Nicola Ragno
S. MARIA CILENTO (4-3-3): Spina; Ferrante, Cocino, Brugaletta (31’ st Mudasiru), Coulibaly; Borgia (26’ st Szymanski), Chironi, Nunziante (44’ st Della Corte); Maiese, Tedesco (38’ st Gassama), Catalano (14’ st Bonfini).
Reserve: Cannizzaro, Gaeta, Salzano, Pane.
Trainer: Antonio Rogazzo
Arbitro: Alessandro Colelli di Ostia Lido
Assistenti: Bruno Dattilo e Lorenzo Cagiola di Roma
Note: 13’ st espulso Chironi (SM) per doppia ammonizione. Ammoniti Coulibaly (SM), Addae (N), Nunziante (SM), Milli (N), Spina (SM), Maiese (SM), Szymanski (SM). Angoli: 10-2. Recupero: 0’ pt e 7’ st.
Il Nardò getta via una rimonta frutto di 11 partite utili consecutive con una prestazione fortemente deficitaria sia sul piano del gioco che della personalità compromettendo le possibilità di vittoria del campionato.
Il S. Maria Cilento approfitta delle amnesie granata e dopo 8 partite torna alla vittoria rilanciandosi in chiave salvezza.
La cronaca del match vede i cilentani ben equilibrati in campo con un Nardò pericoloso solo al 20' con la solita puntata in velocità di Dambros. Il tiro del brasiliano però oggi finisce addosso a Spina, abile a chiudere lo specchio della porta. I neretini potrebbero portarsi in vantaggio prima con Russo e poi con Ceccarini ma in entrambi i casi i tiri dei due under di inceppano nel momento decisivo.
Il Nardò aumenta i giri nel finale di tempo e con Gennari sfiora il goal di testa su cross dalla bandierina. Il primo tempo si chiude sullo 0-0 con un Nardò poco brillante e un S. Maria accorto e ben organizzato.
Nella ripresa si aspetta l'assalto granata invece arriva il vantaggio cilentano. All'8 palla persa in attacco dai neretini e ripartenza fulminea con tiro di Nunziante ad insaccarsi alle spalle di Viola.
Il Nardò reagisce e trova il pari sugli sviluppi di un corner con D'Anna ma l'assistente sbandiera un impercettibile fuorigioco. Al 15' Chironi si fa espellere per un altro intervento falloso a centrocampo. Il Nardò potrebbe approfittarne invece si smarrisce.
Fuori prima Addae, poi Urquiza e Lanzolla per fare spazio a Gentile, Dammacco e Ferreira. Il Nardò ingolfa la zona d'attacco e non riesce a trovare lo spunto vincente.
Al 30' Ferreira sfiora il palo su calcio di punizione, al 35' altro colpo di testa di Gennari fuori misura e nel recupero traversa di Dambros in mischia. Non è giornata. Il Nardò non riesce a sfondare e macchia il suo curriculum con la prima sconfitta casalinga. Il distacco dalla capolista Altamura sale a 6 anche se c'è da giocare un intero girone di ritorno.
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Il 'clasico' è del Barcellona, Real battuto 2-1
Emozionante, combattuto, dall’esito incerto fino alla fine. E’ il ‘clasico’ de La Liga spagnola, questa sera giocato in casa del Barcellona, che ha sconfitto 2-1 il Real Madrid. Ospiti in vantaggio già al 9′ grazie ad una autorete di Araujo, che ha deviato alle spalle di Ter Stegen un cross di Vinicius. Il Barcellona ha però reagito e trovato l’1-1 prima dell’intervallo, al 45′, con un destro…
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landrynedergaard66 · 1 year
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innoia · 2 years
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... recuperato *CONSIDERAZIONI SULL’ETÀ* Quando la mattina ti alzi pieno di dolori 😉 La prova? Una volta essere pieni di dolori poteva essere: A) notte di sesso sfrenato in posizioni impensabili B )serata e Afterhours in discoteca C) aver dormito in tenda senza materassino D) aver fatto 500km. in moto non stop E) aver passato una domenica di gennaio, allo stadio, con la pioggia gelata F) aver girato col Ciao in campagna di notte G) esserti rotolato in un prato tutto il giorno H) aver fatto il bagno a novembre con i tuoi amici col maglione di lana (il pile non esisteva) che ti guardavano stupiti della tua stupidità I) esserti addormentato su due sedie di legno perché avevi bevuto troppo L) aver portato un tuo amico, per scommessa, sulle spalle facendo il giro del Colosseo M) aver picchiato 100 culate, coi pattini, al “Bologna” perché lei aveva piacere di provare i pattini N) essere andati a giro per Firenze, il giorno prima, col Ciao e tu eri seduto sul portapacchi O) aver passato la notte sulla spiaggia a guardare le stelle cadenti P) aver cercato di imitare i tuoi amici, che avevano il cinquantino da cross, con il tuo Ciao Q) essere stato col babbo e la mamma in terrazza a vedere i mondiali del Messico (di notte) R) essere caduto di bicicletta, rialzandoti come una molla, dicendo “no, no, non mi sono fatto niente” per non fare figuraccia con gli amici S) aver portato uno zaino più grosso di te che venivi chiamato fra gli scout “lo zaino che cammina” T) aver ballato i lenti, nelle feste in garage, con la Pecori (che cercavi di tirare a te e invece lei spingeva come un paracarro), la Calamini (zoppa), l’Emanuelli (piu alta di te) U) aver sciato dalle 8,30 di mattina alle 4,30, ininterrottamente perché avevi il “giornaliero” V) esserti arrampicato in posti impossibili per non rimanere mai indietro, *mai*! Z) riuscire a riempire tutte queste righe con ricordi giovanili, è segno che ne hai parecchi ......... Quindi *”VIVA I DOLORI MATTUTINI”* (presso Le Bagnese) https://www.instagram.com/p/CiowuiDj9jV/?igshid=NGJjMDIxMWI=
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researchgmi · 2 years
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Waterproofing Membranes Market share by application, 2021 & 2027
Global waterproofing membrane market size is expected to cross USD 13.5 billion in valuation by 2027. The rising instances of damages and problems pertaining to inadequate waterproofing across households and commercial premises along with the fast-growing construction sector worldwide will positively influence the market for waterproofing membranes. Although most of the modern buildings are waterproof, the incursion of membranes and coatings helps in protecting the integrity of the structures.
The growing consumer emphasis on preventive risk measures and surging need for regular maintenance to prevent damages caused by water, specifically in reinforced concrete buildings as they are subjected to corrosion, will also accelerate the product demand.
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Furthermore, increasing number of building regulations across the globe have made waterproofing techniques a fundamental construction requirement. This can be attributed to spiraling concerns over leaks, spalling, and deterioration caused by cracks in joints or foundation due to exposure to water. In order to cater to ease of use, superior durability as well as smaller and lighter aspects of maintenance, there have been ongoing advances in waterproofing technologies and materials. Hence, the growing number of research for limiting the entry of water into the structures, rising number of construction projects along with increasing structural damages will aid the penetration of waterproofing membranes.
Here is a peek into some other factors influencing the product demand in the coming years.
Liquid-applied waterproofing membranes are expected to witness increasing adoption as they can be easily applied like any other paint, to vaulted or steeply inclined roofs. Upon drying, these membranes form an elastic membrane to offer excellent waterproofing capabilities. On account of higher elasticity, they prevent the occurrence of cracks and other defects that could compromise their quality. They also exhibit higher resistance to weathering, aging, and UV rays whilst extending these properties over time without degrading their effectiveness. These waterproofing membranes are also preferred over other solutions as they offer a longer useful life and do not require regular maintenance.
With regards to products, polymer waterproofing membranes are likely to register notable preference owing to the rising incursion of plastics in the building and construction sector. They are considered suitable for use in the vertical and horizontal walls of buildings to prevent them from water seepage to ensure the longevity of the structures. Polyethylene (PE) geomembrane is increasingly used as a waterproofing membrane as it is impermeable and offers the benefits of damp-free walls.
North America is set to record a significant footprint for waterproofing membranes driven by the surging spending capacities of consumers and flourishing construction vertical in the region. The influx of various technological advancements along with the robust presence of some leading market players will influence the market progression. For instance, in September 2020, U.S.-based, GHS Holdings, joined hands with Altexa srl, an Italian firm, to introduce HDry, advanced technology for waterproofing outdoor products in North America.
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In addition to the aforementioned trends, providers of various types of waterproofing membranes are actively implementing inorganic strategic measures and partnerships to sustain the escalating market competition. They are also focusing on capacity expansions, and innovations for new product launches in a bid to meet the rising requirements. For instance, in January 2020, BASF launched MasterSeal® 730 UVS, its innovative waterproofing membrane across Asia in an attempt to expand its versatile waterproofing offerings under its Master Builders Solutions brand.
Notable participants in the Waterproofing Membranes Market include: BASF, Dow Chemical, Johns Manville, Silk AG, Covestro, DuPont, Pidilite, Fosroc, W.R. Meadows, Synergies, CICO Technologies, Soprema Group, Fairmate Chemicals, Cangzhou Jiansheng Building Waterproof Material.
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Global Market Insights Inc., headquartered in Delaware, U.S., is a global market research and consulting service provider, offering syndicated and custom research reports along with growth consulting services. Our business intelligence and industry research reports offer clients with penetrative insights and actionable market data specially designed and presented to aid strategic decision making. These exhaustive reports are designed via a proprietary research methodology and are available for key industries such as chemicals, advanced materials, technology, renewable energy, and biotechnology.
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Arun Hegde Corporate Sales, USA Global Market Insights Inc. Phone: 1-302-846-7766 Toll-Free: 1-888-689-0688 Email: [email protected]
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steen94duncan · 2 years
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What Are Different Types associated with Concrete Floor Coatings?
The porous surface area of concrete floor coverings allows water in addition to soluble contaminants in order to penetrate into a structure, which can result in premature degradation. Typically the degradation of concrete flooring can manifest in efflorescence, laitance and physical defects such as cracking and spalling. Concrete floor floor coatings may protect it through degradation by supplying abrasion, stain, chemical substance and freeze/thaw safety. Typical coatings that can be effectively specified and applied for floors contain acrylics, epoxies, polyurethanes, polyaspartic polyurea in addition to specialized elastomeric coatings. It should be noted that alkyd based coatings need to never be chosen for application to concrete, since the particular alkyd resin may well chemically react with alkaline concrete ingredients and moisture, major to saponification. polyaspartic floor coating fort collins of reaction transforms the particular resin into the soft material that will no loner features as a coating and even provides little protection to the solid substrate. Acrylic coatings/sealers are generally many mils thick plus are applied two or 3 generators per coat. They are either drinking water based or solvent based compounds. Generally solvent based polymer sealers are utilized throughout exterior applications while water based fat sealers are used in interior applications. The variety of epoxy coatings can end up being used for coating concrete. typical epoxies are multi aspect materials with some sort of polyamide or amine curing agent. Polyamide epoxies are acknowledged for possessing better flexibility and water resistance, while amine-cured epoxies typically offer much better chemical resistance. Epoxy systems are typically applied in 1 to three layers at an software thickness of various mils per coating. Thicker-film epoxy linings, like those established on epoxy phenol novalac resins are also used in concrete. Novolac epoxies are more often used for the goal of providing substance resistance. Epoxy linings should be topcoated with an end coat of the different resin biochemistry and biology, since they chalk / amber throughout sunlight. Typically they can be coated with polyurethanes. Polyurethane coatings happen to be widely used since topcoats over acrylics or epoxies credited to their larger abrasion and AS WELL AS resistance properties. They can be blended with cement-sand matrix to make ultra durable polyurethane material concrete flooring devices. PU Concrete is know for its quick come back to services properties. If outdoor concrete requires better protection, particularly in opposition to water intrusion such as wind powered rain, elastomeric coatings are a great choice. Elastomerics happen to be also an excellent match for concrete floor simply because they can put up with some substrate activity and may even be able to fill or perhaps "bridge" minor breaking. Elastomeric coatings are often thick (10 in order to 100mils dft), adaptable coatings with low water permeability. They may be typically used with regard to exterior concrete programs such as building exteriors, roofing systems and even parking decks, although can also be considered for interior applications many of these as showers in addition to spas. Multiple plant chemistry make up the basis for the various types of elastomeric coatings, like acrylic, silicone, polyurethane and polyurethane/polyurea cross.
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