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Beyond the Beyond #2 does a great job of leaning into its wonder of exploration #comics #comicbooks
Nova has escaped from her oppressive world and is now out exploring coming across an amazing alien world.
Story: Christian TropeanoArt: Gian FernandoColor: Beyond ColorlabLetterer: Joel Rodriguez
Get your copy now! To find a comic shop near you, visit http://www.comicshoplocator.com or call 1-888-comicbook or digitally and online with the links below.
Scout ComicsZeus Comics
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How do you lay out your drawings? I mean like the sketch first then colour then detail? How do you make your drawings have that kind of paper esk look? Because I love the visuals of your art sm 🙏
youtube
(Anon I was gonna make a post, but I thought a video would be more fun. Any other question feel free to ask :D)
- KraftTone or Debaser by True Grit Texture Supply
PAPER:
-Phantom Paper by RetroSupply
- I also use the paper textures provided with the brushes
INKING BRUSHES:
I have too many; I like collecting brushes. Haha. What I choose to use depends on how clean or gritty I want the line art to be, but it’s always a type of texture brush or a brush with feathered edges to simulate ink bleeding on paper.
NOTES:
- KraftTone and ColorLab are nigh identical with the small difference of ColorLab offering a clean and rough variant for their halftones AND their product, Duplitone , works seamlessly with ColorLab. Otherwise I just use whichever I feel like.
- Debaser is basically pre-mixed halftones you insert. I use this when feeling lazy.
Recently bought the duplitone retrosupply brushes (completely obsessed with their colorlab brushes LMAO, highly highly recommend), so I wanted to play around with my muse (flowie with an ey)
How did you do that fill texture on that Deltarune art? It’s beautiful
I keep meaning to make a video demonstrating it and I keep not doing it.
There's brush packs specifically made for this effect, and I dropped money to get them, as making them myself is way out of my league. The one I prefer is KraftTone, but ColorLab also exists, and does have more options (KraftTone only had rough dots, while ColorLab has clean dots). Definitely get them on sale, that's what I did. Or, you know, other totally legal means. If you use Clip Studio Paint, I know there are halftone brushes in the CSP asset store, but I haven't tested those, and wouldn't know which one to recommend.
The brushes are halftone textures for cyan, magenta, yellow, and black and each color goes on a different layer (set to multiply). There are different densities for each color, and you need to layer them to mix colors. Basically, you manually do the work of a Ben-Day printer.
It looks good clean, but I like to make it look vintage, so I put a paper texture on top (copy & paste the paper so there's two layers of it, invert the colors on one and set it to 'screen' and the normal one to multiply, adjust opacity as needed), and then in another layer over the colors and lines, you can beat it up as desired, manually, with brush stamp packs of folds and scuffs, or by sampling damage from scans of actual paper. Basically I'm a digital brush hoarder and have a problem.