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momentinparadise · 1 year

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Ted Lasso / Julie Andrews

I have so much to say about the episode #3 of Ted Lasso, but I really want to focus on the scene where they discuss their favorite Julie Andrews characters because Julie Andrews is my FIRST LOVE and it all seemed so significant.

So please, come along on this crazy ride with me:

Roy / Maria (Sound of Music): Something that is very symbolic to me is that both Roy and Maria had to take on responsibility and independence at a very young age. Roy playing football away from home and Maria at the convent - both had to grow up quickly, which gave them a strong sense of duty and responsibility. Additionally, both characters have a strong desire for family and connection.

Despite Roy's attempts to appear stoic, he has an extremely loving side to him, and I think he identifies a lot with Captain von Trapp too. Like Roy, Captain von Trapp is also initially depicted as a stern and unyielding character. However, as the story unfolds, we see his softer side emerge as he connects with Maria and his children in new and meaningful ways. This mirrors Roy's journey throughout the show, where we see him gradually open up and become more vulnerable with those around him.

Coach Beard / Eliza Doolittle (My Fair Lady): A character that is clearly rooted in the lower-class, marginalised portion of British society speaks volumes about Coach Beard's own underground personality. Eliza is a character who defies the expectations placed upon her by society, using her wit and resourcefulness to transcend her lower-class origins and gain acceptance in high society. This resilience and determination are qualities that Coach Beard likely admires, as he himself is known for his unconventional and creative approach to coaching. Additionally, Eliza's story highlights the importance of education and personal growth, as she transforms from a rough and unpolished street vendor to a refined and sophisticated lady. This is something we see every episode with Beard: he is always engrossed in a book, always improving his knowledge.

Trent Crimm / Queen Clarisse Renaldi (Princess Diaries): Fits him so well! The character's level of sophistication and elegance aligns well with Trent's own refined ways. And both Queen Clarisse and Trent show a willingness to make sacrifices for their beliefs: Queen Clarisse is willing to renounce her position as queen if it means allowing her granddaughter to marry for love, while Trent is willing to sacrifice his job and reputation to stand up for what he believes in. When he is fired from The Independent for revealing his source (Trent admits that he was the one who ratted himself out) it reflects the same values of breaking with tradition and challenging the status quo that are embodied by the Queen.

Ted / Higgins / Mary Poppins: For Higgins the character of Mary Poppins may represent a loving, nurturing figure who helps guide and care for the children in her charge. This may reflect Higgins' own values as a family man, and the ability to provide a sense of warmth and security to those around him.

But for Ted, the choice of Mary Poppins may have a more personal and emotional significance.

As a coach, Ted is often in a position of leadership and guidance, and he may see himself as a paternal figure to his team. The character of Mary Poppins may represent a sort of idealized father figure to Ted, one who is wise, compassionate, and always there to provide guidance and support.

BUT

I tell you, my friends, there is not the case.

Because Mary Poppins is not about the nanny.

IS ABOUT THE FATHER.

When Mary Poppins arrives at the Banks family's home, she finds a gap between the children and their father. He is always at work and worries too much, while the children crave attention, love, and a sense of family. Although the mother is present and is loving towards the children, she is often silenced by the father, despite being a suffragist 😂 .

So, the real transformation really occurs with George Banks. His character serves as a commentary on the pressures of societal expectations. However, through the magical intervention of Mary Poppins, he is able to find a new balance between his work and his family, ultimately leading to a happier and more fulfilling life.

I wonder if this is not something Ted wishes had happened with him, in some level.

And let's not forget that P. L. Travers wrote Mary Poppins based on her own father. In the 2013 biographical film "Saving Mr. Banks", several scenes depict Travers' difficult childhood. Travers idolized her loving and imaginative father, Travers Robert Goff, but his chronic alcoholism resulted in his repeated dismissals, strained her parents' marriage, and caused her distressed mother to attempt suicide. Travers' father died of tuberculosis when she was seven years old.

I mean.

#ted lasso #ted lasso spoilers #ted lasso season 3 #jason sudeikis #mary poppins #julie andrews #eliza doolittle #my fair lady #clarisse renaldi #queen clarisse renaldi #princess diaries #higgins #trent crimm #coach beard #the sound of music #maria von trapp #captain von trapp #roy kent #george banks

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libraryofgage · 3 months

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The Prince and the Metalhead

Part of: Steve Deserves Good Parents, Actually

Debbie and Fester Addams One | Two | Three | Four Rick and Evelyn O'Connell One | Two | Three Harley Quinn One 10th Doctor and Rose One | Two (on the way!) Scooby Gang (there are plans for this one lmao, so plz be patient with me orz) Jedidiah and Octavius (from Night at the Museum) One Queen Clarisse One (you're here!)

Despite the title, this series will focus a little more on Steve growing up in Genovia for the first few parts. That being said, there will be Steddie because this whole thing was inspired by my desire to write a modern royalty AU.

So, ya know, it's coming lol

For now, just enjoy Steve being raised by our favorite queen.

As always, if you see any typos, no you didn't ;)

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Clarisse stares at the two-story house from the driveway. It looks incredibly...American. It's American in a way that Amelia's home and city aren't. This house is the Ideal American Home, the kind people are told is the goal in life, the kind with no personality and no distinguishing features compared to other houses on its street. It's the kind of house she'd never see in Genovia, and she's glad for it.

"Your Majesty," Joe says, pulling her attention from the house to her driver. "If you are nervous, may I suggest returning another day?"

She knows exactly what he's doing. It still works. She still pulls herself together, rolls her shoulders back, and raises her chin. "A queen is never nervous. She is simply calculating her approach."

With that, she opens the door and gracefully (the kind of grace that comes with years of practice) steps out of the car. She smooths down her clothes, takes one more deep breath, and strides to the front door. Joe is just a step behind her, always a step behind her, as she rings the doorbell and waits.

A few moments pass, the blinds in the window next to the door shift, and then the door is pulled open. A young boy, certainly no more than ten, stands before her, looking nervously between Clarisse and Joe.

And could you blame Steve? The only visitors he gets when his parents are gone are secretaries that sweep into the home, make sure he's alive, and leave right after. Nobody rings the doorbell, nobody knocks, and nobody knows he's alone in the big house, just like his parents told him it should be.

"Hello," the lady says, her accent vaguely European and similar to his father's. "Are you Steve Harrington?"

If she knows his name, maybe she's been sent by his parents. She looks fancy enough, and the guy with her looks scary enough. Steve grips the door tighter and nods once. "Yes, ma'am," he says, his voice soft and barely a whisper so he doesn't upset her.

"Good. Is your father home?"

"No, ma'am."

That makes her pause, her lips tugging down in a frown, and Steve wonders if he's already failed whatever test this must be. His father will give them sometimes, in the rare moments he's home, and it's always to measure how polite Steve his, how proper, how cultured. This must be a new kind of test, a way for his father to further measure him. He gathers himself, takes a subtle breath, and asks, "Would you like to come in?"

"You don't know who we are," the man suddenly says. "Why are you inviting us in?"

Oh. He's failing this test already. Steve bites his lip, ducking his head. "It's polite to invite people in," he says. "But, um, could you tell me your names first?"

He glances up to see that frown on the lady's face deepen, and his stomach starts to churn. "Yes, of course," she says, clearing her throat before continuing, "I am Clarisse Renaldi, and this is Joe."

Steve looks between the two of them before slowly nodding. "Please, come in," he says, holding the door open. The two adults are hesitant but enter the home anyway, watching Steve as he shuts the door silently and locks it. "This way, please."

He leads them to the living room, looks at the books and papers spread on the coffee table, and blushes. "I'm sorry for the mess," he says, quickly sweeping everything off the coffee table and holding it close to his chest. "I was doing homework and didn't expect visitors. Please, sit. I'll get some tea."

With that, he turns on his heel and hurries out of the living room. He presses his back against the wall, eyes closed and heart racing as he listens to the man and woman talk. "He's very polite," the woman says, sounding pleased and surprised.

"Too polite," the man replies, "What ten year old says things like expecting visitors and offers to make tea?"

Steve swallows around the lump in his throat and hurries to the kitchen. He puts his papers and books on the small table there, climbs the stool in front of the sink to fill a kettle with water, and then climbs the stool in front of the stove to place it down. He turns on the burner, watching the flames jump before getting cups, a teapot, tea leaves, and a tray to place it all on.

In total, the process from heating the water to pouring it over the leaves in the pot and carrying that to the living room is no more than eight minutes. It still feels like an eternity, though, when Steve knows each second is a mark against him. "I'm sorry for making you wait," he says as he enters the living room, carefully placing the tray on the coffee table. He pours a cup for the woman first, then the man, and then himself, careful not to spill a drop.

"Did you make this yourself?" the woman asks, picking up her teacup and taking a polite sip.

When Steve nods, he gets a tiny smile in return. And then the man says, "Aren't you a little young to do these things?"

Steve has been taught how to answer questions like this, ones that imply his parents aren’t doing enough to raise him. He picks up his teacup, holding it in his hands and letting the warmth transfer to his palms. “I like making tea,” he says, keeping his voice steady, “so Mother taught me how to use the stove safely.”

Joe looks ready to say more, but Clarisse clears her throat. He shuts his mouth, picking up his own cup just to do something. “When should we expect your father, Steve?” Clarisse asks, placing her teacup back on its plate. She’s seated on the edge of the couch, her ankles tucked together so her legs are at a slant and her back perfectly straight.

He can’t lie. If they stay, they’ll know he’s lying when his father doesn’t return. Maybe they just want to see his father, and Steve can let them think his mother will be home soon and convince them to leave before she is. He decides this is a good plan and says the extremely familiar words, “He’s away on a business trip.”

That earns him a frown, but before he can try to fix his mistake, Clarisse nods once and asks, “What about your mother, then?”

Steve tenses, dropping his gaze to his teacup and scrambling to find an answer. He swallows around the nervous lump in his throat, takes a sip of his tea, and feels his stomach twist when he still doesn’t have anything to say in response.

“How long have your parents been gone?” Joe asks.

The question pierces through him so harshly that Steve’s hands twitch, tea splashing over the edges of the cup and onto his fingers. He hisses at the temperature, quickly setting the cup down and getting a tissue to wipe the tea away.

“What do you mean gone?” Clarisse asks.

“There are no cars in the driveway and no adult shoes by the door. We passed the kitchen on the way here, and only one set of dishes is in the drying rack. Stools have been placed wherever a child might need to reach something too high for them otherwise. Dust is on the shelf with adult books, but the smaller shelf with movies appropriate for children is clean, implying regular use. Finally, my men have informed me that Mr. and Mrs. Harrington boarded a plane headed for Hong Kong from London.”

Steve’s eyes widen as Joe speaks, his stomach twisting ever tighter with each word. When Clarisse looks back at him, his eyes begin to sting and he looks down at his lap. “I’m sorry,” he says, his voice quiet as he clenches the hem of his shirt.

“What on Earth are you apologizing for?” Clarisse asks, sounding so insulted that Steve shrinks in on himself. “You are not to blame for your parents’ incompetence and negligence. Of all the things your father has done, abandoning you to fend for yourself is unforgivable.”

Oh. She’s…angry for him? Steve looks up, meeting Clarisse’s eyes and wondering why she cares. And then, because he thinks she can’t possibly be any angrier, he takes a risk by asking, “Why are you here?”

Clarisse pauses, blinks twice, and then gathers herself. Her shoulders relax some, but her back remains straight. “I am Clarisse Renaldi, Queen of Genovia, and your grandmother.”

Steve stares at her, glances at Joe to see if this is some kind of joke, and then looks back when all he gets in return is a blank stare. “My…grandmother?” he asks, his voice quiet.

“Yes. Your father, Richard Harrington, is my son. He was…well, he involved himself in troublesome schemes and had to leave Genovia and the line of succession. We keep tabs on him, of course, but all contact is otherwise restricted.”

None of that surprises Steve. He’s heard his father complaining when he has a bit too much whiskey, muttering under his breath about betrayal and being forced from his home and that it was only a few million he took.

“I…still don’t know why you’re here.”

“Yes, well, the Crown Prince of Genovia has recently passed, and you are next in the line of succession. So, I traveled here to meet you and bring you back to Genovia for a proper education befitting a Crown Prince.”

Steve is staring at his lap again, his mind turning. So much information has been given to him, and he can only focus on the part that makes his heart speed up with hesitant hope. “Would…would my parents go with us?” he asks.

“Your father is still barred from Genovia. Your mother is welcome, though.”

“Does she have to go with us?”

He looks up in time to see Clarisse pause, tilting her head as she considers him for a moment. “No, Steve, neither of your parents must accompany us,” she says.

“Will I ever be alone?”

“The royal family employs upwards of 300 staff to keep the palace running smoothly,” Joe says, nodding once to confirm that number when Steve gives him an incredulous look.

“Members of staff will be assigned to you as well,” Clarisse adds, smiling softly when Steve returns his attention to her. “At least three maids, several private tutors, at least one playmate for social development, and a personal team of security to keep you safe.”

Something lifts from Steve’s shoulders then. He’s not stupid. He knows his parents aren’t good. He learned that last year when he realized that other kids’ parents picked them up from school and gave them hugs and surprised them with pizza nights and just smiled at them. Steve looked at those parents, thought of his own, and quietly accepted that they either sucked or he just hasn’t figured out what will make them love him yet.

A tiny part of him knows that nothing will.

“Will you be my new mother, then?” Steve asks.

He watches Clarisse’s surprised expression morph into something unsure. “I will certainly be taking on a parental role,” she says, the words slow.

Steve looks down again, trying to ignore the disappointment that stirs in him when he realizes she’s just trying to spare his feelings. She won’t be a mother; she’ll be like his teacher. She’ll be someone who makes sure he learns what he should, eats when he should, and passes him along to the appropriate person when there’s a problem.

Still, she’s nicer than his own parents, and Steve won’t be alone if he goes to Genovia. If nothing else, it will be better than this empty house and his absent parents. “If I packed right now, can we leave?” he asks.

When Clarisse agrees, Steve excuses himself and goes to his room.

Once he’s out of sight, Clarisse looks at Joe and says, “He’s a very mature child.”

“He shouldn’t be.”

Clarisse nods once in agreement, looking down at the teapot in front of them and wondering if Steve has ever burned himself on it. “I believe he’ll take to being royalty well,” she says.

When she looks up, Joe is frowning. “If I may speak freely, Your Majesty?” he asks. When Clarisse nods, he clears his throat. “Before he can be royalty, he needs to be a child. For his own good, he needs a parent, not someone taking on a parental role. You may not be his mother, Your Majesty, but you are his grandmother. You have the ability to give him the unconditional care and love he’s been deprived of so far.”

“I suppose you have a point,” Clarisse admits, frowning slightly in thought. “I just…”

“You are worried he will be like his father.”

“Yes.”

“He is not his father. You cannot project the wrongdoings of Richard onto Steve. It is unfair to him and you. He deserves a fresh start, one that is not burdened by his father.”

“I will think on it,” Clarisse says, already knowing she’s going to do as Joe has suggested. “In the meantime, look into parenting books. If nothing else, Steve’s maids and tutors can review their contents as he grows.”

“Of course, Your Majesty.”

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Genovia is small, but the palace is huge. It towers over Steve like something out of a Disney movie, and he almost falls behind during the brief tour through its halls. He manages to catch up, though, meeting Clarisse’s stride just in time for her to gesture at a set of double-doors and say, “Beyond these will be your rooms.”

“Rooms?”

“Yes, more than one,” Clarisse says, smiling down at Steve as she leads him past the doors and into a sitting room. A group of people are already gathered there. Most of them are adults, but a few younger children are playing with a Lego set in the corner and a girl and boy his age are standing with the adults. “These are your personal staff members.”

Before Steve can say anything, one of the women steps forward, her smile warm and her face framed by her brown hair. “It’s nice to meet you, Your Highness. My name is Joyce. I’ll coordinate your schedule and make sure your rooms are taken care of. My husband, Jim, will be the head of your security team, and my eldest son, Jonathan, will be one of your playmates,” she says, pointing to her husband and then the boy his age.

“Feel free to call me Hopper, Your Highness,” her husband says.

“It’s nice to meet you,” Jonathan adds, smiling politely in a way that Steve painfully understands as fake and forced.

Joyce steps back, and a black woman steps forward. “My name is Sue. I’ll be in charge of your education. That means I’ll be arranging your tutors, making sure your lessons match what a child your age should be learning, and overseeing your Royal Education with Her Majesty. My husband, Charles, will be your science tutor.”

Steve glances at Charles when he waves and nods in greeting. His smile, at least, seems more genuine than Jonathan’s was, and Sue is so straightforward that Steve finds it refreshing.

The last woman steps forward. She’s a little heavier than the other two, and she’s wearing an apron that has stains smeared across it. “Wonderful to meet you, Your Highness. I’m Claudia. I’ll be in charge of your diet and medical needs. If you’re allergic to anything or just plain hate certain foods, let me know.”

She steps back, leaving only the young girl. With a grin, she moves to stand in front of Steve and holds her hand out. “Name’s Robin,” she says, “I’m supposed to be your friend, but Her Majesty and I’ve got an agreement that I can ditch you if you suck. If I stick around, I’ll be trained by Hopper to be your personal guard.”

It’s so sudden and blunt that Steve can’t stop his grin as he takes Robin’s hand and shakes once. “To make things fair,” he says, “I should get to ditch you, too.”

Her eyes light up, and Steve thinks he’s done something right, which is an odd but welcome feeling. She lets go of his hand but stays by his side, standing close enough that their shoulders brush as Clarisse gestures for Joyce to take over the tour. He’s introduced to the children playing with Legos first, bombarded with their names (Dustin, Will, El, Lucas, and Erica) and which parents they belong to, before moving on to the rooms.

In total, he has five: the sitting room, a classroom, a small library, an empty room that he can do whatever he’d like with, and his bedroom. The bedroom has its own bathroom with a shower attached, but there are extra bathrooms in the other rooms, too. He’d count his closet as another room entirely, but he’s not ready to admit he really has six rooms.

He’s still too overwhelmed by the giant bed and the rooms that all belong to him and this group of people that will always be around him. He turns to Clarisse, ready to thank her, when she smiles at him and says, “There is one more thing.”

Something else? There’s more? What more could there possibly be? What else could he be given? Steve watches as she walks to the door that leads into the bathroom, steps inside, and comes back out holding something that squirms slightly in her arms.

She quickly deposits the thing in Steve’s arms, and he stares wide-eyed at the Rottweiler puppy that starts sniffing at his hands and neck. “What?” he asks.

“She’s yours, Steve. Rottweilers are very loyal dogs, so she’ll stay by your side. They’re also loyal and protective. Once she’s grown, she’ll keep you safe, too.”

“What am I then, chopped liver?” Robin asks, pouting slightly as she looks at the dog. She leans closer to it and yelps when she gets licked.

Steve can’t help laughing, holding the dog closer to his chest. “Does she have a name?” he asks.

“Yeah! It’s Dart!”

Steve looks over his shoulder at Dustin, meeting his curly hair and slightly gummy smile. Next to him, Claudia flushes slightly and hurriedly says, “You don’t need to listen to him, Your Highness. You can name her whatever you’d like.”

“No, I think Dart is good,” Steve replies, looking down at the dog and gently scratching behind her ears. She perks up, her entire body wiggling with excitement, and Steve feels something hopeful and optimistic settle in his chest.

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Tag List (let me know if you'd like to be added to future parts!)

@y4r3luv

#congrats #stranger things fic #princess diaries crossover #steve harrington #queen clarisse renaldi #future steddie #modern royalty au #robin buckley #the party stranger things #the party's parents too #my writing #Clarisse gives Steve a dog specifically so he'll never be alone btw cuz she doesn't want him to feel alone again #also please imagine dick harrington just getting home to one of Joe's security team being like also you're still banned

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