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#c: Celia
void-botanist · 4 months
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Standing, Asalun, & Associates
An AOM &c. AU that nobody asked for, so I'm delivering!
This is me taking Mystery Incorporated, Dead End: Paranormal Park, Hilda, Mob Psycho 100, and let's be honest, the whole ghost segment of The Sword Interval that lives rent-free in my mind into one vibeful concept: Horatio and Marcus run a paranormal investigation business.
Due to all of their proposed names being terrible puns or just not catchy, they gave up and called it Standing & Asalun. They run it out of what is Horatio's Flowers in AOM, and they do extremely lackluster business. However, Celia thinks it's the most delightful fucking thing and inserted herself into the investigation so much that they essentially hired her. She still has a day job, like Marcus, and unlike Horatio MyOwnBoss Standing. Eventually Allison joined in, and even if they would hire him he doesn't actually want the job, so he's technically a contractor. Still, the addition of another regular meant that they finally felt like they had to change the name to Standing, Asalun, & Associates.
Season One
Season one is the alternate story to AOM and begins with things going poorly as usual - they're not actually that bad at their job, but they have a hard time finding people who actually need paranormal things investigated, or even stuff they can put on their video channel - until Sid blows into town, with his parents not far behind. Horatio is instantly convinced that something is Off. No one else agrees - obviously Sid is just having a bad time and is also sixteen years older than when they last saw him. Horatio is ready to acknowledge that he was just too hungry for a lead when Sid starts having dreams that are very clearly not normal weird but paranormal weird. On an island that seems to have nothing paranormal going on, there's nowhere they could possibly be coming from...unless Sid's recently arrived parents have something to do with it. But they're not even witches, let alone known to be capable of whatever this is. So why do they seem to make the dreams worse but their muddy message clearer? SAA - but especially Horatio and the newest associate, Sid - will stop at nothing to find out.
Starring
Horatio Standing
keeps the books
makes the pepe silvia boards
lives above SAA
brings the Fred Jones energy
Marcus Asalun
makes most of the money that goes into the books with his art
designs the ghost science experiments
lives elsewhere but if he could fit his studio into Horatio's place he'd probably just live there. it would cost less
brings the Velma Dinkley energy
Celia Standing
manages the morale
gives the pep talks
lives with Allison
brings the Daphne Blake energy
Allison Hughes
keeps to his own schedule
bakes the snacks
lives with Celia, but it's his house
brings the Shaggy Rogers energy (or Scooby, because wolf)
Sid Reid
keeps a log of his strange nightmares
makes all the food that's not snacks
lives with Horatio and also in fear of his parents, paranormal influence or no
brings the Mr. E energy
with additional appearances by
Avis Peynon
is not your fucking chauffeur service damn it
Sorian Shank
inherited Fred Jones's legendary trapbuilding abilities
Phil Shank
will be your chauffeur service if you don't kill her vibe
Leon Standing
has a book on that but no he doesn't know what the text means either
Edith Standing
banned from contracting with SAA because she pranked them too much
Donovan Reid
is obviously a paranormal intensifier because he's clearly the coolest guy in the world
Emma Reid
read a book about this once and yes she's sure she knows what the text means
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ofescapisms · 4 months
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💭 myles / celia
"I hope that I can be the kind of mom you are, you're an inspiration to me. And there's nothing I love more than having been able to watching you and Cal get closer over time."
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martin-enjoyer · 2 months
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"Have you ever checked to see if the spoken cases have anything in common?" "Is there a way to look up specific files? ... Oh, I don't know. Every case about being buried alive or meat or whatever?"
CASES IN COMMON? BEING BURIED ALIVE? MEAT? YOU. YOU KNOW SOMETHING CELIA. YOU KNOW.
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diver5ion · 1 year
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toohwe · 2 months
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Additional doodles
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gameraboy2 · 1 year
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Star Wars on public radio, 1981 poster by Celia Strain
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Missing my podcast guys o'clock!
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harlow-cole · 1 year
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where: the diner who: @callofthxvoid (celia)
oh my god, only she could be an absolute car crash of a human and blurt out the news to her brother that he was her brother. harlow needed celia. celia would be able to understand that she wasn't the complete lunatic she was looking like right now.
harlow shuffled up to the window and pressed her face against the glass, dragging it along with the window letting out a squeak as it dealt with her cheek. "celiaaaaa" she called out, the squeaking still ever present until she arrived at the front door of the diner.
"how'd it go? needless to say, uh oh spaghetti-o's"
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rhysintherain · 10 months
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The medical aspects of vampirism only show up in like 2 scenes in Saints and Zealots, but that won't stop me from spending hours reading about aplastic anemia and blood transfusions and hammering out every detail until my google thinks I have a rare chronic bone marrow condition.
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Is anyone remotely familiar with Troilus And Cressida? Could they tell me whether Achilles and Patroclus are stated to be cousins in the play?
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louisprideflag · 9 months
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x
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void-botanist · 2 months
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ALSO trolley problem answers for spinder & anyone else who you think has a creative solution 👀
from this ask game
Spinder gets the point of this thought exercise but if they're going to ask such a contrived question, he's going to give a contrived answer. Which means he would learn a lot about trolleys and how easy it is to derail them (I am far from an expert but I think it would depend on the landscape. I suspect a trolley with a cable grip, like in San Francisco, is harder to derail if the cable grip is active, but idk). He's got a whole plan for derailing, or otherwise mechanically disrupting the trolley (if it stops pulling power does it stop moving? how fast can he get on the roof?). Aside from his absolute pettiness he also can't help but imagine the fallout from having vehicularly manslaughtered one or more people and he doesn't think he could deal with that.
Christina "now you're thinking with warpals" Larousse would just warp the trolley. Ideally this would happen after she already was not in the trolley, but if she has to die with it, so be it. In general, if sacrificing herself would save everyone else, she'd probably do it. But if there are other people in the trolley, as in some versions of the problem, because she's not going to sacrifice them to warp. Hypothetically she could just warp away the split in the track, thereby derailing the trolley and saving everyone. But that's a much smaller target than a trolley and harder to hit when she's moving. If she had to actually abide by the rules of the exercise she would kill the one person. Unless that one person was her father. Then she'd be so paralyzed about it that she'd do nothing and the five people would die. Which is still a lot less people than she indirectly enabled Althea to kill, but that's cold comfort.
Althea would let the five be killed without hesitation if there was a single person among them that had ever pissed her off. She doesn't really care either way, but it would feel better to get a little revenge. However, she would also switch away from a track Christina is tied to, an absolutely frigid comfort for Christina.
Vic, among others, has pointed out that if you do nothing, you're not responsible for what happens. Which is a tenuous position, but he would like it to be true. But he'd also rather kill one person than five, so make of that what you will.
Celia and Allison are still wondering what kind of Gotham-ass trolley line this is, like, first of all, how did these people get tied to the tracks? Is this some kind of a trick? Are the five people all robots and the one person a human? There's just not enough information here.
Dez would be extremely dismayed by the idea that the five people could be robots. But if they were, they have backups, right? Right? Syndy is already holding him back from steering away from the five probably-robots, because she considers herself an expert on how humans die, actually, so they can't run over the human. If the robots turn out to be humans, they are both scarred for life and also the first androids to go to jail, probably. They develop a weird game of chicken where they keep saying they're going to delete the memories but come up with reasons not to. Doing this only deals them more psychic damage.
"You just gotta kill the one person," Avis says, with total conviction and complete boredom. "That's how these puzzles work. You gotta do a shitty thing, so you have to do the least shitty version of the thing." It's a toss up if she'd automatically run over the five if she was considering whether or not to run over Sid as the one person, though.
@jezifster @kk7-rbs
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alteredphoenix · 9 months
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You know what, fuck it, I’m going to say it:
If Episode Final had revealed so much as a hint as to who Michelle’s parents were and what her heritage was and just left it hanging, unanswered, I would have been absolutely fucking livid.
Here’s a girl who’s spent fifteen years of her life where nothing in particular remotely happened, nine of which were spent raised under the care of a man whom I honestly don’t think is related to her at all who taught her medical science in a little village by the sea in Sheep Country, and tells her she’s definitely not this “goddess of healing” everybody else has been calling her as of late because those artes may as well be miracles performed in the flesh and that she shouldn’t be so dependent on them. She doesn’t know who her parents and where they are, other than being doctors that were born outside of Sheep Country, but they’re not in her life and haven’t been for as long as she can remember she can’t even put a name or face to them, and the one person who does have the answers for them keeps putting the talk off for years until one day he gets to hear said girl tell him that no, she’s not staying put and letting the adults get the ingredient they need to heal the Random Joe that got poisoned by a beast that shouldn’t be so close to their little village by the sea, she’s going out there, and she’s doing it with her artes - the same artes she uses to help heal people with, except this time they’re weaponized, he had no idea where she had learned to do all of that, and by Origin she’s hitting the coast and getting that damn flower whether he wants her to or not - and she gets it. She gets it with the help of a soldier passing by and makes it back home in one piece, none the worse for wear. (And isn’t it so strange that a girl raised among sheep is using a wolf in her repertoire of magic? Isn’t it just so strange she’s using the shape of not only one of the sheep’s most fearsome predators but her country’s - and her faction’s - greatest enemy, as well?) But even as she goes back home to help make the medicine that’ll save her patient, she never stops asking the questions she spoke out loud in the Salty Cove: What were my parents like? Were they worried about me getting hurt when I was a child? Which one of them did I get my artes from? Did I get them from both of them? How come they never came to see me?
Here’s a girl that’s running the counter at the clinic like usual, a normal day in a rather normal life, and one day the man that’s been raising her for almost ten years decides to tell her that lunch can wait, there’s something more important they need to do - that he needs to do, something more important that she needs to hear, and he lays it out to simple and clear: he’s going to tell her everything about her parents, the people she’s always wanted to know about, and put all those questions she’s been asking him and to herself to rest. No more secrets. Here’s a girl who’s this close to knowing, this close to having the truth be revealed, and in a fit of cosmic irony - be it out of a sense of morbid humor or cruelty - they get cut off. They find out a man’s been injured; he’s in dire straits and he needs to be tended to and fast. Here’s a girl that’s ready to tear through the house for medicine that might ease his pain when there’s a knock on the door, and it’s the lady soldier from before at the Cove. She tells her that a guy got attacked not by beasts but people and showing signs of a disease that infects the person with a change that turns them into something other, more demon than man, and he needs to be found ASAP.
And then her grandfather gets bitten. The change is already taking hold of him. And then she finds out from the soldier that once it happens there’s no cure. There is no saving someone from infection, and that’s there only recourse, and that recourse is death. Death before the virus can spread. And suddenly all the answers that she could have had about her parents, the family she never knew, are ripped away from her. Suddenly the man that held those answers, the man who raised her and gave her a childhood, is on death’s door, and there is no saving him from the infection that is going to rob him of his will and thought and turn him into a monster whose only goal is to kill and keep the virus going. Suddenly the soldier, the medic who’s been traveling the countryside searching for the group that was infected to put them down, is drawing her blade with a remorseful look in her eye. Suddenly, the life as the girl knows it comes crashing down, just like that.
She snaps. For the first time she’s not using her artes to heal but to hurt, to stop the soldier from killing the only family she has - the only family she has left and has ever known - and gets him out of there, passing him off to a friend with the promise that he gets her grandfather as far away from the little village by the sea as possible. And then she turns her sights on the soldiers that accompanied their captain, these people that have the nerve to take away her family from her. And so she turns the wolves on them, and in their shock they’re driven from her home, and that is good enough for her. It’s good enough for her to run and catch up and find her friend and grandfather. Except when she does he tells her her grandfather managed to get away, making for the Salty Cove. And so she runs, Federation soldiers and their lady knight hot on her heels.
Very briefly, she considers bolting for the north, the land of her enemy. Very briefly, she considers finding refuge and hope and solace within the Land of Wolves, where the sheep dare not tread.
Here’s a girl that finally finds him, worse than he looked before at the bite’s onset, and the knight corners her. There’s nowhere left to run. She tells her it has to be done. Doing it hurts her just as much as the sight of the man suffering from his infliction hurts the girl. If there was a way to save him she would do so in a heartbeat. But there isn’t; the choice has already been - she must kill him. But so has the girl. The girl tells her she won’t let her take him from her. And the knight agrees. She knows what she’s about to do is awful and is going to stick with the girl for the rest of her life - for both their lives. She does not condemn for her feelings. If that is how you truly feel, she tells the girl, then show me your resolve!
And so they fight. Neither will back down. And yet, despite the reaction the girl had at the little village by the sea, the knight tells her that in doing so she had saved everyone from suffering the same fate that’s befallen her grandfather. That by removing him from human contact, she has effectively put an end to the threat that would have hung over them. Through her, the disease will be vanquished from the face of the Land of Sheep. And here’s a girl who denies it, that she didn’t do it out of altruism. Here’s a girl that denies she did it for the man who is her only family and not for others. Through him she was given a purpose. Through him her life was made valuable. And still the knight does not condemn her. Still she tells her that even with things coming to a head as they are now, her feelings are not wrong. She loves her family more than anything in the world.
And then her grandfather gets up and charge when they’re at a standstill. And then the knight moves, too fast for the girl to see, and runs her blade through him. And then they learn that he wasn’t as far long as he appeared, that he made the choice of his own free will, and spends his final moments in the girl’s arms, voicing his regrets. And then he lets her go. And then he dies - and with it all the answers she could’ve had. All the value and purpose she had been given in her life has been rendered null - just like that.
Despite it all, we never get any more information on her family beyond that. We don’t even get a mention of there possibly being a note, something, that Ollie could have left behind to at least give Michelle an idea as to where to start looking. Could she have found it at Aedis? It’s possible; after all, Grace was the one that gave her the admittance letter to pack up and leave the only place she’s ever called home. It’s at Aedis she finds a new family to call her own, friends she has only ever dreamed of having and a school she has always imagined herself being in. It’s through Aedis she would have found a new purpose and find the value she thought was lost - or, rather, perhaps she thought was never there.
Can you imagine what it would’ve been like if the game decided, out of blue, to tell the player the names of Michelle’s parents, or showed them in silhouette, and never brought it up again, because the game shut down? Can you imagine getting just that and only that and nothing else because the game didn’t make enough money to justify what was being put out on an MTX cash shop that it didn’t require?
I would be livid. I would be furious. I would be just as blue-balled from the beginning as I would’ve been toward the end, because despite the parallels Michelle doesn’t quite get the same closure that Hugo gets at Episode Final. While her backstory entertains the idea, she - given what little canon has showed us and as far as it’s considered - chooses to forego leaving the Federation behind and defecting to the Empire as he did, even if the reasons might’ve ended up differently (although I wager, if not for Grace and whatever conclusion Michelle arrived at - to get her into the mindset of - between accepting the letter and deciding on leaving for Silvayer, she would have settled on throwing her lot in with Gildlla, if not out of a desire to protect the people of Bazine, then perhaps for one where she would find purpose and value over there). However, in Hugo’s defense, he doesn’t have the question of who he is and why he is like Michelle does hanging over his head, because that wasn’t what he was introduced with from the onset. The game at least decides to answer why he chose to side with the Empire and is doing what he has to do to protect his friends and family across the border, even if that means his decision comes at the cost of inevitably coming to blows with them and potentially damaging those ties he has with them forever.
But his is an easy mystery to solve, because among all the other mysteries that linger in the background finding out why a student from Aedis betrayed the Federation and is now fighting for the Empire - the same Empire that set Anthwan on fire and razed Le Sant, his hometown, to the ground - is a rather easy question to answer. Traitors are a staple to the Tales franchise, and what would be more enticing to learn the revelations and reasonings of a marked traitor than the person that was designed to be in the role of the traitor in mind from the very beginning?
Of course, the topic of parents - and the lore behind them - are just as essential to the Tales narrative as the traitor archetype, and it’s Michelle that has that question, and many others proceeding them, that go unanswered in the end. Who are they? Where did they come from? How are her artes related to them? How important are they to the story and the Greater Scope Plot, and what is it about them that made Ollie hesitate so much he couldn’t bring himself to tell her until she told him she was going to go out into the wild and use her artes to protect herself from the beasts and monsters that would have gotten in her way?
Who knows! Because at the end of the day it’s money that makes the world go round and money is the lifeblood that flows through an IP, especially in an entry that’s made on a mobile phone. We might never get an answer to those questions that the narrative, and even Michelle herself, proposed, and with it the character arc - positive or negative - that Michelle could’ve had as a result.
#tales of luminaria#in which i rant a fucking LOT#i have THOUGHTS#and i will keep having these THOUGHTS until they get answered#like. how do you come w/ a character whose backstory is such a mystery#that when you look at her timeline the first fifteen years OF HER LIFE is a total blank slate?#you can't tell me shit didn't go down between the time she was like 5-6 up to when she's 15 going on 16#like idk if they would've been important ppl but you just KNOW they would've been important to the plot#and those artes ARE tied into them#ESPECIALLY the wolf b/c guess what! it's the only animal in michelle's repertoire that has a primordial representing it!#and that's the oddest thing b/c what person in the federation would want to use artes that uses the beast#that represents the faction that caused the biggest tragedy in the anathema war?#i suppose you can apply the above post to a couple other families a'la leo's and edouard's. maaaybe celia's and falk and vanessa's#but it's the fact that michelle's parents are such a core component to her arc that draws me more to her than anybody else#and i couldn't tell you WHY that is. only that it does#and it's such a tragedy that we might never get more answers#b/c i think michelle would have been up there as having one of the better story and character arcs in the game#it's so unfair#to have a favorite character and just. not seeing her bloom into fruition#but it's even more unfair to pull the plug on a story and just leave it unfinished#with not a word as to whether or not it's worth continuing#all because it didn't make enough money to justify all the work that was crafted into it and putting it out there#i suppose if on the off chance story details ever got leaked i might be content#but to be completely honest i would not want to see them#b/c i didn't earn the right to see them through my own volition#anyway thanks for coming to my TED talk#i know ep final was mostly about hugo#and for good reason#but i still haven't watched it b/c it's just his third ep spliced w/ leo's and lisette's#and tbh hugo doesn't have anywhere near the hold on my heart that celia and michelle do
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status: closed
based: linked in source
@longiings​ liked for a starter from this
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it felt like it had been forever and a day since almira had, had a girl’s night. half the time her nights were spent working. that was why she was more than happy to be have a sleepover. the bed was piled high with soft, comfy blankets and endless pillows. she had lit some candles and the netflix queue was filled with rom coms. they had made it through the first movie before she started to feel a bit bored. she didn’t even think twice about going to curl up against the other’s side, her hand sliding between her thighs. her head came to rest against her shoulder as she lazily began to trace circles up along her inner thigh,” this movie is far too predictable.” 
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diver5ion · 9 months
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soulcluster-moved · 2 years
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@tempesttragedy​ / celia clarke “  i’m not leaving until you tell me what the fuck is going on.  ”
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“You’re going to be here for awhile.” V was still clutching her head, vision swimming in static as she blinked rapidly. “You know it’d be a lot of fuckin’ help if you could shut up.” A second later and her gaze darted toward Celia. “Not you.”
How did one explain there was a dead rocker boy and former rebel living in her head and he liked to come out and talk shit? Never mind the fact that this chip was eating at her from the inside.
“Listen, I’m fine.” She turned away from Johnny’s image, hoping he’d disappear the next time she looked back. V pushed herself away from the grimy wall and felt for her gun. “I’m not sticking around here, so either follow or fuck off.” That was directed at Celia.
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