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#c: Horatio
prydainroyals · 1 month
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Officers. Best friends. Shit-stirrers. A Short King and a Prince.
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void-botanist · 4 months
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Standing, Asalun, & Associates
An AOM &c. AU that nobody asked for, so I'm delivering!
This is me taking Mystery Incorporated, Dead End: Paranormal Park, Hilda, Mob Psycho 100, and let's be honest, the whole ghost segment of The Sword Interval that lives rent-free in my mind into one vibeful concept: Horatio and Marcus run a paranormal investigation business.
Due to all of their proposed names being terrible puns or just not catchy, they gave up and called it Standing & Asalun. They run it out of what is Horatio's Flowers in AOM, and they do extremely lackluster business. However, Celia thinks it's the most delightful fucking thing and inserted herself into the investigation so much that they essentially hired her. She still has a day job, like Marcus, and unlike Horatio MyOwnBoss Standing. Eventually Allison joined in, and even if they would hire him he doesn't actually want the job, so he's technically a contractor. Still, the addition of another regular meant that they finally felt like they had to change the name to Standing, Asalun, & Associates.
Season One
Season one is the alternate story to AOM and begins with things going poorly as usual - they're not actually that bad at their job, but they have a hard time finding people who actually need paranormal things investigated, or even stuff they can put on their video channel - until Sid blows into town, with his parents not far behind. Horatio is instantly convinced that something is Off. No one else agrees - obviously Sid is just having a bad time and is also sixteen years older than when they last saw him. Horatio is ready to acknowledge that he was just too hungry for a lead when Sid starts having dreams that are very clearly not normal weird but paranormal weird. On an island that seems to have nothing paranormal going on, there's nowhere they could possibly be coming from...unless Sid's recently arrived parents have something to do with it. But they're not even witches, let alone known to be capable of whatever this is. So why do they seem to make the dreams worse but their muddy message clearer? SAA - but especially Horatio and the newest associate, Sid - will stop at nothing to find out.
Starring
Horatio Standing
keeps the books
makes the pepe silvia boards
lives above SAA
brings the Fred Jones energy
Marcus Asalun
makes most of the money that goes into the books with his art
designs the ghost science experiments
lives elsewhere but if he could fit his studio into Horatio's place he'd probably just live there. it would cost less
brings the Velma Dinkley energy
Celia Standing
manages the morale
gives the pep talks
lives with Allison
brings the Daphne Blake energy
Allison Hughes
keeps to his own schedule
bakes the snacks
lives with Celia, but it's his house
brings the Shaggy Rogers energy (or Scooby, because wolf)
Sid Reid
keeps a log of his strange nightmares
makes all the food that's not snacks
lives with Horatio and also in fear of his parents, paranormal influence or no
brings the Mr. E energy
with additional appearances by
Avis Peynon
is not your fucking chauffeur service damn it
Sorian Shank
inherited Fred Jones's legendary trapbuilding abilities
Phil Shank
will be your chauffeur service if you don't kill her vibe
Leon Standing
has a book on that but no he doesn't know what the text means either
Edith Standing
banned from contracting with SAA because she pranked them too much
Donovan Reid
is obviously a paranormal intensifier because he's clearly the coolest guy in the world
Emma Reid
read a book about this once and yes she's sure she knows what the text means
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domonicriley · 2 months
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A question for Hornblower readers: should I start in chronological order with Mr Midshipman Hornblower or in published order with The Happy Return (Beat to Quarters)?
Never read them before but I've seen the television series.
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silverfoxstole · 2 years
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Aww...
Found this the other day on Livejournal
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macaron-n-cheese · 2 months
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Watching Hornblower again ☺️☺️☺️
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WTF 1 horny guy got at least 20 people killed I WILL KILL SEX
(spoilers in tags)
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lacnunga · 2 years
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i might be addicted to making hornblower memes
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ratuszarsenal · 1 year
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between the "he exaggerated disparingly to himself," and the "The four elements of Aristotle, Hornblower thought, insanely" and of course wishing he was dead for half the page count, midshipman hornblower is a flawless representation of what it's like to be 17
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sugarcain-sims · 2 years
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spotted someone a bit familiar, but it seems like xavier is having kind of a bad day
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prydainroyals · 5 months
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Rear Admiral Horatio Ward of the Prydainian Royal Navy
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void-botanist · 4 months
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My husband and I have been workshopping plots and ways for Horatio and Avis to interact, such as Horatio being in Sorian's house when Avis shows up to return something trivial of Sorian's. Thus my husband pitched me this meme, and I made it:
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exact same energy no notes
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isaacathom · 1 year
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friends and i watched the first "episode" of the hornblower miniseries and my takeaway is that i need to pull a hornblower and start girlbossing.
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daguerreotyping · 7 months
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Daguerreotype of a rugged pair of miners sweetly holding hands, identified in enclosed note as "Horatio Southard and young friend," c. 1860
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u10como · 30 days
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Prince Isaac was nervous.
He fully supported the peace treaty with the Elven kingdom and knew it was needed, but he wasn't thrilled about being used as his father's bargaining chip. The war was now reaching its 800th year, which meant even the elves went through several generations since it started any nobody really remembered the true reason - elves blamed humans, humans blamed elves - the usual. But nobody can wage a war forever - if not for economic reasons then for the sheer fact it starts to seem meaningless after several decades of largely no progress in either of the side's favor.
King Langdon III, Isaac's father, decided to make his name in the annals of his kingdom as the great peacemaker. He could drive the final blow to the elven kingdom if he decided so - after all, during the rules of Kings Horatio I, Langdon II and especially Tiberius V, Isaac's grandfather and Langdon III's father, the humans made several great breakthroughs in technology, which allowed them to take the upper hand over the elves - firearms exceeding the range of elven bows, steam powered siege engines impervious to any weapon crafted by elven smiths, even flying machines, soaring far above the reach of best elven archers. But King Langdon III felt his people were growing tired of the contstant state of war and suspected the elves might feel the same. Actually, he knew if he was in the place of Auberon IV, the king of elves, he would beg for a peace treaty long ago - but he also knew the elves were too proud, perhaps even foolhardy to accept one-sided defeat. Thus, king Langdon III offered a mutual peace treaty between the kingdoms, which, to prince Isaac's annoyance, pivoted around royal wedding between human prince and elven princess.
Prince Isaac however felt like he isn't prepared to get married, even less so for complete stranger He knew elven women were considered very beautiful, but none of the elven women he ever saw before was up to his tastes. Not only were they usually much taller than him, but prince Isaac had sort of peculiar taste when it came to women. He never admitted that, because he felt ashamed of it but he was really attracted to women missing limbs. But from what he knew, elves were always perfect. He remembered hearing a tale of Elven warrior who survived being banished to deep woods centuries ago and lived with human lumberjack, but nobody ever saw living, breathing elf with missing limbs ever since - even in the face of total annihilation, the elves kep their bigoted views and their permanently injured soldiers were still sacrificed to keep up the aura of their race's flawless perfection. No - he was destined to marry not for love, but for politics. What does it matter if she was a woman of race which appeared physically perfect in everyone else's eyes: To him, that argument was hollow. Yet, being a gentleman, he still felt the need to introduce himself - she was their honored guest and, if everything goes according to plan, they were going to spend the rest of their lives with one another, so getting to know her can't hurt.
Knocking at the elven princess' chamber door, he heard her answer in weak, timid, yet melodic voice: "C... come in!" As he opened the door, prince Isaac was thoroughly surprised by the appearance of his future wife: She was beautiful, yet not in the expectable elven manner: She was slightly shorter than him, with beautifully rounded hips completely unlike any elf he ever saw before. She had jet black hair and shy expression of a trapped doe, trying to avoid eye contact with him. "Greetings, i'm prince Isaac, your... ahem... future husband? pleased to meet you..." he approached her with outstretched hand." "Oh... Hello, my Lord... i'm Delia... she replied, turning her eyes to him. As she saw his hand, a panic appeared briefly in her eyes before she timidly rose her right foot and took Isaac's hand in it. At thet moment Isaac noticed - Delia had no arms - her outfit should have made that detail apparent, but Isaac never expected elven princess to lack any appendage, let alone both arms at her shoulders. Gently squeezing her foot, he kissed her ankle to Delia's surprise. "I'm sorry, my Lord i am... This..." she said... "My father thought he will get rid of the family shame i am and be free to marry off my beautiful sisters to the counts of elven colonies across the sea, but if you send me back i'm sure you can negotiate an exchange for one of them..." "No!" said Isaac perhaps too sharply, startling Delila. "How could i do that? You're our honored guest, and if your family doesn't treat you well it's even more so our duty to keep you safe with us!" "But my father treats me well! He loves me! He kept me alive in secret despite the fact i was born... damaged - is there a greater sign of love?" "Delia... you are not damaged. To me, you are more beautiful than any woman i ever saw - human or elven. I would never return you back - even less so now that i know how you were treated - Yes, you might consider it a kindness on your father's part and i've no doubt he genuinely thought so too, but even so, sending you back to this life would be cruel. Here, you can be free - go wherever you want, meet whoever you wish, not hidden out of sight because of some preposterous superiority complex your father refuses to let go of." "You... you want to marry me, then, my Lord?" "Please, drop the lord, Delia, i'm Isaac." "So you want to marry me... Isaac?" "I always imagined i would marry for love, not for political machinations. But that's something you and i can work on together, but only if you want to marry me, Delia?." "I would love to, Isaac!"
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notkingyet2 · 2 months
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Because of reasons, I need to know the questions and (correct) answers for a Royal Navy lieutenant's exam from the Victorian era.
Ideally I would like to see the questions and correct answers for an exam from between 1845-1850 but at this point I'll take anything from the 19th century as a whole.
So far I've found...
• a late 18th/early 19th c. naval officer's papers that include sample questions, but not answers. • an item in the Greenwich Maritime Museum's collection called "Examination paper for rank of lieutenant, Royal Navy." and described as, "Likely the exam De Chair sat in order to quality as a lieutenant, the paper provides an example of the lieutenant's exam. The paper includes translations to and from French and practical navigation. It also includes sundry annotations of navigational calculations." However there is no photograph of the paper online, nor is it currently on display at the museum. I have emailed the curators for more information but am still waiting on a reply. • that one episode of Horatio Hornblower.
Any further information or nudge in the right direction would be greatly appreciated. Thank you!
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An audience with... John Paul Jones
(from Uncut, April 2010 - link)
You’re stuck on a deserted island, you have one instrument you can bring. It is: a) piano, b) bass or c) mandolin? (Gary Attersley, Ontario, Canada)
Oh… that’s horrible! I’ll probably get Hugh Manson – the guy who builds all my bass guitars – to build me some monstrous instrument that encapsulated all three! Hugh and his brother Andy Manson once actually designed me a triple-necked guitar with 12-string guitar, six-string guitar and mandolin on it! Andy also designed a triple-necked mandolin. But I guess if it really came down to it on a desert island, it would have to be the piano, because you can do so much on it. You’re a whole band. The bass is not much fun on your own.
John, it’s so good to see you so engaged with today. Any advice for old farts who can’t move on? (Andrew Loog Oldham)
Who are you calling an old fart? I dunno, Andy, you tell me! Ha ha. He’s done a good job of staying up to date. Andrew, of course, gave me the name John Paul Jones. I was John Baldwin, until Andrew saw a poster for the French film version of John Paul Jones. I thought it ’d look great in CinemaScope, as I wanted to do music for films. I imagined it saying “Music By John Paul Jones”, over the whole screen. I never realised then that he was the Horatio Nelson of America!
I know that you’ve been getting heavily into bluegrass lately – who are some of your favourite bluegrass artists of all time? (Ryan Godek, Wilmington, Delaware)
Apart from Bill Monroe, you mean? Oh, there’s loads. I’m friends with the Del McCoury band, I love that style of classic bluegrass. I love Sam Bush’s Newgrass stuff. And of course there’s Nickel Creek, Chris Feely, Mike Marshall. I love it all, really. One thing I like about bluegrass is that you don’t require amplifiers, drums and trucks. You can pull an instrument out of a box and get on with some instant music making. I carry a mandolin around wherever I go. I also like the fact bluegrass musicians play more than one instrument. There’s a tradition of them swapping instruments. In bluegrass bands I swap between double bass, fiddle and banjo.
One Butthole Surfers anecdote, please? (Dave Grohl)
Ha! I was brought in to produce the Butthole Surfers’ 1993 album, Independent Worm Saloon. I guess it was to give it a heavy rock vibe, but it didn’t work like that. They were actually incredibly hard-working in the studio, but I do recall running up a phenomenal bar-bill at the San Rafael studio. And then there was Gibby [Haynes, Butthole Surfers’ frontman] and his… eccentric studio behaviour. Gibby did one vocal take shouting into his guitar. He held it out in front of his face and screamed at it. Ha! He was trying to find out if it picked up through the pick-ups, which it kind of did. And that was pretty good.
How’s the violin coming along? (Sean, Berkshire)
I started about three years ago. With the guitar, or the piano, you can sound OK quite quickly. With the violin, it takes much longer. Once you get past the first six months of scraping, of muttering to yourself, “What is this fucking horrible noise on my shoulder?” you get the odd musical bit, and you think, ‘Oh, this is starting to get good.’ And you continue with it for a while. I’m getting into country fiddle playing, Celtic folk songs, a bit of swing. Basic stuff, but very satisfying.
Why not record a second ‘Automatic For The People’ with REM? (Franz Greul, Austria)
They haven’t asked me! But doing the string arrangements for that album was a great experience, actually. They sent me the demos of their songs, and we went into a studio in Atlanta, with members of the Atlanta Symphony Orchestra. They were great songs, something you can really get your teeth into as an arranger. And I’ve been good friends with them ever since.
How did you first meet Josh Homme? And is he still a notorious party monster? (Rob Hirst, Kippax, Leeds)
Well, I think we’ve all calmed down rather a lot. Dave introduced me to Josh at his 40th birthday party. It was a ridiculous themed place where they have jousting with knights. As Dave said, it was like somewhere you’d have your 14th birthday party. Or maybe even your 4th. Anyway, Dave sat Josh and I together for a blind date. Which was reasonably embarrassing for both of us, surrounded by people going “prithee this” and challenging each other to duels. But we survived the trauma and went into the studio the next day, and just started jamming. And I knew immediately it was going to be something special.
If Them Crooked Vultures had Spice Girls-like nicknames what would they be? (Paul Jones, Liverpool)
Dave would be Smiley Vulture. He can’t stop grinning. Josh would be Slinky Vulture. He’s a slinky kinda guy. And I’d be Speedy, I guess. Or Jumpy. So there you go. Smiley, Slinky and Speedy. Or does that sound more like the dwarfs?
I remember you being a pretty funky bass genius back in the day! What memories do you have of those sessions? (Donovan)
The sessions with Don and Mickie Most were great, because we were given a free hand. I usually got leeway, because I was the sort of Motown/Stax specialist, so producers in the mid ’60s would get me in for cover versions of American records, and none of them could write bass parts convincingly enough, so I was London’s answer to James Jamerson, I guess! And I was certainly encouraged to get kinda… funky when I worked with Donovan.
How did it feel to see Jimmy Page and Robert Plant venture off in their own project in the ‘90s without mentioning a word of it to you? (Danny Luscombe, Hull)
Oh yeah, I was pissed off about it. The surprise was in not being told. It’s ancient history now, but it was a bit annoying to find out about it while reading the papers. It came just after Robert and I had been discussing the idea of doing an Unplugged project. Then I’m on tour in Germany with Diamanda Galás, I turn on the TV and see Robert and Jimmy doing it, with someone else playing all my parts! I was pissed off at the time. You would be, woudn’t you? But… it’s all in the past, isn’t it?
Did you listen to much work by Josh Homme or Dave Grohl before you were contacted in relation to joining Them Crooked Vultures, and if so, how did you honestly rate it? (Ralph Ryan, Lisronagh, County Tipperary)
I did like the Foo Fighters and Queens Of The Stone Age, before I’d met either of them. There’s a tendency for people – especially musicians from my generation – to say that there has been this terrible decline in musicianship, that today’s bands haven’t got the chops, blah blah blah. But that’s not true at all. There’s always some people for whom technique on an instrument isn’t necessary. They can get their ideas across without being able to have the chops. But Josh really does have the chops, he just doesn’t feel the need to flash them about all the time. In fact, there were a few riffs he gave me that I had to simplify, because they were bloody difficult to play. I really had to work at it, where he could just flick it off. He is an astonishing musician.
Were you serious when you told Peter Grant that you wanted to jack it in to become choirmaster at Winchester Cathedral? (Brian Fisher, Manchester)
Ha! That was a tongue-in-cheek joke, although I was serious about leaving Led Zeppelin in 1973 unless things changed. But Peter did sort things out pretty quickly. What kind of choirmaster would I have made? A bloody good one! Listen, any way that they’ll pay you for making music is just the best situation in the world. I’d do it for nothing. I don’t care what music it is. I just love it all. The rubbing of notes together. I love it all. I would be very passionate about whatever I decided to do.
What was the worst session you ever did as a jobbing session player? (Adam Burns, Castleford, West Yorkshire)
I generally have fun memories of that time. I’d criss-cross London playing two or three sessions a day, going between Trident and Olympic and Abbey Road and Philips in Marble Arch, you know. You’d be backing Shirley Bassey, Cat Stevens, Lulu, whoever was paying you. The worst experience was a Muzak session. With Muzak sessions, the music was deliberately boring. I distinctly remember one session where I embellished the bass part a little bit, just so that it wasn’t so boring for me to play. They said, “No, you can’t do that. Any interest in the music will distract people’s attention from when they’re meant to be eating.” Or standing in a fucking lift. For fuck’s sake! So I was like, “OK, thanks, bye!”
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sugarcain-sims · 2 years
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douglas goes out on the town with some friends, old and new. and yes, they absolutely break it the fuck down on the dance floor with a preset i specifically made for this club but i might mess with it more bc it’s not dingy enough
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AND WE FINALLY GET TO SEE ADEWALE SMILING!!!!!!
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