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#but with later context it is pretty horrifying
Note
1 and 2 for the writing ask game!
1- what is the dumbest possible version of the next sentence you need to write?
Now that Heaven was, for all intents and purposes, ghosting Aziraphale, he had no idea what he was going to do going forward.
what is the dumbest possible description of the scene you are trying to work on?
crowley and aziraphale stand in the bookshop and stare at each other blankly as they realize that they seem to be free (or at least, that heaven/hell have discreetly fired them, so discreetly in fact that they literally just stopped all communication with them) (and also crowley might get evicted soon)
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gallifreyanhotfive · 2 months
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What Stories Are About the Academy Era? A Guide
@zombies-sold-cheap
Context:
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Stories set in the Academy Era/Otherwise Early Days are sparse to say the least (even Divided Loyalties only shows you the Academy through a dream), but you can actually piece together a pretty decent chunk of the Doctor’s early life (while it still remaining very mysterious) using the Expanded Universe. I've done a lot of infodumping in my time, so I'll do my best here by typing up my personal reference guide to this era. Anyway:
Theta Sigma and his friends would attempt to climb Mount Cadon. At the peak, you could apparently see all of time, but they never got to the top because of hallucinogenic snow. While attempting such a climb, Vansell broke his leg, and Theta Sigma fixed it with a time bubble he made from a sonic wrench and some twine. (Audio: Devil in the Mist)
Theta Sigma and Koschei traveled into the past of Gallifrey in search of Valdemar. Theta was horrified by the power that Valdemar represented, but Koschei was intrigued. (Novel: Tomb of Valdemar)
Theta Sigma time-locked his dorm room so thoroughly that even centuries after he graduated they hadn't managed to undo it. (Audio: Time in Office)
Theta Sigma also once used the food machine to get mercury for his own science projects and in doing so almost caused his professor to regenerate. (Audio: Time in Office)
At some point, Theta Sigma and Koschei traveled to the planet Machasma and used sonic agitation to get them out of trouble. (Audio: Darkness and Light)
Theta Sigma, Koschei, and three others were part of a band called the Gallifrey Academy Hot Five (see: my username). Theta Sigma played the perigosto sticks, and Koschei played the drums. (Novel: Deadly Reunion)
Millennia came from a wealthy family and was gifted in temporal engineering. She and Rallon had a "thing" for each other (wink wink) (Novel: Divided Loyalties)
Theta Sigma once made High Tutor Albrecht regenerate in an incident involving a perigosto stick and a temporal feedback loop. He was reprimanded by Borusa for this. (Novel: The Time Lord Letters)
Koschei was obsessed with the Necronomicon. (Short story: The Nameless City)
Runcible was the hall monitor at the Academy and regularly got into conflicts with the Deca because it was his job to make sure students were in bed after dark. They have mutual hatred of each other. (Novel: Divided Loyalties)
Indeed, the Master would one day stab him in the back and kill him. (Television: The Deadly Assassin)
Drax built a skimmer and would sometimes use it to take Jelpax home because they lived close to each other. (Novel: Divided Loyalties)
Theta Sigma attended Ushas's 94th birthday party. (Novel: The Death of Art)
Theta Sigma engineered a dangerous bacteria that rendered all multicellular life that came in contact with it comatose. This was a huge scandal on Gallifrey, and the Academy thoroughly hushed it up and had all samples destroyed. However, Ushas kept a sample and would one day use it in a scheme as the Rani. (Audio: Planet of the Rani)
Koschei taught Theta Sigma hypnosis. He'd also hypnotize others a lot because he thought it was amusing. (Novel: The Dark Path)
Mortimus once asked Ushas out but was so thoroughly rejected that he thought she wasn't interested in dating at all. Unbeknownst to him, Ushas later had a relationship with Magnus. (Novel: Divided Loyalties)
Theta Sigma and Koschei were bullied by Torvic. Theta was eventually forced to kill Torvic to save Koschei's life, but when Death came to offer Theta to be their disciple, he had Koschei take his place. He forgot about this deal and lived for centuries under the impression that their places had been swapped and that it had been Koschei to kill Torvic. (Audio: Master)
Despite this, he apparently drew pictures of Torvic in his diary. (Short story: The Three Paths)
Theta Sigma was also bullied by Anzor at the Academy. Anzor would use a galvanizer to make Theta do his navigational homework. He also turned another student named Cheevah into a crystal and threw him off a bell tower. (Audio/Novel: Mission to Magnus)
Koschei was in charge of organizing the end of term parties, but the Eighth Doctor recalled that they weren’t good. (Comic: The Glorious Dead)
Theta Sigma and Koschei would sneak out of the Capitol and go drinking with the Shobogans. (Novel: The Eight Doctors)
Theta Sigma was given an avatroid named Badger as a young child to act as his friend, protector, and tutor. He apparently gives bone crushing hugs. (Novel: Lungbarrow)
Theta Sigma did not have a good relationship with most of the House of Lungbarrow. Indeed, his first memory is of Satthralope smacking him so hard he could not walk afterwards. (Audio/Novel: Cold Fusion)
Satthralope would also let the drudges attack Theta if he refused to come to dinner. Drudges are basically servants of the Houses, about two and a half meters tall, and strong enough to hold a fully grown Time Lord in one arm. (Novel: Lungbarrow)
One time, those at the House of Lungbarrow wanted Theta Sigma to return home for Otherstide and even sent Badger to collect him. Theta refused, so they contacted his professor Delox, who proceeded to expel him from her classroom after chastising him on his family in front of the entire class. After this, Theta appeared to exhibit many of the signs I associate with a nervous breakdown. Distressed, Theta came up with an idea that would prove he wasn't what they all said he was - he would go after the Toymaker. (Novel: Divided Loyalties)
Millennia and Rallon were the only two to join him on this trip, the rest of the Deca thinking them mad. They stole a Type 18 TARDIS, and after making it to the Toyroom, Rallon's body was basically immediately taken over by the Toymaker. The Toymaker had Theta play a game of Capture the Flag. He turned Millennia into one of his dolls, and Theta returned to Gallifrey, the only survivor. (Novel: Divided Loyalties)
Because of these events, Theta was put on trial. The only two to attend this trial to support Theta were Jelpax and Magnus. Vansell showed up but only to reveal that he had been working with the CIA, having been tasked with watching Theta. Koschei and Ushas had been off working on a research project at the time. (Novel: Divided Loyalties)
While Theta, Rallon, and Millennia were gone, Mortimus ran away from Gallifrey, which made many think he had gone with them, and eventually also ended up in the Toyroom. (Novel: Divided Loyalties) Other accounts suggest Mortimus left Gallifrey later, so perhaps he returned after this trip.
Theta Sigma was on the same zero-grav hyperball team as Padrac, who he called "Paddy." (Audio: The Eleven)
Theta and Koschei's "kindergarten spat" apparently almost destroyed the planet. During this time, Theta used to call Koschei "Scabby Knees." (Audio: Blood of the Time Lords)
Theta Sigma had no friends in his very early life. Instead of creating imaginary friends, he had an imaginary enemy called Mandrake. Mandrake was actually a dead lizard he pinned to an engine part that Theta would defeat using a stick. (Audio: The Widow's Assassin)
There was a Hermit who lived behind the House of Lungbarrow on the mountain. Theta Sigma once went to him, depressed and full of despair, and the Hermit showed him hope in yellow flowers. (Television: The Time Monster)
Shimmerlings live in the time vortex, but after a storm, they were stranded on Gallifrey and dying. A very young Theta Sigma saw the Hermit throwing them into the Untempered Schism to save them. Theta asked him what was the point because he wouldn't be able to save them all before they died, and the Hermit taught him the value in saving who he could, despite not being able to save everyone. (Audio: Crossed Lines)
Theta Sigma was the Time Tot Hide And Seek Champion for 42 years in a row, which apparently drove Ushas nuts. (Comic: Weapons of Past Destruction)
When Maris - a retired CIA agent - was hired to find out where Theta Sigma, now probably the Doctor, had run off to in the TARDIS, Ushas and Koschei kidnapped her, interrogated her in an attempt to find where the Doctor had gone, and eventually almost killed her when she knew nothing (she was extracted from the situation before she could be murdered). (Short story: Celestial Intervention - A Gallifreyan Noir)
After graduating, Magnus rose quickly in Time Lord society, which Borusa felt threatened by. Borusa had the CIA manufacture evidence implicating Magnus in treason, leading to him fleeing Gallifrey and becoming a renegade. (Novel: Timewyrm: Exodus)
Koschei befriended a professor at the Academy named Salyavin because he wanted access to the restricted libraries. He wanted to find The Worshipful and Ancient Law of Gallifrey, an act which was illegal. Salyavin took the blame for this, was sent to Shada, and stole the book (since he was condemned anyway, he might as well). (Short story: The Legacy of Gallifrey)
Theta Sigma and Ruath, another student at the Academy who was obsessed with vampires, once electrified Borusa's perigosto stick. (Novel: Goth Opera)
After the Academy, Koschei attended a ritual with Theta Sigma and Susan, then likely called Arkytior, in Arcadia. Here, he gave her a toy, which was actually a communication node that he planned to use to find Theta and her if they ever left Gallifrey. (Audio: The Toy)
According to one account, Koschei led students at the Academy in a coup against Lord President Pundat the Third and tried to convince Theta Sigma to join. Pundat died of stress soon after the revolt and was replaced with Chancellor Slann. There was a second coup, but they were overheard by the authorities trying to yet again convince Theta to help. After each coup, there were bloody reprisals against the students, but Theta, who was not involved, had his memory wiped. Koschei assassinated Slann, but the students weren't ready for another go. He ended up fleeing Gallifrey. (Short story: Birth of a Renegade) There are, however, many other accounts of him fleeing Gallifrey.
Koschei and a "friend" were locked in a bathroom of a bar in the Tower by the Time Lords after a prank gone wrong. The two fought, and the friend left Koschei behind in the Tower, where he remained locked in for centuries. (Short story: Rebel Rebel)
Theta called Vansell "Nosebung" and continued to do so for centuries. (Audio: Neverland)
Theta Sigma came in fourth place in the Time Lord Academy Sprint Championship. (Comic: Space in Dimension Relative in Time)
Theta Sigma fed a snapping wart fowl to Valyes's summer project, and Valyes still holds a grudge over this. (Audio: The Next Life)
Flubbles are koala-like animals with six legs. Theta Sigma used to keep one under his bed at the Academy as an illegal pet. He almost got caught when she went into heat and started performing her mating call. (Novel: Island of Death)
Theta Sigma used to chase tafelshrews - a species almost like rodents - through the snow of Mount Cadon. (Short story: The Three Paths)
By some accounts, Theta Sigma was loomed, and by some, he had parents. In a version where he had parents, his father and Mr. Saldaamir were once working in the House and were therefore ignoring Theta. Because of this, Theta, at this point a small child, caught a cobblemouse and set it loose in the House, interrupting their plans. (Novel: Unnatural History)
A cousin of Theta's - Glospin - used to bully him quite a lot. He once claimed to find evidence in the Loom pointing to the fact that Theta did not belong in the House of Lungbarrow. If this was believed, Theta Sigma would have been executed. This caused the two to have a physical altercation. (Novel: Lungbarrow)
During this fight, Glospin got a genetic sample from Theta, allowing him to force a regeneration into a Theta lookalike. Then, Glospin murdered Quences, the Kithriarch of the House of Lungbarrow (basically the head of the family), before regenerating again, thus framing Theta for the murder. This was because Glospin wanted to become the next Kithriarch instead of Theta, but because of this, the House of Lungbarrow buried themself (the Houses are sentient, did I mention that?) for centuries. (Novel: Lungbarrow)
Despite doting on Theta (and Theta generally being his favorite), Quences had been convinced by Satthralope to disown him when he announced he didn't want to be a Lord Cardinal. (Novel: Lungbarrow)
Some of Theta's cousins include Quences, Satthralope, Glospin, Innocet, Arkhew, Owis, Salpash, Luton, Rynde, Jobiska, Maljamin, Farg, Celesia, Chovor, DeRoosifa, and Almund. (Novel: Lungbarrow)
Grandfather Paradox was also of the House of Lungbarrow from the same generation as Theta, but of course, he never actually existed. (Novel: Christmas on a Rational Planet)
Pandad VII issued a Burn Edict on Braxiatel, but Braxiatel killed his would be assassin. As punishment, Braxiatel was forced to take up the mantle of Lord Burner for some time, the personal assassin for Lord President Pandad VII. He was ordered to erase an old man and his granddaughter (wink wink) who were fleeing Gallifrey from history but refused to do so and let them go free. That very same day, Pandad died when a power relay that was in his office overloaded, but an inquiry led by Braxiatel found that this was an accident. Just an accident. Nothing shady going on here. (Audio: Disassembled)
Magnus tried to drain the Artron energy from a giant sphere from the time vortex. Theta Sigma opposed him and used the gun of a member of the Chancellery Guard to stop him from draining the energy because he had learned that the energy was alive. This set the energy free. Magnus never forgave him for this, and their friendship ended. (Comic: Flashback)
Theta Sigma had a great aunt lived in a house high in the mountains. She would sing him lullabies. The Eighth Doctor said she was "terrible." (Audio: Together in Eclectic Dreams)
Anyhow, I'm spent, so I'll post this now. Might add on some more later lmaoooo
Don't forget to check out the next part in the reblogs!
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shijiujun · 4 months
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A Summary: The Spirealm | 致命游戏 (Kaleidoscope of Death 死亡万花筒 Live Action) & Why You Should (Eventually) Watch It
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Talk about the most short-lived drama release ever, not even totalling two hours if I recall. Creating this summary as I've seen a handful of confused friends, so here it goes!
It's going to be a long review because I sped through all 78 episodes and only properly watched the first two doors, but I got you. You'll get both the brief book rundown and the drama parts!
If you just wanna see the bromance (LOVE) parts please skip to section 4!!!!
1. Overview
Title: The Spirealm (kinda awful I'm sorry it's a mouthful) or 致命游戏 which means fatal game
Adapted From: Danmei (BL) Kaleidoscope of Death by Xi Zixu
Novel Prints: There are GORGEOUS Thai, Vietnamese, Simplified and Traditional Chinese versions printed, AND Singapore publisher Rosmei has signed the license for the ENGLISH version, probably going on sale this year (preview is here). You can still access fan translations by Taida on I think wordpress and someone else on Tumblr sorry bad memory (they did half and half each) if you'd like to read it for context. It is one of my FAVE danmeis EVER and I am a die-hard OG book fan, check out my full danmei review here.
Total Episodes: 78 (20 minutes each with the exception of last episode which 10 minutes, with several BTS not that I think we will get to see all of them yet)
Where to Watch (LOL): Erm considering that iQIYI China AND International took the episodes down, there is no legal way to watch this, BUT thanks to some cnetz with super fast and great wifi, we managed to get ripped HD versions without subs. iQIYI is very hard on copyright though, they've taken down several subbed and unsubbed versions already on YouTube, but you should type the titles of show into Twitter and the top tags will tell you where to access the raws and very little subbed episodes, that may also be taken down at any point. I have the Chinese raws but as it's hosted on a cloud, I had to pay to access it.
Main Characters: Lin Qiushi & Ruan Nanzhu/Ruan Baijie (in the novel) and Ling Jiushi & Ruan Nanzhu/Ruan Baijie (in the drama)
Produced By: iQIYI so for SURE they won't film it fully BL even if the original is, but I've seen enough bromance cuts
Main Actors: Xia Zhiguang (Ruan Nanzhu/Ruan Baijie) + Huang Junjie (Ling Jiushi)
2. Summary
Book (drama follows closely if not removing the supernatural premises): Lin Qiushi, a designer, opens the door to his home one day from inside and sees 12 iron doors outside. Confused, he opens one of them and arrives at a snow covered village in the mid of winter, and meets Ruan Baijie, who's a pretty, unusually tall and whiny/timid woman. They realise that they're in a horrifying door game, and they'll have to find a door and a key to get out, while battling a long-haired, human-eating deity. They, along with a few others, have to survive day after day until they get out, and on the first night, two people have died in gory ways. Ruan Baijie and Lin Qiushi partner each other, and despite seemingly timid and crying all the time, she saves Lin Qiushi a few times mysteriously, and Lin Qiushi finds himself trusting in Ruan Baijie.
They get through the door together and when they leave successfully, Lin Qiushi realizes that the people who died in the door will die in real life by some freak accident too - car accidents, forced suicides, a robbery gone wrong, a lift trapped in the air and going ablaze, and more. That night, Lin Qiushi wakes up to see a super handsome and tall Ruan Nanzhu at his bedside and this man feels familiar to him, but he can't put a finger on it. All he can think of when Ruan Nanzhu says his name is Ruan Baijie (ahem he would later find out who it is of course). Ruan Nanzhu takes him to his mansion in the suburbs where he meets a group of other people just like them, who're forced to go through the doors for survival. Ruan Nanzhu then invites him to join Obsidian, his organization.
Through various doors, Lin Qiushi grows and supports a super intelligent and powerful Ruan Nanzhu, falls in love with him, gets through many many scary doors with him and some of their other team members, makes friends, loses them to the cruelty of the doors as they ponder over what the door means, and what being alive/dying means.
And at the end of it, at the end of of it all, when they're all good and living their life, Lin Qiushi also finds out what Ruan Nanzhu's secret is, and the lengths to which Ruan Nanzhu went to, just to be with him.
Drama: Ling Jiushi is a VR game designer who gets pulled into a game, and he meets Ruan Baijie (in his male form) right off the bat (SO NOT CROSSDRESSING I AM SAD). All the parts are actually the same as the novel, albeit with the game setting and Ling Jiushi and Ruan Nanzhu's identity adjustments to suit the game premise. Most of the other doors and their lines are the same, just that the ending is a bit more confusing than it could be. There's a big bad as well and they actually show the opposing organizations when in the novel, these other organizations aside from Obsidian didn't even actually have a face or goal to them.
3. Characters
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^ Them in the book (based on manhua that never got to go live LOL) (RNZ/RBJ left, LQS right)
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^ Them in the show (LJS left, RNZ right)
Ruan Nanzhu/Ruan Baijie: MY HANDSOME CROSSDRESSING INTELLIGENT ALOOF BUT WHINY (WHEN IT COMES TO LIN QIUSHI) SASSY BOSS!!!! He's super mysterious and super thick-skinned too, and all he wants is Lin Qiushi's attention the moment he meets him. He's intrigued by Lin Qiushi's calm and his brains and the way he handles things, and has a lot of trust for him right from the get-go. This is also shown in the drama itself. As the leader of Obsidian, he cares a lot for his team members and his friends even if he doesn't show it most of the time, and the last thing he wants to do is lose Lin Qiushi, and he would do ANYTHING for Lin Qiushi, ANYTHING!!! Just look at him whining:
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Ling Jiushi (Lin Qiushi): In the novel he's super calm, has quite a lot of brains, a little bit of a blur in the beginning but he's super smart as well. Worries a lot for Ruan Nanzhu and is also a loyal friend to some of his only friends, and feels a lot when he loses them. Falls gradually in love with Ruan Nanzhu in the novel, like they just belong together. In this drama, Ling Jiushi holds that same trust for Ruan Nanzhu, but in demeanour he seems a bit more like a klutz and and not as cool as he was in the novel, but I guess it's acceptable. Literally like the only thing he loves more than RNZ (maybe) is his cat Chestnut LOL and RNZ is NOT really happy about that but Chestnut LOVES RNZ
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Yixie and Qianli: CUTEST TWINS ;-; WHO TREAT RNZ and LQS as their big brothers LOOK AT THEM BOWING AND RNZ/LJS like parents LMAO
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A handful of other characters who will keep turning up and get your hearts ;-;
4. ALL FAVE BROMANCE MOMENTS + TROPES
THEY TOUCH EACH OTHER A LOT LIKE HOLDING HANDS AND TOUCHING FACES, PIGGY BACKING?!?! DID I MENTION FACE TOUCHING
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WHUMP WHUMP WHUMP WHUMP THEY HELP EACH OTHER WHEN HURT OR GET HURT FOR EACH OTHER
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AND WHEN THEY WAKE UP IN BED THE OTHER IS AT THEIR BEDSIDE
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AND DID I MENTION HE FEEDS HIM IN MORE WAYS THAN ONE
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AND THAT THEY DATED UNDER THE FIREWORKS LIKE THE NOVEL DOES NOT EVEN HAVE THIS SHIT
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AND THE KABEDONS
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AND FINALLY RUAN NANZHU RIZZ OMG
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5. Settings
They REALLY OUTDID THEMSELVES. THIS JUST FROM DOORS 1-6:
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THEY LOOK EXACTLY LIKE THE NOVEL DESCRIBED!!!!
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6. Overall Thoughts
PROS: This was NOT a cheap production, I'm telling you, they followed the cases very well and there're a lot of super recognisable lines, if not ALL of them, even if they changed the cases a little. I think they did it because in the novel originally, the author DOES leave a lot of details hanging like someone dies and you know he had a background and there are some shady things happening but the author NEVER actually goes into detail. So the drama did their best to cover these loopholes, even if it felt a little awkward at times. Money went into settings and attires and every damn thing, this looks EXPENSIVE. And if you've ever imagined each door and the bosses inside in your head, you might have felt chills go down your spine because damn did they really colour the book's settings for me (despite its differences). DID I MENTION that Xia Zhiguang really got the damn memo and he was a passable Ruan Nanzhu/Ruan Baijie who knew how to turn on his BL eyes. PLUS they really did some of the character deaths really well - they're technically some of the biggest parts of this story so ;-; (not two main of course)
CONS (maybe): They did away with the supernatural/horror premise and replaced it with a GAME premise, which means that there's a scientific element to it and the try to explain away stuff with the game, including the ending. I don't 100% get the ending, but the feel/vibe is about the same. Might not be for hardcore reader fans tho! They skipped out on a couple of doors, some of which were my faves, but it's fine, it's long enough LOL. They give away/explain some of the clues and surprises super early which means you don't get that added boom at the back as well. Despite that, I have to say they tried to round up the loopholes from the book as much as they could and give it an explanation while tying elements/conspiracies across doors (probably also to save cast fees LOL). And as always it's not a solid ending, it's an open confusing one, and even more confusing than the book itself because THERE IS NO CERTAIN HAPPILY EVER AFTER WITH HUBBY for it (there is in the book tho, they live together happily every after). Secondl,y, I'd say HJJ's acting is a bit stiff and OOC compared to the novel, but Xia Zhiguang really made up for it.
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HOPE THIS HELPS YOU GUYS!!! But I guess if you need subs it's going to be a long LONGGGG ride, considering that iQIYI doesn't seem to be going to be able to put it up anytime soon CRIES.
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ilikekidsshows · 6 months
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The Totally Spies-ification of Adrien
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Okay, it's been long enough that I can actually discuss how Adrien's slavery is depicted in the show without anger-fueled exaggerations and hyperbole. I want to discuss how Miraculous treats Adrien's slavery very flippantly and how it is, like everything in this show post-retool, all about Marinette. The show has a lot of stuff that hints that the writers intend for Adrien to be viewed a very certain way. I believe the writers made Adrien a slave for Marinette’s benefit and I will explain how I came to this conclusion.
I’ve joked before about how Astruc has worked on Totally Spies, “one of the kinkiest cartoons ever made”. I’d like to tackle this idea and how it relates to Miraculous more seriously. I’d like to tackle the topic of titillation and how it relates to how this show approaches slavery with such flippancy. My claim is that Adrien being a slave is not meant to be horrifying, which is why the story doesn't treat it as such; it's meant to be titillating.
I usually don't use Read Mores, since they can lead to broken links later, but this is really long. Strap in, folks.
Titillation for the context of this analysis means “content with the intention to excite romantically or sexually”, basically it’s about “kinky” stuff. The purpose of talking about sexuality in relation to Miraculous is not to paint the writers as some kind of fiends, but to present the fact that many teenagers are curious about romance and sex and will think about sex unprompted. This means titillating content in cartoons doesn’t even need to be related to sex to be titillating. And Astruc has a history of putting titillating stuff in his work, with Totally Spies being a very notable example of how you can include non-sexual titillating content in a kids’ show.
It all comes down to expected audience reactions. Adrien is meant to be sexy. I don’t mean that in a “the writers think this is sexy” way, but a “the writers think the projected audience of straight teenage girls will think this is sexy” way. He gets put into bondage three times in ‘Copycat’, ‘Anti-Bug’ and ‘Reverser’ and all three times the camera seems to like to show him off. He is meant to be an object of attraction for the audience. The people criticizing this show have been pointing out how Ladybug's costume accentuates her butt for years, but this is not something that occurs with just Ladybug. When he isn't posing for the viewers, Cat Noir gets whacked around by Akuma’s a lot, but a lot of the time it ends with him in a prone position that is also titillating, in ‘Pixelator’ it goes as far as having his butt jut out. However, the idea that Cat Noir is the one who gets hit when an Akuma needs to show off how dangerous they are is also part of the power dynamic where Marinette or Ladybug gets to show off, so it’s not purely for titillation, which is why other examples, like ‘Stormy Weather’ are more comedic.
It’s likely that Adrien-as-Adrien doesn’t get to participate in the show’s slapstick much, since that aspect of the character is presented as the perfect beauty, a role usually reserved for female characters who only ever get a little bit flustered or banged up to make sure they keep looking attractive. Marinette screams "waack" and runs face first into a wall in the same episode where the silliest thing Adrien gets to do is sneeze (Mr Pigeon). Adrien is meant to be attractive, sexy, titillating, in different ways in his different forms. As Cat Noir he is more active and more sexy, as Adrien he’s more passive and pretty, much like how female love interests can fall into these categories. It’s the Betty and Veronica dichotomy; in the Archie franchise Betty and Veronica are shown as the wholesome and sexy romance options and the reason the writers go out of their way not to resolve the love triangle is to keep the appeal of these both options going. People’s tastes differ, so it would alienate some audiences to pick one over the other. With Miraculous they solved the problem by having the two romance options be the different identities of a single character.
Frankly, as of the season five finale, Adrien is approaching “sexy lamp” levels of replicating sexist ways of writing a female character but just changing the gender. What else do you call him lying on the floor in despair while his love interest gets his superpowers and uses them to beat up his abusive father, while somehow being perfectly fine and happily kissing Marinette later after said father is dead and gone? Adrien’s trauma is debilitating when it serves the writers’ purposes, but stops being a problem as soon as they need him to smile and look pretty. The main reason Adrien’s trauma is so inconsistent is so that he can act as Marinette’s trophy so that Marinette has somebody to kiss in the final shot. If Adrien was despairing about not being good enough for her, or grossly crying about being an orphan, Marinette wouldn’t have a fun time kissing him. And if Marinette isn’t having fun, the members of the audience projecting onto her aren’t having fun either.
Speaking of how Adrien’s depiction relates to Marinette, here comes the controversial part of this post: while Marinette is not depicted as a literal slave owner in-story, narratively, she is very much treated as Adrien's owner from a meta perspective. We, the viewers, are meant to see Adrien as Marinette's property, and the twist of Adrien being a part of a slave race in a dynamic where Marinette holds all the cards is meant to be a good thing. We have been primed to view everything about Adrien to actually be about Marinette, because Marinette is the center of the universe of Miraculous and Adrien belongs to her because he’s the main character’s love interest. Adrien being revealed to be a slave that Marinette could control but then chooses to “merely” manipulate is meant to be glorifying to Marinette and titillating to the viewer. I will elaborate.
Marinette has been incredibly possessive of Adrien since day one and she is only occasionally depicted as being in the wrong about this, when she goes too far by the show’s standards. She stalks Lila and Adrien whenever she sees them hanging out together and she’s unreasonably jealous of Kagami. The only time she is depicted as being in the wrong is not when she's sniffing Adrien's pillow after breaking into his room, but when she actually bullies Kagami out of jealousy, and even that is depicted as more of an unfortunate misunderstanding than Marinette actively doing something wrong. Marinette is more sympathetic towards Kagami when she finds out she and Adrien aren't as close as she thought, that Kagami’s pursuit of Adrien is more hopeless than hers. Basically, Marinette is only in the wrong because Kagami isn't a threat, not because she was doing anything wrong by bullying her to defend her “territory”.
This gets flipped near the end of the season, though. When Adrien and Kagami do start dating, it's depicted as this big tragedy even more so than Master Fu losing his memories. Master Fu going missing is an afterthought, while Adrien choosing someone else over Marinette is the big “darkest hour” moment of the season three mid-finale, the cliffhanger moment of her crying in Luka’s arms while all hope is lost. Marinette isn’t directly crying about this, she is crying from “all the pressure”, but Marinette breaking down happens immediately after a scene of Kagami leaning in to kiss Adrien that has a somber dirge playing in the background. The first part of the finale has everything going wrong at the end; Master Fu is missing, Chloé gets willingly Akumatized, Marinette breaks down, and Kagami leans in to kiss Adrien. These scenes being put closely together is telling us that these are all bad things to happen.
Adrien ending up with Marinette is a given, but it's also taken for granted. Every girl with an interest in Adrien is depicted as an antagonist, while Marinette can do whatever she wants in pursuit of Adrien and will still be morally correct. Chloé and Lila, even Kagami to a degree, are villainized for their attraction to Adrien in a way Nathaniel, Luka or Zoé are not with their attraction to Marinette. Chloé and Lila are full-blown villains while Luka and Zoé are some of the most selfless members of the cast. Kagami is aggressive and socially awkward in a way that is used to justify Marinette's initial distrust and dislike of her (in ‘Ikari Gozen’ Alya voices her pity towards Marinette for having to spend time with her) while Nathaniel is just the pitiful bullied loner who’s still a liked member of the class friend group. Girls who want Adrien are bad for trespassing on Marinette’s territory and trying to “steal” something that “belongs” to Marinette.
The writers thinking Adrien belongs to Marinette is also not just subtext. Later in season five, when Marinette and Adrien finally start dating, Marinette even outright states that Adrien “kinda does a little” belong to her when she’s scared that Zoé has a crush on him. The fumbling of the line means that the writers are aware of how toxic it is to consider your partner your property, but they want to include that sentiment anyway, because that’s how they view the situation. Marinette’s boyfriend is her property and other people can’t even look at her property. ‘Emotion’ continues on this increased possessiveness by having the entire Marinette plot happen because she can’t conceive Adrien keeping things from her, because he isn’t allowed privacy from her while Marinette lying to Adrien (or Cat Noir) is a show staple.
This same attitude of Adrien not being allowed to have romantic options outside of Marinette has also been in the fandom for years. Every time a new female character was introduced, there was a worry that she’d “try to steal Adrien from Marinette”. Marinette and Adrien are endgame, the writers know this and the fandom knows this. The characters don't know this, but it doesn't matter because Adrien was already seen as Marinette's (future) boyfriend even back in season one when he barely knew her. And this attitude the writers and audience have is extended to the characters more and more as the show goes on, as almost every single character becomes an Adrinette shipper in support of Marinette in season five, while no one thinks to ask Adrien what he thinks about this. Only once, in ‘Desperada’ did Alya suggest that Adrien could make his own choice on who to date, but it was implied the choice should be Marinette specifically (Marinette smiles at this, while Kagami frowns). The cast is lucky the writers have decided Adrien already is Marinette's, or he’d be really uncomfortable.
Season five episode ‘Pretension’ goes as far with this as having Marinette basically ask Gabriel for permission to be with Adrien, convinced that she and Adrien can be together with no problems if she can just get him to approve of her. And then Gabriel tells her he’s promised Adrien to Kagami. You know, like a piece of property women were treated as before women were allowed to live without a man to control them. The finale then ultimately does have Gabriel agree to hand Adrien over to Marinette by dying and leaving her in charge of Adrien. Just because she uses the privilege to do some things for Adrien’s benefit doesn’t make what happened any less of a patriarchal transaction. In fact, the writers wrote it that way on purpose, with the knight and princess parallels they set up between Marinette and Adrien earlier in the show being something they are prominently proud of (the “reverse fairytale” as they put it). Adrien is the princess the dashing hero Marinette gets to earn with her feats of bravery; he’s handed to her like a piece of property and Marinette is too happy with her acquisition to even be outraged on Adrien’s behalf. And Adrien wasn’t even allowed to know about any of this, instead it gets handled solely between Marinette and Gabriel, like his opinion on the matter didn’t even matter. And why would his opinion matter, since he already is ready to promise himself to Marinette, even as the writers deny him the agency to actually make such a promise.
The goal of making it obvious that Adrien is cool with being objectified like this is probably why they make Adrien so obsessed with Marinette in season five, constantly repeating her name to himself and saying stuff like: “I can’t stop thinking about you” in ‘Pretension’. They need to drive it home to the audience exactly how okay Adrien is with everyone forcing him to be with Marinette. After all, you can’t force the willing. As of ‘Confrontation’, Adrien’s official goals for the future are: “I love Marinette Dupain-Cheng.” I guess, from the perspective of the writers, the childhood dream of wanting to be what his parents wanted from ‘Wishmaker’ wasn’t sad because of Adrien’s lack of agency; it was sad because he wasn’t forsaking all of his personal pursuits for Marinette specifically. As far as the writers are concerned, Adrien should only care about Marinette and nothing else.
This same entitlement is also present in Ladybug and Cat Noir's relationship. Every time Cat Noir is upset with Ladybug, like in Frozer, Glaciator, Syren, The New York Special or even Kuro Neko, they never talk about what caused it. This is especially blatant in cases where Ladybug has wronged Cat Noir personally, like Kuro Neko or the NY Special, where she never has to face up to what she did wrong because Cat Noir comes back because she “needs him”.  Cat Noir will always come back to her without her having to do anything because she is the main character and she says she needs him. He exists for her and her needs. He exists for her; it’s just another way he’s hers.
Speaking of how Adrien is treated affects Marinette, even Adrien’s trauma actually belongs to her in the writing.  I pointed out earlier that Adrien’s trauma shows up when the writers need to put him out of commission, but disappears as soon as he needs to be Marinette’s trophy, but it goes further than just inconsistency. The early seasons spend several episodes on how Adrien is being locked up by his father and unable to hang out with his friends and, between him and Marinette, Marinette is the one shown to be more upset and hurt by this. They don’t do this in every episode, as ‘The Bubbler’ actually does a phenomenal job of making Adrien’s upset actually about him, but the big point in ‘Glaciator’ is that Marinette is so upset that she can’t see Adrien that she accidentally leaves Cat Noir on read so he’s upset about that. Adrien is only upset because he didn’t get attention from Marinette, while Adrien’s literal abuse at the hands of his father is only important because it makes Marinette upset. Even Adrien himself gets in on this action in ‘Conformation’ when the writers go as far as having Adrien chastise himself of not being more worthy of Marinette’s love when his dad is once again busy ruining his life. Even Adrien himself makes his abuse about Marinette; him being abused is bad because it’s inconveniencing Marinette and inconveniencing Marinette makes him less worthy of her.
‘Cat Blanc’ is possibly the worst offender of all, though. This episode should be all about how Adrien is abused by Gabriel, culminating with Gabriel turning him into a monster that destroys the world. And yet, what is the episode actually about? It’s about Marinette. The worst thing that could happen to Adrien is about Marinette. Only Marinette gets to remember or even know about the possibility of Cat Noir getting Akumatized and only Marinette is traumatized by it happening. After all that the writers later dare to use this event that didn’t actually happen anymore, that Adrien doesn’t know about, to justify him giving his powers to Marinette, because he’s “scared of getting Akumatized” when something like that has never happened as far as he knows. But the writers had him reason this way anyway, because apparently the culmination of Marinette’s character development in the show means taking Adrien’s power as her own and then failing to win even with that at her disposal.
Another note about ‘The Bubbler’ that has to be pointed out is that it’s also the first example of Marinette being presented as good for Adrien simply because she treats him better than Gabriel. The final scene of Marinette giving Adrien his best birthday present yet and letting him think it comes from Gabriel is done to show how selfless Marinette is by letting Adrien keep thinking good things about his abuser. This idea that Marinette is morally good simply because she’s better than pond scum Gabriel is also present in the season five finale, where Marinette manipulates, gaslights and keeps important information from her abused slave boyfriend. Marinette is presented as being in the right because at least she didn’t literally control him with a magical geas like Gabriel did and gave him the object with which to do so (while notably not telling him what it does). Marinette will do the bare minimum of not taking literal ownership of Adrien and we’re meant to see her as a paragon of goodness for it, while she still has no respect for Adrien’s autonomy and hasn’t had any since the show started.
The way the Sentimonster “reveal” is handled shows this utter lack of respect for Adrien’s autonomy that the writers, and Marinette by extension, have. The reveal is not for Adrien, but for Marinette, just like every other piece of Adrien has been made to be about Marinette. Marinette gets to know and she gets to decide if Adrien gets to know, and she decides “no”. She will manipulate him and lie to him to keep him happy for herself, she will keep important information about him to herself that he might never find out if anything happens to her, because Adrien is hers and no one else’s and she has the right to make that decision because the world revolves around her because the world of Miraculous was created to be her playground. “Adrien” is just a toy on that playground for Marinette to play with as the writers see fit.
Now we’re coming back to Adrien’s role as the sexy, titillating love interest character that I talked about at the start of this essay. If Marinette granting Adrien the bare minimum of freedoms as a slave while manipulating him “for his own good” is meant to be a good thing, why is Adrien even a slave? Well, outside of the writers wanting to add a plot twist that doesn’t come with any messy plot they’d have to write about characters other than Marinette, Adrien being a slave is also meant to be titillating. What really is magical super slavery than very, very off the wall bondage and power play stuff? The idea that Marinette could rob her love interest of his free will with ease but won’t because she cares about him so much is very empowering in two different ways. It gives Marinette all the power in the relationship and it makes her out to be such a good person that even having ultimate power over another person won’t corrupt her. Adding to that, we have Adrien’s people pleaser abuse victim personality, which makes him fawn over the people he loves. If Marinette ever wanted to have control over Adrien, Adrien would give it to her of his own volition, no need for magical super slavery or unbreakable geases.
As I stated earlier, Marinette is meant to be the point of view main character the audience of teen girls projects themselves onto. So, really, Adrien’s slavery and abuse responses are all about that fantasy of having a cute boy you have all the power over but not needing to use it because the boy is so nice and devoted to you anyway. Adrien really is “perfect”, the perfect object of attraction, a being who technically has free will but whose free will you never have to take into account because he’s been designed and trained to value other people’s wants and needs over his own.
Marinette doesn't literally own Adrien within the story, but the writers make it very clear that they think she should. In fact, in all ways except the literal, she already does.
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Genuinely don't think I've seen anyone talk about chapter 25 as a pivotal moment for Dazai so I'm gonna put this out here because I think his reactions here kind of negate that whole omnipotent Dazai interpretation which I hate with every fibre of my being.
Firstly, he's like, clearly caught off guard here. And don't try to tell me he wasn't, because this is just one instance of his genuinely horrified reaction to Q's release and when he realized what was actually going on with Atsushi, Naomi and Haruno.
Him being caught off guard carries significance here because you'd never catch him screwing up this bad later in the series - which is exactly my point.
I wrote a post earlier about how I don't think Dazai really is very much like Mori or Fyodor at all, and I stand by that, because their motives are different. Tldr for that post: Mori and Fyodor are ambitious and proactive, while Dazai is empty/numb and reactive.
What this leads me to believe is that Dazai is less a chess master like those two and more of a contingency planner - he's so good at "predicting" because he is uncannily good at thinking like his opponent and then planning for literally any possibility under the sun he can come up with. He's no gambler. Everything and everyone is practically (and unknowingly) micromanaged. It's almost paranoid in a sense, and I definitely think it's a trauma response to something he went through that we don't know about yet - after all, he was more than capable of this before he even met Mori.
...which brings to me to Mori's influence here. It's straight up like Dazai forgot how willing Mori is to gamble huge risks for a good outcome. It's like he forgot the mafia could be a real threat to his best-laid plans.
Going to throw out a wild claim here that I don't think is actually all that baseless - I think it's widely assumed that Dazai molds himself to what he needs to be (true!) but I think this misses the idea that he is also easily influenced by the mindsets of the people around him (see: the difference between Entrance Exam Dazai and early manga Dazai, the whole "the longer he was in the mafia the darker and more incomprehensible he became" thing from Stormbringer, how dark his eyes get in the prison sections with Fyodor, etc.). I could go on, but for the sake of not making this post too much longer, let's assume this is true because it suddenly makes sense as to why he failed to predict Q but predicted other events much later that were inherently more difficult to predict:
He was in the wrong mindset. He was thinking like an Agency member, and dare I say, he even got a little complacent. He started to get used to not having to manipulate every last variable - he was removed from a toxic environment - only for Mori to pretty much instantly fuck that up in one scene.
Let's also not forget what happened the last time he miscalculated Mori's intentions.
The consequences of this blunder could've been a lot worse and he knows it.
In his mind, thinking like an ADA member wasn't good enough to stop a potentially awful outcome - awful outcomes that could bring him pain. So, he goes back to what he knows - think like the demon prodigy. Think like Mori. Later on, think like Dostoyevsky. Because it seems to me that he believes as long as he is still working for the light that it doesn't matter if he uses these horrifically manipulative and inhumane methods of getting there. But he is wrong. Darkness within the context of good intentions is still very much darkness, and it hurts people all the same.
In the very next chapter, Dazai arranges Ango's car accident. And he only gets worse and worse throughout the series as he regresses back into his paranoid darkness that manifests as this omnipotent facade - his safety net that ultimately prevents him from developing in a positive, more human direction.
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makeste · 6 months
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BnHA Chapter 408: Orphaned Cryptid to Billionaire Supervillain
Previously on BnHA: HE WAS BORN AN ARROGANT BABY.
Today on BnHA: Horikoshi decides he’s going to cover the rest of the AFO/OFA saga in the span of just seven pages, the majority of which are mostly just filled with lovingly detailed closeups of AFO and Kudou’s eyes. Back in the present day, Kid For One takes a couple of seconds to trample the last of the “Kacchan is OFA II or is related to OFA II” theories into the dust, and is then all “fuck it, I’ll just take him out with one last spectacularly grotesque supermove.” Kacchan is all “lol you fucking dipshit”, and he says it with such confidence that it truly makes me believe he can defeat AFO’s “ALL THE QUIRKS EVER!!” attack with his piddly little exploding bloodsweat quirk. AND IT WILL BE A SIGHT TO SEE.
interesting!
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Yoichi’s name btw is written with the kanji 与 which means “bestow” or “give”, and 一 which means “one.” so basically “one who gives”, which is fitting as the creator of OFA, but also fits in with this new context of being the first “possession” bestowed upon AFO
oh yes and also AFO I guess has just torn his brother to shreds or something too. idk. I’m going to be honest with you guys, this panel has such a surreal vibe that I just sat here blinking stupidly at it and wasn’t even shocked or anything. like what. is he dreaming this?? or did he really just make a “STOP! IN THE NAAAAME OF LOVE” gesture and in doing so remove half of his brother’s jaw
ewww
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idk what’s wrong with me today guys. AFO just disintegrated Yoichi, and Kudou and and OFA Tres (who apparently still doesn’t have a name???? freaking Kudou got named before you??) are literally RIGHT THERE and presumably horrified, and all I can think about is how fucking gross it is that they’re all hanging out in a fucking sewer
oh shit y’all it’s about to go down
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he can’t kill Kudou right off the bat can he? does Kudou even know he has OFA yet? are we going to see him transfer it to OFA III? I’m so fucking excited omg
LOL WHAT
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“weirdly matte” omg. so apparently he’s like All Might, where the “he’s just drawn differently” thing is something people actually acknowledge in-story. “yeah he actually has no pupils. that’s a real thing. technically that should mean he can’t see since pupils are what let light into your eyes, but don’t worry about that part. just know that his eyes canonically look weird to the story people as well, and everyone is creeped out by it, not just you”
yeah he’s actually blind
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so he literally can’t see outside himself. way to lay those metaphors on thick, Horikoshi
(ETA: this is my “just in case my impeccably dry wit doesn’t translate well across the internet” ETA to assure everyone I know he’s not actually blind lol.)
now we’re cutting to some random city where AFO is broodingly staring at Yoichi’s severed hand because he’s perfected the art of always doing incredibly unsettling things
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I cannot believe the fucking hands thing has an actual origin story. of course it does. this man has never done a single hinged thing in his life. it’s all unhinged or bust. am I talking about AFO or Horikoshi? YOU DECIDE
he’s sitting at a table with a bottle of wine holding his dead brother’s embalmed severed limb and thinking about fucking quirk shit
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so your transformation from Orphaned Cryptid to Billionaire Supervillain happened almost completely offscreen huh. I’m kinda disappointed, ngl. I could have read a few more chapters about that. maybe a spinoff miniseries
WAIT WHAT
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are you serious. we finally get a panel that’s INCREDIBLY RELEVANT to pretty much ALL OF MY BNHA THEORIES, only for that same panel to contradict itself ONE SPEECH BUBBLE LATER?? so what is the truth???
omg omg omg
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so many fucking questions, omg. what the hell does “through research” even mean. how did he confirm Yoichi’s quirklessness, and why did he later change his mind? how the fuck can Yoichi have a quirk factor and yet not have an actual quirk. “it was just so weak it didn’t count or something I guess” okay??? how much of this is unreliable narrator vs. the word of god? how is it we’re getting so many answers and yet all I have is more fucking questions you guys
BRUE?CE?CEE??!
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bruce
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Kudou is so goddamned hot. I hope you washed the hell out of that arm wound after getting it all covered in sewage you stupid sexy man
I can’t get over Three’s name. “idk if anyone noticed, but it’s kind of a subtle homage to another very famous superhero” Horikoshi your nap wasn’t long enough, please go home
also love how Bruce is talking shit about OFA being a puny loser quirk for wimps. how the fuck do they even know what’s going on, anyway? was there a tutorial???
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oh you just had a feeling huh??? that it was “something like this”, huh??? how is it that I, who knows all about OFA because I’m from the future and have read 408 chapters of this nonsense, am somehow still less in the know than this handsome clown who doesn’t know shit but just “had a feeling”
(ETA: while editing this post I noted that Bruce is sitting in front of a computer in what seems to be some sort of medical lab, so maybe they ran some tests or something? except that only makes me more confused, because it implies they didn’t actually figure out OFA’s workings via convenient plot instincts. so then how the fuck did they figure out the transfer process?? questions)
meanwhile AFO is sitting in the panel next to him whining about how someone stole Yoichi’s quirk. excuse you. he did not steal it. it was in fact a gift
these flashbacks are all jumbled up and it’s unexpectedly fun to read, but also really chaotic
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I guess he’s talking to Kudou on the right and AFO on the left
so many intense closeups of eyes in this chapter oh my goodness
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Horikoshi even drew the individual goddamn eyelashes. this looks like the margins of someone’s notebook from when they were really bored in middle school
oh my god the information overload!!!
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so much for AFO actually feeling emotions lol. or is he just lying to himself about why he cried. that delicious ambiguity
so we don’t even get a flashback explaining how the transfer actually happened?? to either Kudou OR my beloved Bruce?? goddamn you Horikoshi. omg I would seriously kill for more of this. make a movie about it. I want the OFA origin story prequel movie damn it
I like how AFO just sits there on a throne holding court with a single tiki torch beside him for aesthetic reasons
I can’t quite figure out how he killed Banjou and I’m not sure I really want to know. it looks very violent
friendly reminder that Shinomori is Sir Not Appearing In This Flashback because he’s the only OFA user who died of natural causes! good for you Shinomori. En probably wishes he was more like you
poor En
was Nana just taking a stroll or something one day and stumbled across this epic fight with the evilest man on the planet vs some kid in a trenchcoat, and then the poor kid got bisected and he looked at her and he was all “please eat my hair” and she was just like “ok”?
OH WOW
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what a transition omg
LOLLLLLLLL
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you know, part of me always wondered how All Might was so certain he’d killed AFO that he apparently never bothered to confirm it. but looking at this panel now, I can understand
fjjfdzjgf
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he’s sweating so much. like “okay yeah he punched the top of his face off, this is pretty bad but I’LL DO MY BEST”
BACK TO THE PRESENT DAY AWW SHUCKS
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so let’s recap. over on Kacchan’s side we have “GOTTA USE THE PAIN TO WIN!!!” haha ouch. and then over here on KFO’s side we have. whatever the fuck we just experienced over these past two chapters. so basically it’s a battle between the two most deranged characters in the entire series. glorious sweet chaos
DSFJKSLDKGJL he’s now trying to figure out how the fuck they look so much alike and whether they’re actually related
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“no, that can’t be it. so then maybe... this kid grows up and then somehow travels back in time...?!” HE’S JUST LIKE US FR
so now he’s saying it’s because Kacchan didn’t have character development yet the last time, but now that he does his eyes are all Full Of Determination just like Kudou’s and so we’ve basically come full circle!
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transcended WHAT? :O :D :D omg I’m kidding you guys please don’t hurt me
lol
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actually the more we learn about Kudou the less I personally see the resemblance now lol. because Kudou seems so calm and collected, but Kacchan is just... [gestures to literally everything about Kacchan]
so AFO’s trying to strategize, but he can’t warp Kacchan away because the only available targets are too close and he’s still got that SUPERSPEED, BOYO so it wouldn’t make a difference. lol but if you kept doing it repeatedly it might be kind of funny though
and he can’t keep fighting him either because he’s getting his ass whooped and it’s speeding up his de-aging or whatever. well you could just give up then I guess. your call, AFO
oh was that your plan?
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spoiler alert for me lol. but it’s not exactly shocking or anything since he’s dying, guess he wants to abandon ship
(ETA: just FYI for anyone reading this who’s not familiar with my dumbassery, I have currently only read chapters 1 through 374 at this point in time, before skipping ahead to 403 because Kacchan came back and I lost all willpower. I am working on catching up with the rest!)
oh so now you did come up with a strategy?
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lmao what the FUCK
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how much of this is going to be clearer to me once I finish the chapters that I missed, and how much of it is just plain old “nope this is all brand new zero-context BnHA bullshit” lol. this looks like every single quirk AFO ever absorbed combined into one gigantic horrifying blob that forced Horikoshi to take an extra week just to draw it
oh my god!?
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Kacchan hovering there bravely facing all this is giving me Gandalf “you shall not pass” vibes and I’m LIVING FOR IT
so either AFO is going to kill Kacchan for the second time right here and now, or he’s going to fail and turn back into a squishy evil baby fdslfjkls
love how All Might is all “DODGE IT YOUNG BAKUGOU!” thanks for the warning, champ. doing his part
more exploding bloodsweat closeups. are these just going to be a mainstay of Kacchan fights from now on
“are you stupid?”, when faced with [gestures to the entirety of the previous page], is possibly the best line ever uttered by anyone in the series. even better than the polite “coming through” uttered only seconds before it
ah man. you love to see it. he literally doesn’t even care. HE ALREADY DIED ONCE TODAY, AND IT CLUED HIM IN TO THE FACT THAT HE’S A MAIN CHARACTER AND ACTUALLY IMMUNE TO DEATH. sorry AFO it’s curtains for you. CURTAINS
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rayzay · 7 months
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A lot of spelling mistakes, the plot is all over the place ngl.
Keep in mind English is not my first language!
Danny was immortal, he couldn't die. Well, he couldn't die by old age. His human form won't die naturally and it won't age either.
So, when all of his family, friends and just quite everyone he knew died, he was left alone. But his family and his two best friends still haven't moved on, Danny was their unfinished business. So, like a good normal family, they decided to haunt Danny! Which is cute, but also can be seen as something horrifying if you don't know the context.
So, 85 years later, Danny still changes last name everytime he needs to (so about every 4 years), jumping from foster family to foster family. He moved to state to state, never staying in the same state for too long.
And in 85 years, a lot has happened.
Here's what changed with the world :
Superheroes and metahumans/non-humans are way way more accepted in society.
A lot of big city appeared such as, Gotham and Blüdhaven in Jersey, Central City in Missouri, Metropolis in Illinois, Amnesty Bay in Maine, Blue Valley in Nevada, Coast City in California, Dakota City in well...Dakota. Fawcett City, Star City..etc..etc..
All of these have also something particular, they're home to a hero and said hero works for the JL, known as the Justice League.
Danny wasn't really interested in hero-ing anymore, after all, there was people literally paid by the government to do that, so why would he do charity work? Of course he'll help if there's a catastrophe, but he'll just help the civilians get to safety, that's all.
Life kind of sucked for Danny. He couldn't get attached by people too much because he'll know he's going to outlive all of them, so why even bother trying?
Danny needed to find a new place to stay, preferably a big city, and in a state he didn't appear this year.
Danny decides to pick Metropolis, it's one of the safest option after all, Superman does his work pretty well, and casualties and crimes rate are really really low there..plus, Sam kept pestering him asking him to meet Lois Lane. (Danny needed to do an essay about journalism for some reason, and he stumbled across Lois Lane Wikipedia page, she was quite the character.)
Sam instantly took a liking to her, she's everything she aspires to be.
Tucker, him, seemed interested in Lex corp, not in a “Oh, I'm so so fan of him!” kind of way, but more in a “His technology is one of the best in the world, he could easily rival against WE.” kind of way.
His parents and Jazz were guiding him, telling him what to not do, and what to do, sometimes they argue, sometimes they stay quiet, sometimes Danny tune them out, can't blame him honestly, if a psychologist was always nagging me, telling me what to say, and doing some unnecessary rant about whoever's is talking to Danny body language I would want to tune them out too.
But they're mostly trying their best..and Danny can't blame them for that.
His parents always did a “ability checkup test ” and it's basically Danny just flying around, shooting his blasts, doing a ectoplasm shield, duplicating...just testing all of his powers to see if they're all okay.
Which, they always are but his parents keep pushing him to do it, and he always agree just to make them shut up.
Danny found a new ability, something he deemed impossible to do, he can fly, he has his strength, his speed, his stamina and his reflexes but, with his human form.
But everything else that works with ectoplasm or his ghost core he didn't have.
So he was basically a less powerful version of him, which, sucks, but it's kinda cool.
His family were ecstatic and so was he! Plain old Danny could be more..but no, he has to stay low. Otherwise he's going to get found by Vlad, or worse.
Danny does something, extremely stupid, but fun for him.
He decides to fly in Metropolis, but just high enough so no one could see him! Even though Danny has the same powers when he's Danny Phantom, it's different, it's weird, he has his core to help him concentrate, hearing the frost in there soothe his nerves, and help him get focused.
But, it's different, he has his slow beating of his heart, which is quiet, really really quiet, it's drowning against the noises of the city
He can't focus he can't focus he can't-
Danny starts falling, which is okay because he can just turn into Danny Phantom and easily get out of this shitty situation, but noo, Danny had, and still has the shittiest luck ever.
Superman catch him, of fucking course.
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bcitisthelight · 11 months
Note
hey remember when we were discussing how weird the whole cliegg thing is in AOTC. and you had thoughts, feelings and emotions. tell me about those XOXO
(Big TW for this post - I discuss human trafficking, sex trafficking, rape, child abuse, slavery, and PTSD in this post. It's about the realities of slavery and Tatooine and how it involves the Skywalkers.) Something that I almost never see in any discussion on the Lars family is how sharply the fanon headcanons and characterizations of diverge from the ones we get in the moves. Like, particularly Cliegg and the prequel trilogy. Like - I feel like there's this automatic assumption that the Lars loved Shmi and that they cared for Luke out of dedication to her and her family, and it's this huge found family vibe but like can I be real. Can I be super real right now. It’s something that I find kind of baffling, because when I watched Attack of the Clones, and on every rewatch since (and there have been many), it always seems kind of obvious to me that Cliegg bought Shmi as a slave, presumably as a house slave, if not outright as a part of sex trafficking. And I don't mean in one of those "He bought her to free her, he's a good guy, etc etc". I mean, he bought her as a slave with the original intention of keeping her as a slave. And what's really interesting, is you can get pretty much all the clues about that from the exchanges between Anakin has with Watto, his and Shmi's former master.
Again, I want to stress that, because I think it's crucial that we see this for what it is - not an exchange between a former employee and his boss, not an exchange between a kid and a member of his former community. His former slavemaster. The man who won him and his mother in a gambling game like so many fancy necklaces. The source and object of Anakin's childhood enslavement. Watto would have beaten them. He made Anakin, a child of 9 - and I read somewhere once that Anakin started in the races at 6 - ride in a pod race that no human has ever won before, with the full expectation that he would die. This is a being whose entire life has revolved around the certainty that society is not only capable of functioning, but functions best, when sentient beings can be bought and sold like property. And, to be real with you, because this is a thing that happens to people who suffer enslavement, he very likely loaned them out temporarily for sex trafficking purposes for a quick buck - a practice that is noted historically in virtually every society that operated on a system involving slaves.
It's important to recap that, because I do think it's impossible to understand how deeply horrifying the conversation they have is without that context. Like, let's look at how he tells Anakin about Shmi -
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This scene is....so telling to me. From the outset, Watto said he sold her as a slave. Like, it was a slave exchange. Watto heard about her freedom later - clearly, Cliegg bought her, and behaved in a way - intentional or not - that Watto believed he was buying her as a slave to own as a slave. That part is not subtext, that's just actual text.
"But Mikhayla" some will say "he freed her the second he bought her - he bought her in order to free her." Except....there is genuinely nothing in the movies, and off the top of my head, the wider narrative, that ever indicates that that's true. In fact it makes no sense in that case, for Watto to have not known that Cliegg was buying her in order to free her. Why would he have to hide that? Watto presumably doesnt care what happens to her, because he's selling her. In the larger materials, its said that his shop fell on hard times, and in the movies, we can see the proof. The script says he's sitting outside his shop, but at that point it resembles more of a kind of beaten down stand. He's still selling junk, but less and of poorer quality - presumably, he's spent all his money on gambling debts. And the thing is, slaves are expensive. He sold her years prior, and I bet he fed himself on that money for a very long time - he was a very motivated seller, as barbaric as that language is to use about a transaction involving a human person. He's not going to be fussy over why the person buying her wants to buy her. There's also the fact that this is a society that vastly runs on slavery, and large plantation owners would often "rent" out slaves to smaller but still profitable farms. And Cliegg is a moisture farmer with presumably a large tract of land for water vaporizers. If anything, I can see Watto having rented Shmi to her, Cliegg taking a liking to her, and then approaching Watto to buy her. I mean, if he's profitable enough to just buy a slave, then he clearly had at least some money. "He spent his whole savings!" Show me that in the text. "He loved her from the start!" Show me that in the text. "But Mikhayla," yet others will say, "he did free her! And then married her! He clearly meant from the start to free her, and only bought her to get her away from Watto. He could have never seen her as property. Who would marry their slave?" Except, in the real world, this is...another thing we see across multiple historical records, masters buying women as slaves and then later freeing them in order to legally marry them. PARTICULARLY in societies that operate so heavily on an entire caste system involving slaves - we can look to the Roman Empire, for example. Countless Roman officials, merchants, and military officials bought women, fell in love with them, and freed them in order to marry them. "But maybe she said yes!" (I know these are not your objections, but as you know, I'm an attorney, which means I constantly have to find an argument to fight against). So, to this imaginary detractor I say: I feel like it should be rather obvious, but I'll say it just in case - it is impossible for a slave to consent to any action they perform at the request of a slave master. It cannot happen. A woman who is enslaved cannot consent to marrying the man who bought her, and who has very likely been raping her up until this point, and wants to now marry her - usually, to make any children he had by her legally his children, and therefore citizens, rather than slaves themselves.
So really, whether or not Cliegg had a change of heart doesn't actually change my mind about his actions towards Shmi. I don't care if Cliegg DID love her - in fact, I'm sure he DID love her. People can and have convinced themselves of all kinds of moral superiority, people can claim to love someone while owning them as property! Shmi could never consent to marrying a man who held her as a slave. Even if he freed her, and she willing chose to stay there for a few years, and then he asked her to marry him. In my head, you can't overcome that power imbalance. Cliegg will never not be a man who once believed Shmi was a thing to be owned. He will never be a man who didn't see her as property. Like, at some point, it actually becomes kind of more and more unlikely that this is a guy who took up this transaction for non-malicious purposes. Because we simply do not see it in the movie. What I see in the movie is a slave owner saying he fell on hard times and sold his slave to a farmer who probably needed help on his land or in his house - he has no wife, so the latter is probably more likely. I see him saying that at the time of the transaction, he had no idea that Cliegg intended to free her. And for all that Cliegg calls Shmi his darling, his love, his wife - not once do we ever hear of any evidence that Shmi saw this as a love match. In fact, the only thing we find out about her daily life with the Lars family is that in the mornings, she wakes up early and goes to pick mushrooms. You know. A task for the house. An unpleasant task, done before everyone else is awake, that she does absolutely alone. I'm just saying. These implications are not good ones. I will say though, for all this, do you know what really sells me on the idea that the relationship between Shmi and Cliegg is is not a consensual one, is Anakin's reaction to it. This is a boy whose entire hopes and dreams have revolved around his mother's freedom. You have more excellent writing than me on this, but the moral injury Anakin suffers leaving his mother behind is. Intense. All he wants is to one day free her. In a way, a part of him is always that tiny boy who couldn't bear the idea of leaving behind his mom, who swore, the last time he saw her, that he would free her. And at this moment, all of his dreams have seemingly come true! His mother is free. According to Watto, she's found love, and married. For all he knows, she's had other children. Maybe that could involve SOME complicated emotions, but mostly you would expect that he would feel, at the very least, relieved. Happy. Interested, curious. Instead, this is his reaction:
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He's grim, business like. He is not happy. He is not relieved. He doesn't even seem to acknowledge that she's still alive - the way he reacts is not a man who thinks his mother is out of danger. To Anakin, who grew up enslaved until 9 and knows how this society works, it seems almost immediately apparent that the Lars are just a different kind of danger. There's also this rather interesting detail:
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This is a boy who bleeds, every second of every day, longing for a family. He basically begs at obi-wan's feet day and night, to be acknowledged as a son. His reaction to his wife's pregnancy is radiant joy - his reaction to know she could die, profound existential horror. I mean good god, he basically turns Palpatine aka Satan Himself into a father figure, because he's that desperate for one. And here, this man is claiming him as his family. He's talked about being excited to see him. He talks about planning with Shmi to meet him. He calls him "son". And Anakin doesn't give him another moment of his time, the second those words are out of his mouth. It's silence. For a boy who is so starved for intimacy he genuinely falls in love with the very first girl who was ever nice to him, to react to a claim of relationship this way. It's bizarrely out of character for him. Unless it isn't. UNLESS he's disgusted by that claim, instead of relieved by it. If he thinks his mother has been bought and then forced into marriage, of course he hates Cliegg. I remember when we were watching the movie together, and remember I said to you "You can just tell Anakin is thinking, 'Call me son one more fucking time'" And can I be real, I have so much more to say about this. As you know, I actually have essays of opinions and feelings about Shmi Skywalker and her horrible life, and how Anakin was the one bright point she had in that horrible life. I have feelings about how she gave away her only happiness, because she knew he did not deserve the life of a slave. I had ideas about how you could turn this into a way to actually fix AOTC and make it better, a way you could use it as an excuse to get rid of the Tusken arc entirely without losing the tragedy of his mother's death. But this post is already so fucking long and I'm sure you're tired of me talking xoxoxoxoxoxoxoxoxo
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alatar-and-pallando · 8 months
Text
You learn so much about your friends while shooting the shit around a campfire together...
Apparently, when my pal Dan lived in New Jersey, he drove an ice cream truck. For the mafia. For context: If anyone else told that tale, I’d immediately call bullshit. But Dan’s a really straightforward, guy -- and he’s lived a pretty interesting life in general, including a stint as a wilderness tour guide in Alaska. 
 Incidentally, he also looks like the perfect ice cream man man: he has this eye-wrinkling smile and cheery red cheeks, and you can absolutely picture him wearing a paper hat at a jaunty angle.
That this company was run by the mafia wasn’t explicit, but was pretty obvious. His boss had the most Italian-ass first name -- “He wasn’t interested in telling me his last name, and I don’t know if he knew mine,” Dan said -- and was the only one allowed in the large freezer trailer where the inventory was stored. Dan said he assumed there were bodies in there.
Said truck was stored in the middle of a junkyard, which was guarded by Rottweilers at night. If you happened to still be in there when they were released, you'd have to climb on top of your truck and play "the floor is lava and the lava is angry dogs" til you got to the building that fronted the road.
The other two main factions were the Saudi Arabians and a single large Greek woman. "She was mean enough to hold her own," Dan said. 
These factions had divvied up the local parks and ball fields and so on, which Dan learned the hard way. "But nobody owned the streets."
IHOP was neutral territory. If you parked your truck there, it signaled to the other factions that you wanted to parlay. 
Once, near the time school got out, Dan was plying his trade toward the end of a long cul-de-sac -- the signature bells of his company playing over the PA system -- when he heard “Turkey in the Straw” getting closer. One of the Saudis turned onto the cul-de-sac, heading slowly towards him. To escape, he’d have to drive right past him. 
And then, as he was getting ready to gun it: “Do your ears hang low” approached. It was the Greek lady, turning into the same cul-de-sac. Suddenly he was in a three-way stand-off. 
And then, to top it all off, the school bus pulled in and began unloading kids. 
As Dan watched in horror, the Greek lady parked her truck and, marched over to the Saudi guy’s truck, cursing loudly.
And then -- before the horrified eyes of the children, in the din of competing ice cream truck speaker systems -- she REACHED into his open window, pulled him halfway through it by his hair with one hand, and started pummeling him with the other. 
Dan beat a hasty retreat. He later heard through the ice cream man grapevine that the cops were called and the Greek lady ended up being sent back to Greece.
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maoam · 11 months
Text
A lot of has been said about SS fandom’s inability to understand context and longer narrative. They prefer to pick individual panels and form a headcanon based on them. Here’s one example.
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Sasuke is worried about the tension between Itachi and their father/rest of the clan. So he tries asking Itachi to help him train like he usually does. Itachi of course pokes his forehead and says later Sasuke. Sasuke seems relieved Itachi is “like the old Itachi”. This according to some people is proof the forehead poke is only positive and an expression of love. However:
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The end note text reads: “Hitting his forehead and saying the usual line. Confiding in his older brother but wavering back and forth... Deep down inside Sasuke’s heart there is an uncertainty that is unwipeable.”
Of course, this is only in Sasuke’s childhood. Things change.
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After Sasuke finds out how much Itachi lied to him, the forehead poke feels like mockery. He is frustrated, he doesn’t want it anymore. It has changed from slight annoyance at his big brother ignoring him to anger at how much Itachi kept him in the darkness.
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Itachi admits this himself in his last moments. He admits he wasn’t honest to Sasuke, and didn’t treat him as an equal. He literally says he used his hand to keep Sasuke far away from himself.
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Kishimoto makes the scene look like Itachi is going to poke Sasuke’s forehead again, but instead:
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Itachi doesn’t do it, but instead brings their foreheads together. He is even admitting this is his way of being honest with Sasuke and getting closer to him, to show him love, unlike when he poked his forehead to keep him away. This is the last apology he gives Sasuke.
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This? Just an awkward way for Sasuke to reject Sakura politely, since he tries to be nicer from now on. But of course Sakura is wetting her pants over it. I admit this is pretty clever way for Kishimoto to give them a moment without really giving them a moment. He treated Sakura in the war arc so poorly by making Sasuke leave her multiple times, but this tiny gesture made SS forgive all of that. Despite the fact it means rejection.
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However, something bad must have happened between Sasuke and Sakura, since Sasuke looks this displeased seeing Sakura after many years. He looks uncomfortable and horrified.
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In the beginning, Sasuke was pretty cold to Sarada. He seemed like he wanted nothing to do with her. He must have realized by the end it’s not her fault that he is in this miserable marriage with Sakura, and used the way he had learned from Itachi on how to reject someone nicely. And just like Sakura, Sarada is unaware of the meaning and is overjoyed. However:
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For Sakura, Sasuke doesn’t bother to give anything this time. Somehow, their relationship is worse than it has ever been. Kishimoto must have laughed when he drew Sakura like she’s a puppy waiting for treats, and then like a wet rag after she was rejected. SS were mad over this back in the days, but they picked themselves up, since they are in too deep to admit Kishimoto dislikes their ship and Sakura.
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deathbxnny · 10 months
Note
Hi there! You asked some HSR angst, well here you go! can i request Jing Yuan and Blade x s/o who was the royal guard and prince/ss of Khaenri’ah.
More context on reader:
They were the second born child of Khaenri’ah’s Royal Family and part of the royal guards. So somehow during the Cataclysm the reader was transported to the HSR universe. They were VERY traumatized of just what happenend and had put up an upbeat and plucky personality as a coping mechanism for what happened. They traveled the universe for sometime before they met Jing Yuan/Blade and ofc learned of Aeons. They dont like the Aeons and any mention of them would get rid of their upbeat facade quickly. They associate the Aeons with the Archons that destroyed their nation, now they know they arent the gods that did it but they cant help it. Basically Dainsleif’s attitude to anthing archon related but much chiller? Bc again they’re not the same ones who destroyed their nation so their willing to give them a very small benefit of the doubt.
How would they react to their s/o revealing their past and immortality to them after they had snapped at someone for something (probably aeon related that hit a bit too to home?) and became distant towards everyone for while. They tearfully revealed their past and then later go on a rant about their hatred toward gods. Also how would their lover react hearing about the curse (The pureblood and the half blood/non blood khaeri’ahns) the people of Khaenri’ah received.
How would they react towards their s/o being suicidal because the erosion that the curse cause them to have is THAT bad they just wanted to die but cant bc they cant die from being murdered as they can self regenarate or from old age. (Think of the demons from kimetsu no yaiba, like when yushiro got his head decapitated, yeah im pretty sure their lover saw their head get regenerated like one time)
Hope you enjoy this angsty request and have a good day/night!
- Flower Anon 🌸
-----♡
A/N: I re-read this 5 times, but for some reason my brain refused to process any of it, so I hope this still turns out okay lmao... thank you for the request tho and sorry for the long wait.
Content: Angst, hurt/comfort, established relationships, some rough description of the Khaenri'ah curse thing, small mentions of reader being suicidal
Reader has no set pronouns!
((Not fully proofread))
-----♡
》Jing Yuan
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Jing Yuan always silently questioned your past and often wondered why you were so secretive about it. However, he also respected your boundaries and therefore never pushed you for any answers, as he knew how sensitive some topics were. But when you one day just snapped at someone for the simple mention of the Aeons and God's, he started slowly piecing together your story on his own. It definitely also helped, that you eventually just spilled everything to him.
He was understanding and supportive, horrified to hear about the curse and it's consequences. He had heard of and seen many evil things, but this still shocked him. Especially after learning what the curse did to you as well. He was deeply upset when he heard about your want to die and despite understanding it, he still made sure you knew how important you were to him.
He tried making you see the bright side of it at least, as the curse gave him the opportunity to spend an endless lifetime with you at his side, something he deeply wished for. And he was glad, that he could, even with it being a horrible curse that allowed him to be.
-----♡
》Blade
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Blade didn't really care about your past at first, as you never seemed to care about his. It was a mutual understanding between you two to just not mention it and try moving past it together, despite Blade's need for revenge. And at first, he was content with that, until he noticed your strong disdain for God's/Aeons. This confused him, as he didn't understand what it was that bothered you so much, until you eventually broke down and told him about it in a long rant.
He listened to you quietly, as you spoke about your people and their curse. About how you were sick of living and just wanted to finally rest. About how you were just really done with everything. And he understood you perfectly. He really did. Especially as he himself was cursed to immortality and wanted to die more than anything. The fact that you felt the same as him brought him more solace than anything in this world ever could.
But that's exactly why he also was so adamant on you continuing on even through your curse. After meeting you, he realised that immortality may not be as bad as he originally thought, especially when it's just spent with you. He'll help you get your revenge, as long as you promise to stay with him forever too.
-----♡
A/N: I'm genuinely praying this is even slightly coherent. Sorry for the wait Flower Anon and thank you again for the request!
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dduane · 1 year
Note
Diane, I am wondering something about writing and you are very wise and very kind.
For context, I've been seeing a therapist for a few months and just saw a psychiatrist Sunday night and they both used the phrase "dissociative daydreaming". It started when I was about 13 and I'm 28 now and it is getting in the way of my life. I'll be having a one-on-one conversation with someone alone in a quiet room and completely miss a few seconds of what they say, and I zone out a lot when eating at restaurants and it creeps people out. The psychiatrist says we are going to work on getting this under control in the next couple months.
The thing is, I like writing fiction and I do a lot of my imagining while I'm in this "zoned out" state. You know, that being a major part of dissociative daydreaming. So I'm wondering, sorry for assuming (assuming makes an ass out of you and me), but if you do not also dissociative daydream, or any other fiction writers here do, how do you think about your stories? Do you just sit down at your desk and say to yourself "I shall write a story now" without leaving your unoccupied body staring at a wall?
First of all: my apologies for having taken so long to get to this... my ask box is so piled up with overdue stuff right now. (sigh) And thanks for the nice words. I don't know about the "wise", and sometimes I screw up the "kind", but I do what I can with what I've got.
Anyway, re: "Do you just sit down at your desk and say to yourself 'I shall write a story now' without leaving your unoccupied body staring at a wall?"
...Yeah, pretty much. Here's how the story-building process usually goes for me.
First I outline. (As detailed here.) The outlining is for me the equivalent of drawing a blueprint, or doing the measure-twice work that comes before taking a saw to the materials you're going to use to build a bookshelf. For this part of the process, as I assemble the underlying framework of the story, I've found it vital to be as completely present, alert and aware as possible. This is where the order of physical action gets laid out, errors of reasoning get caught, blind alleys get erased from the blueprint, useless character transactions get identified and thrown away, and hunches / incomplete ideas get incorporated.
While assembling the outline, if I find my concentration drifting or somehow compromised, I stop work as quickly as possible and put it aside until I can find time to deal with it when I won't be distracted by other stuff. Much experience has taught me that if I get sloppy about this, I may well wind up being really annoyed about it later on... secondary to having missed something vital about character interactions, or screwed up some important sequence of physical action. The writing time lost in fixing careless errors of this kind infuriates me... so I take my time with the outlining.
It's after the framework of the story is in place that the vaguing-out stages of both writing and thinking about the writing come into play. Over many years I've found that the shower, in the morning, is one of the best places for this. Usually when I'm in active writing mode on a project, the first thing I'll do after waking up (while still in bed) will be to look over the writing done the previous day, and—if there's need—check the outline to see what I was planning to do next. Then I hit the showers.
That's where the ideas really start to flow while I'm unfocused: scene descriptions and action sequences in particular. I don't know what it is, but running water really seems to do it for me. (One time I was up at this place for a writing trip, and plotted about six novels one after the other, over a week. Those tubes in the picture dump a liter of hot water per second onto your head. Very, very effective for me.)
...I'm also absolutely horrified to have to admit that one of the very best places for me to be in order to have dialogue arrive is at the kitchen sink, doing dishes. Possibly because there are few other situations in my day to day life where I more desperately want to have my mind be somewhere else. Anywhere else. (But also: running water again...)
In between these two modes of composition lies a hybrid "full-spectrum" writing mode in which I can switch pretty much seamlessly from total immersion in the scene presently unfolding to a more analytical examination of what's going on: a constant realtime adjustment of format issues, timing, pacing, and a lot of other things. When in this mode I can vague out when necessary, inventing new stuff as needed or refining material that was already there, and then snap back into the mode where I'm keeping an eye on paragraph lengths or whether there are too many em-dashes popping up. :)
...Anyway, that''s how it goes for me. The usual caveat applies here: other people's (entirely successful!) processes will not necessarily look anything like this. ...Meanwhile, I absolutely wish you good results in your upcoming brainwork, and the better management of your own process.
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annie, on a monday
in one of her final meetings with her mentor, dr. lawrence, he looked at annie and asked her if he could be candid.
annie was nonplussed. "what would ever indicate to you that you can't be candid with me?"
"i guess what i mean is, can i say something a little risque?"
annie laughed. "you're not going to ask me out are you, doctor?"
"no, i just wanted to tell you that by virtue of you being who you are -- i mean, a younger woman, and how you look -- patients are going to want to talk to you about sex a lot."
"how i look?"
"i mean that you are an attractive young woman."
annie immediately felt defensive. not because of the compliment, but because she understood that dr. lawrence was insinuating something about her.
"you don't think i can handle hearing about sex? i'm an adult. i have sex."
"what i want to caution you about -- and i can tell you're getting defensive but don't. just hear this. you don't want to ever seen shocked."
"why would i seem shocked?"
"you know rebecca?" dr. lawrence said, referring to one of annie's fellow graduates.
"yeah," annie said.
"i recently jerked off on her chest in this office while she masturbated."
"oh," annie said.
"see?" he said. "you look appalled."
"well, it's kind of a professional violation--in this office?"
"after she finished her program rebecca admitted to sexual feelings for me, which we agreed were best not to act on."
"other than jerking off?"
"that was the compromise."
"and you fucking... came on her." annie was trying to speak about in a matter of fact way. she understood she was bright red.
"people do things like that," he said. "people do it a lot. and when they tell you, it's best not to blush."
"okay," annie said. "god. ok, i see your point, much as i detest the way you went about making it."
"my honest professional advice is that you should try to act out a little more, sexually. you should get a little more experience under your belt, no pun intended."
"i have experience."
"how many sexual partners have you had?"
annie scoffed. "three."
"and you are 26 years old."
"25!" annie said. "i'll be 26 in two months."
"well, you're below average. and these were all long-term monogamous relationships, correct?"
"yes. so what?"
"and all with men?"
"yeah, i'm straight," annie said.
"you can still experiment," he said.
"thanks for you permission," annie snapped.
"i suppose i am saying you should experiment," he said. "you're a student of the mind, and of the world. you owe it to yourself professionally to see more of it."
when annie furiously (and somewhat drunkenly) recounted this conversation to her best friend julia later that evening, she searched for a matching outrage in her face and was immediately horrified to not find it.
"when did you and john break up, like three months ago?"
"yes, thanks for the reminder," annie said.
"and be real with me--how many times have you even masturbated since then?"
"i don't know. it has been a busy time," annie said. "finishing school and everything? maybe three times."
"i masturbated three times yesterday," julia said.
"no wonder you're always late," annie joked.
they were at a bar, but an hour later or so, on their way into annie's apartment, julia kissed her.
"whoa," annie said.
"relax," julia said. "we should fuck."
"what?" annie said.
"you know, we should follow the good doctor's advice! loosen you up a little. i've been thinking about it and i think our friendship could withstand this. we've already seen each other naked."
"at the gym," annie said. "kind of a different context."
"doesn't have to be," julia said. "think of it as a little more exercise."
julia was unbuttoning her blouse. annie's breath picked up involuntarly. "you really mean it?"
"sure," julia said. "i've eaten pussy before. why not yours?"
"i really didn't expect this," annie said, watching julia pull her jeans down. she had on very casual gray and white cotton panties, much like the ones annie was pretty sure she had on. she was no longer sure. julia took one of annie's shaky hands and put it on her full, bare breast.
"live a little," julia urged, kissing her again.
it did feel good to kiss. annie leaned into it, forgetting herself for a moment -- a sensation she suddenly craved again. she pulled away from julia's kiss but moved to her neck. julia moaned appreciatively. annie ran her thumb across julia's nipple and felt it become erect. she giggled.
"do you want to keep going?" julia asked breathlessly.
"yes," annie sighed.
they got into her bed, undressing entirely on either side of it, looking at each other's bodies. annie admired the geometric precision of julia's bush -- it was shaped and trimmed. annie's was a mess -- when she'd been with john she'd been shaving completely, but had stopped altogether a few weeks before their breakup. julia clicked her tongue appreciatively at it, though, and moments later, on the bed, julia's face was between her legs.
"oh my god!" annie gasped. it was already better oral sex than she'd ever received. julia laughed. "settle in, babe," she said.
six minutes later, annie was cumming so hard she felt like she briefly lost consciousness. dazed, naked, and giggling as julia sat up and wiped her mouth, annie realized maybe there was something to what dr. lawrence was saying. impulsively, she grabbed her phone and took a picture of julia kneeling naked between her legs, her own bush glowing a little in the lamplight. she sent it to dr. lawrence. "look at me being sexual experimental!" she wrote. "good girl," he replied.
annie hated that his response made her a little dizzy. maybe it was still the orgasm.
she put julia on her back and did her best to reciprocate.
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m1d-45 · 8 months
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SPOILERS AHEAD
okokok cool bc we know now that the gnoses are essentially the stolen power from the dragon sovereigns right
imo in the context of sagau, this further validates the concept of celestia booting the creator when they initially invaded/being able to convincingly place an imposter in teyvat and then something something most people don't recognize the true creator
and also neuvi is confirmed the incarnation of the hydro dragon so i imagine bc he doesn't have the full dragon powers that's the reason he'd be unable to recognize the creator
AND THEN ALSO furina is now confirmed to not have the hydro gnosis so even more running theory is that we may be having another akasha situation here where the oratrice is powered by the gnosis so what if because of that...reader is put on trial and the final verdict is instead guilty because of the gnosis and its connection to celestia?
ooh the imposter!au crumbs are delicious
i'll think of something for the fortress of meropide later
someone help me orz
- death loop anon
alright so admittedly my opinion about the sagau version of genshin lore has changed pretty dramatically, and it all centers around celestia. speculations below the cut. be warned this is mostly stream of consciousness.
oh, and here’s my previous post for some ground knowledge.
alright so it’s like… literally all but spelled out that the “primordial one” is celestia. they came, took over the world from the dragon sovereigns, and… the ‘second who came,’…. my mind says it could be intended to be the abyssal twin and or the travellers together, but that’s a problem for later when it’s actually confirmed. for now, the second is us, the creator.
this changes the timeline quite significantly, so here’s a new one. you create teyvat and it’s realms, as well as the seven sovereigns. you’re satisfied with your world. you move on to somewhere else, promising to visit as you do with all your worlds, or at least the ones with sentient life.
for the sake of everything, we’ll assume “the primordial one” (because it’s unclear if it’s the Sustainer (it probably is) or the body of celestia as a whole (unlikely)) was one of your prior creations. how they got to teyvat is unclear, but the point is that they Did, and overruled the sovereigns. whether or not this is when gnoses are created is blurry in canon, but for our purposes we’ll say it is.
(note, minor: celestia taking the authority of the dragons likely weakened them, making them more susceptible to things like forbidden knowledge or Dying. i say this because there’s no way one (?) guy could just topple 7 elite gods with the power of the world at their claws.)
blah blah lore. why celestia did this we don’t know. call it greed. istaroth happens and i still don’t know why. when you come back, horrified by what teyvat has become, you try to fight back. whether weakened from exhaustion caused elsewhere or overwhelmed by grief, you lose, and celestia solidifies their place as the head of teyvat. off you go to your ‘earth’ to rest.
from now on, everything that goes wrong is celestia’s fault. the forbidden knowledge, the abyss, the archon war and the fatui—all of it stems from their lack of understanding as to how to rule a world. they tried to cheat by handing out the gnoses, but they were poorly made, eroding the archons they gift them to. the greater lord’s death, the cursing of dvalin, the entirety of khaenri’ah, all of that can be blamed on celestia.
in canon, characters—even and especially archons—express negative emotions toward celestia. zhongli said that his gnosis was a fair trade for the tsaritsa, who is now vindicated. she leads the nation of love, and out of love for her god, she will not allow celestia to rule any longer.
this swings quite nicely into an imposter au as well. people can Tell celestia is incapable, so they make their own god, one to rule the people while celestia rules the world.
lore over, addressing your ask now.
re: your point about neuvi not recognizing the creator: i see that as very unlikely. though he doesn’t have his full authority, he still can sense the waves in the water, and was able to tell when the primordial sea sluice was about to break.
(the primordial sea itself is a talk for another time. maybe when fontaine is finished i’ll address it again?)
re: your point about the oratrice: this one could go either way. on one hand, in my version as i’ve written it here (which is always open for changes or other opinions) gnoses are essentially bottles. the power inside is the sovereigns, and hence loyal, while the bottle itself is made by celestia, and is hence disloyal. depends on your variety of sagau, i suppose.
finally, none of this is set in stone. i’m partial to the archons having memories of the creator—arguably could be from their gnoses, but that’s an angst for another time—as well as a few other tropes that don’t entirely align with this version of lore. this is… say, the “official” version i have in my head, and my fics are small alterations to this “official” version. additionally, just because its my “official” doesn’t mean it has to be yours, and i’m open to any suggestions or feedback.
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markiza297 · 2 months
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some of my music-related EMH headcanons because i feel bad and want to share it.
VINNY:
Vinny loves post-punk and goth music, like Joy Division, The Cure, Swans, The Fall, Depeche Mode and New Order. But when he gets asked to put something he likes on, he puts something like Prodigy or Infected Mushroom on, to look cool and not to "bore" his friends. And because he genuinely likes those as well.
___
Also i cannot NOT project my own coping mechanisms on emh characters, so i think (before the events unfolding, while Jessa is still alive and everything is normal) that boys like to meet up and share music AND their feelings in the format of : "This is how I feel : *Numb by Linkin Park starts playing*".
JEFF:
Jeff feels overwhelmed at his hospital job, feeling that he is responsible for everyone and everything, so most of the time when he doesn't have to work with patients, he wears headphones to ease his mind a bit, usually listening to something rhythmic (+1 point if the track doesn't have any words).
Jeff would be such a fan of Twenty One Pilots. This band is so him coded.
___
I think that Jeff and Evan would bond over their love for AJJ (again, im projecting, I KNOW). But Jeff would like the deeper details of the lyrics, and Evan would be like, "yo thats fire" because of the interesting sound.
EVAN :
I think that Evan has a Walkman cassette player, and he prefers cassettes to CD's, because "they sound worse". 
And the glove box in his car is filled with checks and old bills, and cassettes that don't match their package, for example, an AC/DC cassette in a Metallica case, etc. 
imo im convinced that Evan would be a huge lover of nu metal, im talking ALL OF IT. im talking Limp Bizkit, im talking Papa Roach, im talking Slipknot, Linkin Park, Skillet, KoЯn. Every time he gets a chance to get a record, he would spend his last money just to headbang to new edgy song while driving home.
And OF COURSE he would like Gorillaz. I think it should be canon, it's so obvious.
___
I think about Evan and his taste in music like this scene in Scott Piligrim where Ramona has unnecessary amount of different teas.
"-What do you like to listen?"
"-Let's see... We have classical rock, punk rock, hard rock, rock and roll, heavy metal, industrial, nu metal, alternate, metalcore, electropunk, funk metal, new rave, and... Indie"
HABIT :
Evan can't stand MCR (i know it's a hot take, i know), but HABIT loves them, especially when he gets to rearrange and clean his weapons, humming along while putting on a show, like twirling knives in the air or threatening an imaginary opponent.
If talking about my favorite purple bastard, I think it's really for music to get stuck in his head, and sometimes it can result in pretty hilarious (although still horrifying if you know the context) things, for example him throwing out the "trash" *wink wink* and not noticing how he sings something he had heard on the radio.
Just imagine HABIT humming ABBA or some 2010 white girl music. This brings me so much joy, you have no idea.
STEPH:
I think Steph would hide her preferences, until she feels safe enough to share some of the music she likes, and if a person she shares it with likes it as well, she would spend hours and hours talking about every little detail in lyric and sound and how it all has A DEEPER MEANING! She would be right, tho.
I'm convinced there was a situation where she gave an Evanescence cd to Evan with "this reminds me of u" written on the cover. I don't make the rules.
She probably writes some lyrics she really liked "to put them into her art later" only to forget about it.
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belle-keys · 9 months
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Vampires being Southern confederates in the American pop culture tradition makes so much sense to me logically. Not saying that I don't believe it's propaganda, because it absolutely is. But planter vampires and confederate vampires (Jasper, Damon, Lestat, Louis, Bill Compton) make a lot of sense in the American context, as much as aristocratic and “Old World” vampires make sense in the British context.
If vampires are inherently Gothic, then vampires must symbolize and personify the vestiges of a long-gone past – one which only simmers to life from far below the surface when it’s time to reveal the horrors, or the romance, of what is usually an oft-forgotten history. In 19th-century Britain, through vampire short stories and novellas, and later Dracula, vampires evoked the (misunderstood and misappropriated) time of the Goths. This, in turn, brought to readers’ minds images of towering castles, the superstition of Eastern Europe, and the so-called barbarism of the Old World, that which was made to appear antiquated in its monstrosity and secret imperialist desires. (*sarcastic voice*) The Old World was so at odds with enlightened, modern, industrializing Britain! It’s no wonder that vampires in British literature took the forms of counts, noblemen, and princes – they were the conspiring, powerful leaders of the Old World, or the medieval world, or some forgotten pre-Industrial feudal world.
And if we are to apply this concept of what vampires should represent for the United States, it only makes perfect sense that vampires would be planters and confederates. Slavers, planters, and confederate fighters also evoke the Old America, conjuring images of Southern chivalry, the great Antebellum, and the humble pioneers of this free nation of God and goodness and prosperity! And then the confederates got their ass beat really bad. And they could only hold on to these romantic images of that former “honour and glory” through propagation of the Lost Cause myth. What better vehicle to wield this romanticisation of, yunno, the defense of chattel slavery than through vampire softbois?! Immortal beings who symbolize the survival and resilience of the Antebellum South through time. Why don’t we make them hot guys who were just protecting the South in our pop culture? Sure. If the vestiges of America’s long-gone past are slavery and genocide and, uh, chivalric Southern honour, then vampires do a pretty effective job of reminding us of this horrifying/romantic (you choose here) history. Spoiler alert: it’s horrifying.
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