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#but if you're gonna write about something specific and then proceed to make it sound like anyone who's into it is deranged and disgusting
neverevan · 5 months
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could people posting 'kinky' fics not kinkshame the characters and the readers please? I'm tired
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Hi, this is my first time requesting anything on this site holy fuck.
could you write a Sukuna x M!Reader? it's a struggle finding any lol. I don't really have anything specific in mind but it would be cool to read a fic where he's not to OOC and lowkey treats the reader like shit, but it's completely up to you hehe
I am so sorry this took so long! I re-wrote this like ten times before finally deciding to just keep it simple and spicy!
Be warned: This is Sukuna people, it toes a line, it gets suggestive, no actual smut though. Proceed at your own risk.
You groaned, reluctant to be awake at this hour, much less to the sound of someone sneaking into your room. Again.
'Dude, it's like 8:30, what're you doing in bed?'
You cracked one eye open, scowling at the pink haired vessel stood over your bed. He had no idea what the hellspawn he hosts does to you after dark.
Yuuji has total control of his body, most of the time, except, as you've learned, if he sleeps too deeply. Sukuna can occasionally slip through, and though he can't go running wild and waking up Yuuji, he can, and will make his way to your room, and keep you awake until all hours.
You won't be telling Yuuji about this because the poor guy would trip over his own guilt, so this leaves you here, sleep deprived at eight in the fucking morning.
'Sleeping, what's it look like?'
'If you don't get up Gojo-sensei's gonna come poor water on you again.'
You whined, driving your head into the pillow before reluctantly throwing the covers off yourself. 'Fine fine, stave off the blindfold demon.'
Yuuji chuckled, throwing your uniform at you, followed by an apple. 'Just hurry up, you promised Maki you'd spar with her today.'
'Oh fuck!'
Eyes wide, you dressed in a panic, hoping the adrenaline would help wake you up. Sparring with Maki is not something to be half asleep for. Never mind that you only had ten minutes to meet her.
Yuuji rolled his eyes, throwing an apple at you next, oblivious to the fact that he's the reason you've been struggling to be a functional human being.
He's also the only reason you manage to get to any one class these days, so as far as you're concerned, he evens out his evil twin pretty well.
'You were impressive this morning.'
A sigh left your lips, spitting into the basin as you hurriedly finished brushing your teeth. 'Evening to you too, your majesty.'
'Attitude, brat.' Sukuna purred, his claws brushing across your bare back, watching the shivers shoot down you spine and the gooseflesh ride in his wake. 'Why you bother covering up during the day is beyond me.'
'I'm well aware of your opinions on shirts, Sukuna.'
Slowly, you turned to face him, wary of any sudden moves the curse may interpret as an attack. He's half naked, as usual.
His upper lip curled in a sneer, sharp teeth almost reflecting the moonlight pouring in through your window. 'Ridiculous things, how you fight in them is beyond me.'
'Is that true? Or you just wanna show off?'
Over the weeks that Sukuna's been paying you these night-time visits, you've grown desensitised to the danger you're actually in. You know you'd be dead if he wanted you dead, so why not have a little fun with it?
The curse's grin could have swallowed you whole, his hand suddenly clasped around your throat, forcing you to his eye level with his other hand digging into the flesh of your back, leaving you to wonder of he drew blood.
'You like what you see, twisted little brat.' His breath fanned your face, presence looming over you. You can feel the power rolling off him in waves, power you couldn't possibly rival. You were helpless compared to this creature.
So why go out crying?
A smile curled your lips even as he restricted the air in your lungs, making your head feel floaty. 'I'm starting to think you do too. You haven't killed me yet, bastard curse.'
Sukuna laughed, and now, you're sure he's drawn blood, you can feel it sliding down the curve of your back in tiny rivulets from where his nails broke your soft skin.
'You don't have the power to back up this kind of foolishness, boy!' He snapped.
Your heart stuttered with the growl in his voice, and despite any kind of better judgement, you melted into it further.
'Then why come here every night?'
'Why haven't you told the sorcerer?' Sukuna countered, his grin turned knowing. 'The brat, the Six Eyes, any one of them could stop me from doing this, you've had ample chance, and you've told, no one.'
You averted your eyes, ears growing warm as Sukuna eased his grip, only to yank your head back by your hair, teeth and tongue assaulting your neck.
This. This is why you've told no one. Gojo would know in an instant that you'd let the King of Curses in your pants, or worse, Sukuna would tell everyone himself, and you couldn't stand that kind of embarrassment, even if the choice had been amazing sex, or die.
Sukuna laid you out on your bed, stealing the breath from your lungs as he nipped at your ear lobe.
'You'll tell no one brat, because you're mine now.'
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linabirb · 5 months
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how to write characters, voice dramas and mvs for your ocgram! (kind of? sort of? i'm not an expert?)
do you want to make an ocgram? do you have no idea where to start? maybe you don't know how to come up with characters for your ocgram? voice dramas are way too hard to write? how the hell are you even supposed to write mvs??
well hello there! i hope this guide can help you with doing just that!
as someone who has an ocgram (@linagram hi) and is currently trying to get everything prepared for season 3, i also was struggling. a lot. i'm kinda getting better at organizing everything now, but still, all the work you need or supposed to do for ocgram can be overwhelming, especially if you don't really have much prepared at the moment and you're just getting started.
before we proceed, if you're able to make art, edits or any other visuals for your ocgram, i recommend checking out this guide by @tsuwmya, it has a lot of useful info, references and resources. if you can't do any of that, that's fine too! you having fun with creating is more important and if you don't have the ability to create visuals, that's perfectly understandable. this guide is more about the writing part anyway, haha.
let's get started!
(warning for some spoilers for the milgram novels (at least the first one) just in case!)
this guide will be separated into parts so that it's easier to understand and you can find the part that you think is the most difficult one for you.
worldbuilding.
before we start working on characters and voice dramas, let's say you're just starting out. you want to make an ocgram, but you don't even know where to begin!
now, this is probably going to sound a little scary, but what i recommend doing before writing characters, vds and mvs is some worldbuilding. no, no, i'm not telling you to figure out everything about your ocgram lore (but if you want to, feel free to do so! i actually think it's gonna help you a lot in the future), but try to answer these questions first.
"when does your ocgram take place?"
it can be as specific as a certain date or it can be as vague as "some time before/after canongram". canongram lore doesn't really give us much info to work with so you can go wild. but figuring out even something as simple as whether your ocgram takes place before canongram or after can actually help you a lot!
"is your ocgram closer to canongram or novelgram?"
the music project and the novels' settings have their differences and both settings have their strengths. you don't have to write mvs for the novels-like ocgram, though you will still have to write the memory scenes. also, for a novel-like ocgram your characters are expected to be named after some sort of adjective that could describe their personality or be a reference to their crime/backstory (example: "nervous", "gentle", "two-side"), but their names are still supposed to be revealed closer to the end. meanwhile canongram uses the voice dramas, timeline convos and mvs (and apparently earbuds voicelines) to tell you more about the characters. figuring out the "format" of your ocgram like that can help you a lot too.
now, you have figured out these details. great! if you're feeling like writing more about how your ocgram works, let's think about these parts more.
is your ocgram just like the milgram project you've chosen as a "base"? maybe it even has the same jackalope? is the guard still named "es"? maybe there's more than one guard and more or less than ten (or five in case of novelgram, if i remember correctly) prisoners? does the prison still look exactly the same? maybe something has changed over the months or years? all of this depends on your own preferences and what you decide to do with the story. you can make your ocgram as different from canongram or as similar as you like.
again, we don't know much about canongram at the moment, so don't be afraid of coming up with the whole backstory for the prison.
when you feel like your world is ready, it's time to fill it with characters!
characters.
oh boy, the fun begins. i'm not your mom, so you can do anything you want with your ocs, but if you don't have any character concepts in mind and you don't know what to do, here are some tips!
(we're going with the canongram formula here, but you can adjust it as needed)
as you probably already know, the canongram prisoner pairs have some sort of theme. both haruka and yuno's crimes have something to do with children. both fuuta and muu's crimes have something to do with bullying. you see what i mean. figuring out themes for your prisoners could be a nice start if you don't really have any characters in mind. pick themes that sound interesting to you and that you would like to explore more.
let's go with the theme of "luck" for example. how can two (or one, or three, or any number, really) prisoners share the same theme? how can you show that? maybe one of them is really lucky and the other one is extremely unlucky?
okay, but here's the fun part. how can you apply this theme to murder? maybe one of them was able to successfully get away with murder, meanwhile the other one accidentally killed someone because of their bad luck? and this way you can come up with really cool characters even if you didn't have any ideas in mind before that!
okay, so the milgram's whole thing is that all characters are morally gray in some way. and the character's moral "grayness" is a spectrum. for example, it can go from "eh, they shouldn't be here, honestly" white to "okay this one is kinda fucked up" gray to "JAIL. NOW. OH WAIT YOU ALREADY ARE THERE" black. but again, even the sweetest and kindest characters should have their questionable moments and even the scariest and most dangerous ones should have moments that make you feel sorry for them.
let's take some canongram prisoners as an example. we have haruka. an adorable squishy blorbo, everyone's skrunkly, the guy who everybody kins. don't you feel sorry for him? don't you want to give him a hug? oh, he kills animals, by the way. he also killed a young girl. just so you know.
now, we have muu. a spoiled teenage girl who always get the things she wants and is proud of it. a girl who literally said she's okay with haruka killing himself for her. literally has a song called "it's not my fault". cries every time a minor inconvenience happens and whenever someone suggests something to her, she just goes "i don't wanna..". her father is a landlord. except she also got bullied by her own friends, doesn't understand how real friendships and human connections work, still brings haruka food and checks up on him when nobody else does and it's heavily implied she actually does feel guilty for killing rei. yeah.
my own personal formula goes like this: i come up with a character. i write some things about them and then i take a look at their crime and personality and if i feel like they're a bit too sympathetic, i add a little bit of spice so that it isn't so easy to forgive them.
let's take my oc aimi for example!
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she's such a cutie, isn't she? she's also a victim of bullying too.. oh, also she has the biggest number of victims out of all my prisoners. she also seems to be very obsessed with the concept of friendship and if you refuse to be her friend, she will not take it well. she will most likely try to kill all other prisoners in season 3 or at least hurt them in some way because she doesn't see them as friends anymore. she's been voted innocent twice. she has way too much power in her hands at the moment.
okay! now, let's take my oc kei!
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a pretty guy! seems like the flirty type. oh, by the way, he takes photos of people being tortured and that's how he makes money (not counting his job as. well. a normal photographer). "oh, well, maybe he didn't have a choice-" he did. he literally does it because he wants to. he likes it. he enjoys it more than his boss. he likes seeing people in pain and believes that hurting someone means showing you love them. he physically and emotionally abused his own little brother for years and the poor guy still can't walk and move properly because of it. he has five victims.
but for some reason, he also has these huge scars on his back. he also was shown crying in his second mv. he was shown as someone helpless and someone who ended up in a very dangerous situation because of his victims. so.. is he the real victim here? or is he just trying to look more pitiful?
i think you're already starting to understand what i mean. of course, you have all the freedom to do anything you want with your characters. make them as dangerous or as cute as you like. but if you want them to have this "milgram vibe", i suggest you try to find "balance" between their traits that make them look forgivable and the ones that make them look unforgivable!
we can't forget about the guards though! does your guard have all their memories intact? do they remember their name, their past, etc? maybe they're just like the canon es and they don't remember anything at all? do they have their own jackalope or maybe they do their job without a fluffy little bunny around? what is their role here? are they more of a "self-insert"/"audience surrogate" or are they their own character with a backstory and everything? maybe they're an active type who has very deep relationship dynamics with the prisoners and talks to them a lot even when they're not interrogating them? or maybe they're just a creacher? maybe they just do their job and don't really talk to them? they're just standing there.. menacingly.. all of this is up to you to decide!
of course, the relationship dynamics between the characters are very important! first of all, look at your overall cast, when you're done with them. what kind of relationship do you imagine them having? maybe you see them as a found family? maybe all of them are friends? maybe all of them are kissing passionately in the moonlight? maybe all of them hate each other? maybe they even don't care about each other at all! again, it's all your choice and it depends on what kind of characters you're working with.
if you're stuck and you're not sure where to begin, i think a good start would be taking a look at your prisoner pairs and try to figure out the dynamic between the prisoners from each pair. what are their parallels like? how similar are they? how different? do they like each other because of their similarities/differences or they hate each other because of them?
okay, so when you're done with characters, a much scarier part appears.
plot.
so, what do you write first? is it the voice dramas? maybe mvs?
i think it really depends on a person and what you personally find most comfortable, but from my own experience i actually would advise you to work on the vds and mvs first before writing and posting a character's profile.
you see, it's possible that while you're in the process of writing the voice drama, you will notice that the character's personality is much different from what you had written in their profile and originally had in mind for them. of course, it doesn't mean that it will definitely happen to you, but this happened to a lot of my ocs, haha.
so that this doesn't happen but you also have an idea of how your character is supposed to act, try writing down or simply making a mental note about your oc's main personality traits. maybe they're the most extroverted one? maybe they get tired easily? maybe they flirt with everyone they meet? keep those traits in mind, but also give yourself the freedom to explore their character and make them more deep in the process. maybe while you write the most extroverted prisoner's voice drama, you will realize that they actually don't like other prisoners that much or while you write the sleepy prisoner's voice drama, you will get an idea about them not wanting to face their reality and use sleeping as a method of escapism.
if it helps, i personally work on my ocgram in this order: voice dramas > music videos > character profiles, but of course, you can adjust it to your preference.
i think it should be obvious that you should work on the characters' crimes and backstories before you actually start writing the voice dramas and posting stuff about them. sure, you can make it up as you go, if you're confident enough, but i strongly recommend you have a plan or at least a concept of what your character's crime is supposed to be. it will make everything much easier for you!
about backstories: you don't have to, i don't know, come up with names for every single member of your character's family, but i recommend thinking about your oc's backstory outside of their crime. what was their childhood like? what about their teenage years? do they have any friends? what's their relationship with their family like? all these details can help you understand your character's motives, personality, crime and other stuff. also it's simply fun!
so, let's start with the voice dramas.
voice dramas.
(i've also answered a vd-related question here!)
voice dramas can be very hard to write, so let's think about what makes them hard for you first.
maybe you just don't have any ideas? maybe you don't know what the characters are supposed to talk about?
what personally helps me when i start writing the voice dramas is asking myself this question:
"why are these guys even here?"
probably sounds weird, but if you think about it, it actually makes everything a little easier to understand.
why is the guard here? most likely to interrogate the prisoner.
why is the prisoner here? most likely to answer the guard's questions.
okay, we're getting somewhere.
now, how would your guard interrogate the prisoner? of course, it really depends on your guard's personality. maybe they would try to make the prisoner feel more comfortable? or would they rather threaten them and scare them?
now, let's add the prisoner's personality to this equation. what is your prisoner like? how would they react to the guard's questions? what do they think about the guard? are they scared of them? maybe they want to be friends with them? what do they think about milgram in general?
let's put these personalities in one room now and give them a moment. how will they interact? what will they think about each other?
if you're not sure what your guard is supposed to ask about, you can always use the canon voice dramas for reference, but my personal method is simply thinking about what my guard is most concerned about or interested in. and yes, this goes for the guards who don't care about anything too!
maybe your guard wants to make sure the prisoners are doing okay? in this case, they'd probably want to ask about how they're feeling first. or maybe your guard is more focused on the prisoner's crime. then they'd probably start asking about that right away.
okay, your guard has asked a question! how will the prisoner answer?
depending on your prisoner's crime, personality and backstory, they may be okay with revealing some things, but would never want to talk about something else. maybe they're okay with talking about their murder method, their victim and all, but they will never tell you what their motive is. if you're only getting started with the first season, try to reveal something they're okay with first! then you can talk about the other things in later seasons.
what helps me a lot is separating my prisoners' crimes into parts and sort of.. figuring out which parts should be revealed very early and which ones should be saved for later.
for example, maybe we can reveal the prisoner's murder weapon and method in the first season, their victim's identity in the second one and their motive in the third one.
what also helps me with writing the voice dramas is simply "visualizing" everything and imagining how it would go in a visual novel, anime, actual voice drama, etc. also remember that since it's a voice drama, you're kinda supposed to tell everything through sounds and, well, voices! so for example, if you want to tell the reader that the prisoner is nervous, maybe you can make the guard say "you look nervous" or simply make the prisoner say "i'm kinda nervous".
music videos.
mvs are something everyone does a bit differently. maybe you can actually draw/animate your prisoners' mvs. maybe you can write song lyrics for them. maybe you can simply write their mvs' descriptions. it all depends on your skills and what you're working with. so here i will simply talk about how to come up with an idea for a music video.
firstly, what are you supposed to reveal in your prisoner's mv? is it their murder method? is it their victim's identity? maybe something else? keep that in mind so that it's easier for you to drop hints to that thing.
now, what can we do for the visual part? is there anything you associate with the prisoner? a certain theme, aesthetic, etc? even simple objects can help, think about how many canongram prisoners have an object as their "theme": yuno has balloons, muu has an hourglass, kazui has an apple, etc. now, try to think how you can reveal something about the prisoner through this theme. for example, in yuno's case, balloons are a reference to her pregnancy. milgram loves symbolism, so take advantage of that, haha.
what also helps me a lot is simply listening to music that i associate with that prisoner and kinda coming up with music videos in the process. watching actual music videos can also help when you're looking for inspiration.
also, don't forget that everyone's music videos literally come from their brains. what does your prisoner think about their crime? what do they remember about it? how do they feel about it? do they feel guilty? do they feel like they've done nothing wrong? do they wish to forget it? do they see it as their biggest achievement? it can also help with writing song lyrics, if you're doing that.
if you're writing a mv description and you're not drawing/animating a music video, i would advise you to try to describe as many things as possible, as long as it's important. yes, we all love noticing small details while rewatching the milgram mvs, we all love the tiny things that are important for understanding the character's crime, but sadly, if we can't see it, how else are we supposed to know about it? so yeah, if the color of the curtains is important in your story, you should describe it too.
anddddd i think that's all for now! this is mostly done for people who haven't gotten to the second/third seasons of their ocgrams yet, so stuff like the prisoners' reactions to their verdicts, their punishments, etc, is not here. but you can ask me about it (and if you have any other questions, you can also ask me)!
hopefully this helps someone <3
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restinslices · 3 months
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Could u write earthrealm guys with a vampire reader? And like sometimes she feeds on them 👀
*asks for vampire requests* *proceeds to procrastinate*
Johnny Cage 
Honestly it'd probably take him awhile to grasp how serious the situation is 
It's not that he wouldn't believe you, but he'd probably think you're joking at first 
Says something like “yeah and I'm a werewolf”
You insist that you're serious and something about the tone of your voice makes him realize you're being truthful 
He saw that crazy shit in Outworld so it's not completely unreasonable 
He's kinda jealous though 
You're gonna be young and hot forever? And you have powers? Sounds like bullshit to him 
He probably asks questions that have to do with your age and how long you've been alive 
I think he would weirdly find you drinking from him kinda hot, especially depending on when and where you drink from him 
Drinking from him shuts him up for awhile since he's all dazed, so it'd be understandable if you drank from him a lot 
I don't even think he'd cover up the marks. He treats him as if they're hickies 
He's probably told the other champions too because his mouth is big 
And knowing Johnny, he's thinking of all the movies you could be in since people love vampires 
Also knowing Johnny, if you can compel people, he'd use that for his benefit 
If all you have to do is say a couple words and his debt is forgiven, then he's definitely using that 
He sees how many pros there are and asks to be turned 
The thing is though, he's only looking at the pros
You have to continuously remind him of the cons but it goes in one ear and out the other 
He will not let it go at all. You don't have to turn him right away, but if you don't give him a specific date for when he'd be turned, he'd become insufferable 
Becomes Bella Swan lowkey-
Kenshi Takahashi
Probably also thinks you're joking 
Once it's clear you're not though, y'all can lowkey be a power couple 
Imagine it for a second 
You both cutting through the Yakuza and restoring his clan 
You being a vampire makes it a lot easier. He's fighting, you're eating. It's going great 
He's not too bothered by the whole vampire thing. There's a few quirks that may throw him off, but overall it's ok 
When it comes to feeding off him, uhhhh… he's a bit shaky about it 
I think that's a valid reaction too
You'd ask and he'd be like “um… do you have to?”
He'd occasionally offer you his wrist 
Otherwise he'd prefer if you didn't unless it's necessary 
Why do I get this vibe? I couldn't tell you 
I don't even think he'd really want to be a vampire 
It's not that he doesn't wanna be one. He just doesn't think about it 
He could be tempted if you said his eyes would heal and he'd have his normal vision back but that could depend on the day 
His sight is already restored but pretending to be blind may get annoying. Who knows
I still don’t understand how his sight works now. I gotta rewatch a play through
Being a vampire has its main perk which is living forever but idk if he’d want that. I can see Kenshi being someone who is both afraid of death but also is comforted by all life having a solid ending
Maybe his thoughts will change
I really don't think he'd be too bothered by you being a vampire though. Just don't make a mess on his carpet 
I think you having the ability to defend yourself would weirdly comfort him 
Not having to watch over you and make sure you're ok all the time is something he'd appreciate 
You're literally eating the opponents. This seems like a great deal 
Kung Lao
I wanna start this off by saying Kung Lao is the type of petty bitch to get mad at you and hold garlic to keep you away 
And he'll be in such shock if you walk over and slap it out his hand
You'll just be staring at each other in silence 
Kung Lao probably tests all sort of vampire myths on you 
“Get out the house then try and come back in” “Why?” “You can't come in if I don't invite you, right?” “This is our house though” “I don't get your point”
Prays over water then throws it at you 
Idek if Kung Lao is religious so idk why he thought that would work 
“Can I stake you through the heart?” “I'm gonna throw you out the window”
Puts a mirror in front of your face to see if you have a reflection. He’s upset either way
If you do, he’s like “wow. Another lie”
If you don’t he’s wondering how you manage to look decent still
It honestly can become obnoxious and I think he'd have the tendency to act as if he knows more about vampires than you 
Because surely all the movies he watched had to be somewhat right 
If you’re like a Twilight vampire and sparkle, he’s never letting you live it down
You can’t control this but he would find it comical. Out of all the vampires you’re similar to Edward Cullen?
When it comes to drinking from him, uhhh I don't really get a certain vibe 
Idk if he'd be down or against it. Maybe it depends on the day 
On the topic of feeding, I don't think he'd like seeing you eat people 
He knows it happens but doesn't wanna see you chomping on someone. It makes his skin crawl 
Overall, is he kinda obnoxious? Yeah. But he could've tried to kill you so a win is a win ig
As a side note, idk if he'd be interested in becoming a vampire 
It’s a thing he gotta weigh. On one hand he’d be in his best shape for the rest of his life. On the other hand he doesn’t wanna deal with all the inconveniences
Raiden
He might be somewhat uncomfortable 
He doesn't think you'll harm him but he probably doesn't want you to eat others in front of him 
What evidence do I have for this? None. 
It's just what makes sense in my brain 
He asks a lot of questions though. A lot of them are cliche based but that's ok 
“So… Garlic?” “It smells funny but that's about it”
I could see him forgetting honestly. He won't be really involved when it comes to feeding. Like he won't help lure people or be around you when you're feeding from someone and since he doesn't see that, it just slips his mind 
Especially if you're one of those vampires that look normal until you're aggravated or feeding 
He's only reminded by almost killing you. He pulls the curtains back on a very sunny day and is like “oh shit” when you scream 
When it comes to feeding from him… no❤
Idk why but I just don't think he'd be down unless you were dying 
He doesn't like how it hurts and how dazed he feels after. Find someone else to do it 
And it’s kinda awkward. He’s just standing there as you’re sipping him like a juice box
Probably isn't really interested in becoming a vampire 
Him and Liu Kang are probably the least interested but for different reasons 
Raiden just doesn't particularly care about the whole living forever thing. Maybe that's because he's young so he's not worried about dying but that's just how he views it 
I think him and Kung Lao are the youngest in the group so they probably have the “I’m young so I’m not worried about anything!” mindset
Can he be killed still? Yeah. But so can vampires. It’s just harder. He’s at an age where he’s not thinking about old age
Plus the negative side effects push him away even further. I don't see him as the type to be totally ok with having to drink blood all the time and look out for hunters 
You can be a vampire and not hurt innocent people but it’s harder I would assume. And if he didn’t drink from humans he’d be hunting down animals and idk if he’d really like biting animals either
There’s blood bags but now he gotta be a thief? It’s a no for right now
Liu Kang
He knew 
I'm not saying Liu Kang watches every single person born intensely but he probably saw it 
Here's how it'd go;
A) He saw you be turned when he was watching humanity 
B) He picked up on the evidence 
C) You were a vampire in the previous timeline and either he didn't change it, or he knew there was a chance it'd happen again 
If the situation was like C, then he wouldn't really be weirded out by certain vampire things, like feeding
He'd be similar to Raiden in the sense that he's not the type to help lure people towards you 
Your food. Your responsibility 
As long as you're not feeding from totally innocent people, then I think he wouldn't have a problem 
If you were drinking from kids or a civilian that's super nice and helpful, then he'd have a problem 
He might suggest animals ngl 
Feeding from him? It's another situation where I don't know if he'd be for or against that 
He probably won't be as dazed as the others since he's a god and whatnot but who is tryna get bit all the time?
In the same breath though, I can see him offering his wrist if you were thirsty and there wasn't good prey around 
So maybe it depends on circumstances 
No if there’s plenty of options around. Yes if it’s a bit dry around
Like Kenshi, he's glad you have the power to defend yourself. Chaos, violence and smoke follows this man so you gotta be a fighter 
He doesn't know how he feels about you eating the competition but whatever 
And don't even bother offering to turn him. He's already a god. What more does he need?
It'd be way more negative for him. He has strength, powers and combat skills. Now he has the need for blood, has to avoid sunlight and whatever other bullshit vampires gotta deal with?
Hard pass 
He'll just watch and live through you 
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blackhakumen · 2 years
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Mini Fanfic #1030: Thankful For (Kingdom Hearts)
5:45 p.m. Twilight Town, Outside of the Grocery Store........
Vantias: (Writing Something Down on his Noteopad While Walking Next to Lea) Thankful.....for......everything......thus...far.....
Lea: (Tales a Peek at What Vantias is Writing) Whatcha writing there, kid?
Vantias: A rough draft to an essay I have to finish and present to the class before Thanksgiving Break starts.
Lea: An essay, huh? Been a while I did any of that in my youth......Hey, you don't think our Keyblade teachs are gonna make us do any of that at one point in the future?
Vantias: (Scoffs While Rolling his Eyes) I hope not. But then again, I wouldn't be too surprised if they pull something like that on us either.......
Lea: ('Sigh') Well, here's hoping that never comes tuition then. Really don't feel like spending nall day looking up anything involving the Keyblade War or some crap.....
Vantias: ('Heh') Yeah. We wouldn't want our resident old hothead to start falling asleep in the middle of a another lecture seventeenth time in a row.
Lea: (Glares at Vantias) Hey, I've been awake through all the lectures!.....Okay, most of the lectures, but I've listened in on a few things! And I'm only in my twenties!
Vantias: Sounds pretty old to me.
Lea: (Groans in Annoyance as He Rolls his Eyes) Whatever. So what kind of essay topic you guys are writing?
Vantias: About what we're thankful for. Something we appericate the most in the world or whatnot. And....(Looks Away While Rubbing the Back of his Head) I chose you guys....
Lea: (Eyes Begins to Widened) Really now?
Vantias: It's the truth. It may be hard to believe coming from me of all people, but I have a lot more appreciation for you idiots than I thought I would. You gave me a chance to get my crap together or as Riku would usually put it: "Redeem" myself, you treat me more like an actual person than Xehanort ever did, and dispute how incredibly annoying each of you are, I.....(Starts Blushing a Little) I still....sort of like having you all around in my life and junk. So for the essay, I wanna give you all my thanks for everything I guess.....
Lea stares at Vantias for a brief second before letting out a light chuckle.
Lea: Well, I'll be damned. (Pulls Vantias into a One Arm Hug) You really have turned into a big softie!
Vantias: (Rolls his Eyes) Wonder where I got it from.....Speaking of which, don't tell anyone of our friend group about any of this or I'll might have to end your life.
Lea: Ha! (Smirks Teasingly) Please. You know Roxas and Xion would never let anything bad happen to me, right?
Vantias: I know. I also know that I can take both of them on with my hands behind my back.
Lea: 'Kay. (Smirk Grew Wider) But can you beat Namine though?
Vantias: I- (Grimace at the Thought of Fighting an Angry Namine, Pounding her Fist into the Palm of her Hand) rather not challenge her.....
Lea: ('Heh') Wuss.
Vantias: Hey, I'm just choosing my battles wisely here. (Smirks Back at Lea) 'Least I don't keep getting my ass kicked by Kairi at the last second on every sparring match.
Lea: (Glares at Vantias) Okay, first off, language, second, it's not like I always lose to her on purpose! (Walks Inside the Grocery as the Bell Goes Off on the Door) She kept giving me the puppy dog eyes and-(Suddenly Begins to Sighs at What's in Front of His View Point) Shit.
The duo watches a whole group of customers fighting among one another in the meat aisle, specifically the turkey section.
Vantias: Are they seriously fighting over a turkey?
Lea: Yeah. This always happens whenever Thanksgiving comes around. Make 'em act like a bunch of wild animals. (Clicks his Tongue) Welp....(Starts Cracking his Neck Both Times and Proceeds to Dp the Same Fpr his Knuckles) Might as well get started then.
Vantias: (Eyes Widened at Lea) Wait, you're ACTUALLY joining in on this?
Lea: Hell yeah. They sucker punched me and took that turkey right from out of my hands last year, there's no way I'm gonna forgive and forget.
Vantias: Huh. (Smirks Again) Guess you're not as lame as I thought you were, old man.
Lea: Still in my twenties, Vantias!.....(Rolls his Eyes) And thanks I guess. I take it you want to join in too?
Vantias: Yeeeeup. (Takes off his Jacket and Drops it on the Ground) It was getting boring around here.
Lea: How? We just walked in here a second ago? ('Sigh') Whatever. Just stay close to me and try not to summon that Keyblade of yours, got it?
Vantias: ('Heh') Please. (Cracks his Knuckles as Well) Who says I need a Keyblade to whoop ass?
Lea: Again, language. Let's get that turkey and get the hell up out of here already.
Vantias: (Simply Nodded) Right.
And so, the duo runs down towards the crowd and joins the fight. As they starting to beat down most of their opponents that comes their way at ease, it didn't take long for one of their Keyblade Master, Aqua, to take notice of their participation of the brawl before marching into the crowd, use the Stopga spell on that said crowd involved (excluding Lea and Vantias, and taking the two out of the store with the turkey levitating beside her, as she pulling them by the ears followed by a hefty amount of scolding afterwards.
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baezdylan · 3 years
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Scrapbooks of flowers
The fourth photograph: scrapbook of begonias
"We're all just learning how to smile."
- Learn to smile, INXS
People remember each other's faces for a reason. She could declare how her name was Nova Sparks under a million different circumstances and it would never matter as much as a single smile or a handshake does.
When her brother smiles, Nova feels the most at home. And Revelius smiles. He smiles like each breath holds an entire world.
Something that gets talked about a lot are the graduations. The valedictorian speeches. The breakups, the reunions. The births, the deaths. You know, the big moments. Nova doesn't seem to remember those (even though she desperately wants to). She remembers the little ones. The quick shining glimmers of passing hopes.
Nova dreams of captivating city lights and rooms filled with people who don't do anything but glow. Her hands are peppered with moonlight kisses as she rests them against the window frame of her room. The city seems so much brighter if you don't want anything from it in return.
She finds herself thinking about all those days that were brilliantly usual and how she never stopped to notice them. Something about that doesn't sit right with her, but she can't pinpoint the exact cause of her uneasiness. She never stops. That's what she does and that's how she is. She's Nova Sparks. Nova Sparks whose nails are unevenly cut and whose cheeks are always a bit rosy and whose eyes are emerged from burning passion and twinkling flames. She's not the one for waiting.
The sky is a nice shade of blue when Lyerr asks her to wait. Lyerr is a nobody, they barely interact apart from these Saturday nights in which they meet to discuss plant names and rank indie records.  Lyerr is not a family member nor a friend. He's only there so that he could point out that she is in the wrong and that he is in the right. She's there for the same thing, just put it in reverse. That's why, when he tells her to "wait up", she doesn't give it much thought.
The town thinks that Revelius and Dorothy, her brother's person, are dating. Nova understands where they are coming from. For instance, they hug in public places. They embrace one another so tightly that Nova wonders how could they still recognize air. She asks her older brother about the rumours and all he says in return is: "love never repeats itself". She isn't sure what exactly does he mean by it, but the line never leaves her head.
Nova fills her bedroom with maps, calendars and compasses. She buys a hundred colourful posters that she never hangs anywhere. She wishes to travel. Travelling means moving, hunting for happiness. She just wants to go somewhere.
When they were little, Revelius and Nova used to climb trees. Their hands always ended up embellished with scars. She often cried because of that. The adventures were wonderful, but why did you have to get hurt while experiencing them? 
That's when Revelius first starts drawing flowers on her hands. The next time it happens, he asks her if he could do it again. She lets him. Never does he ask her again. 
"What's that on your hands?" Lyerr wonders during one of their debates. She looks up at him and doesn't immediately process what he's referring to. Her hands always look like this. It takes her a few whole lifetime resembling minutes to process the statement. It's not before he lifts her hand from the table that she does. "Those are flowers, my brother paints them". He looks at her. She looks at him. This is when he is supposed to drop her hand. "It's like you have your own personal garden right there on your hands." It's not before he says it that it hits her just how much Lyerr actually talks about plants.
It's late when she overhears the conversation. She was just going to the bathroom and she didn't even know that Dorothy was there. "How do I make the clocks stop?" Nova expects to hear Revelius respond to that but she never does. She doesn't want to think about what Dorothy said. She doesn't. She shouldn't have heard that. What Dorothy said wasn't meant for her to hear. But she does think about it. She thinks about it and she wonders what is it that Dorothy wanted to say. Because for Nova, the clocks never go anywhere. They cannot stop because they were never moving to begin with.
***
"Do you always spend your time here? I mean, do you ever hang out with anybody else?"
"And you consider this hanging out?"
Lyerr isn't teasing her. He's just being his blunt annoying self.
"Well it is going out, we meet up here each and every Saturday and we talk about a whole bunch of stuff which both of us accidentally happen to like. We are hanging out."
"Oh, I just never looked at it like that."
"Now, answer my question."
"No, I don't hang out with anybody else."
The truth is, she expected him to say that. It's not the words that are intriguing her. It's the way that he says them. He's not embarrassed. His cheeks aren't reddening. His eyes aren't trying to get away from her. He's simply stating a fact.
"Don't you need people?"
"People can't make you feel whole. You do that yourself."
 
He says that, adjust the pencil behind his ear a little, frowns at her (because he's Lyerr) and they go back to the topic that they were discussing before.
All Saturdays are the same, she concludes.
***
Dorothy is leaving for college. And yes, she knows that it's none of her business. Dorothy is her brother's friend. But everything that happens to Revelius also happens to her in a way too. And no, this is not something that she hides and "could never admit to anyone". Revelius is her brother, but more importantly, he is her friend. She loves him with her whole heart and she is willing to admit that to anyone.
So, Dorothy is leaving for college. Nova wakes up with an unsettling feeling in her stomach. She spends the entire morning pacing around the living room rearranging stuff that most certainly don't need to be rearranged and folding and unfolding the same blue sweatshirt over and over again.
She's sitting on the floor when he walks in, coffee in hand. Mum and dad are still at work. Revelius takes a few steps forward, stops for a second, turns his head around as though in search for something and then he sees her. He pulls off a smile (because smiling is what he does) and lies down on the carpet beside her.
"The world looked beautiful today."
She isn't sure if it's her place to say anything in return to that and therefore, she doesn't.
***
It lasts for exactly three minutes. Not a tiny bit less. Not a tiny bit more. In conclusion, it barely reaches the limited timeline of a single shoulder brush.
She stumbled. She was walking home and she stumbled over something and now she is on the ground, checking for bruises. She wouldn't have looked up. She wouldn't have, but the sound is so beautiful that she basically has to look up. There is a girl sitting on the ground, cross legged, singing and holding a guitar. There's a purple ribbon wrapped around the girl's wrist, her hair is all messed up and her clothes seem old. And she's smiling. It's like her words are chuckling as she sings.
It's not about the specific event as much as it is about the discovery that the event in itself is specific.
***
"But people don't appreciate them enough!"
"Just to be clear, you are trying to convince me that dandelions deserve more love from people? What kind of conversation is this exactly?"
"Nova, the dandelions need our love and devotion, those flowers offer so much to us and we never offer anything in return! Now that, that is not what a decent human being does!"
"You're gonna need to elaborate on that, Lyerr."
"Oh, you bet I'm going to do that."
He does proceed with his intentions and makes some rather interesting points (Taraxacum, Nova. T a r a x a c u m, doesn't it simply roll off your tongue? The way that the word dandelion sounds like in latin is a reason enough to love it!). She chuckles despite herself and Lyerr chuckles despite himself too. His face is red from all that passion and she is busy writing down the information that he is sharing with her because they need to remember these debates, they are practically world heritage (Lyerr's words, not hers).
This is happening every single Saturday.
It's happening every single Saturday and it's still not dull.
All Saturdays are the same.
"You remind me of parts of myself I will never have a chance to meet."
- Mariah Gordon Dyke
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