So Mun in season 1: Cutie patootie, must be protected, smol bean. Does no wrong, has big feelings.
So Mun in Season 2: Zero fucks to give, a meance, has cleanly been hanging out with Hana and Motak for too long because he caught their rizz.
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oneus playlist/song recs?
They’re entire discography is amazing! They’re the only music group that only have songs I adore! But here are my top 10!
1. Haley’s Comet
2. Bingbing
3. Gravitation
4. A Song Written Easily
5. Youth
6. Stupid Love
7. Unforgettable
8. Eye Contact
9. Life is Beautiful
10. Mr Wolf
I definitely lean towards their softer song instead of their intense songs but that’s just a personal taste thing. I’d say jsut pick your favourite titles and listen to the whole album the title is from.
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In need of the fattest hug from josh. Like one where I would have difficulty breathing regularly because he's squeezing so damn tight
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since i am close to completing my main project “baby teeth” within the month, i wanted to introduce my next longer project because i am EXCITED!
this fic is my new baby—titled “to fill a void” and features omegaverse elements, forced mating, redemption and a lot of post-66 coping. and who doesn’t like obi-wan flavored guilt? (personally, my weakness)
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I just want to give a quick shoutout to my mutuals for tagging me in so much shit this week. I don’t know if it’s just tag game week or something but I’ve been tagged in so many things. I’m going to get to all of them but I’m taking my time at the moment.
Tbh I’ve been struggling lately because I feel like, in general, not a lot of people like me. But I don’t know man something about someone thinking of you when creating a silly little post just fills my heart ya know?
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Going to muse on fandom and theater for a moment:
I do find the mutability of the concept of 'canon' for theatrical characters/productions/etc to be an interesting space, especially when it comes to the ways fans interact with the work
Like, the text (canon) of a theatrical production is the script/libretto....and that's it. That is what is Canon, and the information therein contained.
Which is great! Because it allows different productions to go for different takes on things, and for a wide variety of actors to get to inhabit the characters!
This means that, if it's not directly in the text (script/libretto/lyrics), anything's sort of up for grabs regarding character traits. Even personality traits are, in many ways, up to the performer. Do they speak loud, quiet, faster, gesture a lot, etc? Up to the performer
Now, regarding fandom, it makes sense that when certain iconic actors/productions get associated with the characters, it becomes tempting to talk about such things as if they are text-level canon. After all, movies/TV/other visual media all contain the canon in what you can actually see.
As you could maybe guess, since it's this blog, we're going to talk about BMC
The totally rad thing about theater though, is you can find the canon character descriptions explicitly and succintly! Little things that get incorporated via the text can add flavor, but it demonstrates that things stay pretty wide-open. Let's take our lad Jeremy Heere:
"Awkward high school junior."
From the official licensing cast list by Concord Theatricals, that's what we get. All of it, the whole thing. If we incorporate what else we get from the text, we have "had a bar mitzvah" "wears Converse" "sweats alot" "has acne."
There's SO MUCH left out there! And that's wonderful, because you know how many millions of types of actor can inhabit and play with that short list? Exactly!
The only character with any specific physical detail in the cast list is that Rich is 5'5"
So this is to say, on some level, that while it can be tempting to conflate characteristics of actors as if they were canonical details of the characters themselves, that's kind of not the case, and that's by design. BMC is kind of appealingly open-ended like that, and theater in general by extension.
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