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#boysen sans
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So a bunch of swapfells and fellswap did a drinking game-
Boysen by @mothiepixie
Helios by @kiok0r0
Noct by @hearty-dose-of-ranch
Captain by @alch3mic
Merlot by @smokbeast
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xeonn6269 · 6 months
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fuckin love this man.
Boysen belongs to @mothiepixie
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caycanteven · 7 months
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I drew this instead of eepin, because I got dragged back into the mafia verse (i could never run from the mafiaverse in the first place, thanks for the reminder Mothie lmfao) so now you guys get this delicious midnight snack.
Maybe I'll do a fun lil story to play on his character some hehehehehe
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pinkwavybubbles · 7 months
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Mind your fucking business, Boysen.
Boysen, Crust and Motti belong to @mothiepixie !!!
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tehrogueva · 8 months
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youtube
Comic by @mothiepixie
Boysen and Crust also belong to MothiePixie
How'd i do?
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necrolexic0n · 7 months
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a couple doodles of asylum sans and Boysen!! (boysen belongs to @mothiepixie oughh he is so pretty i wanna 💋💋💋)
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bnuuybee-writes · 8 months
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°Simp List°
Disclaimer: this is my simp list, idc if you agree or disagree with it, these are the men that run about in my brain hole and bring be serotonin, okay? Okay.
Genshin
-Diluc Ragnvindr
-Wriothesley
-Al-Haitham
-Kaeya Alberich
-Lyney
-Arataki Itto
Honkai: Star Rail
-Blade
-Imbibitor Lunae
Demon Slayer
-Tengen Uzui
-Sanemi Shinazugawa
-Muzan Kibutsuji
-Kokushibo (Upper Moon 1)
Sansverse (Cringe as we knew it is dead the only things considered cringe now is bigoted and predatory behavior)
-MafiaFell!Sans
-Boysen (cred - @.mothiepixie)
-Gaster!Sans
-Echotale Sans
Misc. Media
-Chuuya Nakahara (Bungou Stray Dogs)
-C!Technoblade (Dream SMP)
-Lifeweaver/Niran Pruksamanee (Overwatch 2)
-Simon "Ghost" Riley (Call of Duty: Modern Warfare 2)
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pronounsrus · 2 years
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purple theme
ame/amethyst
auber/aubergine
boysen/berry
byzan/byzantine
cor/corcra
dark/purple
egg/plant
elect/electric
eminen/eminence
flora/floral
grape/grapes
heather/heathers
helio/helios
helio/trope
iris/irises
indi/indigo
jam/jams
lav/lavender
lilac/lilacs
lilli/pop
lilla/lillas - lila/lilas
mauve/mauves
magent/magentas
mil/berry
orch/orchid
pur/purple
purper/purpers
plum/plums
peri/winkle
peri/periwinkle
pears/pearses
raisin/raisins
roy/royal
roxo/roxos
san/sangria
thist/thistle
vio/violet
violet/violetti
viola/violas
wine/wines
wist/wisteria
💜/💜s
🍇/🍇s
🔮/🔮s
👾/👾s
🟣/🟣s
🍆/🍆s
🟪/🟪s
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shinylightblue · 2 years
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Oh wow, thank you! I would love a link to the fonts if you get the chance to find them. (And for real, that set is AMAZING)!
And I found them all!^^ (for this set)
Gif 1: Germany Sans | Great Rebellion
Gif 2: Cocogoose (in Thin) | Road Rage
Gif 3: Aliens and Cows | KG Defying Gravity | Intro Inline
Gif 4: Photograph Signature | The Devil Net | (also Aliens and Cows again)
Gif 5: Heritage | Demode | (and Intro Inline)
Gif 6: Boysen | (and Aliens and Cows, KG Defying Gravity, and Great Rebellion)
And again: thank you<3 I'm happy people like it^^
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theusasurf · 1 year
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確かな性能で当店で大好評の DK SURFBOARDS🔥🔥 カスタムオーダー可能🎉🎉🎉🎉🎉 オーダーをお考えの方来週土曜日までにご相談下さい🤲🤲 ノーズライダー、ミッドレングス、フィッシュ、スラスターと、どれを乗っても癖がなく、ハマります😍😍😍 〜〜〜〜〜〜〜〜〜〜〜〜〜〜〜〜〜〜〜 ❓❓ABOUT DK SURFBOARDS❓❓ Name Dennis DJ Kane (33) Originally from Northern Florida. 2003 Moved to San Diego to learn shaping and building Surfboards. 2003年にサンデイエゴにシェイプとサーフボードを作る為に移り住む。 Apprenticed and Shaped under Rich Pavel (2006 ~ 2008) and start designing own Surfboards (DK Surfboards) 見習いとシェイプを学ぶ為にレジェンドシェイパーのリッチパベルの元で修行を積む。 Shaped and fine tuned shortboard skills and design concept under Steve Boysen (2009 ~ 2013) At the meantime, Shaped for Chris Christenson (2012 ~ 2013) その後、ボイセンの元でショートボードデザインの基礎を学び、それと同時でクリステンソンの板もシェイプする。 Start Shaping for Channel Islands (2013 ~ 2014) At the same time, start shaping for Pyzel Surfboards. その後、チャンネルアイランドのシェイプする。その時期と共にパイゼルサーフボードのヘッドシェイプパーとして今現在に至る。 At the meanwhile, shape some longboards for Joel Tudor Surfboards, Hansen’s longboards, Lightning Bolt Surfboards, and Rainbow Surfboards. 同時期にロングボードも数々のビックネームにシェイプするチャンスを得る。 At the present time, Head Shaper for Pyzel, Own HSD Glassing Company, and DK Surfboards. 今は、ヘッドパイゼルのヘッドシェイパーで、HSDのグラッシング工場を経営し、DK Surfboardsのオーナーでもある。 今後の飛躍が楽しみな若いシェイパーの一人。 #dksurfboards #madeinusa @harborsidesurf (THE USA SURF) https://www.instagram.com/p/CmFlGMrPCuc/?igshid=NGJjMDIxMWI=
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gerilya · 2 years
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ANG KATIPUNAN Mural by Gerilya National Commission for Culture and the Arts X San Juan City Tourism X Boysen Paints Philippines X Gerilya Pinaglabanan, San Juan City 2021
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caycanteven · 8 months
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This was a commission piece for @mothiepixie of their Sans OC Boysen with Motti, dressed to impress~! I had such a great time and I have never been more in love with a grumpy skeleton and his design. Thank you so much again for supporting me and my work!!! 🥰🫶❤️
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vangold · 2 years
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Since I am presenting you this stuff in little bundles over here, I’ve lightly altered the order of Jazztales first segment, not even sure how noticable it was. XD
Welp, we are almost at the end of part one. Squirrel already sits around there all on his own, recording something......probably not a good sign :P
For now however: Cheers, Jazzy.
Next
Prev
Included AU’s and their Sanses:
Scarf-Ace (Flowerfell)
Imp (???)
Crushedberry (Riverfell)
Blackberry (Rivertale)
Mo (UnderfellMLMU)
1S (Handplates)
Paddy (Witchtale)
Boder (UnderfellURSIKMU) Squirrel (Rationaltale) Chara (StoryshiftGMU) Rus (SwapfellGMU) Subby (Papyrus Domination) Jack (UnderlustGMU) Teal (TLTale) Dream (Dreamtale) Pans (UnderswapGMU) Mossy (Foresttale) Ink (GMU-Version) Error (Errors Askblog) Fate (Inverted Fate) Epic (Epictale) Parcy (UnderswapMLMU) Boysen (UnderswapRMU) Tori!Sans (Altertale) Karkat (Undertale Retold) Sarge (Conquesttale) Sol (Solfell) Re-Fell (Underfell Retold)
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crispsevans · 4 years
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** Disclaimer ** - I am NOT a professional graphic designer, however I did work with many of them for different occasions and I have been designing my own things for over 10 years now. All the knowledge I have and share with you in this post was gathered by me over the course of 14 years.
I recently started my font series, where I shared my favourite fonts of different typefaces. People have been requesting to post my favourite font pairings and as much as I love to do that (and I also will, just scroll down to the end of the post to see them), I think it’s also important for you to understand, why they work together nicely and what you should look out for, if you plan on pairing typefaces yourself.
Understanding fonts and typefaces
There are so many to choose from nowadays. You have probably scrolled through the JUNGLE of fonts that you can find online nowadays, some are free, some aren’t and they all go by different category names:
Serif - Sans Serif - Script. All of them can also be Display fonts.
What do they mean? 
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A serif is a small line or a stroke attached to the end of a larger stroke. So all the little strokes that I circled in red. The most common serif font is probably Times New Roman, which I also used in the picture above (hence TNR). 
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Arial is a sans serif font, and also one of the most common ones. Sans serif is translated from french, sans meaning “without” - so it’s basically a font without the little strokes, much more clean and modern looking. 
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Now let’s move on to script fonts, which are more commonly known as handwritten or brushed fonts. Bombshell pro is a script font based on the looks of modern hand lettering.
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Display fonts can be fonts from all the different typefaces above. They’re usually used in larger sizes for e.g. headlines or logos, instead of bodies of texts, like Times New Roman or Arial are mostly used for. Abril Display (I used it in a bold weight) is a display font, as well as a serif font.
Now that you know the differences between these typefaces, let’s dive into the different font weights. 
Many serif, sans-serif and display fonts come in different weights (thin, light, normal/regular, bold, extra bold, black.. you name it). This is important as it plays a fundamental role in pairing fonts together. 
Playing with different weights can help you underline the importance of the text you’re writing. I keep bolding phrases and words throughout this post, so you know to keep these in mind PLUS it’s easier to find the part of the post you are interested in. This also works for headlining on your graphics or gifsets! 
Pairing different font weights
I will use the simple phrase “I will remember you” throughout the following part of this post.
First you need to figure out what you want to highlight. Do you want to highlight, that you will REMEMBER them? Or do you want to highlight that you specifically remember THEM (in the phrase ‘you)? Lay it all out for yourself, so you know exactly what to do. 
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The difference with these two examples isn’t too big, as you might have noticed. I used the regular and bold types for these examples. However, fonts like Avenir or Helvetica come with thin or even ultra light versions and you have more to play around with.
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Script fonts usually don’t come in different weights, however you can utilise Photoshop to apply its bold addition to the fonts. It usually doesn’t look too nice though, so be warned!
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Also, script fonts are harder to pair with one another, because it’s easier to cause an ‘overload’ for our eyes with pairing them depending on their level of ... let’s call it fanciness. 
Now, you can pair the different weights together like this, centred.. and boring.. or you can play around with different font sizes, weights, kerning (click here to find out what kerning is) and positions. It’s fun, I promise! Just make sure you don’t forget which word(s) you want to emphasise! 
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Pairing DIFFERENT FONTS with each other
Now here’s the part people have asked for haha.
The first thing I want you to understand is, that the less is merrier does apply in this case. I personally n e v e r pair more than three fonts together (and I only use three different fonts for an entire corporate design including a website), two usually work the best!
For two different fonts to work nicely together, you (again) have to think about what you want to emphasise and create some kind of hierachy. In order to create an appealing design, you need to catch the viewers attention to the word or phrase you want. Create a focal point, something the eye is immediately drawn to. And then you add to it with simplicity. You really have to think about what you want to be seen first and what you want to be seen second (on the base of using two different fonts). 
Take a look at the fonts you have chosen. Display and script fonts usually need to be a larger size to be readable or to make them look good, so you probably want to use that one as the top of your hierachy. Also fonts with a heavier font weight tend to work better as the leading font. To accompany your leading font, choose a thinner, more simplistic companion. Why? Because if you use two heavy fonts or two fancy fonts (script, black, brushed etc.), your eyes will have a hard time concentrating on who is more important. 
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I hope this example helps you to understand what I mean. In the first picture you see the whole thing as ONE block, because your eyes don’t know where the exact focal point lies. They don’t know which word they should concentrate on. The second one, however, gives your eyes clear instructions on where the importance of the quote/phrase lies. 
Now how do you find out, if two fonts actually go together? Sometimes it’s also about the look of the whole design in general, if two fonts go well together or not. However, there are some things you can look for before you pair fonts:
Have a look at the weight, spacing/kerning, strokes in general and their width to figure out, if the two fonts you have chosen are different enough from each other, to actually pair well. Fonts that are too similar to each other have the same effect as shown above. At the same time please also keep in mind, that they have to have some similarities, such as their general proportions and heights. If these parameters are too different, it might doesn’t look as good (there are some cases where you can make it work though, but you need to play around a little here).
If you made it this far, congratulations :D 
This is not the ultimate guide to how you will always pick the right pairing of fonts, but it’s a start and something you can work on and evolve from! I hope it helped you. Feel free to message me, if you have any questions left. And now to what has been requested in the first place. 
Here are some of my favourite font pairings:
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(Avenir Next at kerning 200 + Abril Fatface)
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(Avenir Next at kerning 200 + Sunbreath)
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(Bodoni FLF at kerning 300 + Alberobello Script)
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(Almondia at kerning 60 + Billy Ohio)
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(Boysen at kerning 75 + Saturday Rock)
I hope you found this useful! :) Feel free to share!
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Supernatural Psychology: Roads Less Traveled “Road Music” features
or, if you want to know why I can’t recommend this book (which I bought, used, using my Discover cashback bonus, so my actual out of pocket cost was $1.48), just start reading...
Zubernis, L. (2017). Road music: "A Single Man Tear" from Supernatural: The Musical. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
People crave belonging and acceptance. Written for Supernatural’s 200th episode, the song refers to the fandom’s love of Dean Winchester’s complex negotiation of repressed masculinity and overt emotionality, as evidenced by scenes in which one tear escapes and rolls down his cheek during an emotionally powerful moment. Within the fan community, that is referred to as the OPT, or One Perfect Tear. Such in-group references are markers of acceptance within the group.
Kus, E., Dickson, C., & Scarlet J. (2017). Road music: "Thunderstruck" by AC/DC. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
Healthy relationships -- including friendships, romantic couples, and families -- need trust and commitment. If trust is broken, individuals may become less satisfied with a relationship, feel less committed to it, or consider severing it altogether. When Dean returns from Purgatory, he learns that Sam did not try to find him. Dean is angry with his brother, feeling betrayed that Sam did not try to help him.
Taylor Kester, L. (2017). Road music: "Bad Moon Rising" by Credence Clearwater Revival. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
Those who lose a parent at an early age can grow up to feel like the worst, most horrible things will happen to them, at times due to their own behavior and self-fulfilling prophecies. One parent dies, the remaining parent checks out emotionally, and the child is left to navigate the world on his or her own. For some, this can be distressing, lonely, and daunting. Sam and Dean build a bond strong enough to withstand their own bickering and any other loses that might come their way.
Morales, D. (2017). Road music: "Knockin’ on Heaven’s Door" by Bob Dylan. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
Parentification is the act of placing a child in the role of a parent. That child is burdened with responsibilities that should be that of a parent, such as caring for younger children. As he always has taken care of his younger brother, it is no wonder that Dean’s version of heaven is being able to watch Sam enjoy his childhood, evidently by blowing up a field with Fourth of July fireworks.
[Road Music: chapters 5, 6, and “Final Word”]
Adams, T., & Scarlet J. (2017). Road music: "Sympathy for the Devil" by the Rolling Stones. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
Learning to name and understand one’s thoughts is key to many therapeutic interventions and can be especially important following a traumatic event, such as accidentally letting Lucifer out of Hell. Cognitive therapies examine a person’s errors in thinking, called cognitive distortions. Cognitive therapy allows individuals to examine their thoughts in order to change the cognitive distortions (for example, “All angels cannot be trusted”) into more adaptive thoughts (e.g., “Some angels cannot be trusted”). Through their experiences, Sam and Dean learn not to make such generalizations about angels, monsters, demons, and even God and Lucifer.
Parris, L. (2017). Road music: "Burnin’ for You" by Blue Oyster Cult. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
The Winchester brothers’ near-eagerness for self-sacrifice can be associated with their childhood trauma experiences, particularly incidents of emotional neglect. John Winchester’s inability to attend to his sons’ emotional needs is, in part, responsible for Sam and Dean’s continued success in saving the world through self-sacrifice because it leaves them with a lingering need to do things for others.
Boysen, M., & Goodfriend, W. (2017). Road music: "Simple Man" by Lynyrd Skynyrd. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
According to Erikson, we struggle to make healthy choices at major life crossroads, including our own career path. People who frequently change jobs may have a low level of career maturity, which can lead to a life of confusion and second guesses. After dealing with so much darkness, Sam decides to walk away from the hunter lifestyle. Leaving Dean to continue on by himself, he tries to forge a normal, more conventional life. Sometimes, stress in life -- something the Winchesters have in spaces -- leads to narrow limits, or a motivation to be content with a small and humble piece of the world.
San Juan, B., & VanPortfliet, P. (2017). Road music: "Eye of the Tiger" by Survivor. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
A common feature of traditional conceptions of masculinity is aggression. Cultural stereotypes normalize the solution of male-male arguments through the use of fisticuffs, rather than conversation. Sam and Dean have sometimes settled their arguments by physically fighting each other. However, as their bond grows throughout the series, we see that expressing their emotions becomes easier for them. It’s important to note that they also playfully slap or punch each other at times, which is a socially accepted way for men to show affection for each other.
Mastin, J., & Blake Erickson, W. (2017). Road music: "Heroin" by Velvet Underground. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
The song “Heroin” by Velvet Underground has been an ode to living with substance abuse since it was released in 1967. Heroin is a highly addictive, opioid drug. Opoid addiction -- including both legal and illegal opioid use -- is widespread. In 2015 alone, 33,000 US deaths were attributed to opioid overdose, the most of any year on record. Few scenes encapsulate both the rapture and desolation of substance abuse as well as the scene showing a desperate Crowley injecting himself with human blood, set to this song.
Schaffrath, S., & Blunt, C. J. (2017). Road music: "Rooster" by Alice in Chains. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
“Rooster” by Alice in Chains plays as the Winchesters salt and burn the body of Nurse Glockner, whose ghost they have been asked to stop by a Marine Corps buddy of their father’s. In the context of the scene, the song punctuates the brothers’ removal of a threat and refusal to give up. However, “Rooster” has a deeper meaning. Guitarist Jerry Cantrell wrote the song for his father, a two-tour Vietnam War veteran, whose nickname was the “Rooster.” Rather than the immediate effects of war, the song was meant to address the long-term consequences of combat, specifically the baggage that soldiers are unable to leave behind on the field of battle. Thus, “Rooster” foreshadows the cost of the Winchesters’ endless war against supernatural evil.
Scarlet, J., & Busch, J. (2017). Road music: "Lonely is the Night" by Billy Squier. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
Loneliness is associated with increased risk of depression, anxiety, and addiction. Loneliness can also make the individual less likely to seek, accept, or recognize the availability of social support, potentially creating a viscous cycle in which feeling alone makes it harder to connect to others. When the Winchesters capture Crowley and isolate him in the dungeon, he begins to feel lonely. Because Sam repeatedly injects captive Crowley with human blood to make the demon become more human, it causes Crowley to struggle to manage his emotions and to feel disconnected from both humans and now demons, too. Both the feeling of loneliness and low perceived social support are associated with increased risk of risky behaviors, such as substance use and suicidal behaviors. Loneliness and disconnectedness might inspire even someone as powerful as Crowley to end his own life.
Langley, T. (2017). Road music: "Peace of Mind" by Boston. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
Living with a burden of mental illness obviously makes it difficult for many people to feel at ease in life. The slow pace of progress can be frustrating, even disheartening. The longer the problem lasts, the harder it becomes for some people to listen to others’ recommendations and to make the choices necessary to help them reach a brighter place. The clear majority, however, do get better, and that fact itself can offer some reassurances.
Mastin, J., & Blunt, C. J. (2017). Road music: "Cheek to Cheek" by Irving Berlin. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
Humans find both pleasure and release in skin-to-skin contact. When we touch, the hormone oxytocin, colloquially referred to as the “cuddle hormone,” is released, encouraging both physical and emotional bonding. Irving Berlin’s “Cheek to Cheek” is evocative of the pleasure stimulated by physical touch, but when this song is sung by Alastair before his torture, the effect is eerie rather than erotic.
Garski, L. A., & Mastin, J. (2017). Road music: "Ramble On" by Led Zeppelin. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
The monomyth can be found in stories across time and space; humans are hardwired to understand the framework of story. Dean Winchester says that one of his favorite songs is “Ramble On,” which draws on imagery from another famous Hero’s Journey, The Lord of the Rings, as it describes a cyclical journey without end.
Currie, E. (2017). Road music: "Won’t Get Fooled Again" by the Who. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
The monsters use the cognitive biases of humans to hide and hunt among them. When confronted with unavoidable proof of the truth, some people will integrate that truth into their understanding of the world, assimilating new information to fit existing schemas (patterns of associated ideas) instead of altering schemas to accommodate discoveries. After experiencing loss at the hand of monsters, characters such as John Winchester, Bobby Singer, and Sheriff Jody Mills can’t go back to their prior innocence, and so they get involved in the battle against the supernatural.
Jordan, J. S. (2017). Road music: "Born to Be Wild” by Steppenwolf. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
As Sam and Dean drive their Chevy Impala through small-town USA, they are constantly surprised by the behavior of demons and angels -- and even themselves. As a result, they become increasingly metacognitive; that is, they begin to have thoughts about their own thoughts, including the unconscious assumptions they make about the worthiness of demons, angels, and themselves. Regardless of any resulting guilt or remorse, however, their compulsion to confront the world as it is and protect others from the things they don’t want it know pushes the brothers back into their car and out onto the open road.
Wesselmann, E. D., & Nairne, J. S. (2017). Road music: "(Don’t Fear) the Reaper" by Blue Oyster Cult. In T. Langley & L. Zubernis (Eds.), Supernatural Psychology: Roads Less Traveled. New York, NY: Sterling.
Contemplating our morality and what (if anything) lies beyond death can provoke intense existential anxiety. The Winchesters face reminders of morality such as lethal threats, corpses, murders, and otherworldly beings (e.g., ghosts, reapers, angels, and demons). Research indicates that religious or spiritual beliefs, especially belief in afterlife and therefore some kind of continued existence, can help reduce death-related anxiety. The Winchester brothers are not particularly religious, but at various points they visit Hell, Purgatory, and Heaven, thus confirming that an afterlife exists and probably emboldening them to face death willingly to achieve their goals.
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theam-cjsw · 2 years
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A Very AM Valentines
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Have a look at the track listing below, and you might just be able to pick out a theme on this week’s AM. There’s weird love, true love, lighthearted love, love and happiness, and other facets of that many-splendored thing. A bit sentimental, a bit cheesy, but sometimes that's exactly what you need on a Monday morning.
(Yes, the first song’s title doesn’t work with the stream, but it’s delightful enough to be included anyway. Think of it as the scratch that makes the artwork more beautiful.)
• Stream it on the CJSW website
• Listen on Soundcloud
Track list is after the break.
Hour One:
Going (exitpost) • Sweet Fade
I Fell in Love Gidge • Autumn Bells
Love Ben Lukas Boysen • Mirage
Your Love Will Set You Free Caribou • Our Love
Neon Love Economics • A​/​D VOL 3
Who Loves You Most (For Joe) No False Suns • Jubilee Me
Love and Mathematics Broken Social Scene • Feel Good Lost
Love Potion White Poppy • The Pink Haze of Love
Love Song (Helado Negro Remix) Devendra Banhart • Single
Hour Two:
Love Hasn't Any Windows The San Sebastian Strings • The Sun Shines Down For Everybody But Especially) For Lovers
The Look of Love Dorothy Ashby • Afro-Harping
Really Love D'Angelo • Black Messiah
Love Roy Ayers Ubiquity • Fever
Fall In Love BADBADNOTGOOD • BBNG
Love and Happiness Al Green • I'm Still in Love With You
Send Me Some Lovin' Jackie Shane • Any Other Way
The Commandments of Love Little Richard • The Explosive Little Richard
It Must Be Love Labi Siffre • Crying Laughing Loving Lying
Love Song Ramsey Lewis • Sun Goddess
I Love You Karriem • Single
Hour Three:
My Baby Love Love Loves Me Jonathan Richman • Not So Much to Be Loved as to Love
I Need Love (Standard) Jom Comyn • I Need Love
A Lighthearted Love Song The Pets • Love and War
Love Don't Change Eric Chenaux • Sloppy Ground
True Love Un Blonde • Good Will Come To You
All Your Love Jim O'Rourke • Simple Songs
Lazy Love Tanukichan • Sundays
Garden of Love The Limiñanas, featuring Peter Hook • Malamore
Weird Love Chad VanGaalen • Shrink Dust
The Majik Love Machine The Shangs • Golden Hits Of The Shangs
Somebody's In Love Yo La Tengo • Stuff Like That There
Love Margo Guryan • Take a Picture
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