"Der Hochschwebende" huile et feuille de métal d'Anna-Eva Bergman (1955) à l'exposition "Anna-Eva Bergman, Voyage vers l'Intérieur" au Musée d'Art Moderne de Paris (MAM), juillet 2023.
maura bet alex no-one at this party would know what his costume was. she is down a meal out, because exactly one person at this party knows what alex's costume is
The cinema is not a craft. It is an art. It does not mean teamwork. One is always alone; on set as before the blank page. And for Bergman, to be alone means to ask questions. And to make films means to answer them. Nothing could be more classically romantic.
Anna Kalman (Ingrid Bergman), a famous London-based theater actress, attends a posh dinner for high-ranking financial officials. She wears a Dior scoop neck two-tone black dress with an impressive necklace that features two strips of diamonds interlocking in the middle around a large ruby, a design that is unconventional for the time period.
Christian Dior was in charge of Ingrid's entire wardrobe for the film, so it is not inconceivable that the necklace was provided by fashion house as well.