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#classic films
judy1926 · 2 months
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Marilyn Monroe at the rockefeller Center to inaugurate the construction of the new Time-Life Building (1957)
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artist-issues · 9 months
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I'm so tired of people saying that the Prince from Snow White is a creep for kissing Snow White when he thought she was dead.
People act as if he put his tongue down her throat while she looks like a regular corpse.
Maybe I'm just more comfortable with death because of my upbringing.
There's a European tradition that you would kiss dead people goodbye. You would also wait with a dying person because dying alone was one of the most horrible ways to die.
In Poland, you would spend three days with the dead body of your relative in the house so family and friends have time to say goodbyes. We even have pictures of family members in coffins, so we could remember them.
Yeah, it's a very post-modern, historically, culturally-small-minded way to look at it.
Specifically in this movie (which is a fairy tale's fairy tale) people just...totally ignore the scene where The Prince is introduced.
Seriously and truthfully, BECAUSE the Prince only takes action in three scenes of the movie, you HAVE to take all three of them very very seriously. Because thats all there is to know about him. That's how fairy tales work: lots of information hiding under very brief, simple snippets of information. It's called nuance.
Anyway.
The Prince kisses Snow White as a culmination of their promised love for each other.
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First scene he's in, he falls in love with her because of her obvious purity and he overhears her longing for someone to love her. Then she runs away because she's not sure of him, and doesn't know him. But he sings his part of the song, which is all about how he has just one heart to give, one devotion to spend, and he's choosing to give it and spend it on her if she'll have him.
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And she will have him. How do we know? She sends a kiss to him on the dove. That's how the exchange ends; that's how she responds, and that's why he leaves satisfied. It's their engagement scene. They're promising their hearts to each other.
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Fast-forward, the Queen messes up what might have been the natural follow-through of that engagement which is marriage by trying to kill Snow White, she's living in the woods, but she won't forget the Prince and wholeheartedly believes he'll come find her.
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And the very next thing we hear about him is that he keeps his promise. He's got one heart, one love, one devotion, and it's promised to Snow White, and he will not stop searching for her. When he finds her, he's returning her kiss from their engagement scene. He thinks she's dead, but he has to finish his quest anyway. This is him, trying to keep his promise even if she's dead; he's trying to fulfill the exchange they had when they saw each other last.
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It's ridiculous to assume that she needed to be awake and alive to give permission for him to kiss her; it's ignorant of the whole relationship, symbolic and literal, between these two fairy tale characters. She already sent him her kiss and her heart; he already promised to claim it; he's fulfilling the promise in that scene.
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Crazy postmodern people, don't know how to take in a story. Not everything gets to have your socio-cultural lens imposed upon it.
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inthedarktrees · 1 year
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Vivien Leigh | A Streetcar Named Desire
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fayegonnaslay · 2 months
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Marilyn Monroe photographed by Eve Arnold, 1955
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howardhawkshollywood · 6 months
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Bogart and Bacall in The Big Sleep (1946)
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artfilmaesthetics · 6 months
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‘Barbarella’ (1968) dir. Roger Vadim 🪩
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simonettastefanelli · 6 months
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"Mickey, you had me worried when I didn't get in touch with you."
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stone-cold-groove · 3 months
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Lauren Bacall.
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starwarsrebels · 2 years
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PSYCHO (1960) dir. Alfred Hitchcock
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lolitafan1997 · 11 months
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This poster says it all.
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cressida-jayoungr · 7 months
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One Dress a Day Challenge
October: White Redux
The Court Jester / Angela Lansbury as Princess Gwendolyn
I'm pretty sure this is the dress that Gwendolyn is wearing under the blue and green robe/cloak that I featured in July--compare the cuffs. It's the most luxurious of all Gwendolyn's dresses, with the lavish gold trim and embroidery. It also reminds me of the gown worn by the lady in Edmund Leighton's painting The Accolade (see below)--enough that I wonder whether there is a deliberate reference. Especially since Gwendolyn wears this gown to a knighting ceremony, even though she doesn't get to do the actual "accolade" in the movie!
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judy1926 · 2 months
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Frank Sinatra and Count Basie in 60s
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sixty-silver-wishes · 8 months
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More classic films as Onion headlines
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phantomcallas · 9 months
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Grace Kelly as Lisa Carol Fremont
REAR WINDOW | 1954
dir. Alfred Hitchcock
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aphroditeslover11 · 6 months
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Hi what do you think about a Neil Lewis with a actress reader? Like they met before and he has already a crush on her and then he watch movie and see her ?
Another tought (not q request just something in my head) so I'm from Göttingen, an we have here q tradition if someone has his PhD they have to kiss the Statue of the goose Maid ( "Gänseliesel") he is not common with this tradition and so when reader ask him when he is planning do the kiss he assumed she wanna that he kiss her
I hope this is something along the lines of what you were thinking of. I’m not at my best at the moment so I’m sorry if there are any glaring errors. I hadn’t written for Neil before, but he’s actually very fun! Thanks for your request. Also, that is a fabulous tradition, it might get slotted into one of my other Oppie requests, I’m not sure yet though as it’s in the idea phase at the moment.
A Surprise Encounter
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A/N: the classic films mentioned are all free on BBC iPlayer, go and give them a watch! I also have no idea where the store is, so I made it up.
Neil was absolutely beside himself when the invite arrived in the post. A new film that he couldn’t wait to see was premiering soon, it was low budget but contained a few big names who had decided that they wanted to promote the more independent side of the industry. He had been asked to attend an event aiming to promote smaller video shops like his rather than the huge, commercial ones that were taking over. When he read that you and the director alone were going to be on the panel he felt like he had never been luckier, finally a chance to meet his favourite actress in the flesh. Although he did admire your talents, he’d be lying if he didn’t admit that he also found you wildly attractive.
The next few weeks were spent planning everything. He rewatched a few of your films so that he could ask some decent questions of you at the press event and reading every article that he could on the making of your new one, a biopic of Julie d’Aubigny. He went out and bought a new suit for the occasion, had his hair cut. As far as he was concerned, there were going to be no disasters, not when he was going to meet one of his idols.
~
The day of the event had finally come. All of the invitees, including Neil, had been piled into an auditorium where they had been given an early viewing of the film, then being moved into a press room with rows of chairs set out in front of a platform. He was happy with his seat, about half way back in the crowd, not too conspicuous but with a good view of the stage. The previous hubbub died down as soon as the panel made their way up, the director taking his place, yet Neil’s eyes were fixed on you. Your hair was down and curly, framing your face, and that smile that everyone always talked about. You were wearing black heels a red dress that dipped down just enough to give a small view of your cleavage. He was transfixed.
Questions started being asked, the general types of how you had enjoyed working with the rest of the cast and what you had taken away from playing your character, some conversations were had about wanting to make sure that the smaller side of the film and cinema industry wasn’t dwarfed in the future. For some reason, all of the eyes in the room suddenly focused on Neil, it was only then that he realised that he had drifted off, his arm leaned on the armrest of his chair in such a way that you had thought he was asking a question.
“Uh, the gentleman in the blue suit there, do you have a question?” The sentence was coming from you, quickly drawing him out of his reverie.
“Um.. yes,” he never was much good at thinking on his feet. “I know that you’re promoting this film today, but do you feel as if classic cinema has been forgotten. My shop specialises in older, more hard to find movies and… well, yeah,” he trailed off. He was like a deer in the headlights, speaking as if he was full of terror. A few people around him were scoffing and hiding their laughter. Great, he had embarrassed himself in front of you.
“Actually, I do think that we’ve forgotten about classic cinema. Not only the thrillers and comedies, but for me the least talked about are the romance films. I grew up on Astaire and Rogers musicals, I know some people don’t like them and find them a bit politically incorrect know, but they still have a special place in my heart. If you think about their influence on modern cinema, we wouldn’t have ‘Sleepless In Seattle’ if it hadn’t been for a 1939 film ‘Love Affair”. What was your name?” Why the hell did you want to know who he was?
“Neil Lewis.”
“And where’s your shop?”
“California, its called Gumshoe Video.”
“I’ll pop in next time I’m in town, maybe you could give me some recommendations.” And that was the end of that conversation.
~
About three weeks later everything had returned to normal. Neil was back to running the store and the gang were still practically living there. It was a completely normal day when Lucien, who had been manning the counter, came around to the back to find him.
“Neil, you might want to come inside, there’s a customer asking for you.”
“Can’t you handle it?” He just wanted a bit of time to himself, making is response more huffy than he had intended.
“Trust me, you want to come and see this.”
He followed Lucien back into the shop, only to be caught in shock as he saw you standing there in front of him, dressed a lot more casually than the last time he saw you, but still with your hair down in its beautiful curls. He never thought that you would actually make true on what you had said, but here you were.
“Is there anything that I can help you with Miss y/l/n?”
“I came by to see if you had any suggestions for me, you know, classic films like you said you specialised in.” You actually seemed a bit nervous, though he had no idea why. “And please, call me y/n.”
“Right, y/n,” it just felt so right when he said it. “What kind of thing are you looking for, any genres in mind?”
“I always love a romance movie, the press don’t know yet but I left my boyfriend last month after he cheated on me. I’m down here to get away from it all, so a romance to take my mind off everything would be good, yeah.” He could see the sadness behind your eyes as you explained.
“He must have been an idiot then,” he said, immediately regretting it and walking past the stunned Lucien towards the romance section, beckoning for you to follow.
“So, you said that you liked Astaire and Rogers, but have you ever seen ‘The Sky’s The Limit’?”
“I don’t think I have, no.” He reached out for the dvd, showing you the front of the case.
“It’s Fred Astaire and Joan Leslie, came out in 1943. A musical about a fighter pilot who falls in love with a girl who wants to make it as a journalist, sounds like the sort of thing you might be looking for.”
“I think I’ll take that then, sounds perfect.” Something lit up inside him, you were smiling and it was because of something that he had done.
“Right, I’ll go and sort out a membership card so that you can rent it then, do you have any ID on you. Driver’s licence or something?” You followed him over to the till, rooting around in your bag to find what he had asked for. He busied himself, quickly handing over the card and the movie.
“What do I owe you?” you asked, reaching for your purse.
“Nothing, it’s on the house.”
“Are you sure, because…”
“Yeah, in return for having me at that panel a few weeks back. It was amazing.”
“Well, in that case can I pay you back in another way?”
“What do you mean?”
“Maybe we could watch the film together?”
“That sounds like a fair means of payment, I think I’ll accept.” You slipped him your number, telling him to call when he was free before walking out of the store, Neil wondering what the fuck had just happened.
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artist-issues · 7 months
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Snow White and the Bluebird
Everyone sees Snow and the bluebird, the bird is on like every Hallmark statuette and Disney Princess sticker of Snow White. But I just want to point out that the bird in the movie is SO WELL-DONE.
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I don't mean well-animated. Even though it is. I mean, what the bluebird brings out in the story besides Snow White's kind, loving attitude toward it.
When she first sees the bluebird its when she's about to be stabbed by the Huntsman. The blue bird is lost, and can't find its mother and father, and is crying.
And Snow White responds, "come on. Perk up. Your mama and papa can't be far. Won't you smile for me?"
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What's that ladies and gentlemen? She comforts the bird by saying "the ones who love you can't be far?!" So then there's no reason to despair, even if you're a defenseless, fragile creature lost in a bleak and dangerous world?
Then there's the sound of a whistle--a short little melody--and there they are. The bird's parents. And it can fly to them happily.
Snow White was right. The baby bird's parents were never far; they were looking for their loved chick. So there was never any real reason to give up hope or cry. And this whole scene happens right before she has to flee for her life through the Dark Forest.
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She despairs for a moment too. Everything seems dangerous and cruel in the Dark Forest, and she collapses in fear...but then the animals find her. And she's "ashamed of the fuss she made, all because she was afraid."
Then she says, "what do you do when things go wrong?" And out of all the hand-drawn animals in the clearing, the filmmakers have the bluebird family answer her. They sing the exact same melody that they sang when the parents found the lost baby. "Oh! You sing a song!" And then Snow White sings the same Lost But Found melody, too.
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Why be ashamed of momentary fear? Well, because there was never any real danger. Why believe that things will turn out all right, when the ruler of the whole land and the only person who was ever supposed to take care of you wants you dead? Well, because she knows there's someone else out there who loves her and will find her--The Prince.
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He promised her his heart. He's going to find her to fulfill that promise, no matter what else happens. That's why she can sing and smile and serve others even though to the outside eye it may seem like her life is in shambles. But she has faith that the one who loves her will come deliver her.
That's the point of the movie. That's the point of the bluebirds. Faith trumps fear. Focusing on the good truth rather than the darkness of circumstances is the whole superpower of Snow White's innocent, pure character. She's pure love, and she believes in pure love, and that's what makes her Fairest of All.
"Love is patient, love is kind, is not jealous, does not brag, is not puffed up; it does not act unbecomingly, does not seek its own, is not provoked, does not take into account a wrong suffered; it does not rejoice in unrighteousness, but rejoices with the truth; it bears all things, believes all things, hopes all things, endures all things..." 1 Corinthians 13:4-7
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