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tfw-no-tennis · 3 years

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mtmte liveblog issue 30

30 issues wow...forget the fact that I skipped like 5 issues of crossover event nonsense

another big ole swerve recap omg

this trial is so messsyyyyyyyyy lmao

hvbajdfbahsjkfdbhjs starscream listening to meagtrons speech looking like ‘hmmmmmmm I may have miscalculated’

prowl looks pissed af meanwhile optimus just looks dead inside lmao

I mean. megatron kinda does have a point. this is like, the most biased, conflict of interests lookin trial of all time, in that all the major participants have some sort of long, complicated history with each other. what a mess

optimus, listening to megatron’s speech: wow this is worse than divorce court was

oh shit I totally forgot that those decepticons attacked the trial

MAGNUS HAMMER AYYYYYY

a guy saying ‘objection!’ as optimus prime punches half his face off...that pretty much sums up idw op lmao

op: oh thank god, I can punch shit now. I'm not cut out for this bureaucracy nonsense

megatron: thanks, random decepticon, for the attempted rescue, but I'm super old and I just want to nap so no thanks

random decepticon: wtf- [gets murdered by optimus prime]

I love op’s big ass antennae

meanwhile, brainstorm goes to a bar and instead of buying anything, pulls out his own drink. I feel like that isn't allowed in most bars, or is at least frowned up vbsjdhfbhjdkfn. ily brainstorm

also? big ass mood I was so broke last time I was on a barhopping vacation w/friends that I brought a cheap giantass bottle of mixed drink in my backpack and just drank that at all the bars lmao

WHIRLLLL I love his humansona sm. and also I love that whirl is into artsy french movies or w/e omg

brainstorm, drinking thru a wrist funnel: sorry I cant take my mask off rn it isn’t plot relevant yet

‘earthlets’ lmao

I love that rung is like, too pretentious to care that much about movies and would rather read earth books lol

and then bluestreak is like ‘yeah they have books...comic books’ can this man not read

I still cannot fuckign believe that the argument that got megatron out of a for-sure death sentence or w/e was ‘its not a war crime if we’re on the moon’ liiiiike what the actual hell lmao

also I love that, once again, we see magnus’s strict adherence to the law, technicalities and all

magnus: you cant really stop a trial and move it somewhere else where the laws are better suited to the outcome you desire

prowl: what are you, a cop? fuck off

also op being like ‘ok whatever all that doesn't matter...what DOES matter is that it would look bad for us to move the trial to cybertron in an obvious attempt to circumvent the rules, and public perception is what’s most important, fuck all that ‘morality’ bullshit’

meanwhile, rodimus is dead! and ambulon is also dead, which makes first aid sad, which makes ME sad

ayyy, rodimus is still alive! well, one rodimus is alive, at least

rodimus and megatron really have the vibes of ‘stepfather and stepson forced to work together on a family road trip gone wrong after dad decided to sit this one out’ lmao

ah yes, ‘malaise’ the medical diagnostic term for ‘I don't feel so hot and idk why’ that practitioners like to throw under the ‘diagnostic notes’ section of lab orders to explain why they're ordering every blood test under the sun for a patient

I love medical terminology. ANYWAYS

BE NICE TO MY BOY MEGATRON.

rodimus: listen I have to come to terms with the fact that there's another version of me right here, and he’s DEAD, which means we can’t fuck, which is super lame

I firmly believe that rodimus would be team ‘hell yeah id have sex with my AU self’ tbh

I find it interesting that megatron is often casting blame for his actions onto others - here, he says that rodimus made him realize he doesn’t want to stop doing stuff w/his life, and then says that starscream forced his hand w/the whole ‘luna 2 law’ thing, and previously he’s said how whirl beating him up in jail is what led to him abandoning pacifism - take responsibility for your actions and decisions dude!

though he goes on to say here that he resorted to violence because he realized that the system that was in place could withstand everything else he would have tried to use to change it, which is super interesting

megatron: okay, yes, I MIGHT have murdered billions, but I could help find us a new planet, which would be baller, sooooo...how about you co-opt your lame son’s frat boy ship and put me in charge?

op: sounds fair to me. now how about we do some more Big Speeches before I make you somebody else’s problem

vbhdjskfbhaskdjf the ‘team rodimus’ lineup setup reminds me so much of the ‘together we make the ______’ meme with the different members being like, ‘the power’ ‘the gay’ ‘the awesome’ ‘the guy with no ears’ hbvhjdkfbs

chromedome: if I do this I could die

rodimus: that sounds like a you problem bro

‘this one time’ YEA RIGHT c'mon cd honor your dead husband’s wishes

omfg I forgot abt brainstorms ‘early early warning system’ lmao

I love nautica soooo much oh man

ooooof drift :( :( oh no

dead future rodimus!! uh oh is right

rodimus, known himbo: I'm sure I can defeat the inevitability of future events! all I have to do is cut my own arm off!

tailgateeeee he’s so cute...I love that he can tell stories of his daring escapades, just like at the beginning of mtmte, but this time its actually TRUE

OH SHITTTT GETAWAY

he looks so fucking sinister there lmao how are we NOT supposed to realize he has bad intentions from the get-go

‘you’ll make a prime one day’ well, getaway, you’re right about that at least...

cyclonus in the bg like 🤨🤔 at getaway

seriously I cant get over how getaway has such a slimy kinda vibe to him, like specifically in his interactions w/tailgate - this is before things even really take off but I'm still like TG GET AWAY (lol) FROM THIS GUY

cyclonus: somebody flirting with my crush? better go stare out a window instead of communicating absolutely anything to said crush about my feelings!

honestly I feel like, while megatron renouncing the decepticons and becoming an autobot is certainly interesting, it would be equally interesting for him to remain a decepticon but try to change the philosophy of the movement

like, I get why op had him give that speech - to prevent the cons from trying to free megs again/thinking that he was being coerced into things (ironic considered he WAS coerced into giving that speech) - but it’s kinda the easy way our for megatron - being able to completely abandon the decepticon cause and not deal with it at all, and start over anew as an autobot

it would've been a lot harder to remain a con and try to reform what he has broken in the decepticon movement - but I think that would've been really interesting

though from a writing logistics standpoint, I get why jro didn't go for that bc we don't get a lot of other decepticons in the cast for that to work, and also megatron still definitely DOES have to face down all his mistakes w/the decepticons w/the djd and overlord and whatnot

anyways. I cant believe that all megatron had to do to join the lost light was make ONE speech denouncing the decepticons. like, they should've at least had him do a tiktok dance too or something, just to make it a really tough deal

I love the rodpod vbhjfsdkfbjaskjndfj

ok but I still don't really get the logic of making megs CAPTAIN like ouch. poor rodimus

I feel like making megs a bartender at swerves or st would've been WAY more useful in showing him humility or w/e. OR it would've made him evil again, which, fair,

ratchet: don't worry, we’ll medically poison him, it’ll be fine

ok but rodimus is right, this is SO messy, op wants to prove his ex husband isn't 100% evil so he’s like ‘ill let my rebellious son deal with him’ lmao god. I love this setup so much, its so wild

ratchet is also right, rodimus’s fuckup definitely pales in comparison to megatrons All That

OH BRUTALLLLLLLL when ratchet says the list is fake ‘because my name’s not on it’ FUCKING OUCHHHHH

‘only bad guys say ‘unhand me” rodimus ily

omfg ‘we’ve practiced this’ of course they've done evacuation drills...magnus ily

lmao it’s the panel where it looks like rodimus and megatron are doing karaoke or having some sort of rap battle

and the lost light is GONE! oh shit!!!!

and there closes issue 30! once again we’ve gotten a lot of setup and exposition - which, while definitely necessary, means I don't have too much to say

I will say, throwing megatron onto the lost light has definitely mixed things up, and it’s interesting to see new dynamics already forming

so, until next time!

#lj rereads mtmte

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rhydium · 3 years

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Info dumbo about the StarFinite story?

aright u asked for it anon GET READY [cracks knuckles] this is gonna be long so obligatory cut in 3, 2........

...1!

so the uh, the au! the story!! w/e yall wanna call it! full disclaimer, i only began working on this whole thing a while ago, but it's totally taken over my fukn brain. like, we're talking big hyperfixation hrs. am i cringe for being this invested in my own content? yes? cool i do not Care >:3€

i should also throw it out there real quick that i am kin w/ infinite, n this is actually one of my two canons (both of which are my own aus lmfao wow). i didn't go into it expecting it to be but sfsfsgdfs here we are ig!! for that reason it's got extra importance to me n this definitely contributes to the euphoria i get from it!! it's a lil odd writing ur own canon,,? but i kinda just go w/ the flow!

the au n, the story that i will start Eventually, revolves around infinite n starline (obvi) n it's honestly just ... the tl;dr is big healing momence n, what's this? uh oh sisters !!! they are falling in love 😳😳😳

uhhhh so infinite is an android, made by eggman. that's like, the most notable canon divergence here! super important context to have. i've got a whole big theory on the possibility of sega originally intending infinite to be an artificial being (which i explored in the works for my Other canon too), stemming from not only the scene in forces wherein infinite comments on sonic's "data", but a line of dialogue from tails in one of the last stages of the game where he Literally Says "so this is where eggman built infinite". that ... i mean. that contrasts w/ episode shadow pretty hard don't it?? would explain why that dlc was so rushed, n the comic too. ANYWAY adsfsfs um that's a seperate ramblepost. yeah!!!

they are also agender n use they/them (primarily) as well as he/him!! so i'll be refering to them w/ those pronouns!

after the war, infinite is taken in by the resistance n, instead of being dismantled, they're basically given a chance to rehabilitate themselves. it's agreed that they won't be reprogrammed, as despite the potential risks, it feels wrong to do so; like a violation of their free will, individuality n thinking. if infinite is to be a good person, it's not gonna be bc other ppl recreated their entire personality, it's gonna be bc it's what they themselves truly want. robot ethics idk man!! u can't tell me that sonic n co wouldn't offer this to infinite if they offered it to metal in IDW,,,, i am Standing By This!!!

it's, yknow, a bit rocky, at first. infinite has to really fight the urge to return to eggman (something they already tried once, before the resistance found them; they were cast out). it's a struggle against what they were built to do, against giving into unhealthy familiarity over facing a, while healthier, unfamiliarity. new faces, a new life, turning their back on their mission n creator, it's like, a lot.

they work for/with the sonic crew, rebuilding the world they tore down as deemed fitting justice, being closely monitored for a bit as a natural precaution. as it becomes apparent infinite truly no longer has any ambition to harm others (they don't have much ambition for anything, really), they're then granted more freedom, n start taking on more important missions!! it at least gives them something to do, keeps them occupied. they have issues with dissociation, unreality, whether they're truly a real person bc, well, android. feeling purposeless, n a lack of worth, especially. a need to prove themselves. heavy stuff. i'll kinda go into that a bit more in a sec. their work grounds them, if only temporarily.

n soooooo... IDW comic stuff happens. metal virus time. starline gets kicked out of the empire.

now, as the comics are ongoing, n as this is already an au, there's gonna be divergence, n i must admit i haven't planned out all that yet. there's a lot i have to consider!! infinite being w the resistance/restoration is a big game changer ... tho i Do believe that they were absent, likely on a far out mission during most of the chaos. eggman doesn't know abt them, nor does starline or anyone else other than the sonic crew; n some civilians that recognise them.

i'm not 100% sure of Exactly when it happens, but i think it's just after bad guys, that infinite is sent to locate n bring in starline. it doesn't prove too difficult. there's a whole, starline realising "oh fuck it's you???", some bickering n, the two don't hit it off right away. they're both kinda like. not mentally stable ddgddgdds,,,

so uh. starline ends up essentially going thru the same sorta shit as infinite. careful watch, rebuilding, all that jazz, making sure he can be trusted. he's like... very very lost, quite like infinite is. the world has kinda calmed down, in the meanwhile.

it's at this point i'm gonna go ahead n drop a bit of a ramble i subjected my friends to a while ago, to articulate the way i see the two, n their dynamic together!! i was considering making this it's own post a while ago!

analysing their characters a bit... let's look at starline. Like. so we have this, in bad guys, which SENT ME tbfh;

i feel like it's the moment that triggers starline onto the path he is rn canonically,,, he's clearly like. rly mad n bitter. the core of this?? he wants his work n his efforts to be acknowledged.

he's big angry. still kind of in denial at this stage. he has himself obsessed w/ the idea of making eggman see him as Worthy, that if he just tries hard enough, that'll happen. he's dependent on eggman's validation, n i mean, it's no surprise; he's followed him a Long Time by the sounds of it.

then in the recent issue, hold the fuck up, bc we got, This;

god. my god it's all comin together now homies. this???? this right here??? it is the CLASSIC "i have to do this to prove i'm strong n powerful n smart n worthy n should be respected please Give Me Acknowledgement" ..... n who else is Like That? can u see where im going w/ this?

i think most ppl are aware of infinite's character being extremely indicative of self worth/esteem issues n the need to prove themself, right?? the extreme adversity, repulsion, perhaps even fear toward the idea of being weak. the compulsion to prove otherwise, to show their strength, to become powerful, to conquer to make a point. their theme exudes this same energy as their behaviour in-game; an aggressive attitude, trying to assert themself, while if u rly listen...? the lyrics are actually really sad in places. it reeks of cover up, although composition wise, a v interesting thing to note is a lot of the more telling lyrics are prominent while some of the affirming ones are in the background. indicative of a desire to have their true feelings be heard but caught in a vicious loop?

okay okay that's yet Another different analysis. AHEM.

not to get deep on main (oh who the hell am i kidding that's the point of this entire thing) but i think starline has issues w/ his worth in a similar way to infinite. they both seem to have this need to Prove something, whether it's to others or themselves, n get caught in a toxic spiral of doing worse n worse things for Some kind of validation or acknowledgement. they'll go to really big lengths chasing that, n both of them ultimately sought validation in the wrong place n wrong way.

this is a big part of my starfinite dynamic,, n so, what happens, as they get closer n open up??? we have them BOTH realising together that they don't have to do fuck all to prove anything to anyone. they don't need to do all this to show they're strong n smart n worth something, not to anyone else OR themselves. they're enough as they are. they bond over that shared feeling that they have to do xyz, to prove themselves, n that desire to just finally be acknowledged n appreciated n help each other thru it. to help each other understand that other ppls approval, or lack thereof, doesn't define them, their strength, intelligence, and worthiness.

i feel like they have an interesting parallel between them in like... the above could be taken as a general analysis, but to go more in depth on this au specifically?? ...

starline followed eggman for presumably a long time n it no doubt left him feeling a heavy and deep regret for all that time wasted n spent on an unhealthy path. infinite kinda teaches him that what matters is what he's doing Now n also reminds him that if none of it happened, starline wouldn't have learnt a lot of the serious skills he has. n while starline still feels bad, he also realises himself that, he likely never would have crossed infinite's path if none of it happened. for that reason, he wouldn't take it back.

infinite has only been recently made, on the other hand. they haven't really existed long, yet, but so far their experiences haven't been very positive n it can be .... discouraging. starline sorta, shows infinite their limited experiences w/ the world are a very tiny fraction of what's out there, n things can absolutely change, yes, including for the better; that's the essence of life, a neverending, constant flow of change.

it's a big tale of moving on n letting go, honestly; made easier as they're doing it together. n as they heal n grow, well... these bitches gay. sfshshdgds like, ig that's putting it p bluntly but!! they start to trust each other, understand each other more. as they get to truly know who the other is, they both start developing The Feelings. they're both pretty oblivious n the reveal is totally unknown so far!! yeah, i know, bummer. i suck. boo. adafsfsds however i can say there will be lots of content in the making!! if that soothes the soul! i've got of ideas i hope to bring to life.

ofc there's still a lot of more specific things i haven't covered here so! if y'all want more juice hmu w/ more focused questions but !! this is the overview n i hope it was a decent read now that gave some uhhh! Cool Insight! yea!!! ✌

#jackal.txt #android infinite au #i need a proper name for this #infinite the jackal #dr starline #starfinite #long post #idw sonic spoilers

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emeraldnebula · 6 years

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Thoughts on the comic book industry, Part 5

In my last rant about the state of the comic book industry, I talked about how completely out of touch the Big 2 publishers are with reality, both creatively and politically. And naturally, it's going to beg the question: "Why not support other publishers?"

It's not an invalid question on its face. But it is a very difficult question to answer, because of the way the industry has changed over the last 26 years. Again, the Big 2 are acting like it's still 1992-1993, when the industry was at its peak thanks to the '90s comic book boom. And at that time, the industry had expanded to such a point that smaller publishers were growing in prominence and new publishers were showing up in droves. But over the last two decades, the industry has massively atrophied, with many smaller publishers dying out, distribution channels shrinking to a monopoly benefitting DC and Marvel, entry into the industry perversely becoming harder at a time when digital media should be leveling the playing field, and the remaining other publishers making their living on wares that have a limited shelf life.

Simply put, it's not so easy to ignore DC and Marvel when the current comics market doesn't allow for any true competition to emerge.

Let's go back to the early '90s and see what was going on at the time. DC and Marvel were obviously still the market leaders. But you also had Image, founded by several of Marvel's biggest and most popular artists, launching their own creator-owned properties and making a huge splash based on star power alone. You had Valiant, founded by former Marvel editor Jim Shooter, which relaunched several vintage comic book properties in addition to their own, more modern superhero/vigilante books. You had Dark Horse Comics, which made its name with both high-profile creator-owned material (Hellboy, Sin City, The Mask), classic mnaga books, and high-end licensed comics (The Shadow, Star Wars, Indiana Jones, Alien, Predator). You had Topps Comics, which did licensed books like Zorro (and its spinoff Lady Rawhide) and Bram Stoker's Dracula. You had Defiant, another Jim Shooter company. You had Malibu, a superhero-themed outfit that eventually became a Marvel brand. You had special imprints from the major publishers, like DC's Vertigo, Helix, and Paradox Press and Rob Liefeld's Maximum Press. You had Fantagraphics doing everything from classics like Usagi Yojimbo to off-the-cuff indie material. You had Penthouse, of all people, launching their own comics line that included fully-painted adaptations of Bible stories. And tons and tons of indie publishers were available, with long-standing cult books like Zen: Intergalactic Ninja getting new attention (and movie deals, too).

There was a lot to choose from at the time, and much of that was due to their being a big range of distributors. I recall one of my all-time favorite catalogs, Advance Comics, whose parent company used to be my local comic shops' distributor of choice until 1996 or so. Every issue of that catalog was like a comic book adventure in its own right, because there was so much to see, so much that I was unaware of previously. The comic book industry at that time was so much bigger than I could have imagined, and to see it all brought together in one monthly catalog with news articles was always a treat. And because there were still a lot of distributors to work with at the time, the barrier for entry to the comics industry was wide open for anyone who had the talent...and admittedly, for some who probably shouldn't have been let in. One of Wizard Magazine's Top 20 best-selling comics of 1994 was Double Impact, an indie comic ripoff of Andy Sidaris' tits-and-guns flicks. So yeah, there was definitely some drek that slipped thru the cracks. But that aside, the state of the industry was that of a wide playing field where anybody and everybody could be part of it.

But to the surprise of absolutely nobody, the greed of the Big 2 was what brought it all crashing down. Marvel was at a high at the time not just because they were a breeding ground for the hottest artists in the industry, but because they had the #1 comic book franchise in the world: the X-Men books were always Top 10 sellers. So they not only bought their own toy company (Toy Biz), but they also bought their own distributor – Heroes' World – and went exclusive thru them. Not to be outdone, DC went exclusive thru Diamond not long afterward. This obviously impacted the other distributors, who now had to deal with losing a ton of business as a consequence. Gradually, the other larger publishers joined up with Diamond as well, killing off all the other distributors completely. And when Marvel suffered financial problems near the end of the '90s, they too joined up with Diamond.

Thus we ended up with the distribution monopoly we have now, and it was a sad thing to see play out. Not only was it a shame to see things like Advance Comics slowly lose more and more content before finally being snuffed out, but it also led to (a) comic book fans and shops having to deal with a single distributor they had problems with and (b) a greatly increased barrier for entry into the industry. If you don't get into Diamond's Previews catalog, you're screwed. And in an age where digital media dominates, for the comic book industry to be so closed off not only limits your choices for what's available, but it also cuts off any real chance for there to be legitimate challengers to DC and Marvel.

Again, let's look at what's changed between 1992-1993 and 2018. Image, which initially looked to be a real competitor to the Big 2, has splintered and shrunken. Jim Lee sold out his portion of the company to DC (and is currently helping to run DC into the muck), several of its artists have returned to DC and Marvel, Todd McFarlane doesn't draw anymore, and the properties it was hyping so hard died out with the '90s. (Seriously, does anyone even remember Spawn anymore, much less care about it?) Most of Image's output now is small creator-owned projects, with The Walking Dead being known far more for its TV incarnation than for the comic it originally was. Dark Horse lost many of its licensed properites to Disney-Marvel as a result of Disney acquiring Lucasfilm and the 20th Century Fox library, and many of its big creator-owned properties have ended. It's a shadow of what it once was. Valiant got bought out by Acclaim Entertainment and suffered financial issues that shuttered it for years, and has only been making a comeback in recent times. Malibu got shut down after Marvel bought it out. DC shut down all of their imprints besides Vertigo, which went from being one of their crown jewels to being a non-entity. Topps, Warren, Defiant, NOW Comics, Maximum Press, Awesome Entertainment, and countless other publishers have bitten the dust over the years. CrossGen, the Florida-based publisher that tried to take on DC and Marvel in the early 2000s, died a swift death a few years later and got bought out by Disney (and their artists picked up by Marvel). Really, the only publishers of note that have shown any real endurance are three fairly recent ones: Zenoscope, Dynamite and IDW. Beyond that, it's gotten much, much harder for new companies to get any traction or really develop into powerhouses in the current market.

It should also be mentioned that companies like Zenoscope, IDW, and Dynamite are getting by in large part by emulating what made Dark Horse such a force in the '90s. Creator-owned material. Licensed comics. And in Zenoscope's case, reinventions of public domain fairy tales. All of this is well and good in and of itself, but it's not really the stuff of major players in today's market. Don't get me wrong: properties like Star Trek, He-Man (currently split between DC and Dark Horse), Transformers, GI Joe, My Little Pony, Flash Gordon, The Shadow, The Lone Ranger, Zorro, and The Green Hornet are deservedly iconic and long-lived, and I'm all in favor of them being comic book staples. But those properties frequently go into periods of hibernation from version to version, and no one version lasts indefinitely. It's all well and good that IDW's made its fame with My Little Pony, but what happens when it's time for that property to go back to sleep? What happens to Dynamite when their versions of The Shadow and The Green Hornet run their course? You can't build your brand purely on licensed material. It's partly why Dark Horse got hit so hard by Disney buying out Lucasfilm and the Fox library. And in today's smaller, more monopolistic comics landscape, the '90s Dark Horse model isn't enough to make you a powerhouse on par with the Big 2.

(And if current rumors of IDW possibly shuttering its comic book operations and going full Hollywood end up coming true, it'll be yet another publisher going down...and again, more attrition for the comic book industry.)

Now, it can be argued that part of the reason Image and so many other companies fell off when the comic book boom ended is that they'd banked themselves too much on popular trends of the era. Big Titty Bad Girls, Big Gun Pouch-Wearing Vigilantes, trading on flashy art over quality writing, attempting DC/Marvel-style event-gimmicks with characters nobody knew or cared about...all of that's true. I can't and won't make excuses for that. But in an age where digital and social media dominate, there's no excuse for comics to be so closed off, so hard to find, or so hard to break into. The equal parts country-club-and-echo-chamber setup of the current comics industry certainly benefits the major publishers and their major players of choice, but it also curtails any real chance of new blood making a splash and reinventing the game. It's not uncommon for indie or small-press creators to make their living hustling on social media and on the convention circuit. And sometimes it pays off; husband-and-wife team Adam Withers and Comfort Love (The Uniques, Rainbow in the Dark) have been very successful at that, even racking up Harvey Award nominations. But again, it's the artificially high barrier to entry imposed by the Diamond monopoly that's the issue. Not everyone can get in, and unless you can get into Diamond's Previews, you're going to have a hell of a time getting your comics out there. And since the industry is still staunchly brick-and-mortar, that's another added hurdle.

And it's not just small-press or indie creators who face these problems. Established industry talent who've been shed by DC and Marvel often have trouble getting their books published, often turning to crowdfunding instead. Sometimes it pays off handsomely (Tom Grummett's upcoming Section Zero, Steven Butler's John Aman: Amazing Man), sometimes it hits the skids (Kieron Dwyer's proposed West Portal). Unless you're the current flavor of the moment, it's far from a given that long-standing comics creators can see their projects to fruition. Again, that's down to the atrophy of the comics industry and the impact of the distribution monopoly. Because it's shrunken so much, become so biased in favor of the major publishers, and abandoned any notion of being accessible to a wider audience, even industry talent with years – hell, decades – of work to their name have a difficult time getting a green-light for their projects, and have to rely on the crapshoot that is crowdfunding. And even at that, while you might get some really good individual works, it's still not going to be nearly enough to challenge the Diamond monopoly, much less present an alternative to the dominance of the Big 2.

So much of the state of the industry makes little sense when viewed in context of today's digital age. There shouldn't be such a huge barrier to entry for new creators. It shouldn't be so hard for established talent to get their projects green-lit. It shouldn't be so damn hard, especially in the age of digital media, for indie and small-press works to find wide distribution. And it definitely shouldn't be impossible for a new comics company to rise up and take the industry into the future, since DC and Marvel won't. But that's where we're at. Even the distribution model is over two decades out of date, and as a monopoly it's unfairly stacked against anything but entrenched industry players. No real opportunity for growth, no real opportunity for change, just the prolonging of an ever-shrinking echo chamber stuck decades in the past.

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tfw-no-tennis · 3 years

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mtmte liveblog issue 9

back at it again, and its time for the shadowplay arc, HELL yeah

oh I'm so excited i love this arc lets DO this

oooh its nightbeat and quark!! way before they become relevant, which is so cool

‘one of those recepticon fanatics’ lmao imagine if they were...the recepticons. just doesn't have the same ring to it

god i fucking love all the politics of mtmte. i love how they’re talking about the senate here before we really get to See how bad they were (we heard a bit about it from whirl a few issues ago, and now here)

love how nightbeat is pretty much agreeing with the decepticon ideology here, even if its clear that he isn't Actually a decepticon - it just drives home the fact that, in this story, The Decepticons Were Right About A Lot Of That Stuff (or at least, they had a reason other than ‘destruction’ for rebelling).

AND THEN THERES RUNG!!!!!!! WITH HIS MODEL OF THE LOST LIGHT....god i fuckgin LOVE the continuity in this story bc the first time reading this ur like oh ok rung is old yea makes sense...but then later all the time travel stuff happens and then its like OHHHHH

damn poor rung nightbeat can rlly tell he's lonely just by looking at him vbhjdkdfhbjsjkdf geez. also nightbeat that's ur mystery stick bf from the future js!!

quarks extreme POV on all of the stuff is so interesting, and makes so much sense bc of Course he would think that as a non-combatant scientist who, due to his functional value in current society, wouldn't really benefit much from a revolution - in fact, he’d probably lose a lot. and that’s the sort of thing where you’re like, ok well think about everyone else dude, have some perspective - but at the same time, quark did suffer a pretty terrible fate, so his fears weren't entirely unfounded...augh, its so fascinating...im sorry I'm not gonna shut up about space robot politics this Entire time

HOW did nobody notice that dead body before now

ratchet spray-painting the hands he stole from pharma to match his own paintjob is like...kinda gruesome if you think about it hvbhsjkdfbkjdf

i love rewind sooo much oh my god

he rlly stashed rung’s comatose body in a wheelchair behind the bar hbkjdhfbshjkdf rewind

rewind and chromedome’s tag-team explanation....ough hhhhh THEM

wait a sec, rewind, you have medical records in your database? that is, at least according to regular medical laws, very illegal lmao. my favorite long-running theme in mtmte: the fact that hipaa and osha laws on cybertron are either basically nonexistent, or just universally disregarded

what the actual fuck is up w/cybertronian time units. that shit is wack as hell

ooh i love how chromedome looks different in the flashback - no shoulder tires! - that's a cool detail

how come prowl just said ‘minute,’ rewind was busting it up w/all the wack ass fantasy time units just a second ago. geez

also goddd i love the scenery of pre-war cybertron, its SUCH a cool setting like, visually and aesthetically and politically

like, i adore details like the sign in the bg that says ‘everyone’s shape serves a purpose.’ really adds to the ‘society on the precipice of civil war currently controlled by an increasingly-desperate faction who are doling out propaganda like crazy in an attempt to maintain their image and control over the populace’ vibe

good ole murder mystery setup. love it!

pre-war prowl is such an interesting character. actually prowl in general is such an interesting character...I kinda wrote him off during my first read of mtmte (and even a little during my second readthru) as just this dude who’s an asshole (espec bc my prev tf experience involved watching tfa as a kid, and this prowl is very different from tfa prowl lol)...but prowl is SUCH a multi-faceted and interesting character, even in the relatively little we see of him in mtmte

plus it was interesting to learn later that prowl was one of the characters that jro wanted for mtmte and didn't get, and MAN i wish he got prowl bc I would've loved to see what jro would've done w/prowl on the lost light, that would've been amazing. like, just imagine the arc he would have...I have no idea what that arc would BE, but I know it would be awesome. plus I’d be really interested to see how prowl would factor in, relationships-wise, amongst the crew of the lost light. so much potential!

anyways. I'm in a very talky mood tonight it seems. its currently 4 am so that kinda explains it. ok, moving on!

chromedome and prowl bantering....in their own morbid forensic-cop way...

skids bvhjdbsfjasf. speaking what we’re all thinking: is prowl gonna keep showing up in mtmte despite not technically being part of the cast??

swerves drawing of prowl lmaoooo

AND THEN REWIND IN SOME OF MY FAVORITE MTMTE PANELS....fuckgin cracks me up every time god. rewind was rlly about to flip their entire ass table just to demonstrate that prowl is a serial table-flipper...and then he cant even make the table budge and he just stares at his hands like ‘how could you betray me like this’ hvbajkhhsfdhksdf PEAK hilarity

drift hvbshfdjbasdfj his forcibly cheery expression even tho he’s being harassed by rodimus, who is a big whiny toddler w/drift lmao

rodimus is the type of guy who, upon drift not replying to one of his texts, would post a whole twitter thread being all like ‘these days u cant trust any1 to hav ur back...u think u kno someone and then they just ghost you...(1/14)’

again, rewind, HOW and WHY do you just Have medical reports, oh my god, somebody please call a hipaa agent I’m scared,

ratchet interrupting the story to give a quick medical PSA....that's Such an on-brand thing for Me to do that I feel like jro is assigning me ratchet kin as I read this

also, hey, its sonic and boom, those two decepticons from delphi! nice little continuity there

AND HERES ORION PAX SUPER COP

can’t believe idw made my dad optimus prime into a cop. smh. shouldn't be that shocked tho, I feel like half the idw characters are cops

orion rlly hit them w/the omae wa mo shinderu arrest strat

orion: I cant believe you're beating this guy up. anyways, now I'm gonna beat YOU up,

when ratchet puts his hand over drifts mouth and then gets spray paint on drifts face bhjdfsvsdjhfgbjdskf

pre-war ratchet and drift ;_; ratchet’s little inspirational speech...the fact that he tells drift that he’s special...the fact that drift remembered all of this even after 4 million+ yrs...it gets me bro it GETS me

ALSO the layers in the fact that drift then goes on to become a well-known murderous decepticon...so this little scene of him and ratchet in the past gives a lot of context to ratchet’s general attitude towards drift - ratchet clearly feels at least somewhat responsible for all the blood on drift’s hands, since he saved drift’s life way back in the day

the whole relinquishment clinic thing is such cool worldbuilding, bc of course that's the kind of thing that would develop in a society of robot aliens who are only allowed to work within the rigid confines of their alt mode

I love the whole matrix thing bc its kinda like being the pope or st but also you have a ton of political sway, so its a super important position, so of Course the corrupt senate would want full control over that power, and would assassinate the current prime to try to get their own guy in

god vhbhjsdkbgshjdf rodimus is such a dick lmao poor drift

HHHHH I love that the cybertronian version of an autopsy is taking the dudes body apart into the smallest components and laying them all out. that's so fucking cool

hmmmm chromedome maybe you should Not be interested in mnemology, how about that,

oh god. time to start being sad about op and senator shockwave. oh god

senator shockwave more like senator sexy

also the first time I read this I thought I had just missed his name and like halfway thru the story I went back and scoured the pages looking for it hbvhsjdfbshgfdsbj then I was like oh ok so we’re maybe supposed to just know who this guy is from another comic? but NOPE it was very deliberate and I only realized very close to the end that they were setting up some sort of reveal

its funny bc normally I'm not a huge fan of stories where politics play a huge role but I fuckgin love it here, the politics and worldbuilding is all so interesting and also balanced out with a healthy dose of cool sci-fi hijinks, so

lmao there's chromedome being obsessed w/people making the ‘pfft’ sound

also wow yet more hindsight, maybe you Shouldn’t be so interested in the Institute, chromedome,

OHHHH shit I forgot abt the red alert stuff happening at the same time as this :( :( :(

AUGHHH what a fucked up situation. god

oooof i gotta continue now!! what a solid issue, I love the shadowplay arc

#lj rereads mtmte

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