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phoebosacerales · 3 months

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Algol and Perseus

The rescuer and the demon

Sebastiano Ricci Antonio Canova

Algol is the beta star of the constellation Perseus, currently sitting at 26° Taurus, known as “the demon star” or "blinking demon", its name comes from the arabic Al Ghul meaning "the demon". To hellenistic astrology it represents Medusa’s head, which Perseus holds on one hand, while on the other he has his sword. An important characteristic of Algol is that its glow has a regular variation, it loses half of its brightness for hours and then it gains back. It was believed by astrologers to be an eclipsing star, which means that another non-visible body would be orbiting it and therefore eclipsing its light from time to time. They were half right, because it was later discovered to be an eclipsing star system, and that Algol was actually 3 stars, just like the Gorgon sisters are three: the imortals Stheno and Euryale, and the mortal Medusa. This is such a hallmark of Algol that it gave its name to its class of eclipsing variable: Algol variable.

Eclipses are associated with death, basically because light in astrology is life-giving, and loss of light is death. But it’s interesting that it's frequently associated with the "demonic", capital punishment and decapitation. Algol is telling a story about the decapitation of a “demon”, just like the lunar nodes (Rahu and Ketu) do in the Jyotish tradition when they cause eclipses. Ptolemy only tells us that the constellation of Perseus is like Jupiter and Saturn. Although Robson agrees with Agrippa about Algol specifically being of the nature of Saturn-Jupiter, and “the most evil star in the heavens”, causing a lot of fear whenever we see it activated in a chart. But I’m not here to scare anybody, don’t worry. It’s difficult, but I’ll try to lighten this up, because the most overlooked fact about Algol is that it also protects and can make revolutions and revolutionary heros.

"Perseus is like Jupiter and Saturn: but the nebula, in the hilt of the sword, is like Mars and Mercury." (Ptolemy - Tetrabiblos) "It causes misfortune, violence, decapitation, hanging, electrocution and mob violence, and gives a dogged and violent nature that causes death to the native or others. It is the most evil star in the heavens" (Vivian E. Robson - The Fixed Stars and Constellations in Astrology)

Illustrations from Al-Sūfī's book of fixed stars

Eletrocution or electrical problems are an issue with eclipses and apparently also eclipsing star-systems like Algol. This is noted by Christopher Warnock about his Algol talismans:

"I have had multiple reports and have myself experienced Algol’s tendency to cause electrical and electronic interference when the talisman is first used. I mysteriously lost my Internet connection for an hour and my electronic thermostat died. One user had his entire block lose power. Less frequently but still regularly clients have reported that while wearing their Algol talisman, “weird” or “freaky” people took one look at them and fled." (Christopher Warnock - Fixed star, Sign and Constellation Magic)

Other one of its proeminent themes is vengeance, or the dichotomy of justice vs vengeance, but the effect of reflecting back evil that's sent towards its direction, or of ending curses describes it better in my opinion. About the images of the fixed Behenian stars, Agrippa says that:

“Under Caput Algol, they made an image whose figure was the head of a man with a long beard, having a bloody neck. This brought the good outcome of petitions, gave the bearer boldness and nobility, preserved members of the body from injury, helped against sorceries, and reflected evil attempts and evil incantations from enemies”. (Agrippa's Three Books of Occult Philosophy - Eric Purdue's translation)

Piero di Cosimo

This protection side of the star is illustrated by the story of the champion Perseus not just decapitating the demon but using its head to free Andromeda from her chains and saving her and her city from another monster, and then Athena herself starts using the head of Medusa as a symbol on her shield. As established, this is a star of the nature of Jupiter and Saturn. The nature of Saturn is evidenced even by the names given to the star: demon, cacodaemon, which is also the greek name for the 12th house. Imprisonment, monstruosity and madness are clearly the most important Saturn and 12th house themes. But Algol is a protective star, particularly in astrological magic, although I'll show how this kinda manifests in nativities as well. Algol is mainly of a jupiterian nature, that's why it does liberates. The head is an evil daemon but also a protection amulet. This is interesting regarding the eclipsing factor and the similarity of the significations with the Jyotish Rahu and Ketu. In western astrology the nodes are considered to have effects like Jupiter and Saturn, and the topic of imprisonment-liberation is explored in the dynamic of the two*.

With the new interpretations of the Medusa myth, some astrologers say that Algol can be about "female rage" or "dark feminine", or "feminine jealousy" etc. I think this is one of the stories that people mix the astrological meaning with the morality of the greek myth associated with the star the most. The greek myth is not really the star and the star is not the greek myth. In my opinion, you always must take into consideration that some things can be just the way the greeks or romans viewed a certain theme, and of course they would put a violated woman to represent a monster on a mindless vendetta, and it's not meant to be complimentary. I believe that's already way beyond Algol's effects, it could be just their misogyny projected onto the stars. I can think of examples where I can see that kind of story taking place, but that doesn’t mean that the star is about those things, but just that this is one possibility because we live in patriarchy and things around women's issues can get ugly in an Algol manner. The star can be about capital punishment, monstruosity, madness, captivity, violation, injustice, vengeance, evil daemonic influences etc, but it's not really about cishet women. So, even though I’m also using the greek myth here, I’m not giving the most importance to the detail that it is a story about a woman receiving unfair punishment and that there's a lack of comradery between women, because I'm interested in the star beyond what greeks and romans said, because the stars can’t be represented by just one hegemonic narrative. A lot of other cultures had their different stories about Algol, the Medusa one isn’t special to the point that we could assume every detail about it, even its moral issues (which are also in this case suffering a bit from anachronism), has meaning for the star associated.

Perseus is a spring time constellation very near the bull (taurus), and that may sound too nice for such a scary one. But in babylonian astrology, the stars of Perseus actually formed the constellation of the Old Man, who also held a decapitated head and a rod instead of a sword. Of it, Gavin White has an interesting perspective to share:

“At this time of natural abundance, the earth was thought to ‘open up’ in order to yield her bounty, but to the archaic mind this opening up was accompanied by a host of dangers, chief of which was the potential pollution from the dead who could gain easy access to the upper worlds at this pivotal time. In light of this belief, I would suggest that the Old Man, with his wand and prophylactic head, is banishing the ghosts of the old year and driving them back to the underworld.”

Illutration from Gavin White's Babylonian Star-Lore

There's a lot of examples of charts for literal decapitation or capital punishment, injuries to the head or neck area as obvious manifestations of the star: The most famous is probably the catholic Saint George, who is said to have been executed by decapitation on April 23 back when that was the time of year when the Sun would conjunct Algol, and he later became associated with the constellation. Back then, Algol was at 2° Taurus. Gianni Versace, who had Algol on the descendant, famously made Medusa the logo of his brand and also died with a bullet to the head. Freud had Mercury with Algol, his 8th house ruler, and he died with throat cancer. Nick Yarris, who spent two decades on death row after he was wrongfully convicted of murder, has the Sun with Algol. Patrick Henry had Jupiter, and he was a murderer whose case influenced the abolition of the death penalty in France, which was done by the method of guillotine until its abolition. He was defended by Robert Badinter, who was an activist against the death penalty and could sucessfully propose its abolition in 1981. Badinter has Jupiter with the alpha of Andromeda in the first house. France has a thing with decapitation, some of the charts for its republics have either Algol or Mirfak activated, the alpha star of Perseus.

Algol and Madness

But I want to talk about Algol's special relationship with madness, in the demonized/criminalized sense, because after all, "the demon" is unwanted, it frequently represents the marginalized and their opression. In Brazil's history, especially during the military dictatorship organized and imposed by usamerican capitalist imperialism, asylums imprisoned and tortured mainly black people, women and queer people. Some asylums got so overwhelmed that they became concentration camps, like the famous case of Hospital Colônia in Barbacena, known as the Brazilian Holocaust case, where people died by the thousands from starvation, hypothermia, anemia, STI's, untreated diseases from the lack of hygiene etc. Some important psychiatrists, psychologists, psychoanalysts have Algol activated by some planet. Freud has Mercury, Fritz Perls has Jupiter, David Healy, who literally has a book titled "The Decapitation of Care", has Venus. But what's more interesting to me is the protection element of Algol in some cases and its role in mad liberation movements, after all, Perseus is a liberator. Algol shows up in very important people in the pysch field who question medical power and have antipsych views, and on important events of the psychiatric reform.

Hospital Colônia de Barbacena - MG

Franco Basaglia, the main responsible for the dismantling of psychiatric hospitals and for the psychiatric reform all over Europe and in Brazil, had the Moon with Algol in the 10th house, representing his deeds, while ruling the 12th. In Italy, the Law 180 (Basaglia Law), the Psychiatric Reform law that determined the progressive extinction of asylums throughout the italian territory, was sanctioned with the Sun on Algol. In Brazil, on May 18, 1987, the exact day of the year that the Sun conjuncts Algol, a meeting of mental health workers at a conference was the major milestone for Brazilian health reform and the anti-asylum movement. And since that event, May 18th has become our national anti-asylum movement day, and it becomes more and more culturally relevant as a day to discuss psychiatric reform and the fight to guarantee the rights and autonomy of mental patients.

Marches on May 18th

An important activist, Austregésilo Bueno, born with the Sun with Algol, survivor of compulsory hospitalization in asylums in the 70s, wrote a book "Canto dos Malditos" about his horrible experiences as a psychiatric patient treated with eletroshock therapy (another one of Algol's effects). He had his book adapted to film and his story played by the actor Rodrigo Santoro, who has Algol on the Ascendant. The name of the film is Brainstorm in English, but I find the original "Bicho de Sete Cabeças" much more compelling. It's a truly devastating story, and it's the story of thousands unfortunately.

One thing about Saturn and madness is the recurring idea of wearing masks. Masks and theatre have always been associated with Saturn. Saturnalia was a roman festival where all the roles switched, where kings pretended to be fools and fools pretended to be kings. In modern astrology Saturn ended up associated a lot with a raw and harsh reality, disregarding the most mystical and unreal characteristics of Saturn that have always been present. Although life, reality, identity and reason are always a performance, we're always wearing a mask and performing life. There's a point in the movie "Bicho de Sete Cabeças" when the protagonist is having a difficult time on his first days of being an inmate, he's fighting too much against the forced treatment and expressing too much unsatisfaction with his imprisonment, thus getting even more forcebly medicated and punished by the staff. At this point one of the older inmates shares an important advice with him:

"You have to pretend, who in this world doesn't pretend? You have to say that you're in a good mood, you have to say that you're not hungry, you have to say that you don't have a toothache, you have to say that you're not afraid, otherwise you can't do it, you can't do it. No doctor ever told me that hunger and poverty can lead to mental disorders, but those who don't eat become nervous, those who don't eat and see their family go without eating can go crazy, a discontentment can lead to madness, a death in the family, the abandonment of the great love. We even need to pretend to be insane when we're insane, pretend to be a poet when we're a poet."

It's a powerful speech about the farce of medicine's ownership over the subject of madness, the farce of reason and that it must subjugate or dominate madness. Pretending and acting out the platonic ideal behavior at all situations under all circumstances, as if it's normal, that's the only way anyone is seen as sane.

Bicho de Sete Cabeças (2000)

Another important date in brazillian history is the 13th of May 1888, the day of the passing of the law that abolished slavery, which also had Algol activated by the Sun. This was obviously not the definite end of slavery and not the end of the struggle of black brazilians, just like the Basaglia Law didn't mean mad liberation, but I'm just demonstrating how powerful Algol is to protect from evil and put an end to injustice in an official and legislative manner. Like Saint George defeating the dragon, Perseus defeats a monster that is impossible to defeat, the "impossible victory" and liberation is recurrent in the stories linked to it. Systemic opression and injustices a lot of times seem like impossible problems, it becomes harder and harder to imagine a world where they don't exist, but Algol events revolutionize the impossible.

"The important thing is that we have proven that the impossible becomes possible. Ten, fifteen, twenty years ago it was unthinkable that a mental hospital could be destroyed. Maybe mental hospitals will return to being closed and more closed than before, I don't know, but in any case we have demonstrated that the mad can be cared for in another way, and testimony is fundamental. I don't think that the fact that an action manages to energize itself means that it has been won. The important point is another, it is that now we know what can be done." (Franco Basaglia - Conferenze brasiliane)

An important honorable mention should be made to Carlos Marighella, a guerrilheiro in the resistance of the brazilian military dictatorship who was executed before he could see our democratization. He had Mars with Algol.

"The urban guerrilheiro is an implacable enemy of the government and inflicts systematic harm on authorities and men who dominate and exercise power. The main work of the urban guerrilheiro is to distract, tire and demoralize the military, the military dictatorship and repressive forces, and also attack and destroy the wealth of north americans, foreign managers, and the Brazilian upper class. But the fundamental and decisive characteristic of the urban guerrilheiro is that he is a man who fights with weapons; given this condition, there is little chance that he will be able to pursue his normal profession for a long time or the reference of the class struggle, since it is inevitable and necessarily expected, the armed conflict of urban guerrilla against the essential objectives: A. The physical extermination of the leaders and assistants of the armed forces and the police. B. The expropriation of government resources and those who belong to the big capitalists, landowners, and imperialists, with small expropriations used to maintain the individual urban guerrilheiro and large expropriations for the support of the same revolution. (Carlos Marighella - Manual do Guerrilheiro Urbano)

Algol in Cannes

Lunga in Bacurau (2019), the first queer Perseus I know

I’ve said here before how much I love Bacurau. The movie premiered in Cannes, on May 15, 2019, at 10 pm**. This is a chart full of fixed stars, with the Sun with Algol in the 6th house. You'll find in the film the Algol classic of extreme injustice being overcome. But one curious thing is that the Cannes Film Festival always happens around the same time of year when the Sun is at the last degrees of Taurus and beginning of Gemini, making a lot of the movies premiered at Cannes have Algol activated. And it shows. It’s a great opportunity to watch how varied the Algol themes can be. On that same year of 2019, they had: THE DEAD DON’T DIE by JIM JARMUSCH, a pretty obvious Algol zombie movie, whom you defeat by cutting off the head, of course; LES MISÉRABLES by LADJ LY, inspired by a real-life event of police violence that inspired the 2005 riots in Paris, it seems to have a very radicalized discourse about raging against violent injustices; ATLANTIQUE (ATLANTICS) by MATI DIOP has dead unpaid workers coming back as spirits possessing their city’s inhabitants to take vengeance on the tycoon who withheld their payment; LITTLE JOE by JESSICA HAUSNER is a film about a lab created flower that alters people's behavior in strange ways, and these last two kinda have the feeling of that "spring danger" Gavin White talks about. DOLOR Y GLORIA (PAIN AND GLORY) by PEDRO ALMODÓVAR has Antonio Banderas as the protagonist who develops dysphagia, caused by a caucified growth in his neck. Etc. And these are all just some of the 2019 films. I haven't watched most of them, but you can always look for the films which had their first screenings around 14-20 of May and they'll be rich in Algol content.

So, I'll leave you with that: a bunch of movie recommendations. Thank you for reading.

*Adam Elenbaas has my favorite content on the subject of the nodes or Rahu-Ketu.

** You can research the screening guide for an edition to find the time.

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