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araseducation · 1 year
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Here are some highlights of the past six months of the ARAS Pioneer Teen Internship. Some of our activities have included free draws (including the exquisite corpses above) and free writing to free up to the subconscious mind for creative activities, we also learned coptic book binding, visited the New York Public Library’s Picture Collection, and learned about the day to day activities of the archive. 
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elfusible · 2 years
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"Fragmentos de la transformación" (2021) Artist notebook page by Sam Cepeda. For the Inauguration of LabNL. Live audiovisual intervention of the building transformation archives. Improvisations by Sam Cepeda and @daniellaraballesteros https://fb.watch/d-7uapjHKF/ . . . . . #labnl #Monterrey #artpic #artarchives (at LABNL Lab Cultural Ciudadano) https://www.instagram.com/p/CffAZisPokb/?igshid=NGJjMDIxMWI=
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luzmatutina · 16 days
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Crisantemos by James Tissot, 1875
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graffiti-library · 1 year
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- Blazing - 2011 - nr.24 - 82 pages - 
- 21-29.7cm - softcover -
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yoshimihasegawa · 2 years
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Rotterdam Architecture Journey 2 ; Depot Bojimans Van Beuningen, the world’s first accessible art depot built by MVRDV in 2020. The reflective round volume responds to it’s surroundings. What will you see there? @boijmans @mvrdv #mvrdv #architecture #travelphotography #depot #artarchive #rotterdam #netherlands (at Depot Boijmans van Beuningen) https://www.instagram.com/p/ChxsgFELxqT/?igshid=NGJjMDIxMWI=
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ghentlytomes · 9 months
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Smol opossum icon pixelart.
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uhlexiart · 1 year
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ryo-tommy · 1 year
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🚨NEWS🚨 京都嵐山にて過去作小品展vol.2のお知らせです。 @galleryo_arashiyama 詳細はBIOから見ることができます。 この度、ギャラリオ嵐山では RYO TOMIE 過去作展『STORAGE vol.2』を開催いたします。 これまで「越境」をテーマに 様々な事象をモチーフに選定し作品としてきた RYO TOMIE の 過去作、とりわけ ” BORDER ” と題された山のシリーズをメインに展示いたします。 RYOTOMIE は自然や宗教、言語や人種、過去などの抗えないものに対して、新たな視点 を設けることでうまれる切り口をきっかけに制作を続けてきました。 それは、現在大きな流れとなっている自由平等の訴えや自然災害に対する直接的な取り組み とは一線を画するものです。個人的な体験から成る感覚を、作品の形態やリズムに置き換え ることで鑑賞者に二次体験を促すような作用をもっています。 作家は「だれひとりとして同じような感覚は持ち得ない、常にわたしたちは人が観たものを もういちどよく観ている。」と言います。 確かに私たちの生きる社会では、人の経験を覗き見ることが可能なツールで溢れていますが、 個人の直接的な体験はそのひとの中にしか宿っていません。 ドイツの思想家、フリードリヒ・ニーチェ (Friedrich Wilhelm Nietzsche 1844 - 1900) の 著作『善悪の彼岸 *1』において有名な一説で「深淵をのぞく時、深淵もまたこちらをのぞい ているのだ。」という文章があり、様々な解釈がいまでもなされていますが作家は自身の作品 がその一説と似通った効果を持っていると考えます。 他者の体験した事実を 私たちが二次的な媒体で閲覧したとき、その他者の体験は間接的に私 たちの所有物となりますが、その他者が所有された体験を通じて私たちを観ていると考える ことができるのではないでしょうか。  自身のアイデンティティを見つめ直してきた作家 *2 には、「体験の優劣 / 比較」という概念が 無く、鑑賞体験による 事象との対面と感覚の越境が行われるのです。 この展覧会シリーズに展示される過去作は、制作の時期が様々ではありますが作家の思想 の一貫性を見出すことができる作品群と捉えることもできます。 未発表作を含めた過去作を鑑賞できる、この希有な機会にどうぞご高覧下さいませ。 - *1 1886 年に初版が発行されたニーチェの著作。原題は『Jenseits von Gut und Böse』。第 146 節の文章。 *2 RYO TOMIE は 2021 年の個展『The Story Only I Can Tell You』にて、自身の小学生時代を半自伝的に綴った同タイトルの小説を 展覧会作品として発表・配布している。 #ryotomie #exhibition #artarchive #ギャラリオ嵐山 #京都アート #京都展 (嵐山) https://www.instagram.com/p/CpOxgYpPNlj/?igshid=NGJjMDIxMWI=
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vandanatheartist · 1 year
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As the group show reached an end on 23rd October'22 - here is a glimpse of how the show looked like from my photo archive - Show title - FAMILIENSACHE (FAMILY MATTER) With works by Sabian Baumann, Ueli Berger, Barbara Davatz, Peter Emch, Yvonne Griss, Max Grüter, Nina Haab, Isenschmid/Buchli, Judith Peters, Mats Staub, Annelies Strba, Pat Treyer, Navid Tschopp, Vandana, and Beat Zoderer. Special thanks to the art director and curator Ms. Céline Gaillard, Ms. Simone Kobler at Kunstzeughaus for the opportunity and Ms. Hedi-k Ernst for her support to exhibit my work at a place where my FIRST OFFICIAL LIVE PUBLIC PERFORMANCE took place in 2013 as a part of the solo show in the end of the Stiftung Futur Artist Residency Program and... surprisingly enough!!!...the video work which was on display at this show (FAMILY MATTER), was the one which won me this Futur Artist Residency Program in 2013! The two work exhibited - Video Title: Dead Bodies of the Youth! https://vandanatheartist.com/dead-bodies-of-the-youth/ Art Object: The Black Book https://vandanatheartist.com/chapter-close/ . . . . . . . . . #uniqueart #noediting #nofilter #artisticexpression #artpublic #artnow #artstudios #artiststudios #artlifestyle #artistlifestyle #artislifestyle #theartlife #artarchive #artforpeople #publicperformance #cameralovers #kunstzeughaus #contemporaryart (at Kunstzeughaus) https://www.instagram.com/p/CkkqRQwPc2t/?igshid=NGJjMDIxMWI=
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lightriderstudios · 2 years
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@hannahmeadowscollage ‘s latest artwork ‘ Red ‘ I had the pleasure of documenting for the artist. Check out her work : https://www.hannahmeadowscollage.com #documentingart #artarchive #artistssupportingartists #digitizeanalog (at Corvallis, Oregon) https://www.instagram.com/p/CdEKHAcJfaM/?igshid=NGJjMDIxMWI=
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kirbyofthestars · 1 year
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you literally repost content from peachyknights. your art is good because it's taken from better artists. like whoever runs kirbyofthestars-artarchive is probably fuming bc you draw exactly like they do and that's why they don't post anymore
sorry for this grievous misstep in penance ill be deleting my blog and committing a ritual suicide immediately
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araseducation · 1 year
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I'm Zephan, I'm an intern at ARAS, and I'm very interested in symbols, dreams, consciousness, and art that portrays those things. I feel like dreams can act as a sort of portal into the unconscious, showing us our true unfiltered emotions and what we would call the soul. Henry Fuseli's The Nightmare is one particular work that caught my attention for the way it represents dreams. The expressions of the figures and the lighting depicted show a specific feeling and add to the atmosphere which isn't exactly "scary" as much as simply surreal. Image: Henry Fuseli, 1781, The Nightmare, oil on canvas.
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glicthh · 2 years
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Stoic tension my first art piece that I actually liked ;)
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#art #artist #digitalart #procreateart #digitalpainter #painter #artdump #artarchive #artistic #artist #artistoftumblr
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luzmatutina · 1 month
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starving there, sitting around the bars,
and at night walking the streets for
hours,
the moonlight always seemed fake
to me, maybe it was,
and in the French Quarter I watched
the horses and buggies going by,
everybody sitting high in the open
carriages, the black driver, and in
back the man and the woman,
usually young and always white.
and I was always white.
and hardly charmed by the
world.
New Orleans was a place to
hide.
I could piss away my life,
unmolested.
except for the rats.
the rats in my dark small room
very much resented sharing it
with me.
they were large and fearless
and stared at me with eyes
that spoke
an unblinking
death.
women were beyond me.
they saw something
depraved.
there was one waitress
a little older than
I, she rather smiled,
lingered when she
brought my
coffee.
that was plenty for
me, that was
enough.
there was something about
that city, though
it didn't let me feel guilty
that I had no feeling for the
things so many others
needed.
it let me alone.
sitting up in my bed
the llights out,
hearing the outside
sounds,
lifting my cheap
bottle of wine,
letting the warmth of
the grape
enter
me
as I heard the rats
moving about the
room,
I preferred them
to
humans.
being lost,
being crazy maybe
is not so bad
if you can be
that way
undisturbed.
New Orleans gave me
that.
nobody ever called
my name.
no telephone,
no car,
no job,
no
anything.
me and the
rats
and my youth,
one time,
that time
I knew
even through the
nothingness,
it was a
celebration
of something not to
do
but only
know
Young in New Orleans - Charles Bukowski
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abwwia · 17 days
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Lillie P. Bliss. c. 1924. Rona Roob Papers, II.C.3. Courtesy of The Museum of Modern ArtArchives, New York.
Lizzie Plummer Bliss (April 11, 1864 in Boston – March 12, 1931 in New York City), known as Lillie P. Bliss, was an American art collector and patron. At the beginning of the 20th century, she was one of the leading collectors of modern art in New York. One of the lenders to the landmark Armory Show in 1913, she also contributed to other exhibitions concerned with raising public awareness of modern art. In 1929, she played an essential role in the founding of the Museum of Modern Art. After her death, 150 works of art from her collection served as a foundation to the museum and formed the basis of the in-house collection. Via Wikipedia
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romanbilinskiart · 1 month
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Gurnard, anchovies and shrimp. Bordighera.
#romanbilinskiart #romanbilinskistilllife #novecento #artarchive #artcollector #artgallery #art #artwork #artwatchers #artoftheday #ittico #acciughe #gallinella #gurnard #fish
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