Lucky | Feysand
It was a throw away comment and Feyre knows it.
“Stop leaving glasses out!” Rhys had said, half laughing, tugging the end of her ponytail and dropping two cups and a mug into the sink.
Rhys makes her a cup of tea every evening, and it’s one of the hundred little ways that Feyre feels spoiled. She does like to keep a glass of water on the night stand, and where Tamlin hated it when she worked, Rhys has always supported her career. So they both leave early in the morning and more often than not, there’s a small collection of glassware in their bedroom.
It's completely fair that Rhys would prefer that she take them to the kitchen in the morning.
So why is it that the comment unsteadies her?
“I’m sorry,” Feyre says, and rushes to the sink. Her hands shake on the sponge. “My brain doesn’t function in the morning, I’ll remember to wash up before bed.” She goes for casual but it comes out breathless, and the Rhys looks over with a frown.
Maybe it’s because she’s been here for four weeks but doesn’t trust this yet.
Not Rhys- he’s been nothing but gorgeous, and patient, and kind. He’s so completely sure about her and in some ways that’s the most wonderful thing about him. And in some ways, it’s a lot of fucking pressure.
Rhys comes to stand behind her and puts his nose on her neck. Closes his fingers over her wrists until she stops moving, and wraps his arms around her waist.
“That’s fair,” he murmurs. “It’s not a real gripe.”
Some nights, Feyre lies awake in the dark, long after Rhys has fallen asleep, and tries to deep-breathe the fear away. It never works. But how can she tell him? It’s not his fault. The problems are all in her head.
“I’m sorry,” Feyre whispers, and she doesn’t mean the glasses.
She knows it’s not realistic, but it’s hard to fight the urge to be as perfect as possible, because she’s never had it so good, and the fact that it could break any day now is more than enough to keep her guts in permanent knots. She’s been holding her lips closed over the anxiety. She’s been trying so hard. She’s brittle enough that the shallow criticism lands like failure in her stomach.
“It’s okay,” Rhys murmurs. He picks up a tea towel and dries her hands, dragging her waist away from the sink. “You’re safe, honey.”
Sometimes Feyre forgets that Rhys does know. Knows better than most- after all, he’s known Tamlin longer than she has. Still, she’s both embarrassed and relieved that he can read her so easily.
“I didn’t mean it,” Rhys says. “Please leave cups in the room. It means you live here and that is so wonderful, to me.”
Rhys sits down on the couch and pulls her into his lap. Feyre hides her face in his chest and wishes, for the thousandth time, that she was better than this. That her fear of Tamlin’s anger would not be an unwelcome third in her and Rhys’s house.
“Hey,” Rhys whispers. “Don’t be sad, beautiful girl.” He slides his hand under her hair, and touches their foreheads together. “You’re okay.”
And then he kisses her, and it helps.
Feyre takes a deep breath, and kisses him back. It’s difficult to be here, it’s difficult to let herself be loved like this. But touching Rhys is always easy, and soon her fingers find his collar and his jaw and the raven curls at the back of his head. And she can feel him smile against her mouth when she tugs him closer.
“Does this help?” he asks. Feyre just nods, and kisses him again. The rough of Rhys’s palms walk up her back, under her shirt, until his hand rests behind her neck.
“I have less anxiety when you’re touching me,” she admits, and Rhys chuckles softly.
“That’s good,” he says, and in the next moment he’s lifted her up out of his lap and laid her back down on the couch cushions. He settles easily between her legs, and every time it’s a thrill to Feyre that he’s hard because of her. His mouth wanders from her lips to her throat to her collar bone and back up.
“I’m not mad,” he says, because that’s always what she’s afraid of and he knows it. “Of course I’m not, you’re such a good girl, how could I be?”
And like clockwork those two words make her brain slide, and her eyes close as his tongue travels the indent that runs from under her sternum to her navel.
“Please,” Feyre breathes. Rhys just looks up at her from under the ink of his eyelashes, and continues kissing down her stomach. “Please,” she says again, and this time he leans up and kisses her heavy on the mouth.
“That’s such a pretty word on your tongue,” he tells her. Feyre doesn’t respond, she’s concentrating on Rhys’s belt buckle and the button beneath it. He glances down, and then gives her a pitying look. “My poor darling,” he says. His teeth graze the corner of her jaw. “You need this, huh?”
Feyre wins her battle with Rhys’s zipper and slides her hand down the front of his jeans. She’s rewarded with a shudder that rips across his shoulders, and it only makes her melt further into the couch.
“Yes,” she whispers.
“You need it?” Rhys asks again. He grinds against her palm and she loves how even when he’s in control, he comes undone a little under her hands. “You need me to fuck it better?”
“Yes,” Feyre says again, and now she shoves his jeans the rest of the way off him, and Rhys pulls his shirt over his head in one motion. He gets his mouth on her throat and his hand on her breast, and Feyre’s limbs reach up and around him to pull him closer than skin. He drags her tights off, agonizingly slow, and then her shirt, and every inch that’s exposed is immediately pressed up against the warmth of him, searing but sweet.
“Tell me how much,” Rhys says, and it’s only the cotton of her underwear that’s between them when he rolls his hips against hers. Feyre closes her eyes, speaks against the slant of his cheek.
“Too much,” she says. He hooks her leg over his shoulder and Feyre’s back arches up off the couch. “And too often. You have no idea…” she trails off, trying to press up against Rhys as he moves all too slowly.
“Too often?” he asks. His fingers drift down, toying with the waistband of her panties.
“All the time,” she gasps. Her hands scrabble on his shoulders as he drags the elastic down over her hips.
“I wish you’d tell me.” He starts to kiss down over her breasts, but Feyre pulls him back up to her lips and slide her tongue against his. He groans softly in her mouth, and she pulls her knees up the sides of his ribcage, digs her heels into base of his back. “I wish you’d lean over, while we’re watching TV, and tell me how bad…” here Rhys pauses to draw a shaky breath because Feyre is wet against his naked cock, “…you need to be fucked.”
“I’m telling you now,” Feyre argues, and lifts her hips to prove her point.
“You are,” Rhys concedes, and presses up against heat of her. “And you’re doing such a good job.” He pushes inside her, and Feyre’s head drops back against the cushions. She breathes in, and it feels like a long time she’s been holding her breath. “Look at me,” Rhys says, and when she opens her eyes he’s watching her face change when he moves out and back in. His hips punch forward when she meets the violet of his gaze, and Feyre gasps.
“That’s it baby,” Rhys murmurs. “Keep looking at me.”
It’s easier said than done- Rhys’s eyes scald her and every time their hips touch her mind slides.
“Come on honey, you can do it.”
Feyre’s eyes snap open, but somehow there’s five hundred years in that stare and it’s a lot to bear. She tips her head back and throws her arm over her face.
And then Rhys’s fingers close over her throat, and it’s strange that this makes her feel safer, that it always makes her feel safer when he’s holding her down because every other moment she’s on the verge of floating away altogether.
“Is that better?” Rhys asks. His eyes darken above her, and she loves knowing that he likes her like this.
“Yes,” she breathes, and his grip tightens.
“You’re so good,” he tells her. “My good girl.”
Feyre can’t help it, she moans at the praise and the sound pushes Rhys’s pace up. This time when her eyes squeeze shut he lets her. Sits up on his heels to get a deeper angle and puts his teeth on her ankle.
“You want to be good for me, don’t you?” Rhys asks. He slides his thumb against her tongue for a second, before touching it to her clit. She can’t answer, because he keeps his rhythm while he talks to her and it’s knocking the breath from her lungs. “You look so pretty like this, baby.” His eyes rake over her, hooded and muddled, and there’s nothing quite so intoxicating as watching him look at her.
Rhys leans his forearms on either side of her face and leans down over her. Feyre’s hands come up automatically to follow the muscles of his back. She thinks he’ll kiss her, but when she tilts her face up he just flicks his eyes down to her mouth and then back up. He slows down now, moves in long, languid strokes that make Feyre feel like she’s drowning.
“You know,” he murmurs. “You can always tell me if you need this.” This time he does kiss her, and the next time he speaks it’s right next to her ear. “I’d drop everything and bend you over. Empty your head just like you like.”
Feyre‘s nails dig into Rhys’s shoulders and he shifts again, moving fast now and breathing shallow.
“Come on baby,” he says, and she can hear the strain in his voice. “Feel good for me.”
She doesn’t need to be told, he always feels good and today is no exception. Not when the snap of his hips makes a steady undertow that she is fast being dragged in by, not when the smell of him this close is enough to drive her to distraction, not when she can feel him start to chase his own release and knows that she’s the one making him feel like this.
“Give it to me,” she whispers. “I want it, want to feel you…”
But Rhys just laughs and shakes his head. “You first, angel.”
Feyre is tempted to see if she can make him lose control, but the way he moves is too good to ignore. And, she’s never one to pass up an opportunity to show him how good she can be.
“Right now,” Rhys says, under her ear, and honestly it’s so easy with him. Feyre breaks in between one breath and the next, and it’s a thing that wrings her out over and over in the cage of Rhys’s arms. It’s somewhere in the aftershocks that Rhys comes too, and she hasn’t told him but this is the part to Feyre that feels so intense she never quite feels like she’ll survive it. But of course she does, and minutes later the world filters back in and the couch cushions are scratchy against her back and there is sweat in Rhys’s hair and her heart is still beating painfully hard in her chest.
And Feyre feels calm, in this moment, which is rare but increasing. She presses her nose against Rhys’s forehead, where he’s half dozing on her chest, and tries to remember the feeling of it, because there will be a next time that she feels anxious and afraid, but if she’s very lucky, and she has been very lucky, there will also be a next time for this part right here, and that makes everything worthwhile.
****
Well hello there angels! It's been a hot minute, I'm rusty don't laugh at me!
But seriously a lot of things have happened and I still kinda feel a little lost (read: completely out of control)- and not all in bad ways. I've been meaning to post some one shot type things and to talk about my book but man it is HARD. So for now here is a little angsty thing that may or may not be just be T-Swifting it about my current sitch and my book links:
UK and international US eBook Australia
And ummm this feels like I am too irrelevant to pull this anymore and I'm sorry if you do not want to be on this but,
MASTERLIST
TAGLIST: @ghostlyrose2 @highladysith @stardelia @feysand-loml @tillyrubes10 @ratabrasileira @live-the-fangirl-life @maybekindasortaace @annejulianneh111 @thebonecarver @rowaelinismyotp @loosingdreams @pitrsattabhaadmeinjao @achernarlight @swankii-art-teacher @sjmships @courtofjurdan @teddytdr @positivewitch @thalia-2-rose @darling-archeron @rapunzel1523 @fairchildjace @hopefulacademia @story-scribbler @fandomstalker27 @realbookloverproblems @dealfea @s-tormwitch @cretaceous-therapod @whenyadoesntcutit @scatterbrainedgirl @whoever-you-choose-to-love @endlessdaydream @elentiya-whitethorn @rarephloxes @timesconvert @mis-lil-red @alerialumina
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Manifestation Theory Supplement - What happened to Will + the Beginning
So, what happened to Will in season one exactly? Well, I think in the first timeline that Will died. As in he was murdered. Now you might be wondering who would murder Will like that and well season one certainly stresses the existence of as a very negative force in Will’s life.
Someone who knew he had just died. Someone who knew that his death occurred at the quarry and was ruled a suicide despite supposedly being in the city. Who other than Lonnie Byers. Lonnie who showed up just in time for the money and let’s say we’re in the one, the one being the timeline where Will is alive then the other 99…
This is where it gets me. That first DnD game is so important because in the initial timeline it would’ve been the last time Mike saw Will alive and happy so it’s something like a save point. Karen stops the game at 8:15 hence the importance of that time. So, Will goes home and Lonnie kills him. I’m not sure I can decode the specifics of how, but anyway Will dies.
I think Mike’s main power up until this point was probably time manipulation/travel. A bit like El’s telekinesis it’s the first stage of said powers. After Will’s death Mike tries to rewind the timeline and completely override the first one except, he doesn’t necessarily fail, but he doesn’t succeed either instead we get whatever in the loony tunes is going on right now and why you might ask?
Because Mike most likely damaged his brain by attempting to rewind time like that. He most likely had some semblance of control over time before hand seeing as according to Dustin-
We learn that Mike is very good with time. Then we get to see Mike always seeming to lose track of his time. Later from El we see that pushing your power to the limit can damage your brain and cause amnesia.
So let’s say Mike rewinds time to his save point which would be 8:15, the time where he could consider things would’ve gone wrong because his mom stopped the game. Mike is twelve. He would not have had the power level necessary to pull that off and most definitely would’ve pushed way past his limit.
When El pushed past her limit she opened a gate. If Mike had reached a point where he pushed past his limit trying to destroy a timeline he considers failed and given himself brain damage, it’s possible that the manifestations started then. That would’ve been the perfect time for it to begin as a sort of consequence of time travel.
El, HNL, the upside-down, the Russian subplot, and more are products of this. They keep reflecting Mike too closely to be a complete coincidence. Mike just randomly starting to create things out of the blue without rhyme or reason doesn’t make sense, however, him trying to do something else and being met with a consequence because he released a large amount of energy does.
This would be the balance. Mike’s powers aren’t going to completely evil, but they aren’t going to be completely good either. It would force Mike to reconsider his black and white view of things because surely the thing that saved Will can’t be completely evil, but the things the came after can’t be completely good either.
Mike’s relationship with time is very peculiar. He’s got curfews, he’s being told to stop his games at specific times, his watch being such an important item that it’s one of the view to be on the right hand.
Both times when Mr. Clarke is talking about parallel universes and the vale, which we later refer to as the upside-down, Mike is just randomly in frame despite not really contributing to the conversation. This is similar to what happens when Dustin narrates what the “Vale of Shadows” is.
Will having died explains why all the Will-alikes keep dying despite Will dying at the end making no sense at all. Rather it’s a way to tell us that Will died, and his death is significant to the plot. Also, Billy being referred to as another him, so the other him dying and even having a grave.
Okay so, Mike isn’t necessarily manifesting on purpose, but beings keep escaping from his subconscious and as he grows older this power grows stronger. This is why Mike is the only one who seems to be able to become fully attuned to the motivations of places such as the upside-down or HNL.
They aren’t real. They’re a part of him and the only person who’s going to understand that in all it’s capacity is going to be him. Mike is the one who will be able understand the way he thinks the best. Now I don’t think that necessarily means he’ll be kind considering how much Mike likes to beat himself up.
El says she found the source followed by a picture of a rather intense closeup to Mike.
On that note they really kept pushing the idea that Lonnie killed Will only for it to be a fake out, but Lonnie is definitely still suspicious.
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