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#anyway. read the queen’s thief
cryptidlark · 7 months
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Irene of Attolia
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musewrangler · 3 months
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Sigh. Guess who just ordered the first three Queens Thief books. Is this my fault? No. It is entirely the fault of certain relentless tumblr mutuals who shall remain nameless. Coughs in @kanerallels and @accidental-spice
I suspect I have another suffering, angst magnet man to adopt.
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transvaltrans · 4 months
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Looking back on the books I read this year, and was reminded of just how much Megan Whalen Turner's The Thief- absolutely frustrated and disappointed me. Spoilers ahead.
To some degree, this was going to happen; the whole series has been heavily hyped up to me, it's hard for any book to live up to such lavish yet vague praise. But, you know, I actually got through most of the book without being distracted by my own expectations. It was tense, and spare- it felt like every word mattered and hinted at an underlying truth. I love when books withhold from the reader, and nudge at you to consider what might be left unsaid. And I was so, so satisfied when my predictions paid off (totally called Gen palming the stone rather than losing it).
The worldbuilding was interesting and unique, I enjoyed that the author wasn't committed to a super specific and our-world-accurate timeframe for technology, and I found the characters compelling and variable. I always enjoy travel stories, nevermind stories about thieves.
Which is exactly why I was so annoyed by the ending.
Again: I love twists. I love being able to predict them, and I love being surprised. I did not feel like any of the twists in The Thief were unearned; it's a well-composed book, with plenty of foreshadowing.
However, one of the twists, despite being foreshadowed, absolutely blindsided me- because I would not have considered it as a possibility, due to undermining exactly what had me so excited to read The Thief in the first place. Fantasy literature sometimes shies away from politics, into pure escapism and fluff. Even some of my favorite fantasy books are pretty hollow when it comes to their fundamental beliefs, and shy away from challenging the status quo- unless it's to restore old glory (cough The Old Kingdom series).
But I can almost always count on stories about rogues, and thieves, and con artists, to at least bring up the issue of class. These characters so often come from disenfranchised backgrounds, from the poor and displaced. They're street rats and gutter scum, who have clawed their way up from the bottom, and never forget where they came from- can never forget, from the way others treat them. Theft is subversive; there's a reason we won't let go of Robin Hood, but even more self-motivated thieves often have something to say about the unfairness of wealth distribution. Stories about thieves almost always have something to say about the relationship between the wealthy and the poor.
So, yeah, I was really fucking annoyed at the reveal that Eugenides was actually the Queen's cousin. That pretending to be from a lower class background was so insufferable to him; that of course he's only so educated and knowledgeable because he's a noblemen, that it was so hard for him to pretend to be stupid and crass like a peasant. That the reason he was so pissed about being disrespected by his captors wasn't because they beat him and imprisoned him and insulted him constantly, that they treated him as less than human because he was poor and a criminal, a tool for their own use and disposal- but because he was one of them, and it injured his pride- his noble pride, not his human pride- to be treated like that. Like he wasn't one of them, and deserving of their respect.
Fuck, I hate it so much. It immediately took away my favorite parts of the book- the tension between Gen and the magus's companions, the weight of the magus having been a commoner once, the way Gen constantly stuck by himself and refused to just accept his shitty treatment- the way every monarch treated him as a means to an end. I thought there would be more tension in Gen having conflicted feelings of resentment and camraderie with the magus- I thought it would pay off with either some of them acting in his interest for once, and/or some of them rejecting their freindship and leaning back into that class difference between them.
I'm not opposed to Gen having been working for the mountain kingdom the whole time! But there are so many other ways to do that- I was suspecting that someone was holding his family hostage in some way. It's easy to imagine a story where Gen is a lower-class thief, who was also being used by his own country's royalty.
But, making Eugenides a nobleman is a subversion of the classic trope- which means it's clever and interesting. Uugh. It just exhausted me, and- disappointed me. I loved so much of this book, and it had been a while since I'd read a good low-fantasy story about thieves. It was suspenseful, with rich descriptions, and interesting character dynamics. I thought I was getting something like Fly By Night by Frances Hardinge, or The Goblin Wood by Hillary Bell- not necessarily stories about thieves, but stories about the underestimated and undervalued, peasant con artists and hedgewitches. But with more of the tension and bite of your average dnd rogue getting up to stupid shit (my go-to class since I was a kid).
I totally understand why people love this book. There is a lot I really admire within it. But man, I don't think I can get over how much that final twist- not just rejected my original interpretation of the story. That's fine, plenty of good science fiction or horror does that. But that it specifically rejects the character and story type of the lower class thief. The very name of the series, The Queen's Thief, had me expecting a story about that seeming contradiction; about the power imbalance, and a constant game of cunning, of maintaining autonomy despite being bound to a royal power. And I expect there will be some of that, in the later books; it just loses a lot of its appeal, when it turns out Gen himself is a nobleman, who was doing a favor for his cousin, the queen.
I liked that the book ended with more insight into the mountainous kingdom, and Gen's feeling of belonging and pride to a cultural group everyone else had been deriding- but that didn't have to be accomplished by him being related to the nobility of that country. None of this had to be accomplished through Gen being a nobleman; it just felt like a 'gotcha' subversion, taking away, rather than adding more.
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anakinthetrashking · 7 months
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One of the things I love about Iñaki's Luffy is the way he can make a smile look menacing or turn it into a grimace in just the blink of an eye—and the way he portrays Luffy's carefree attitude that makes everyone underestimate him until he gets serious and the tone switch is just,,, monumental??
And for some reason, this all translated in my head to: hey Iñaki would make a REALLY GOOD live action Gen, especially KoA Era. I would lean in the direction of getting someone younger for The Thief, I think, but??!??!! The mischeivous, trickster, laid back but constantly observing vibes? I think he could EASILY change up Luffy's version of "charismatic in an irritating but loveable way" to Gen's version!!!
Aaaghhhh. Many thoughts head full
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itspileofgoodthings · 6 months
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you know, for all my non-understanding of Attolia, at least at first, I reacted to Gen exactly as she did.
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kingofattolia · 3 months
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the minister of war's name was Hector the whole time 😭
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child-of-hurin · 3 months
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Irene 'Man In The Iron Mask' AU when
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ah-bright-wings · 2 years
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“Why did you come if not to murder my king?" "I came to steal his magus." "You can't," said the magus in question. "I can steal anything," Eugenides corrected him, "even with one hand.”
-The Queen of Attolia, Megan Whalen Turner
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pristina-nomine · 10 months
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I’ve learned my lesson with La Passe-miroir, I won’t even breath in the direction of The Queen’s Thief tag. I shall not look for pretty fanarts.
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chimaerakitten · 1 year
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All fantasy stories need more politics, except the ones that already have too much politics. Those ones need more dragons
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Reading physical copies of The Queen's Thief series for the first time and realizing that the maps in them are inconsistent???
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silverysongs · 2 years
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FINALLY starting Thick as Thieves
it is once again time for my bullet point comments. chapter one:
hasn't even started yet and i love the epigraph. "We think we steer the ship of fate, / but all of us are guided by unseen stars" - there are things threaded together here that i can't see but i know i will LOVE
Kamet's voice is so casual but it's so interesting (and horrifying) to see how his perspective has been informed by his place as a slave. he doesn't grab the wall for support because he'll have to see his own blood for (presumably) weeks. he sees Nahuseresh's beating as a consequence of his own stupidity rather than his master's cruelty. i know there's more of those moments later and they will make me laugh and they will make me cry inside.
the image of Kamet, shaking and sick after Nahuseresh's appraisal, even though he's bandaged Kamet, because he's still the abuser - gross. effective, but makes me shudder.
Kamet is so smart. i guess you could call it calculating - and there is some of that there - but there's something else, something about being able to understand people, to look ahead and anticipate the outcomes, that's not so malignant.
Kamet always assumes that Nahuseresh knows about the loans. wonder what else Kamet assumes? (theory: fatal flaw - assumptions?)
Ornon mention makes my heart warm!
first costis/kamet interaction is a DISASTER. EUGENIDES. COSTIS. WHY.
"My king wants your master to suffer the loss of his right hand" / costis. what do you think that sounds like. there's a reason why kamet's so freaked.
"[The Attolians] weren't very civilized" / omw. Kamet. you've got some pride my friend.
"He could have just spoken in Attolian" / are you TELLING ME that Gen had Costis learn Mede for NOTHING. later. they will all laugh about this i hope.
"...they were all still memorizing their poetry because none of them knew how to read." / KAMET. this is going to be the worst road trip ever for these two. besides being an ignorant generalization, maybe a strong oral storytelling tradition is a good thing culturally and socially, Kamet?
kind of want to write a meta on the role of Laela in this book. like. that moment that she lies to Kamet - it's kind of the crux of the plot, right? it's so subtle but it's so important and he believes her because he has no reason not to (ooh BELIEF in these books is another thing. mmm). if Ornon or Costis tried to lie in the same way, Kamet might take it differently.
"There had been a number of imperial dinners that were the stuff of nightmares." / now I want to know more about the Mede. what are their politics like?
some nobility from Kamet as he's thinking through which slaves would be tortured because of the poisoning - and how he could spare them some suffering by leaving now.
"...the lie easy on my lips" / so Kamet has the ability and the experience to lie. INTERESTING. not like Costis or Sophos, the last two narrators.
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ohmysmokeythebear · 1 year
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Finished Moria’s Pen
Devoured it in a matter of hours
Obvs will need to reread many many times to fully absorb but
Might cry
There’s such a FINALITY to it
I love all the short stories and anecdotes but good lord the ending killed me
I need…several months to process
…..
tl;dr
Excellent, exquisite work, as always, 10/10 stars
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ethereiling · 2 years
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okay besties and worsties i got a kindle and it seems to be a great way for my adhd ass to read books so please give me book recs 
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lairn · 2 years
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Oooh, if you ever read king of Attolia, I'd love to hear your thoughts! It's probably my favourite book in the series:D
Of course! I've enjoyed the first two books and definitely plan to continue the series.
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UNRELIABLE NARRATORS; SEMI FINALS
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*NOTE; propaganda is out of order due to the post length!
Eugenides Propaganda:
the entire plot hinges on a detail he lets the reader (and every other character) assume is true. I don't want to spoil it because it's a really fun reveal but he is lying from the first second he appears on the page and you can't trust him to tell the full truth about ANYTHING related to himself and his goals. he mostly does it to keep his advantage and not have other characters be suspicious of him but it's just so fun when you realise he's been lying the whole time
Kim Dokja Propaganda:
I haven't read orv but he's fucking gotta be from what I've osmosised
He tries to remove his emotions out of the narrative soooo much, literally the most repressed guy ever. Okay so for context orv is about how this guy, Kim Dokja, has been the only reader of an obscure post-apocalyptic webnovel for years and the novel suddenly becomes reality. And at first you'll probably get the weird impression that his behavior is pretty strange for, you know, a literal apocalypse happening in his world - like yes, he is concerned with survival but he doesn't seem all that scared and he kinda treats it like a video game where he has to grind to make himself stronger and he also treats his companions like a party in an rpg. Then there's also the way he approaches the protagonist of the webnovel, from the start he just kind of describes him as a ruthless psychopath and jerk that is unfortunately a pretty useful ally. And also there's the fact that he carefully omits any mention of his past and when somebody asks if he's worried about his family when the apocalypse starts he just kinda... brushes it off? Anyway so yeah, this bastard is definitely traumatized, although I don't know how much of spoiler territory that would be, considering the fact that literally when he first reveals his trauma he's also unreliable about it. And turns out he does indeed, care A LOT about this world and the people around him. Because well, he kinda didn't care to mention that this webnovel that has become reality was like... literally his whole world before it literally became his whole world. Like, it was the only thing keeping him going for 10+ years and the protagonist that he likes to call a stupid jerk was his comfort character who he pretended to be when he felt like he couldn't handle something in his life by being himself. The protagonist is also canonically the person he loves the most according to a prophecy and he literally can't fathom the thought of him dying, even the timeline versions of him that directly oppose him. And I haven't even mentioned the Fourth Wall yet but I feel like this propaganda is a little long already
misreading the intentions of his companion (yoo joonghyuk) so many time.
YOU DON'T UNDERSTANDDD DOKJA IS SUCH A UNRELIABLE NARRATORRRRRR GOD I COULD WRITE AN ESSAY BUT I KNOW YOU LOVE DOKJA TOO BUT OMG HE'S JUST SO AAAAAAAAAAAH
Rest of Propaganda under cut!
he is the worst like actually. he starts the story talking about how normal and average he is. he is not. he is constantly mischaracterizing his friends and he's so good at lying to the readers that you don't even realize it at first. almost every single time he cries we have to be told by other characters because he never says it himself. there is literally a scene where his narration says "i wasn't crying" and then the in-universe entity that narrates the actions of people (orv is really weird and meta) says that he was, in fact, crying. honestly genuinely anything he says about himself (or doesn't say) cannot be trusted. he is just so frustrating. he drives me mad. i love him dearly. but he drives me so mad.
Dictionary definition of unreliable narrator. Does not tell the reader anything and then things happen and he's like oh yeah btw there was also this and this earlier but i just didn't feel like mentioning it. There's even a thing called the "Fourth Wall" that is able to see through kdj's bs so occasionally you get gems like,
Kim Dokja: I didn't cry
The Fourth Wall: [Kim Dokja was crying]
Imagine being so unreliable as a narrator you need a more powerful narrator to call out the actual narrator.
^ same submission, just spacing it out
This goes into spoiler territory, but; Kim Dokja is in possession of a skill called the Fourth Wall, which on the surface seems like it appears because he read the book that reverse-isekai’d into his own. However, as the story goes on it becomes clear that it’s pretty much a souped up version of his pre-existing dissociation. You cannot trust him to be honest about his feelings, his past traumas or his feelings about his past traumas, not to mention his tendency to just outright omit information that only gets revealed later on either when it becomes relevant or when an outsider POV reveals what’s actually happening.
Exhibit A: he says (in 1st person POV) that he’s not crying. The Fourth Wall immediately contradicts this (as it is literally words of the novel) by saying (in 3rd person POV) ‘Kim Dokja was crying’.
Exhibit B: Fails to mention entire actions when it shows him emotionally honest even in the slightest; we had to read from another character entirely when Kim Dokja was being physically affectionate with his companion. It’s so bad that there’s this entire paragraph about Kim Dokja describing himself hiding his eyes in his hands in jerky, weirdly specific detail and just AVOIDING EVERY WORD THAT MIGHT SHOW HE’S CRYING. The brilliance of ORV is that when you re-read the entire thing you get hints that ‘yes, this WAS hinted at the entire time’ but you have to dig it out of Kim Dokja’s repressed, depressed self-hating internal dialogue with your own two hands.
^ same submission, spacing it out (i really should've done this earlier.)
i am a simple man (not a man). i see a tumblr text post with the words “unreliable narrator in it”. i read nothing else. i reblog & tag #kim dokja okay but in all seriousness i’m just going with the musty basic example: so there’s this moment where he sacrifices himself to save this guy. as he lays on the ground bleeding out, he says “hey, you don’t like me, right? you should kill me to get some money” the guy says “no kim dokja i cant do that (going through the five stages of grief except there’s only one and it’s anger)” the constellations (twitch viewers irl) are like omg he (the guy) doesn’t want to kill his companion (kim dokja) and shower him (the guy) with money kim dokja: oh, he’s not killing me for the money. smart!
as i quote a brilliant youtube video (all of omniscient reader’s viewpoint in 6 minutes) “yoo joonghyuk sees kim dokja as a c_____”
yoo joonghyuk: companion
kim dokja: cunt
^ same submission, once again. spacing it out.
Hides his true feelings, tells the readers what he thinks is convenient for the plot and that his own personal feelings don’t matter or are not so significant. Has unreliable thoughts abt his companion and is a liar. And is also an omniscient reader.
Kim Dokja always perceived his companions in this like nonchalant way like “oh yeah we get along but really we’re just fighting to survive (apocalypse setting) it doesn’t run that deep” when they all do genuinely care for him and he does in turn. He just, doesn’t think of it as an equal relationship? Dokja’ll sacrifice a lot for them but will get seriously flabbergasted if they do the same thing, so fricking problematic. Not to mention Yoo Joonghyuk, his “Life and Death Companion” (read: husband). Kim Dokja always seems to think that Joonghyuk has it out for him, which is kinda true, but he is literally blind to the fact that he’s attached to him. Like, it’s so obvious??? Also they have hella sexual tension but that’s another thing entirely
se get some many pov changes where kdj in his pov just assumed things based on what he knew the characters would do. however because of his interference the characters have changed and he wouldn’t know that if it hit him in the face
He's an unreliable narrator because he lies to himself and thus the audience. He literally rewrote his own childhood core memory. If someone says, "this guy is my friend!" He will go through so many hoola hoops in his mind just to rationalize it. Because he fundamentally believe that no one could love him and even if they did they couldn't know him and he's just gonna hurt them. He cries sometimes in canon but a lot of those times it's not even mentioned as crying he's that unreliable of a narrator. No joke, one time this guys he has a gay thing with called him his "companion" to someone who had just killed him (long story) and this bitch thought "oh wow he's doing it for the coins (another long story) he's so smart i wish I'd thought to that. He's terrible. He literally has an exchange with something called the Fourth Wall (an even longer story) where it said "you're crying" and he said "no I'm not" but he was crying. He makes me insane because the reader is supposed to project onto him. He made me see how much of an unreliable narrator I WAS. ORV is just like that tho.
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