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alatismeni-theitsa · 4 years

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Thanks for bringing the racebending to my attention. I never considered that it was harmful towards the origin culture. I considered that it was kind of strong to claim that sort of race thing in a way, but maybe that comes from the more.. christianity? view of where there isnt a direct way that God looks, except any way the person perceives. That's probably what I thought, too, until just now reading your answer to someone else. So.. it's not okay? 1/?

I honestly want to understand as my perspective on this now changes. It makes total sense why it would be entitled of someone to do such a thing, and how it's inconsiderate of the actual origin culture that the deities come from now that I'm thinking about it in this way. So again thank you for bringing this up and answering that other anon. I have some things to revise in my head on this, as I honor Apollo and Hermes, I want to make sure that I get accurate and do my research.

I really enjoy being able to read your experiences and I think it's important as, someone outside the culture, gets to experience and understand more to be as accurate and non... whats the word... inappropriate with representing such a thing, I guess I can say. If that makes sense.__________________________________________________________

Thank you for sending a message and for listening to the opinion of Greek people. (I am not the only one with that opinion, many of my 500 followers also share the same ideas.) Anyways prepare yourself for a looooooong analysis! So, get under comfy blankets and take your tea/coffee next to you!

To begin with, there are Greeks that don’t mind but those are usually Greeks who have close contact with the American way of thinking through social media. Or some that don’t care because the approach our mythology in a kinda superficial way? I am not saying this to offend any Greeks who don’t mind the racebending. Every Greek has the right to have a relationship with their culture according to their own standards. Those people who think racebending is ok are usually no less patriots than the ones who do. However, those who don’t mind the race bending are extremely rare to find.

If I go to my 50 y/o aunt and announce to her that foreigners depict Demeter as Black she is gonna lose her mind. I have also asked the opinion of Greeks who are not into social media or groups where Greek mythology is discussed by foreigners. When they were informed of the racebending the first thing they said was “but... why??” and they couldn’t fathom how this could help anyone. The second thing they say is “But the Gods are white!” explaining that our ancestor have depicted them as Caucasian for centuries and we, as Greeks, know no other depiction of them.

I assure you, it has nothing to do with white superiority - which is a myth anyways. Greeks can be perfectly racist to people who are pastry white :P If you racebended the gods into any other race, we would still have a problem. It’s all a matter of respecting iconography and tradition. It would be ignorant of even us Greeks to change the depiction of the gods when our ancestors were very clear in their art about their race. It was also clear in antiquity that the gods had bodies. I am in another computer and I cannot access my files, but I had a file for a philosopher who tried to argue against the public opinion that the gods didn’t have bodies. But the majority of ancient Greeks believed that the gods had a physical presence.

Also, race matters for Greeks as it does for most of other cultures. You expect Nigerian deities to look like the average Nigerian, yes? Because they were created by a homogenous Black population. You think the same for Indian and Chinese deities, yes? It makes sense for deities and public figures from a certain culture to look like the people of that culture. I think it’s common sense. Turning an old Nigerian deity into a Chinese, would’t represent the Nigerian people any more. For similar reasons, we don’t want our important heritage figures changed. (In case a warrior was described as Black African in our ancient texts, then of course we wouldn’t have a problem with keeping that figure Black).

You are correct when saying that the race bending comes from a Christian point of view. I think many hellenic polytheists/pagans/wiccans haven't managed to escape the Christian logic. In Christianity we have accepted for many centuries that saints and important figures would be viewed with different races, so people can come closer to them. For example, there is a Chinese, Native American, Mexican (different tribes), Black Jesus etc. Most of the times they are also dressed in the traditional regalia of the respective culture. It's a thing for the last 200 years at least.

Even Greeks depicted Jesus kinda white (he has an olive skin complexionand brown hair, which is closer to the Greek standards). And this happened since the Byzantine Empire. We even call the Virgin Mary "Mother of all Greeks" (apparently Mary has a particular interest in our nation xD) We have made her into a Greek mum. But we kinda have the freedom to do this because Christianity is an international religion which is alive for the last 2.000 years, so these changes come organically.

On the contrary, almost nobody has worshipped the Greek gods since 500 AC. The religion was been dead for almost 2.000 years, until Western classicists made it a popular. Now people who have no actual contact with the Greek culture start worshiping those gods. Don’t get me wrong, I believe any foreigner can worship the Greek gods! The thing is that most of the foreign worshippers don’t see the Greek gods as part of the culture that created them, because of the Americanization of the gods in the media and the complete stripping of the Greek elements from them.

But gods are still part of the Greeks’ heritage. Many ancient traditions and myths have kept from the ancient years, we have the names of gods and the gods are still used as symbols here. Our culture hasn’t died, as many westerners (perhaps subconciously) believe. It is alive and evolving, despite foreigners usually ignoring us. So, the ideas about our ancient religion have been involving with us, becoming part of our national identity in a unique way.

After 2.000 years of the religion’s “death”, foreigners become enamored with Greece again. But not our Greece. They become enamored with a part of our culture that hasn’t existed in millenia. They study the culture only till the Roman years and then they skip 2.000 years of evolving cultural identity and go straight to the 21st century western (west Europe/America) ideals and societies.

You can only imagine how it seems to us Greeks, when foreigners suddenly remember us again and, on top of that, they don’t become part of our culture but they insist that a part of our culture (in its ancient form) becomes tailored to their own standards. And now foreigners ingore our own point of view, because, as they have done the last 2.000 years, they keep on ignoring us :P (I mean they as a people, greatly generalizing here). Please see that post for how disconnected a Greek feels about the modern Greek religion, and the analysis that comes with it. (Link)

Similarly, imagine if suddenly the Nigerian culture became a trend in Greece and now some Greeks become interesting in the old (almost dead to Nigeria) worship of Orishas. And now they want to depict the Orishas as White, because they, themselves are white and maybe white deities reflect better the racial situation in Greece. Wouldn’t that be disrespectful, though? Not only because the Black becomes White, but because we would take an inactive worship from the Nigerians and add our own politics to it.

Our situation is also kind of special because for the last centuries every country that has become interested in our culture has abused it. They have stolen antiquities from us and northwestern Europe but also in the US have no problem having those stolen artifacts and displaying them. There is a tradition of foreigners claiming to “love” Greece but they are really in love with our ancient aesthetic and they don’t give a shit about the Greeks who preserve the culture and even die to protect their antiquities.

So we are used to this kind of treatment and it hurts extra when it’s happening again. But we are also desensitized. For some reason a person can be dressed as a Greek deity for Halloween and we won’t bat an eye. At the same time, I see people from other cultures defending the importance of their figures, when foreigners dress up as them for fun.

I don’t understand how we consider this disrespectful for any other culture but if it’s the Greek we don’t care. Why could this be? Perhaps because many Greeks have come to see their own culture as public property. Perhaps because it is what the prominent international media tells us and maybe because we are used to selling our culture for profit (we are a tourist country) and we only see it as merchandise.

Let me add I am not only fascinated by my own cultures but also cultures around the world. It makes no sense to me that people want Gods of color and their only solution is to make the Greek gods Black. Have we forgotten the numerous rich cultures of Asia and Africa?? There are a ton of deities there who, if you want to draw Afrocentric art for example, will be great inspiration! It reminds me of a publishing house which put POC in the covers of western classic books (thus kinda turning the white main characters into POC only in the cover) while not promoting books from POC or books featuring POC. I think it’s counterproductive.

I think that’s all I have to say for now! Feel free to ask more questions if I haven’t covered you! And if you have more thoughts you can drop them in my ask box.

Also, one question for you before you leave. You mentioned “I considered that it was kind of strong to claim that sort of race thing in a way”. Can you explain to me why? I would like to understand better people who think this way. Then maybe I could explain more effectively to them that their race bending practice isn’t as helpful as they think it is.

P.S. Even saying “races” of people exist is considered deeply racist in Greece (and Europe). I mention that as potential food of thought. For us there are only hues of skin colors, not races, so our social politics are different.

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zayntoxicateme · 7 years

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After the overwhelming success of his debut solo album, all eyes are on VMAN38 cover star Zayn Malik as he readies to release his follow-up. If you think the attention might have gotten to him, think again: music's most in-demand superstar may also be its most humble.

August 16, 2017 Over the week leading up to my interview with the elusive Zayn Malik, much of my time is spent reading up on the endless list of articles that paint him as the bad boy who broke millions of teenage hearts after leaving One Direction. While it would be a much easier story to tell you that Zayn fulfilled every post-Destiny’s Child Beyoncé, rogue boy bander stereotype imaginable, that wouldn’t be honest. The truth is that Zayn Malik is not a "bad boy" at all. In fact, he might be the furthest thing from it.

When we connect, it hardly registers that the person I’m speaking with is a celebrity—let alone one that has accrued 23 million Instagram followers, over one billion streams on his critically acclaimed debut album, an estimated net worth of $45 million, and the world’s most in-demand supermodel as a girlfriend. (Not to mention that his name literally translates to “beautiful king.”) He speaks with ease, offering the types of down-to-earth insight that I would hardly expect from someone who has been known to cancel arena-size shows due to anxiety. When we converse, I begin to understand that this is because I’m not speaking to Zayn, the ultra-famous boy who left One Direction—a fictionalized character and narrative that’s as publically manufactured as the now-dismantled band itself—but rather Zayn, the artist and individual.

“I hope people get an insight to me as a person, because I’m not the most open book in terms of my personal life. I hope people get an understanding of where I’m coming from or what I’m thinking and what I’m going through, and feel closer to me through that,” he offers earnestly when I ask him what motivates his work. “I just want my music to speak for me, and if it does that successfully, then I’m happy with what I achieve.”

Zayn’s first solo album, Mind of Mine, was heralded as his musical declaration of independence, and that understanding colored the ways in which it was discussed. The album was a commercial success and positively received, but the overwhelming majority of what was written about him in that time period failed to focus on the album’s innovative sonic qualities—of which there were many, most notably the way it blended so many musical genres. Instead, many chose to endlessly dissect what it symbolized. One recurring narrative saw critics interpreting the record’s unabashed sexual overtones as a statement that Zayn was no longer a boy in the eyes of popular culture.

“I don’t think it was necessarily that experience that made me a man,” he reflects. “I was becoming a man at that time anyway, and that experience was a validation of my decision-making at that time. Maybe I became a bit more in the driver’s seat—a bit more in control—and that was the first decision I made that reflected that in my life. I think it was a natural growth as a human being and as a person. I feel like I’m still growing every day, as everybody is. I don’t know everything and I’m willing to learn, so I believe everything is a natural progression.”

Zayn seems to acknowledge that Mind of Mine was a testing of the waters. When speaking about his forthcoming sophomore album, this becomes clear: “I feel like my songwriting definitely developed, just because I’ve been doing it so much. I feel like the songs are a bit more organized, where I felt like, before, that Mind of Mine was a brainstorm. That’s why I called it Mind of Mine, because it was ideas that I had that I put out. This one is more thought out. I had more time to process everything and go through it all. It’s an evolution.”

According to him, this evolution means building on the hybridized pop-R&B-soul sound he introduced on the first album, which he accomplished with the continued help of sonic wizard Malay (the same Grammy-winning producer responsible for large parts of Frank Ocean’s two albums). “There’s a couple of songs on the record that I’ve done with Malay that for me, personally, I’m really proud of,” Zayn says. “Just in the sense that I feel like they’re real songs. And I don’t mean to say that to discredit the songs that are out on the charts at the moment. I just feel like there’s something really classic about some of the music that we’ve done together, and for that reason, I’m really proud of some of the songs that are going to come out. I feel like it really shows me as a songwriter and a vocalist.”

He also hints that the new record will see him experimenting with hip hop, thanks to a few featured guest artists whom he’s wary to name so early on (the album isn’t due until later this year). A popular Internet theory is that Nicki Minaj will be one of them. Given his collaboration with Taylor Swift on the smash hit “I Don’t Wanna Live Forever” at the beginning of this year, it shouldn’t come as a surprise that he would bring in more heavy-hitters to assist.

This blending of musical genres will also see further homages paid to his ancestry. When speaking about “Intermission: Flower,” a beautiful track off Mind of Mine sung in Urdu—the language of Zayn’s Pakistani father—he says that he was touched by the overwhelmingly positive response to the song and that we can indeed expect to see more music drawing on his heritage: “I definitely focused on that for a couple of songs on this record that got this same underlying tone of India and the place that my grandparents originally came from. There’s definitely influences of that in there. Hopefully people like it this time around, as well.”

In his creative process, Zayn doesn’t limit himself to any strict methodology: “I can hear something in the moment and then record on the mic. Sometimes, it might not be a lyric or it might be a sound. I’ll come back to it later,” he explains. “Or sometimes, I’ll have an entire song written on my phone and I won’t know what the melody is yet or how I’m going to sing it, but I know what I want to say.” He clarifies, “I go into the studio with that already written and I’ll try to fit lyrics into a melody. I do it both ways, depending on what I feel is good to do on that beat.”

If he’s feeling any pressure regarding his sophomore release, it doesn’t come through—nor does any desire to fulfill anyone’s expectations of him. When we begin to talk about the various narratives that have dogged him throughout his career—including “the mysterious one,” as he was dubbed in 1D—he shrugs it off: “For me, personally, I don’t ever try to dwell so deep on labels and boxes and places that people want to put you. I believe that we as individuals are in charge of the way people perceive us. There are negative and positive sides to every human on this planet. That’s the way it is. You just have to accept that. If I were to overthink that, it would affect me.”

One such label that Zayn must frequently deal with when it comes to the media is his status as the most widely known Muslim in the western world. But again, he tries to let this roll off of him, demonstrating a healthy boundary with the public. “My faith is between me and God, and whatever that God is, that’s between me and them,” he maintains. “That’s where I draw the line: the specifics. I am a spiritual person and I do believe that everything happens for a reason, so I do have faith in something. I just don’t wish to specify what that is. I don’t want anybody to feel like I’m trying to dictate or wave my opinion on anything. I’m just doing what I’m doing. My religion, or whatever that is, is between me and God, and that’s just how I want to keep it.”

This same struggle to embody certain prescribed ideals and ideologies is also what Zayn cites as the root of his anxiety, which is now largely behind him thanks to an enlightened, almost Zen disposition. “When people don’t always fit that grain, it’s very confusing for the public eye that’s watching because they don’t understand the full ins-and-outs of every emotion that that individual is going through,” he offers. “I think the anxiety comes from the frustration of not being able to explain that to people. Since I explained that I have anxiety, I’ve diminished it because I dealt with what was giving me anxiety: feeling the need to uphold all of these fucking pressures and these things that people want from you. Once you let that go, the anxiety diminishes. It doesn’t really exist anymore because you only care about what it is that you want to give to people. Whether they perceive that in the right or wrong way is ultimately not your choice. It’s out of your control. You can’t always control it, and you just accept that. With that goes the anxiety. Anxiety comes from not being able to control every aspect.”

In a culture that still has a stigma surrounding issues relating to mental health, Zayn’s openness about his anxiety is a sign of bravery that shouldn’t be minimized or overlooked. It’s the hot-button issue for Generation Z, among whom anxiety and depression are on the rise according to recent studies and surveys conducted by the U.S. Centers for Disease Control and Prevention. One cultural mechanism Zayn cites as a contributing factor to his generation’s collective anxiety is social media: “It’s become ridiculous to me. Even angles of pictures can’t be taken a certain way because that’s not the cool way to take an angle of a picture. Everyone’s personal opinions and what they believe in, how can you amalgamate all of that into one thing and expect that not to create a problem for people’s minds? That’s my personal opinion, [that] it’s not really that developing for us as people. That for me is the main reason why I don’t believe in [social media]: because I believe it breeds sheep and not lions.” (Zayn himself largely reserves social media use for interacting with fans about his music.)

When you ask an artist what they would be doing if they weren’t creating music, you often get a passionate answer akin to “I was only ever going to do music,” but this is not the case with Zayn. After being presented with a question about what his life might have looked like had he not shown up for his fateful X Factor audition, he takes a moment to contemplate. “I think about that quite a lot. I think about alternative realities. I think I’d be at university and I would have done my English degree. I think I’d be looking for some employment to do with English lecturing or literature. I love poetry and writing—obviously, I’m a songwriter—so, it would’ve been something that would still give me the feeling of a creative outlet within my writing.” It’s an alternative that seems unimaginable to his audience of millions, but to Zayn, it’s entirely plausible.

Of course, even in this reality, music isn’t Zayn’s only creative venture. In 2016, he published Zayn, a photographic autobiography of his life post-One Direction. If Mind of Mine is to be read as the musical insight into how his brain operates, Zayn is the visual companion. Earlier this summer, he dropped a highly anticipated capsule collection designed in collaboration with Donatella Versace for the brand’s Versus line. If you had told him that this was to be in his future a year earlier, though, he would have humbly insisted that you must be lying. “I had no idea that Donatella even knew I existed,” he gushes excitedly. “Then, she started to make a few outfits for me, and a few looks for performances and red carpets. I built a relationship there. She mentioned to me that she wanted me to be involved creatively and asked me to draw some ideas and we had a couple of meetings. I sent her some stuff and she liked it, and we went from there. It’s crazy. I’m honored to be involved, and it’s been a really fun experience.” The chance to collaborate with Donatella Versace is an experience that hardcore fashion devotees would dedicate their lives to having, a fact that is not lost on Zayn, who seems awed by being offered yet another creative outlet by a world that’s embraced him to such an unfathomable degree.

Zayn Malik does not come across as a celebrity because celebrity is, essentially, a distraction to making music. When I ask him if he has any personal philosophies that help him stay grounded, his response strikes a note that reveals him to be both the average 24-year-old and the wise-beyond-his-years artist I’ve come to know in our brief exchange: “Don’t take things too seriously and always try to have a laugh. I think that’s the main point in life. We have such limited time, and the main thing that we have to do is have as much fun as we can. That’s my main mantra that I try to live by.”

#zayn #magazine interview #interview #Z2 #zquad #zolo #I'm so fucking excited about Z2 I can't even stand it

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scootoaster · 4 years

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How to travel solo, according to an adventurous biker

Traveling alone gives you the opportunity to be completely responsible for yourself, revealing how capable you truly are. Santa Marta, Colombia. (Janelle Kaz/)

This story originally featured on Motorcyclist.

There’s a lot of trepidation before setting out for the open road, leaving behind comfort and the known. This uncertainty can come from heading to a place you’ve never been before, perhaps away from civilization, out of cell service range, or from embarking on a solo journey—especially if you’re a woman.

I should know, I’ve ridden nearly 135,000 kilometers solo in the past five years on three continents. People constantly ask me if I’m afraid, regardless of where I am or how safe the area is perceived to be. While riding in Laos, an extremely peaceful country, an old grandma told me that men might come to slit my throat and steal my motorcycle. Likewise, I’ve had people in the US say something similar, though slightly less graphic. The general consensus is that I shouldn’t be riding alone. Well, to hell with that, I say.

I love riding solo. I adore being able to do whatever I want when I want. I enjoy not having to check in with someone to see if they also want to take this alluring detour or stop here or there to take photos, and I also value meeting myself during the hardest challenges. I’m not interested in following a man around, thank you.

If you wait for others to join you on that motorcycle adventure you’ve been dreaming about, it may never happen. May as well get some practice in. Antioquia, Colombia. (Janelle Kaz/)

I’ve also found that you’re more likely to meet interesting people and find yourself in incredible situations that wouldn’t have happened if you were in your secluded pair or group bubble.

I guess this all started when I planned my first trip abroad. My friends who I had made the travel plans with completely bailed. I was determined (one might say “stubborn”) and went anyway. I haven’t stopped traveling solo since. In fact, I’ve never really traveled with other people for much time, only taking day trips by motorcycle together, never touring. I’m curious what that would even be like.

Curiosity aside, perhaps some of you will benefit from my solo riding safety tips that I’ve gained over the years (and miles), so here they are:

Book ahead

Reserve your accommodations before you arrive. That way you have an address to navigate to so that you don’t have those moments of drawing attention to yourself (or your motorcycle) while looking for a hotel either on foot or riding around. Anytime you can omit looking like a lost, vulnerable tourist is a good thing. That being said, confirm the address before you set out as sometimes they are off (I have some stories to elucidate this but I’ll spare you for now).

Booking ahead isn’t always possible, such as in the remote mountains of Peru where you have no idea how long it will take you to get from point A to point B. I actually found prebooking to be a source of added stress in these situations, because I felt I had to make it there since I already paid for my hotel, when really, it would have been better to take my time and not rush. Therefore, I stopped trying to prebook once I realized I wasn’t sure how far I could make it each day. You can still write down the name and address of your top choice of places to stay so that you have an idea of where you’re headed if you do make it there, and consider looking for a place in a nearer town as well.

How much do you underestimate yourself? The only way to truly know is to push yourself beyond your own perceived limitations. Xiangkhouang, Laos. (Janelle Kaz/)

Fake it

Carry a fake wallet. Fill it with junk papers, business cards, some coins—make it look and feel legit. Keep it somewhere that is easy to hand over if someone ever tried to jump you. Also carry backup info, such as scanned passports and ID cards, but consider what you would do if you lost everything, just so you have an alternative plan and have already thought through it.

Don’t overshare info

Time and place predictability isn’t much of a concern these days by the majority of the population; just have a glance at social media. Don’t share your specific locations either online or in person to anyone who might ask you (such as “Where are you staying?”). This is especially a good call if you’re a woman traveling alone. Stay smart.

Often when people ask me where I’m going along the road, I tell them a different destination. I don’t post about my locations socially until after I’ve left—sometimes weeks after. If I don’t feel comfortable telling people I’m traveling alone, I tell them my boyfriend or friends are right behind me, or that they’re waiting for me just ahead.

Don’t worry, feeling like it's unwise to even attempt a solo motorcycle trip is normal. Thakhek, Laos. (Janelle Kaz/)

Leave a trail

Carry a GPS tracker. There are plenty to choose from these days, such as the Garmin inReach Mini.

Diversity your maps

Carry a variety of maps with you. We are way too dependent on technology these days. Just recently, here in Colombia, my iPhone stopped communicating with satellites to register where I am on the map, even in my off-line maps. Digital navigation really only works when you know where you are in relation to where you’re going. It turns out my specific model of phone was recalled for a motherboard error. I was in the remote mountains of the coffee-growing region, using paper maps and a compass.

Show strength

Carry yourself with confidence. When I walk around in the city or small towns, I walk as if I’m about to kick someone’s ass. It’s about what you wear and how you hold yourself. I am not a large person, but I walk quickly, usually wearing my armored leather jacket and motorcycle boots. I try my best to always look like I know where I’m going, which sometimes takes some planning ahead or ducking out of view to recheck the map. Don’t wear headphones, even if you’re not listening to anything—the appearance of headphones makes it seem like your senses are hindered. If you must, only keep one earbud in. Don’t stare at your phone, be very observant of your surroundings. Do not go out at night to bars alone, or even with newly acquainted locals.

“The place to improve the world is first in one’s own heart and head and hands, and then work outward from there.” —Robert M. Pirsig, <a href="https://ift.tt/3jaGayS and the Art of Motorcycle Maintenance</a>, a prerequisite read before you head out on the road. (Janelle Kaz/)

Smile, you’re on camera

Use an affixed helmet camera. Since using Sena’s 10C Pro, I’ve noticed that when I touch it just to turn down the volume around police or nefarious-looking people (like the gunmen outside of the Peruvian jungle who barricaded the road), they notice the camera and they start to act a little more respectful. Because they don’t know, exactly, what this low-profile, side-mount device is—they only see that it has a camera lens on it— they aren’t totally sure where the information is going at that moment. I have certainly seen the benefits of using a helmet-mounted camera which were totally unexpected before setting out on the trip. I think enough people know what a GoPro is that such a square box mounted on your helmet wouldn’t work the same way.

Stay lit

Travel during the day. No need for the added risks that darkness brings. Although sometimes you might unintentionally wind up navigating in the dark, plan your rides for the daylight hours, when our eyes work best.

I’ve always got knives with me—which I mostly use at wonderful, roadside fruit stands like this one. Tungurahua, Ecuador. (Janelle Kaz/)

Carry (legal) weapons

I feel that it is better to have them and not use them than to not have them at all. I always carry mace and a couple of blades with me. I even wear a fixed blade on my belt so that it is clearly visible, as a deterrent. Anyways, the knives are useful for all the delightful roadside fruit stands. I keep the mace in my jacket breast pocket for easy access. If you can’t travel with these defensive tools (if you’re flying with only carry-on luggage, for instance), look into where you can pick something up once you arrive. Keep everything in a consistent place so that you’re never searching for it and can easily find it in the dark.

“In a car you’re always in a compartment, and because you’re used to it you don’t realize that through that car window everything you see is just more TV. You’re a passive observer and it is all moving by you boringly in a frame. On a cycle the frame is gone. You’re completely in contact with it all. You’re in the scene, not just watching it anymore, and the sense of presence is overwhelming.” —Robert M. Pirsig, <a href="https://ift.tt/3jaGayS and the Art of Motorcycle Maintenance</a>. (Janelle Kaz/)

Follow cultural norms

Depending on where you are in the world, showing parts of the body that are rather mundane to the Western world, such as your shoulders, can be a big deal. Living and riding in rural, traditional Thailand taught me modesty, because otherwise people perceive you as intentionally being “sexy,” which is not the ideal vibe you want to portray to the general public while navigating on your own.

Weigh the cost

Sometimes I might want to stop and take a photo, but based on the crowd that’s around or the sort of attention I may draw, I choose not to. I’ll never know if those situations would have caused a problem for me or if I would have just ended up with one more epic photo, but something—call it intuition or judgment—told me not to. Get to know that intuitive voice within you and listen to it. It could very well save your life, not just from criminals, but from choosing the right path in terms of your motorcycle journey and in life more generally.

“You look at where you’re going and where you are and it never makes sense, but then you look back at where you’ve been and a pattern seems to emerge.” —Robert M. Pirsig, <a href="https://ift.tt/3j81e9w and the Art of Motorcycle Maintenance: An Inquiry Into Values</a>. (Janelle Kaz/)

Prepare for a breakdown

What if you break down? Obviously, the answer is going to depend on your familiarity with how motorcycles work. I personally am not the greatest mechanic, but I’ve learned a lot on the road—when my bike did break down. Thankfully, my older brother is a fantastic mechanic and has essentially talked me through motorcycle maintenance 101 over the phone. Most of the time, the problems have been accumulative; I noticed something was going wrong, the bike didn’t just quit (except that one time in the middle of nowhere, Laos). Therefore, if I couldn’t fix it myself, I’ve mostly ridden my bike to the mechanic…or even walked it there. Definitely carry a few tools and a flat tire kit; knowing how to use them helps.

Overall, my advice is to play it safe. Riding a motorcycle is risky enough, so be sure to take the steps necessary to protect yourself in case you are ever targeted. Personally, I’ve always felt welcomed in the world and I believe that most people are good. I move through the world with compassion and empathy, but I’m not a sucker who trusts everyone blindly. Being courageous doesn’t mean you don’t experience fear; it is about feeling fear and pushing through it anyways. Motorcycling solo is the perfect opportunity to learn to lean on yourself, to really get to know who you are in those stressful, difficult moments. You’ll cultivate the belief that you can get through anything and gain confidence—along with an extensive collection of adventure stories to share with your friends and family when you get home.

Armored Roland Sands Design gear (Mia Jacket, Julian Pant, Bonnie Gloves), leather boots I can run in if I need to, fixed blade clearly visible, wind in my hair, and the beating drum of nature in my heart. (Janelle Kaz/)

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