#angela McCartney

[dateinthelife]

7 June 1968

Paul McCartney welcomes his new sister-in-law to the family in a tradition mine doesn't happen to follow. But my family doesn't include Paul McCartney.

#today in the life #paul mccartney #mike mccartney #Angela Fishwick #7 June #1968

[fashiontimeless]

Chloé Fall, 2000

#angela lindvall #mini anden #amy lemons #ana claudia michels #carmen kass #alek wek #gisele bundchen #caroline ribeiro #fashion #supermodel #2000s style #early 2000s #2000s #2000s aesthetic #y2k fashion #y2k style #y2k #y2k aesthetic #chloé #stella mccartney #runway fashion #runway #fashion show #runway show

[hockeyshmockey]

Lewis Hamiltion

summary: lewis surprises his girlfriend at her fashion show

warnings: this is a reader insert! the reader does work as a model, but pretty sure there are no mentions of body type, or other defining characteristics :)

You woke up slowly, soft light filtering into the hotel room you were residing in while in Paris. This week was the infamous Paris fashion week. As you laid there, you reminisced on your past years here for the same shows. 

You had been fortunate enough to walk for Saint Laurent, Louis Vuitton, Stella McCartney and other designers for the past 5 seasons. This year, you had been invited back for those designers, as well as some new ones. 

The biggest surprise had been when you had gone in for your final fitting for all of your pieces for Stella McCartney, the woman herself has been there. That meeting had ended with you being asked to open and close the Paris show this year. You had of course shed a few tears, most of them coming when you had called your boyfriend and parents. 

“Babe!” Lewis had yelled over face time from the Mercedes factory. “That is amazing! I am so proud of you!”

You and Lewis had actually met at a fashion week, but New York two years prior. You had both been at an after party, and Lewis had accidentally spilled his drink on you. After he had grabbed you towels, the two of you had sat and talked for hours, ending up going on your first date that week. 

“Thank you Lew,” you smiled through your tears. “It’s all just surreal.”

As soon as you had put down the phone, Lewis had gone to check his schedule, frowning when he saw fashion week fell very close to that season’s testing. He had unfortunately had to let you know he wouldn’t be able to make it there to watch you walk.

Now, you felt a little down realizing your bed was empty on the day of one of your biggest achievements to date. Your parents had made their way to France, and you knew you would have some friends in the crowd, but Lewis and even Angela and Roscoe’s presence was missing. 

A knock on the door got you out of bed. You were filming with Vogue today, documenting a day in your life but also your first opening. They would definitely be getting the authentic experience you thought as you went to the door in your fluffy dressing gown and your eye mask on your head. 

Putting on a soft smile you opened the door to the cameras. “Hi Vogue, come on in.” The cameraman and one producer followed you into the room. “Welcome to a day in my life, Paris Fashion week edition!” You sat down on the arm chair by the window. 

“So first thing, I’ve woken up, going to order some breakfast and coffee before I go to do my skin care. This week is a lot on our skin, so it’s important to really take care of it.”

The camera’s followed you to eat, get ready, and then out to your car to head to the venue for the afternoon. You had kept your outfit pretty casual, a silk slip dress and strappy sandals. You spent the time in the car answering some questions for the video before you arrived and headed straight into hair and makeup. 

They videoed you getting ready to a certain extent, before you unfortunately had to send them away as things got busier. Before the show you chatted with the other models, and Stella and the rest of the design team. As the front of the house started getting busier with people arriving, you began to get dressed. 

It would’ve been around half an hour but seemed like a minute until you were lined up behind the wall to start the show. The stage manager held out a hand as the music started, counting you down before you began your walk. The lights were blinding as always, but quickly enough your vision was back. 

You saw a lot of familiar faces as you scanned the crowd, eventually looking to where your parents were seated. You smiled with your eyes as you saw your mom with her phone up taking photos, and your dad clapping. You had to really work on your face when you glimpsed the blonde sitting next to your mother. 

Carmen smiled at you brightly as she clapped. You knew Lewis had a hand in this. If he couldn’t be here, he would’ve wanted to be there some how. And his mother sitting with your family did just that. 

You were able to have your game face back on for the rest of the show, absolutely beaming as you joined Stella for the final walk. As you headed backstage with the other girls, you were prepared to see your parents and Carmen. What you weren’t prepared to see was Lewis with a humungous bouquet of Lillies, Roscoe at his feet (he would never tell you how he got Roscoe in) and your parents by his side. 

“Shut up,” you scoffed, tears popping up as you grinned and walked towards him in a sleek black outfit. “I can’t believe you.”

“You know I wouldn’t want to be any where else,” he met you in the middle, wrapping his arms around you in a light hug. He buried his head in your hair for a moment before pulling back to press a light kiss to your forehead and then your lips. 

“Let me get changed, so I don’t need to worry about this,” you gestured down to your outfit, smiling to your parents before running to the changing area to get into your sweat suit. You hurried back, immediately wrapping your parents and Carmen in tight hugs.

“Hi darling,” you cooed, leaning over to Roscoe who had been panting for attention. “Who is my good boy?” you rubbed his belly, the group laughing at you. They knew you treated Roscoe like he was your child so this was no surprise. 

The group of you quickly decided to head back to the hotel you were staying in, of course Lewis having arranged for everyone else to stay in the same one. After a brief time to chat and hang out, Lewis revealed he had booked dinner at a nice restaurant near the Eiffel tower. None of you were surprised, and got ready quickly before hopping in a car to head there. 

You were sat by a gorgeous balcony with views of the tower as you ate an amazing meal of all of your favorite French foods. After you had eaten, you sipped on your wine, looking around at the most important people in your life all glowing with the aura of good food and good company. 

“Look honey, there’s fireworks!” Lewis stood and grabbed your hand, leading you to the balcony where there were in fact fireworks shooting off over the Eiffel tower.

“God this is beautiful,” you sighed as you leaned against the balcony railing, watching the lights from the fireworks reflect off of the tower. 

“Not as beautiful as you,” you could hear Lewis’ smile in his voice as you rolled your eyes, turning around only to see your boyfriend down on one knee.

“Shut up,” you gasped, hands coming up to cover your mouth as you caught a glimpse of your parents and a photographer standing in the balcony door way. 

“My love,” Lewis’ eyes sparkled as he looked up at you. “You have given my life meaning outside of racing, something I never thought I could have. I know you are more than I deserve, but I would really love to spend the rest of our lives making our life beautiful together. Will you please marry me?”

You didn’t even have to give him a response, falling to your knees and wrapping your arms around him to give him a kiss, nodding through your tears.

#lewis hamilton #lewis hamilton imagine #lewis hamilton imagines #lewis hamilton x reader #f1 #f1 driver #f1 driver imagine #formula on #formula one driver #formula one driver imagine #formula one imagine #f1 imagine #formula 1 #formula 1 driver #formula 1 imagine #formula 1 driver imagine #lewis x reader #mercedes #mercedes f1

[sweeneytoddst]

could you please make a list of who all the sweeneys/lovetts are in the tier list? i want to use it but some of the actors are kind of hard to make out just on sight alone for me

Yeah! I thought it would tell you the names of the files, but I was incredibly wrong. Thank you for asking <3

Here they are!

Len Cariou and Angela Lansbury

George Hearn and Dorothy Loudon

Dennis Quilley and Sheila Hancock

Tod Slaughter and Stella Rho

Brian Mitchell and Christine Baranski

Bryn Terfel and Emma Thompson

Norm Lewis and Carolee Carmello

Gregg Edelman and Liz McCartney

Michael Cerveris and Patti LuPone

Michael Ball and Imelda Staunton

Ray Winstone and Essie Davis

Johnny Depp and Helena Bonham Carter

Javier Ferriera and Ashley Braxton

Josh Groban and Annaleigh Ashford

Aaron Tveit and Sutton Foster

Link to the Tier List: Rating Sweeneys and Lovetts

#sweeney todd #sweeney todd the demon barber of fleet street #musical theatre #stephen sondheim #musical #icons #ask #johnny depp #tim burton #helena bonham carter #sutton foster #aaron tveit #bryn terfel #emma thompson #michael cerveris #patti lupone #george hearn #angela lansbury #len cariou #sweeney todd revival #josh groban #annaleigh ashford #ray winstone #essie davis #michael ball #imelda staunton #gregg edelman #liz mccartney #norm lewis #carolee carmello

[ludmilachaibemachado]

Paul McCartney and Jane Asher during wedding of Michael McCartney and Angela Fishwick (1968)🌺🌺🌺

Via @the.mccartney.family on Instagram🌺

#60s icons #girlsofthesixties #60s couples #beatles girls #paul mccartney #jane asher #paul and jane #1968

[sondheims-hat]

Mrs. Lovett

Angela Lansbury (1979), Sheila Hancock (1980), Dorothy Loudon (1980), June Havoc (1982), Joyce Castle (1984), Gillian Hanna (1985), Judy Kaye (1984), Nancye Hayes (1987), Jean Stapleton (1989), Beth Fowler (1989), Simone Kleinsma (1993), Julia McKenzie (1993), Vicky Peña (1995), Mary Ellen Ashley (1997), Ritva Auvinen (1997), Christine Baranski (1999), Patti LuPone (2000), Judi Connelli (2001), Beverly Klein (2001), Christine Baranski (2002), Judith Christin (2002), Phyllis Pancella (2003), Felicity Palmer (2004), Buffy Baggott (2004), Elaine Paige (2004), Karen Mann (2004), Harriet Thorpe (2006),Patti LuPone (2005),  Maria Friedman (2007), Maria Waters (2007), Helena Bonham Carter (film 2007), Emily Skinner (2009), Sherri L. Edelen (2010), Harriet Harris (2010), Rebecca du Ponte Davies (2011), Liz McCartney (2011), Imelda Staunton (2011), Karen Ziemba (2012), Andi Allen (2012), Emma Thompson (2014), Corrine Oslo (2016), Annaleigh Ashford (2023).

#Sondheim #Sweeney Todd

[trrvisuals]

My Characters

Riley is always my MC, but I have given her different last names and different middle names in different stories. All of my character's personalities vary from story to story. And Riley is perhaps the most variable of them all.

All of the Riley Campbell Chronicles: Riley Beth Campbell (after her mother Elizabeth)

Savage Love: Riley Amalas Brooks (after her aunt, the queen of Monterisso)

Star Crossed: Riley Renee Brooks (after her grandmother)

Face Claim: Barbara Palvin

Liam is almost always an LI for my Riley, if he's not with Riley, I pair him with Maxwell. In most (but not all) poly fics, she is married to Liam. Occasionally he's in a throuple with either her and Max or her and Drake.

I've written Liam as understanding of her torn feelings about him and Drake and as more jealous of it. I've written him as sweet and innocent and I've written him as possessive and controlling.

In the tradition of most royal houses, I have given him (as well as Leo and any of his children) multiple middle names.

Liam Nicolai Ulysses Augustus Rys

Face Claim: Daniel Henney

Drake is almost always a LI for Riley as well, either as a rival for her affections or in a poly situation with Liam. Her relationship with him is often (but not always) a secret even when all involved are in a CNM situation, due to concerns about scandal.

I've written Drake everywhere from completely no jealousy in him to murderous jealousy over her and everything in between. Depends on the tone of the story I'm going for.

I've given him the middle name of Nolan, after one of the greatest pitchers of all time, Texas Ranger Nolan Ryan. His son is almost always named Jackson or Jaxon after his father.

Drake Nolan Walker.

Face claim: Daniel Di Tommaso

I created more boards for him during Drake Walker Appreciation Week. Here they are:

Max is a wild card. I've written him as her best friend and I've written him as her lover. There are a few one-shots where she and Max end up exclusive but I really love him with her and Liam as a throuple.

When not with Riley, I've paired him with Liam and once with Savanah. I also have two boards for him because I created a new one for Maxwell Appreciation Week.

Maxwell Percival Beaumont.

Face claim: Xavier Serrano

Rashad is not a LI in canon, but I went ahead and made him one in Bad Romance and was surprised at how many people enjoyed his character and his relationship with Riley.

Canon didn't give him a last name, so I did.

Lord (and eventually Duke) Rashad Faheem

Face claim: Manish Dayal

Leo really became a more filled-out character for me when I wrote him in Bad Romance Disney Adventure. I have only paired him with Riley once so far and it was in the past tense. I have almost always put him with Olivia until it occurred to me to put him with Drake and I'm shocked at how much I love that pairing.

Leonardo Tiberius Constantine Fabian Rys

Face claim: Trevor Donovan

Hudson Rys, Leo's eldest child, who is forever salty that his father's life choices robbed him of being king.

Face claim: Jesse McCartney

Olivia, aka Liv or Livvie to her close friends and family. I have paired her with Leo multiple times and once with Hana so far.

Olivia Vanderwall Nevrakis

Face claim: Karen Gillian

Kiara Theron. Sometimes romantic rival for Drake's affections. Twice I have married her to Gordon Price, the prime minister of Terrana. I have yet to write how that comes about, but one of these days maybe lol.

Face Claim: Aja Naomi King

Hana Lee. I have paired her most often with Riley. I have put her with Lena a few times. I have made her aromantic. I have given her a fling with Penelope. In my Drake x Leo universe, I paired her with Olivia. I have never paired her with a man other than Liam. I have made her queen twice. In Dark Elf she is escorted to social events by Rashad, but she hates it and only does it to appease her parents so they leave her alone and she can focus on her true objectives.

Face Claim: Angela Yeung Wing (stage name Angelababy)

#face claim #trr #the royal romance #trr fandom #trr fanfiction #trr visuals

[skippyv20]

HBC's nasty black cape dress is Stella McCartney, not Angela Kelly. It and the black shoes were immediately merched on Meghan's Mirror, with links on the page announcing the Queen's death. Merching at a funeral is pure evil.

Yep….she goes lower again…❤️

[cruelsister-moved2]

hey kind of weird question but i saw a post of yours from a couple years ago while searching some random tags and you mentioned having some opinions about anais mitchell (presumably her recorings of the child ballads?) and the whole coffee shop au-ification of balladry (particularly tam lin) and that resonated so hard with me so i just thought i'd ask you to elaborate more on that because i genuinely want to hear what you have to say. also i fucking love angela carter

oh man... I mean first of all I just reject the term 'child ballad' out of hand nowadays because like fjc was some random racist eugenicist middle class american academic borderline-hobbyist who never even heard a folk song in the wild and basically just compiled stuff other people had already written down. so even if I pretend to subscribe to the ownership of the collector, which I don't, we never refer to 'sharp ballads' or 'percy ballads' or even 'burns ballads', despite the fact that burns was actively re/writing his. add to that the fact that like a third of child's collection came from a specific, named woman (Anna Gordon/Mrs Brown of Falkland) and you start to get angry at the anonymisation&dehumanisation of 'the folk', especially when you learn that child's ballads made him rich yet socially humiliated mrs brown. she (along with numerous other women + burns as a kind of anomalous man) was working actively from inside a tradition, but we instead default to the authority of the prejudiced outsider because of romantic beliefs about the naivety of 'the folk'. (if anything, child actively harmed the tradition with his completely arbitrary subjectivity + not collecting any fucking tunes...)

the very notion of folk music as just this organic wellspring that just emerges naturally from a people-group is a victorian/edwardian fantasy concocted by nationalists in order to reclaim said material, both for profit and for nationalism reasons. objectively speaking, someone or several someones composed that material & many of them were most likely women. the idea of claiming that folk music 'belongs' to all of 'us' (and 'us' at least in its original intention meaning white english people or white people of english extraction) because several generations of performers put their own spin on it is like saying the beatles' copyright really belongs to all of us because lennon & mccartney co wrote them. I'm not arguing for copyright law here but like the recognition of folksong ownership is completely broken in popular conception and it's v much a case of the idea that something belongs to 'everyone' is erasing the actual individuals/groups whose cultural property it is. (+ the living folk tradition regularly accepts new songs of known authorship, and operates a paradigm of collective ownership that is really ill served by the modern idea of intellectual property that can only make something a specific someone's or no one's at all)

so in THAT context, the girlbossification and uwuification of balladry by an outsider (who believes themselves to be an insider) is just kind of grotesque. firstly you're working from a canon which was selected and heavily modified by a victorian man to suit his delicate sensibilities, and then projecting like modern western feminist sensibilities on them. I've seen like 'feminist reworkings' of songs which lament women's helplessness, or exist for mothers to warn daughters about sexual assault. this is where the angela carter comparison comes in bc shes like the patron saint against the 'feminism is when women slay' school of folklore retelling and also someone who was both working really hard not to claim ownership of the stories she collected or to claim thematic ownership with her interpretations, but also writing her own 'folklore retellings' that actually comprehend and work with the deep themes at play rather than being like hm it's kind of problematic that the prince couldn't remember what cinderella looked like (fwiw most cinderella-esque stories are explicitly about the resourcefulness of the girl, and the prince - w his attached status+possessions - is literally just there to be her reward lol kind of a win for feminism idk..)

it's the belief that everyone in the past, especially if they were illiterate, was stupid. not to Survivals Theory but I recently saw this song from an irish traveller woman who claimed it was in the bible which everyone found funny but it literally heavily resembles a story from the apocryphal infancy gospel of thomas, which incidentally was extant as old irish poetry c.700 CE. like the anais mitchell girlies always have this approach that they're the first ones to recognise how great this repertoire is, or something. and her approach is very like oh I've discovered this lost hidden tradition etc although ironically she herself is part of a historic tradition of north americans ripping off martin carthy LOL 🤭

sorry this is like a huge thing for me and i kind of ran out of steam to get into it all but i appreciate the question n i hope at least some of that means something to you<3

#ask #surgeratesfucko #made a post about the girlbossery of folklore recently-ish ill see if i can find it #this is just a lot so i mean this is like one cross-section of everything that makes me mad about this lol #i dont even like martin carthy particularly but paul simon owes him so much money. scream #like even the treating living folk tradition the same as dead mythological ones #is awkward to me #and its kind of never a great look to be an american obsessed w the pure bri'ish originals bc #there was and mb still is a very hearty tradition of balladry in places like the appalachias #but was often rejected as impure due to the influence of black americans #like im interested in folk music across the world i dont think you have to stick to ur turf or something crazy but it would just have been #more interesting to go find some american versions that ppl dont already know #& its literally the way she treats fjc's volumes as like. equivalent to a mythological source text #and is like oh yeah we're going back to the origins or w/e #like that isn't how folklore works ..... rn the vogue is very much either direct oral learning or like rediscovering archival footage of a #singer avtually performing something #and we prize something the more esoteric and unfamiliar it is not bc it resembles a child text #anyway

[official9-0]

#39;Nardo

[pennylanefics]

rules: shuffle your ‘on repeat’ playlist and post the first 10 tracks. 

thanks for tagging me @rhythm-of-space :) gives me a distraction from this shit day

Just A Dream - Nelly

Edge of Darkness - Greta Van Fleet

Calico Skies - Paul McCartney

Little Lion Man - Mumford and Sons

Age of Machine - Greta Van Fleet

Beyond the Sea - Bob’s Burgers soundtrack

Hey Jude - The Beatles

Circles - Post Malone

You’ve Got to Hide Your Love Away - The Beatles

Angela - The Lumineers

i’m tagging @streamingcolors-gvf @idk-anymore50 and @stardustchxrds :)

#tag game #don’t judge me for some of these

[cityoftheangelllls]

I will be unconsolably sad when these people pass away

Julie Andrews

Dick Van Dyke

Brian May

Roger Taylor

John Deacon

Paul McCartney

Ringo Starr

Elton John

John Williams

Mel Brooks

Angela Lansbury was on this list up until yesterday, when she passed away, so yeah, I am still not over it.

I'll add more as I think of them but these were the ones at the top of my head.

#random thoughts from angie #julie andrews #dick van dyke #brian may #roger taylor #john deacon #paul mccartney #ringo starr #elton john #john williams #mel brooks

[fredborges98]

NINA SIMONE - Sinnerman (1965) [Video Clip]

"Há 55 anos o mundo conheceu “Sinnerman” na voz de Nina Simone. Também gravada por grandes cantores no século 20 e incorporada em diversos projetos audiovisuais, a canção narra a história de um pecador que se esconde da justiça divina.

O berço de “Sinnerman” deriva do Spiritual, estilo musical datado antes da Revolução Americana de 1776, cantado pelos escravos pretos norte-americanos. O nome faz jus à religiosidade das composições, com referência bíblica do livro de Efésios: “falando em salmos, hinos e cânticos espirituais, cantando e fazendo melodia em seu coração ao Senhor”.

Diversas músicas surgiram em reuniões dos escravos em caramanchões nos campos de algodão e em casas de louvor. Nesses encontros, batiam palmas e dançavam em círculos, em um movimento que ficou conhecido como ring shout. Apesar de terem surgido em meados do século 17, antes da Guerra Civil Americana, muitas das canções desse gênero só foram propagadas mundo afora no século seguinte.

Quando criança, Nina Simone aprendeu a letra quando frequentava retiros espirituais com sua mãe, uma ministra metodista, para ajudar as pessoas a confessarem seus pecados. Já no começo de sua carreira, nos anos 1960, a artista seguia o hábito de colocar a canção no final de suas performances ao vivo.

Por conta disso, e também como forma de reapropriação, Nina Simone regravou a canção e a lançou no disco Pastel Blues (1965), gravado ao vivo em Nova York. Ao tirar todo o estigma do folk introduzido em “Sinnerman”, Simone fez um jazz nervoso e progressivo, por assim dizer. Prolongou a canção para mais de dez minutos, acrescentou densidade vocal, riffs intensos de jazz e palmas staccato, que é uma técnica de execução instrumental com suspensões entre os acordes do piano tocado pela própria artista."

Em 1967, a equipe do canal londrino BBC convidou os Beatles a participarem do primeiro evento transmitido mundialmente via-satélite, ao vivo simultaneamente para 26 países: o programa Our World. Esse trabalho envolveu redes de TV das Américas, Europa, Escandinávia, África, Austrália e Japão.

Foi então solicitado que o grupo escrevesse uma música cuja mensagem pudesse ser entendida por todos os povos do planeta. John Lennon e Paul McCartney começaram a trabalhar separadamente em diferentes letras, até que Lennon acabou escrevendo este clássico que se encaixou perfeitamente ao objetivo proposto, pois a mensagem de amor contida na canção poderia ser facilmente interpretada ao redor do mundo.

Os Beatles foram transmitidos ao vivo diretamente do Abbey Road Studios em 25 de junho de 1967. A canção foi gravada durante a apresentação, embora eles tivessem preparado antecipadamente – num período de cinco dias – as gravações e a mixagem antes da transmissão. A letra trazia uma mensagem de paz nos tempos da Guerra do Vietnã.

Jack Malik é um cantor e compositor de Lowestoft. Sua gerente e amiga de infância Ellie Appleton o encoraja a não desistir de seus sonhos. Depois que Jack é atropelado por um ônibus durante um apagão global, ele canta "Yesterday" para seus amigos e descobre que nunca ouviram falar dos Beatles. Depois de perceber que o mundo não se lembra mais da banda, Jack começa a tocar suas músicas, passando-as como se fossem suas.

A versão de Nina Simone foi lançada em 1965, período em que emergia o movimento Black Power (poder preto, em português) e o fim das leis segregacionistas, que basicamente consistiam na demarcação de espaços para pretos e brancos.

Os grandes líderes da organização eram Angela Davis, Martin Luther King Jr., e Malcolm X, além do Partido dos Panteras Negras, socialista e revolucionário, que também estava na linha de frente.

Nessa luta de reivindicação de direitos civis, o contexto social no momento era a valorização da cultura e identidade pretas, e “Sinnerman” coube bem nisso. A canção não traz apenas um retrato religioso, mas também uma simbologia emblemática cultural.

A função social da música.*

Por: Fred Borges

*Pressuposto teórico - prático e histórico: Engajamento político sócio e cultural na década de 60- Cases: Nina Simone e os Beatles sob a ótica de dois filmes e duas músicas: Nina e Yesterday; Sinnerman e All You Need is Love.

Inspirado e ipsis litteris copiado ou retirado em alguns trechos do Editorial do site:

https://www.tenhomaisdiscosqueamigos.com

Por: Ana Júlia Tolentino-13/06/2020

Falar de gigantes da indústria da música é falar de suas biografias.

Nada vêm ou advém do nada. Tudo tem um início, um terreno fértil, uma linha, mesmo que tênue, que quando puxada leva a origem de tudo.

Pessoas deixam marcas, marcas que podem ser simples pegadas, datilogramas,fio de cabelo ou marcos iconograficos,

Nina era para ser e não foi, foi além, foi meta, meta pianista clássica.

Beatles era para ser mais um grupo musical e foi meta,a meta química de um tempo que exigia paz e amor.

As pessoas certas, nos lugares certos e nos momentos históricos certos, uma combinação de fatores autobiográficos, sociais, políticos, culturais e econômicos ou financeiros, traduzindo-se em sucesso.

Quantos não ficam pelo caminho? Quantos desconhecidos em vida só tem sua obra reconhecida anos, décadas e até mesmo séculos depois?

Só há o processo oficial de reconhecimento após o processo ontológico do auto conhecimento e reconhecimento, enquanto não se dá, matemos o prumo, a auto estima ou amor próprio, nos preparamos, nos mantemos alimentando nossos sonhos.Afinal a genialidade não nasce, ela acontece, o que seria Mozart sem Leopold( seu pai), o que seria Van Gogh sem Theo( seu irmão)?

Fatos e pessoas não simplesmente adornam nossos caminhos, muitas passam, mas algumas ficam e fincam marcas,elas são causa e consequência do que somos ou seremos, é preciso reconhecer que alguns são ou serão ervas daninhas e outros nos elevarão.O que seria Fred Mercury sem Jim Hutton( companheiro) ou Mary Austin( sua verdadeira amiga)? Por outro lado, o que seria a vida de Fred sem Paul Prenter (agente)?

"Já dizia Simone que é próprio dever do artista refletir o tempo em que está inserido. E “Sinnerman” gravado na voz dela segue perpertuando-se até os tempos atuais. Independente de qual forma é propagada, a mensagem é a mesma."

O engajamento histórico, social, econômico e cultural é algo que está atrelado à arte desde sempre.É só estudarmos ou pesquisarmos todos os momentos ou movimentos nesses caleidoscópio cultural e veremos que a arte sempre teve um engajamento e diria mais, ela foi e é líder de verdadeiras revoluções sócio política e culturais no passado, presente e futuro.

"Dentre todas as análises, é fácil entender a angústia do “homem pecador”ou Sinnerman, que perdeu o rumo. A letra traz em si questionamentos do que o pecador busca e seus desejos. No geral, ele deseja que seja escondido, o que também é compreendido como uma necessidade de ser protegido em meio a uma situação perigosa. O problema é que, por onde ele “fuja” (no caso para as pedras, o rio, o mar e até para o Senhor), tudo lhe é negado.

Ao tirar o rótulo cômodo de louvor, a canção mostra a devoção religiosa de forma ousada. O enredo aborda a cobrança do homem, a resposta agressiva de Deus, e, como consequência, o estrondo apocalíptico desse enfrentamento. Enfim, o conflito não só mostra uma fusão de petulância e humilhação, mas também uma mistura de religiosidade e o júbilo que a música traz.

Com isso, a experiência do divino dentro de si surge como algo natural, sendo capaz de manifestar uma euforia tradicional aos cultos religiosos dos afro-americanos, origem da canção. Portanto, é importante evidenciar os aspectos inestimáveis que faz parte do conjunto intelectual da cultura popular gospel."

Para paz , para guerra, para Guernica de Pablo Picasso, não há como separar os elementos atômicos da arte e da política.

Para paz, para guerra, para nona sinfonia de Beethoven, não há como separar ou superar o ouvir do escutar, o ver e do enxergar, do sentir e não querer ou desejar se superar.

Para Yesterday ( ontem), para Today( hoje), para Tomorrow (amanhã), não há como separar ou segregar Nina de Sinnerman, pois enquanto houver o racismo estrutural, mal, deve-se a missão a nós todos, combater o mal com o bem, combater o ruído das "bombas" pela música,movimento, monumento da revolução.

#Youtube

[designaday]

Ultimate Playlist: Women’s Names, Madrigal – Martha

There are more songs about women with names beginning with M than any other letter of the alphabet. I’ll pick up with Mary later.

The Family Madrigal by Lin-Manuel Miranda, sung by the Encanto cast There are seven women mentioned in this song, including Mirabel who sings it, so I ordered it by their last name.

Maggie Mae by The Beatles A traditional, Liverpool folk song about a prostitute who robbed a sailor. The Beatles made an ad-lib recording of it between takes of “Two Of Us”.

Maggie May by Rod Stewart This song also gets its name from the folk song, but is actually a true story about the first woman Rod had sex with. It was his first big hit as a solo artist.

Mame by Jerry Herman, sung by the Mame cast This musical starred Angela Lansbury in the title role. It was based on the novel “Auntie Mame” by Patrick Dennis about an eccentric bohemian in New York during the Great Depression and World War II.

Maria by Leonard Bernstein and Stephen Sondheim, sung by Richard Beymer Sung by the character Tony after he learns the name of the girl he fell in love with at the dance. The name “Maria” is spoken or sung 30 times throughout the song.

Maria by Rodgers & Hammerstein, sung by The Sound of Music cast A very different Maria, played by Julie Andrews in the film version, is gossiped about by a chorus of nuns who just don’t know what to do with her.

Dear Maria, Count Me In by All Time Low Maria is a stripper in this pop-punk classic. The song has seen multiple lives in Guitar Hero, Rock Band, viral TikTok videos, and the TV show “Stoked”.

Martha My Dear by The Beatles While it sounds like Paul McCartney is singing to a woman, Martha was actually his pet sheepdog.

#ultimate playlist #music

[ludmilachaibemachado]

Heather, Linda & Stella, Paul & Mary with Mike & Angela McCartney & their children & Angie & Jim McCartney 1974🌼💕🌼💕🌼

Via @paulandlindaforever on Instagram🌼

#60s icons #girlsofthesixties #60s couples #paul mccartney #linda mccartney #the mcccartney’s #heather mccartney #mary mccartney #stella mccartney #Mike McCartney and his family #Jim and angie mccartney #family moment #1974

[lboogie1906]

Louis Johnson (April 13, 1955 – May 21, 2015) was a bass guitarist. He was known for his work with the group the Brothers Johnson and his session playing on several hit albums of the 1970s and 1980s, including the best-selling album of all time, Thriller.

His signature sound came from the Music Man StingRay bass guitar. He is ranked #38 on Bass Player magazine’s list of “the 100 Greatest Bass Players of All Time”.

His work appears on many well-known records by prominent artists. He played on Off the Wall and Dangerous, and hit songs “Billie Jean” and “Don’t Stop ‘Til You Get Enough”. He played on Give Me the Night. He was one of three bassists on the album Rise, which included its top-10, Grammy-winning disco/jazz title track. He was nicknamed “Thunder-Thumbs”.

His slap bass lines figure in his work on the Time Exposure album, his work with Grover Washington, Jr. (Hydra), George Duke (Guardian of the Light, Thief in the Night), Jeffrey Osborne (Jeffrey Osborne, and Stay with Me Tonight). The bass line for Michael McDonald’s “I Keep Forgettin’ (Every Time You’re Near)” has been sampled as a backing track for dozens of rap songs. He was the bassist on Earl Klugh’s jazz/pop album Living Inside Your Love and jazz/pop album Finger Paintings, as well as Quincy Jones’ Mellow Madness.

Johnson worked with Andrae Crouch, Angela Bofill, Anita Baker, Aretha Franklin, Billy Preston, Bill Withers, Björk, the Controllers, the Crusaders, Dave Grusin, David Diggs, Deniece Williams, Donna Summer, Donn Thomas, Gábor Szabó, Gene Van Buren, Harvey Mason, Herbie Hancock, Hiroshima, Irene Cara, the Jacksons, James Ingram, John Mellencamp, Karen Carpenter, Kent Jordan, Kenny Loggins, Lee Ritenour, Leon Haywood, Lesley Gore, Makoto Izumitani, Natalie Cole, Patti Austin, Paul McCartney, Peabo Bryson, Peggy Lee, Phil Collins, Pointer Sisters, Randy Badazz, Rene & Angela, the Ritz, Rufus, Sérgio Mendes, Side Effect, Sister Sledge, Stevie Nicks, Stevie Wonder, Sweet Comfort Band, Temptations, George Duke, Toshiki Kadomatsu and The Supremes. #africanhistory365 #africanexcellence