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#and the more i see of the game the more i see its flaws
foxstens · 9 months
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not really enjoying blasphemous 2 atm
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vv-ispy · 27 days
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also also I know everyone likes to talk about how good of an archon Venti is because he left mondstadt to do its own thing and hey look Zhongli's doing the same now with his retirement but I also like how the story shows it isn't without flaws, with so much freedom in the city it's all too easy to take control with power, Mondstadt's people may be free but they also don't have a god to actually uphold the ideal they stand for and how personal freedoms conflict, discrimination(eg. against Eula and her clan) is allowed because the people are free to do whatever they want, the fatui really wormed their way into mondstadt during the webtoon + nearly did with Davalin bc the people of mondstadt do whatever they want so Jean is overworked and the knights are ineffective(according to Diluc), and how mondstadt might have been the least free place for the common people during the Lawrences rule despite being the region governed by the archon of freedom
Zhongli at least first tested his people were ready before retiring, Venti kinda acended, organized a bunch of celebrations for his people, then left them to have fun with their newfound freedom only interveining when things get really bad
#to be fair zhongli's only left his people for a couple of years so who knows maybe if he left them for long enough#despite honing his nation on honesty and contracts things would delve into chaos too#or a capitalistic mess and we all know what it's like to live in one of those#now if liyue didn't have plot-armour-due-to-chinese-region-in-a-chinese-game............#my thoughts on liyue are 'god i wish its story was actually about the common folk common folk#but what i know of the chinese government is the communist party represents the common folk#so in reality it's more like common-folk-party-does-so-good-for-the-common-folk see????'#i really like liyue and its environment too!#wish they explored its flaws too and didn't present it as perfect due to china-chinese-media-relationship!#all of liyue's plots are like 'it's the time of the common folk i want to tell stories about the common people'#'(but also hold on to tradition and respect the traditions which are represented by the adepti)'#can we pls have some actual flaws like the rigidity of contracts and lack of change and rule of tradition#instead of 'contracts are good and honest and also change as the times change for the good of the people'#like yes zhongli at least tested his people before implementing that big change of stepping down#but also if the game didn't have to put china in a positive light tbh idk if he would have done that#as it might be more interesting to explore his archonhood ideal in both its good and its bad#and may have focused more on liyue's difficulting in changing and adapting to the modern tiemes#if venti is the god of freedom and is too free at times then zhongli the god of contracts is too stagnant at times#i have. complicated feelings about liyue due to my complicated feelings about being raised chinese#so mondstadt my fav for representing and giving people freedom#genshin talk
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vaugarde · 2 months
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one thing i appreciate about the pmd franchise as a whole is that the pokemon choices for the npcs here and there never feel purely conventional. like, in there’s obviously an emphasis on the generation each game came out in (besides pmd1 which pulled equally from all 3 gens at the time i think) but it never feels like they make a beeline for the “popular” pokemon for the sake of it. like looking at the school setting for psmd, yeah a small childish pokemon like pancham that evolved into a dark type makes sense as a bullying student…. but i dont think shelmet was the first pokemon to come to mind as his sidekick. who jumped to make farfetchd a teacher? in gti, why have a dunsparce, a gen 2 mon of all things, as a major character? none of those feel like super popular picks and it honestly makes me appreciate these games a lot for their diversity in choices.
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sonknuxadow · 7 months
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my take is that sonic generations is a good game i like it and its fun to play but it doesnt deserve to be hyped up as one of the best sonic games . sorry.
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slymanner · 1 year
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hot take!! WARNING!!!
my favorite video game genre is actually when a game is given all the time in the world to be finished and be as high quality as possible and it isn't announced TIL it's ready so there's no pressure on the developers to rush things and probably less crunch culture because of that, delays being allowed anytime possible cause no one online even knows about the ding dang game yet.
and the game is filled with so much love and care, you can deadass tell the company and everyone involved in the project had a fucking blast making it.
and everyone is happy with the final result.
and the people getting the SUPRISE announcement get a new high quality and amazing experience on the same day it was announced because everything is already done to perfection already and no more work is need to be done.
have fun, enjoy our game.
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aroacettorney · 13 days
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when will aup sidestories return from war and stop leaving me bitter about how the main story ended
#lumensis' characterization & death + the revelation of ludgers desire were extremely anticlimactic#700+ chapters of building up only to have the resolution forcefully/hastily crammed into. what. 2 and 1/2 chapters?#and am i supposed to care for his relationship with his mom when it didnt come up in 99% of the novel?#tbh it had *many* opportunities to come up but the author wanted to keep ludgers desire as mysterious as possible#and so it lost its chance to have any emotional buildup#well other than the implications of regrets which were frankly a bit oversaturated in the novel#(again. what happened to the 'show dont tell' principles)#honestly even occasional flashbacks to ludgers mom teaching him about all kinds of myths and lores when its relevant#would have helped in this aspect plus showcased his growth and development over time even when its off screen#(doesnt make his vast knowledge look like it conveniently came out of nowhere)#while also greatly enhancing the world building of his game breaking 'real magic'#anyway i think ludgers reconciliation w his mother would have been more impactful if ludgers past life came up more often#hell it would have done wonder in exploring his depth if we are going with framing his past lifestyle as a flaw#the thing about ludger as a character is that his past (in both worlds) is much more interesting than his present#bc its the only way we can see how he mentally changed in comparison as his changes are nearly non existent in the present timeline#(a part of the reasons why ludgercaseys relationship over time is an appealing topic is that it showcases both of their changes)#(reading about a protagonist who has no mental changes over the course of the story is no different than watching... a nature documentary)#im still v salty about how we never get to see arpas and bettys reconciliation btw#so do emotional closures between ludger and other characters#those are literally the meat of the story that would be worthy of their own arc#sayren why the hell did you rush through them and put them off screen#in the end instead of proving that he has finally learnt his lessons by confronting his emotions ludger chose to run away from it yet again#even if we are to assume that is whats gonna happen post epilogue why is his change accomplished by a goddamn last minute timeskip#(that is also lowkey a failed suicide attempt in disguise)#instead of what could have been... idk... a banger novel named aup#good christ#rant
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oscill4te · 1 month
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angel on my shoulder, before starting another book or pdf: 🤨 u gonna finish one of the 10+ you started?
#im almost done with quite a few. thats fhe annoying thing ... i always wanna start smthn new lol#im almost done reading: ice and fire; the way i used to be (not a fan but my sis loves it. so I wanna finish it) and#wait. thats it. everything else im like half way or less through.......#oh wait theres “got parts”.. but idk if i wanna finish that one. idk how i felt abt that book despite osdd#i started hunger games but might drop it. only read it bc my rm was briefly super into it hehe#then started on MANY psychology books. the body keeps the score (so hard to read) and emotional incest syndrome (that book hurts)#started on the haunted self... and a pdf about mycology...#anddddd somatoform dissociation by Nijenhuis#and so many more pdfs where i got like >40 pages in and dropped it#>_< my self discipline and ability to finish something is shite as one can see lol#my aunt offered me books and i couldn't resist. i took some home#maybe i should start bringing books at work and readin them during lunch hehe um#i feel like once i get into that zone its easy to read but the hard part is tapping into that zone rip#that being said i wanna make it my goal to finish ice and fire by dworkin. a gritty book... but her writing style is absolutely beautiful..#and finish the way i used to be. its taken me .... an ungodly amount of time to be almost done w that one#edit a few hrs later: finished “the way i used to be” yay. FINALLY.#it made me cry :( even if its a clunkily written YA book.. edy is such a good portrayal of self destruction + hypersexuality bc trauma...#idk a better way to word it but even if the book had its flaws... the ending just rlly hits ;-;
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qkmlh · 4 months
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Out of curiosity what are y’all’s go-to comfort kdramas?? Not in the sense the drama itself has comfort, but that it’s comforting to y’all~ Could be from any year and genre ♪( ´▽`)
Mine are Strong Woman Do Bong Soon, W: Two Worlds, & The K2!! ‎(˶╹̆ ▿╹̆˵)و✧♡
#Lowkey realizing my top 3 can all be different points on a single chart hnnn#Anyways this is also my way of asking for recs cause it’s been a hot minute since I’ve properly watched a kdrama so let’s see I’m curious as#to what I’ve missed :>#Strong Woman Do Bong Soon#SWDBS#W: Two Worlds#W#The K2#Kdramas#Kdrama Recommendations#7 years later and I’m still willing to fight on my hill screaming Ahn Minhyuk best male romcom lead#HE CHANGED THE GAME FOR ME AS A MALE LEAD IN THE CLASSIC MAIN MALE/2ND MALE LEAD CONUNDRUM AND HE WILL ALWAYS BE THE BESTEST BOI#Min Min & Bong Bong I LIVE for their cutesy cheesy hecking adorable fluff#But also man oh man did it go HARD when it came to angst and horror hnnnn#W…oh W how you ducked me up so bad at some points but were also so ducking /good/#Had its flaws for sure and there was so much more I wish it had touched up on/executed but I still love what was given so much :((#The ending had me bawling knowing they /were/ able to make their peace and their happiness and their love TvT#AND THE K2 OH THE K2 MY G O D ! ! ! I’ve never been one for political dramas but I was HOOKED from beginning to end and idc what anyone says#Go Anna I love you Kim Jeha I love you all the wonderful silly and lowkey insane side characters I love you#THEIR GROWTHS AND RELATIONSHIPS MADE FROM BEGINNING TO END AAAHHHHHHH#AND MY GOOD GOD OUR LEADING ANTAGONISTIC COUPLE THEY WERE SO DUCKING MESSY AND AWFUL AND FASCINATING AS CHARACTERS#After everything their ending felt so fitting and compelling to me#Ani Rambles#Tag Bait
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fruitsofhell · 11 months
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Random observation while listening to the FF9 OST. The track Eternal Harvest that plays over that scene of Freya joining the Cleyrans in their protection ritual is absolutely gorgeous, but I wish my memory of it wasn’t that awkwardly mocap-ed scene and was a cinematic instead. It had the potential to be a lot more powerful if given the weightiness of a cinematic, and ofc is Freya had been more fleshed out instead of having her arc come to a dead stop in the middle of the 3rd disc.
Freya and Garnet are both great conduits to explore the devastation that Kuja left in his wake on a personal level. But while Garnet is through the eyes of a young woman struggling as a leader against such incredible odds, Freya had the potential to be a great exploration of the more personal and cultural aspect of that destruction. Her people are already appeared to be a somewhat disliked minority, which is what made them an easy first target for Brahne compared to her in-laws in Lindblum. And unlike Alexandria and Lindblum where despite their state, it’s implied that the kingdoms are still fit to rebuild, the Burmecians are really fucked over. Their country was the first to be attacked and therefore didn’t have time to prepare, and then the other Burmecian state of Cleyra where most of the refugees fled to was DISINTEGRATED.
Like Freya might be the character with the most baggage to explore. After witnessing the ruins of Burmecia she comes to this ancient bastion of her people, and despite not fully respecting their distinct way of life, she partakes in their ritual, hoping it will be able to protect the last of them. And then not even an hour later, right from under her that citadel is literally wiped off the face of the earth. It’s haunting to think about, and I deeply wish it could have been explored beyond just a bit of her grieving before launching into more shenanigans.
Not that her being forced to so quickly move on isn’t powerful in itself, but I wish there was more EMPHASIS. Emphasis that could have come from a beautifully directed cinematic of that ritual she performed in vain. Able to visually represent that fragile, majestic hope the track accompanying it conveys.
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fellhellion · 10 months
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How would you want to see Miguel’s arc/story wrapped up in btsv, factoring in things like the movie is still about miles (Miguel won’t get too much screen time) and also Sony probably wouldn’t feel comfortable explicitly depicting things from Miguel’s backstory like George’s abuse or drug addiction in an animated movie
tldr: i wanna see him align w miles and i think he will, i want a greater understanding of where he's coming in his conceptualisation of a "real spiderman", and I feel like THAT is likely informed by however spiderverse conceptualises his backstory, considering comics wise he and miles actually share a number of similarities on the front of being like. gen 2 spidermen post peter parker.
long answer:
hmmm. he's guided by genuinely good intensions regarding the multiverse so I personally want and think he will eventually pivot to align with miles against the spot. but to do that you need to provide him with immediate incentive that will trump his sunk cost fallacy doublebind (because the sunk cost fallacy thinking is what allows him to suppress doubt about things that don't align with his understanding of how canon operates). And I think, considering he's sitting in the exact same world Spot is going to presently wreack havoc in, I believe the immediate human cost that danger will invoke is what will probably provide that.
I also think it's critical to unpack Miguel's side of where he's even coming from in his angle in the "true spiderman" conflict, even though Miles' arc regarding that has been solidifed w his speech to Rio at the end of atsv, because of it's importance to the meta narrative asking us to question irl what elements have been used to "legitimise" a spiderman story.
If we don't know where Miguel the character is coming from when he conceptualises his side of the argument, he feels more like a mouth piece for that part of the meta narrative than a character purporting and reasoning through a particular world view. So I think this area of his character warrents some more exploration.
Regarding the backstory, I think considering atsv invites a lot of speculation as to his past and why he differs so much from traditional spidermen (the serum, the fangs and claws, the red eyes, how badly he reacts to the comment he isnt a real spiderman), I think we will get, however briefly, SOMETHING of his past in order to contextualise how Miguel views himself when he has his rant at Miles on the train.
I doubt they'll touch on the rapture addiction since in the overall scheme of Miguel's story it's not. super important beyond providing the catalyst for his transformation.
If we're going pure Tunes wish list, I would personally want SOME allusion to the fact he's a survivor of child abuse, even if they're obv not going to go graphic. I think it's an element that adds an incredibly important dimension to not only the ways in which Miguel fails Miles and Gwen specifically, but adds another layer to his desire for a happy and stable family life (plus the entire dimension of fatherhood considering his own stepfather).
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orcboxer · 1 year
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My favorite interactive novel so far has gotta be Breach: The Archangel Job, which is basically a campy goofy action heist game. The main selling point is just that it's fun as hell, but my personal favorite feature is the fact you can be nonverbal for nearly every dialogue scene and the characters just roll with it. It's such a simple addition, but it's such a euphoric experience for mute folks like me, to be able to properly project myself into my character in this role-playing game. There's no penalties for it and none of the characters treat you any different, they're just like "yeah he doesn't talk much."
I really truly think that customization is one of the most crucial elements of an rpg, arguably even more important than the quality of the story, yet it's so often overlooked. It's not just about where the story goes, it's about self-expression.
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chemicaljacketslut · 2 years
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making things funny is hard when im writing a story i always want to be so serious… like every single joke in the game so far is based on dramatic irony or meta humor im worried it’s getting a little stale but idk how to rly make organically humorous lines?? at least in this situation with these characters in this video game??? SIGH
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doctor-bus · 4 months
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Playing Code Realize and while I'm sure I will come to love it ;w; I miss the Bustafellows characters and their amazing found family dynamic
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laying on the floor flat on my back thinking about fenris deciding to create some distance between himself & hawke after the act 2 romance scene but he immediately starts wearing that red band on his arm after
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izzys-bluebell-woods · 3 months
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I feel like people have been quick to dismiss Mimzy's importance in Ep. 5
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I've been seeing a lot of Mimzy hate, mainly on Reddit, where people are genuinely REALLY hating on Mimzy because she was annoying, interrupted Hell's Greatest Dad, and served no purpose in the episode.
Whilst the previous two points are down to personal taste, I feel like considering Mimzy's role in this episode nonexistent, or that she just exists for fanservice here, is greatly overlooking what this episode is about. There are two focuses to the episode, one of course being Lucifer and his relationship with Charlie, but it's also the deepest look into Alastor's actual character that we've gotten so far, I'd say significantly more than the finale. We see two sides to Alastor that both Mimzy and Luficier bring out, and I wanted to kind of highlight my thoughts and what the episode was trying to show us about Alastor that we wouldn't have gotten if Mimzy wasn't there.
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Alastor's instant hostility towards Lucifer makes it incredibly clear that Alastor can't keep his cool all the time - his two biggest flaws is that he is power-hungry and incredibly petty. From what we know - and what is likely to be true considering Lucifer is shown to have no idea who he is - Alastor has never met Lucifer before this. If the theories that he belongs to Eve/Lilith in some way are true, there is reasonable ground to say that this immediate hatred towards him could be justified, maybe it was in some way Lucifer's fault that he's caught in this deal and this is his way of taking it out on him or trying to uphold his end of that deal.
But look how much his mask slips, look how annoyed and angry he is. If this was a font that he was doing to somehow make Lucifer intentionally mad at him for some sort of personal gain, he wouldn't have looked so murderous. Him just leaning down and hissing 'fuck you' right in his face was so shocking for the audience purely because no one has done that to him before, no one has pushed him so much.
This indicates that Alastor isn't just playing some sort of game, Lucifer genuinely got under his skin, because he is so obviously more powerful than Alastor and he HATES that. He hates being reminded that he's not the biggest meanest in Hell - this was explored more in his showdown in Adam, but at the time of this episode's release, this is the most flawed and 'human' Alastor has ever felt. He's dropped from this force of mysterious evil, to randomly picking a fight with the Devil himself because he was so catty about being shown up.
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As further reinforced with him snapping at Husk when he also reminded him he wasn't as all-powerful as he sees himself to be, Alastor will lash out at those who make him feel like he isn't the one in control and pulling the strings of everything - we finally see a hint of motivation for him sticking around at the hotel at all.
But then there's Mimzy.
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We immediately go from seeing Alastor at his worst, at his most aggravated and petty, to seeing him literally melt into a hug. The demon who, according to Viv herself, hates physical contact so much that he would distort and melt himself to get away from it. We so quickly go from being shocked that Alastor is behaving so spitefully to now having to take in Alastor being ecstatic to see someone who he considers to be a friend.
Having this be so directly after his massive tiff with Lucifer is so important. If this wasn't included in this episode, our only insight into the person Alastor actually is would be that he's an asshole. Picking fights with people just because he wants to stay on top, that its the thing he cares about the most. But Mimzy does come along, and we see that it isn't true at all - and its confusing, and that is so perfect.
You think you're getting somewhere with the person Alastor is, but you see that, hold on, there is actually a semblance of heart in there, here he is actually caring about someone. But what is so important about this being a relationship he shares with Mimzy, and something that couldn't at all be explored with, say, Rosie, is the kind of person Mimzy is.
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Mimzy double crossed Alastor. And, according to Husk, this is a somewhat regular occurace. We can see that Alastor is annoyed at her, and I think most of us were prepared for him to do something to her like he was doing to those loan sharks a few seconds before this confrontation.
But...he doesn't. Not at all, he doesn't even snap at her. Perhaps scold her a bit, but other than that, he is so nice to her and just politely tells her to leave and that is that. He does more shit to Lucifer, who literally hasn't done nothing but exist in his presence, than someone who just trampled all over his ego by using him, both as a shield and, well, somewhat emotionally.
In this episode, Alastor is shown to lash out. Easily. All you have to do is be more powerful than Alastor, and he won't like you - that's the impression you'd get from his scenes with Lucifer alone. But we have his scenes with Mimzy as well, and you're being told, hold on, no, that isn't quite correct, because he's not acting the same here. What has Alastor got to gain from letting Mimzy get off of this with no repercussions? Mimzy, someone who has probably sold her soul to someone else and has absolutely no power at all.
Nothing. He does it because Alastor cares about her.
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I don't think I would have considered his friendship with Rosie to be genuine at all if it wasn't for his friendship with Mimzy. Rosie is so powerful, and Alastor has so much to gain from being in close cahoots with her, but it's so clear that he doesn't care about that, but he sees her as an equal. If all we saw from Alastor in that episode was him lusting for power, it would render the way we see all his relationships with people to be of some gain to him somehow. ESPECIALLY Rosie and other Overlords like Zestial.
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This makes Alastor and Mimzy's relationship arguably one of the most interesting in the show. Someone who is so powerful and unpredictable, who hardly cares for anyone other than himself, caring about this absolute gremlin of a woman. He likes Mimzy purely because she's fun to be around, a sentiment you might expect from Alastor, with his stated reasoning for joining the hotel being to laugh at people, but he's in no way laughing at Mimzy. You can tell that he doesn't intimidate her at all, because she has the absolute balls to pull off the loan shark thing with him.
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Mimzy and Lucifer's interactions with Alastor has made him to be one, if not THE most interesting character in the show. Because you're exploring two contradictory sides of the same coin at once. One where he gets so worked up and angry over not having the power he sees himself as having, and one where he's visibly hurt that his long time friend used him. In one instance you have him pulling out all the stops to be as hostile as he could be to Lucifer without actually hurting him (even though he clearly wants to), and another where he has full range to hurt Mimzy as much as he wants to, but he doesn't.
Alastor cares about people. But also disregards people like playing cards. He is such a mixed bag, so far from being one note, and you wouldn't have gotten that insight without Mimzy.
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supercutszns · 4 months
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bitter to the taste; luke castellan
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series masterlist
wc + pairing: 5.5k, luke castellan x f!reader
synopsis: a sharp blade, a black eye, and (more than) two kisses.
warnings: this is even sluttier than the last one, language, sword fighting, sharp objects, blood/injuries, reader is still a horrible person and so is luke but he's also a loooser, making out, allusions/mentions of sex but no super explicit descriptions, kind of fluffy at the end
notes: i’m starting to hate this bc i think i’ve been staring at it too long sorry if this is not as good as pt.1 but i have plans for this series ok. also READER AND LUKE ARE NOT GOOD PEOPLE!!! THEIR RELATIONSHIP WILL NOT ALWAYS BE GOOD!!! THEY SUCK!! they are also not real but keep that in mind :) synopsis inspired by crush by ethel cain; designated song for this fic is unpunishable by ethel cain (i’ve got a whole chronological playlist for these freaks like it’s serious)
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You’ve always had a taste for violence. And an equally powerful penchant for sloth. 
You prefer to watch the carnage, not participate. It satisfies something inside you that you know, if it wasn’t for your laziness, could cause something irrevocable. Who the hell has time for that?. You’d rather lie back and watch instead.
This flaw of yours is the only reason you haven’t stirred more trouble, you think. It’s the reason you never attend camp games or sparring lessons. Sometimes, when you do, a dark muscle flexes inside your heart to curl out of its slumber, forming a hunger you don’t have otherwise. The second it starts to pry you have to rear yourself back and tuck the monster in. Banish the need for something more.
You don’t want to feed it. You don’t know what happens if you do. So you let other people do the feeding for you.
Luke cuts through two dummy heads in one swoop. It’s fucking gorgeous. The moon reflects off his sword, a silver sheen casting his face when he’s in the right spot. His brows are set, eyes so dark they blend with the night. Every motion is ruthless. Satisfying. 
You don’t know how many times you’ve watched him like this. He called you out for it last night, but you’re sure he doesn’t know the half of it. The shadows are a sacred cloak to you, and you wait inside them until you want your presence known. 
Meet me tomorrow. 
It runs through your head like a broken record. You can still feel his breath on your lips and your neck is still tender—had to wear a sweater in the blazing heat to hide the marks. Since you were created you’ve accepted a universal truth about yourself: you don’t harbour affection for anyone or anything. There’s not a single thing you’ve felt drawn to or protective over but yourself. It’s solitary, yes, and lonely, yes, but that’s the way you’re supposed to be. 
But you think about last night. You think about the moments between the kisses and the rush. When he teased you against your ear. When his hand brushed a certain spot on your back and something much lighter fluttered inside of you. When you crawled into sleep and thought about him, those were the moments that struck you the strangest. 
His gaze pans over the treeline every once in a while, the anger diluted. Then it comes back twice as hard as he shreds another dummy to pieces. 
He’s waiting for you. Oh, this is rich! A better person would probably turn around and go spoon their offerings into the bonfire the second they understand what they’re doing is incredibly destructive. But who are we kidding? You wouldn’t be here if it wasn’t. 
So you take a step forward, slip out of the comfort of the dark, and the next time he looks to the treeline he knows you’re there. He can’t see you, but he knows. 
You wait. His strikes are less tenuous, much smoother. It almost makes you laugh. Some fucking showman he is. 
Eventually, he buries his blade in the dirt and wipes his brow. “Are you gonna come talk to me or are you gonna stare at me all night like an owl?”
You relish in the feeling of shedding the darkness, coming into the light of the moon. “Hi,” you say flatly, but there’s a tiny smile on his face when he sees you that almost puts you off. 
“Hello, rotten.” He tries to lean on the hilt of his sword but it isn’t quite tall enough so he stumbles. It’s so pathetic it almost makes you laugh. 
“Don’t call me that,” you grimace.
“Okay, back to heathen?”
“Don’t call me that either.”
“Well, you don’t seem too happy when people call you by your name so pick your poison here.” 
You don’t say anything, your mouth set in a scowl. “All right, both it is,” Luke shrugs.
He’s different from last night. Less impatient. You hope it’s not because he thinks he has you now—he’s got another thing coming. “I almost thought you weren’t gonna come,” he says with a crooked grin, neither bashful nor ashamed. 
You’ve made your way closer to him, the soft grass turning to dusty earth. “Don’t know why I did,” you mutter crassly. 
Having abandoned his sword, Luke chuckles wryly. “Yes, you do.”
That bitterness he hides from everyone else pierces through. He tilts your face up like he did yesterday, the press of his fingers beneath your chin almost burning you. You know he’s peering at the marks on your neck. 
“If you made me come here just to hook up with me you’re delusional,” you glare. 
“What, like that’s not why you’re here?” He pushes your face up a little higher, grinning a little when you add resistance. “I’m a gentleman, you know. I can be patient.”
This guy is full of fucking shit.
“I’ll believe it when I see it,” you snipe. The only point of contact you have is his hand on your chin, but you’re a hair’s breadth away from having everything else. The air drifting between you is almost palpable, shrinking smaller and smaller like it’s terrified of being trapped between you.
He keeps your face still. He’s studying you, and you’re suddenly curious about what he sees. You remember all those looks you’d share at the dinner tables that made this happen in the first place. What did he see then? 
“You wanna fight?”
It takes you a second to react. “What?”
“You want to fight. Pick up a sword, let’s go.” He smiles as he finally lets you go, waltzing away from you to unbury his sword from the dirt. His touch permeates through your skin and you hate it. 
“What the fuck are you talking about? I can’t fight.”
“Sure you can,” he replies, grabbing another sword from the training rack. “You need to burn off a little steam.”
You laugh sharply. “And you think me waving a sword around is gonna do that?”
“Uh, yeah,” he grins. “It’s the method that lets us keep the most clothes on.” 
You glare at him. His smirk is a mile wide. The way your stomach is simmering almost makes you sick; it’s like gorging yourself on candy except this time the candy has a sword and maybe wants to fuck you. 
You just watch as he hands you his sword, and the moonlight glinting off the metal has you believing it’s not the kind used for training. “I’ll use the dull one,” he assures. “C’mon, heathen. I know you’ve used a sword before, they force us to.”
“I usually skip those classes.”
He laughs. You can’t tell if it’s at you or with you. “Of course you do.”
You don’t like following orders, but oh, what the hell. Luke knows something about you, just like you know something about him. You’re only a little curious about it. 
“Straighten your back,” is the first thing he says once you’ve taken your stance across from him. The blunt of his sword reaches out to tap your hip. 
You begrudgingly do as you’re told. He watches you mirthfully, and the press of his sword against you starts to feel like a substitute for his hand. All the closeness you’re hungry for, dampened by cold steel. It still makes you buzz. 
He gives you the barebones—the right grip, how to maneuver, the proper balance. But long gone is his easy disposition. The motor inside him that powered all those dummy beheadings and disembowelments is running again, except this time it’s for you. He wants a fight. This is his battlefield. All right, you’ll bite.
You start to spar with the skill of an overgrown toddler. The sword feels like an unnatural ligament hanging off your body. Luke is precise, convicting, far more enthusiastic than you. “You can do better than that,” he prods after your swords clash lazily for the billionth time. “Stop going easy.”
“You’re going easy,” you shoot back. 
“Yeah, but I’d really rather not. Come on.” 
There’s a moment of hesitation. You think about that dark thing you keep harboured. A muscle aching to be used. 
“Come on,” he says again, and he almost sounds pissed. “All of a sudden you’re playing nice? What are you afraid of?”
Something flares inside you. “Nothing!”
“Then pick up the sword and fight me.”
You huff and roll your eyes, but your next swing is far more inspired. Luke blocks it easily, but you don’t care. “There we go,” he nods. “Again.”
This is more than you bargained for when you decided to come see him. All you want is to make out with this hot, awful person and have him tell you hot, awful things about yourself you probably already know. Why do you have to fight to get it? 
He keeps provoking you no matter how hard you try. Your temper picks up the more you swing, discordant clangs bruising the air, but it’s still not enough. Luke doesn’t let up. Of course the one time you try to be nice, you’re not allowed to. On second thought, why are you reigning yourself in for Luke? The only other person in camp with a real, consuming viciousness? If anything you should hit him twice as hard, since he’s so sure he can take it. 
“No wonder you’re so angry all the time,” Luke heaves out, and it gives you a swell of satisfaction. “You don’t have a proper outlet. Maybe you’d be nicer if you didn’t sit around and complain all day.”
“Shut up,” you gnash your teeth. 
“Just saying, maybe you should do something about it.”
You’re getting lost in the rhythm of the swords, the adrenaline, the sweat passing the scar on his cheek. Every swing you think less and less, and that dark muscle flexes more and more. It feels like home to you. Like a good meal. Your bones ache and the world has darkened, but that rotten pit inside you cracks open in full bloom. 
Luke keeps egging you on but you can’t hear him. Not like he still needs to. You think you’re smiling, or huffing furiously, or both. The sharpness of the sword intrigues you. A million terrible things reflect off its blade and you imagine them, all at once, until you are out of your body and the black hole inside you has properly wedged itself open. 
Luke jabs at you and you bring your sword down with a vengeance. But it’s a little too low. You only notice when he drops his weapon to the side and staggers back.
The fog of violence falters. It fades almost completely when he hisses long and hard, eyes screwed shut, and you see the tear in his shirt. In his skin. 
“Shit,” you say. “Fuck.”
You don’t sound sorry, you don’t think you are sorry, especially when he laughs. It’s a wheezy one through his teeth as you come up to him, but a laugh nonetheless. “Knew you were going easy,” he remarks through a wince. 
You ignore him, looking down at the injury. A  gash across his abdomen. It’s bleeding a little, but not enough for it to drip. You did that. Just looking at the blood, you feel the bitter taste of it in your mouth, the reward a temporary hunger for carnage brought you. This is why you don’t play camp games. 
“I’ve got thick skin. I’m fine,” Luke says casually. “I’ve got a medical kit under that tree over there in case I beat myself up too bad.” He’s no longer scrunched in pain, and you’ve got a feeling he’s telling the truth. So you go fetch the kit where he said it was. You need to wrap that slash. Not because you’re sorry for him, but because looking at it makes you angry. 
You kneel and pop the lid of the small tin kit, covered in dirt. It’s mostly gauze and bandages. Rubbing alcohol too. “Just give me the gauze, that’s all I need,” Luke gestures. 
“Shut the fuck up, I’m doing it myself.” You’ve already torn off some gauze, sitting all the way up on your knees. 
“Most people just say sorry.”
“You pushed me,” you spit back, surprisingly forceful. Luke’s smile drops. You take a deep breath, adjusting yourself to get eye level with the injury. “I told you I don’t fight.”
You’re not sure what makes Luke give in, but he doesn’t say a word as you lift the hem of his torn shirt and he holds it up. There’s no proud remark about your eyes lingering on his stomach, or the hesitation in your hands. You stare at the wound. It really is shallow. Your thumb presses at the skin around it and he winces. “My bad,” you mutter. 
As you sterilize the cut and wrap the gauze around his torso, you try not to let your fingertips cling to the warmth on his skin. You try not to notice the other scars littered there, most faded to the point they should be impossible to pick up even in the sun. It’s obvious he’s staring at you. Your neck is crawling with warmth. But you don’t engage, you just wrap the gauze a few times and do your best not to notice the rise and fall beneath his muscles as he breathes. Then you fasten things neatly and put everything away so you can get up. Any second. Come on. 
“Good?” You ask instead, exhaling. 
“Good,” he affirms. He slides a hand under your forearm and gets you up. It stays there once you’re standing. The night stills. 
“I’m guessing you’re adding ‘attempted killer’ to your list of horrible qualities,” you go on to break the silence.
He holds your gaze unyieldingly. “I’d consider that a pro, actually.” 
You are entirely fed up with this drawn out evening, but you can’t bring yourself to speed anything up any more than stepping closer so your chests brush. “I will give you one, though,” he continues, craning down to your ear. You smell his skin and it sends you back to the position you were in yesterday. 
He finally kisses your jaw, just once, then your neck. You shiver. “You’re too tense.” Another kiss behind your ear. It’s not enough. “Do you even know how to have fun?”
“I don’t want to have fun,” you reply bitterly. I just want to make out with you, asshat.
Luke’s breath frosts over your face when he chuckles, but before he can get any further away you catch his mouth with yours. Almost instinctively his arm winds around you to pull you in closer, your hand looping through his curls. It's a relief, knowing last night wasn't some freak accident. This does feel good, actually, and it can happen. Everything you felt yesterday is only more urgent now, hungrier, and you're pretty sure the way you kiss him gives that away.
He indulges you, squeezing the base of your hips as his other hand thumbs across the marks on your neck. This is so fucking embarassing—you think you whine when he bites down on your bottom lip. You’ve never needed something this bad, you’ve never needed anything. But you press yourself as close to him as you can manage and his hand runs lower, slips against your inner thighs, and it’s difficult to worry about anything else. 
Until he pulls away. Like a dick. 
He doesn’t go far, his forehead pressed to yours, but you feel like pulling out all his hair. It’s a muddling mix of frustration and longing you’re starting to associate with him. “Dude,” you groan, an inner coil only starting to unwind begrudgingly compressing. 
“Let’s go for a swim,” he says. The enthusiasm is almost alarming. Almost makes him look younger.
You’re homicidal. “Are you fucking serious?”
“Yes, heathen. Let’s go for a swim, come on.”
He’s rubbing circles on your thigh, which only makes you want to strangle him. “But I—I don’t have my bathing suit,” you string out. 
The smile gets more boyish. “Wow, whatever shall we do?”
It’s another challenge. Another dare. And he knows what you want, fucking jerk. You’re going to kill him. 
“Fine,” you grunt, and the second the words leave your lips you’re pulled to the lake. 
It’s a warm, sticky evening, only made worse with the sweat and the half-assed kissing, so the water doesn’t seem all that bad. Unfortunately, you don’t like giving into demands. So you stare ghoulishly at your fingernails as Luke tosses off his ripped shirt and his shorts so he can plunge into the lake. “Aren’t you going to at least come in?” He asks, but you don’t look at him. 
“I don’t like swimming,” you lie. 
“At least your feet. It’s nice, I swear!”
A splash, like smoke moving through wind chimes. You look up and Luke has completely submerged, popping his head up closer to the mouth of the dock. “Please,” he says with such conviction your resolve turns to butter. Gods, what is happening to you? You still need that lobotomy! 
You sigh, roll your eyes, turn your back to him. “Fuck this,” you mutter under your breath. You undress to your undergarments and you’re not sure if you want Luke to be watching or not. The moon touches your bare skin and a chill trickles through you. 
You take a seat at the edge of the dock, knees tucked to your chest. Luke swims over for you right away. His hair is dripping against his skin, and you hate how beautiful it looks. The waterline is high tonight, almost ridiculously so, so he props his elbows up on the dock with no problem. “Come in,” he urges. 
“No.”
“Just your legs?”
“No.”
“Gods, I’ll make it worth it, just throw your damn legs in!” 
Your eyebrows shoot up. His face is stubbornly pink. Oh, so now he wants something. You take your time uncurling yourself and Luke wades away from the dock so you can put your feet in. The water goes up to your calves, and you shiver. “So fucking difficult,” he mutters, and your pulse flickers. 
“Sorry, what was that?” You let yourself grin for the first time all night. 
“Nothing,” he hums. This time when he comes to the dock, he wraps his hands around your calves. You’re pretty sure he can stand here because he stops treading. The warmth of the water seems to spread further, long past the threshold of your knees. 
He rests his chin just above your knee, water pooling on your skin. “Stop dripping on me,” you complain. 
“Sorry.” He fake pouts when he kisses the damp spot. You see, ever so faintly, a diabolic shift in his expression. He nudges your leg with the point of his nose, then kisses it, then starts to move it aside. “Feel bad about teasing you all night,” he murmurs, still with an edge. He presses more kisses on your legs. “I really did want to see you.”
The irony that he’s still teasing is not lost on you. You’re not loving how desperately warm you’re starting to feel. “Why’s that?” You lean back on your palms. 
“You’re a very interesting person,” he quips innocently. His hands are cupping the backs of your calves. He’s pulled you a lot closer to the water, and somehow you’ve just noticed. Another blistering kiss on the inside of your thigh. 
“You’re fucking evil,” you scathe. 
He looks up at you from between your legs. “You have literally done nothing but berate and injure me this whole evening.”
“Yeah, and right after I patch you up you jump in the water for shits. You’re playing infection roulette, Castellan.”
“See? You’re so mean.” He sighs, and in a move that almost surprises you to death, he hoists both your legs over his shoulders and they dangle into the river behind him. “And here I am anyway, making it up to you.”
You are suddenly illuminated on the purpose of this situation. Why Luke is between your legs. Your heart jolts. “Luke, you can’t be serious.” 
“Mmhm.” He leans forward to kiss right under your navel. 
You hate how much you want him to do it again, how your body burns, but you avert your eyes. “Someone’s gonna—someone’s gonna hear us.”
He snorts, “No they won’t. Either this or you come in the water with me. Or both. We’ll see.”
A huge smile cracks across your face before you push it back down. You’re going to spend a lot of time coming back to this moment, this night, wondering why. “What is wrong with you.”
It comes out like a compliment when it leaves you. You want to vanish. Luke chuckles, and something foreign to the both of you buzzes through the air. 
“Are you going to be nice?” He asks against your skin. 
“Are you going to be quick?”
His mouth finds your hip bones and yeah, why the hell would you say no to this? He nods, “Swear.” 
That’s all you need. You let your eyes slide shut and your head tilts towards the sky. Luke takes your permission and runs with it, pries you open with his mouth until the stars soak through the black of your eyelids. 
You discover pretty quickly neither of you are good at keeping promises. 
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The next time you need Luke’s med kit, he’s already awake. 
It’s been happening more and more often. You lurking around camp past moonrise and finding Luke outside his cabin, going for a walk or a stretch or a … something with you. 
“Do you ever sleep?” You ask him sometimes between flurries of kisses with your back against a tree. 
“Could ask you the same thing, heathen,” he squeezes your hips and nips at your neck, but never answers the question. And neither do you, so you’re both okay with it. You’d hate to give up this feeling, but he doesn’t need to know that.
This is the first time in your punitive life you have felt alive. Like a person, with bones and flesh and soul, a real presence. Not a ghost of smoke and shadow. You are real. 
Fooling around makes you feel like an actual teenager. You’re young, you remember when Luke joins you in the dark. You’re having fun. His hands under your shirt and his mouth on your collarbone, the way he bites down and winces when you do something a little too well, when you string out his name and he rewards you for it. You’re both greedy, insatiable people, so there’s a push and pull only the two of you would ever be able to handle. And nobody has to know. Despite all the bruises, the sleepless nights, the swollen lips, all you and Luke share in the daylight are noxious looks, and that's only if he can find you. A perfect crime. Camp Half-Blood’s angel and the vice that lives in the shadows. But in the dark, it’s hard to tell which is which. 
“Luke,” you whisper. “Luke.”
“I’m up,” he grumbles, peering up at you. “You shouldn’t sneak into my cabin.” He was already sitting up in his bed when you slipped in, and he didn’t notice you were there till you were right in front of him.
“Worried someone will catch me? You should know better.” 
He follows you outside so you don’t wake the other campers. There’s a thrill knowing just one interaction between the two of you could ruin both your reputations forever. 
“What is it, heathen?” He asks as the door closes behind him. It’s so dark and your back is turned to him, but his voice is drenched in smugness. “You don’t usually want to put up with me more than once a night.”
“Don’t have a choice,” you mutter, staring out at the camp. You go to chew on your bottom lip, but you wince immediately. “Where’s your kit thingy? The one we used after I impaled you.” 
“You mean after you lightly grazed me?” 
“Just tell me where it is, Luke.”
Your sharpness could cut through any sleepy daze he possibly has. He’s silent behind you for a second. “Why?” He asks.
“Because I need it.”
His hand curls around your shoulder and before you can think to submerge yourself in darkness, he turns you around. When he sees you, his face breaks from something proud to something … you’re not sure you like. “Oh, heathen,” he murmurs. “What happened to you?”
You guess it’s a semi-appropriate reaction, although you expected at least a grimace. To put it lightly, your face looks gnarly as fuck. There’s a bruise on your cheekbone and your lip is split. But what really draws attention is the half-formed, garish black eye swelling up your right side. 
“Just the usual. Pissed someone off.” It hurts the skin on your lip that’s caked with blood. 
He rests his thumb on your unbruised cheek, but somehow it still stings. You know he can’t see much of you in the dark but he tries. The prolonged eye contact without the imminent promise of a kiss feels foreign. “You need to go to the Apollo cabin,” he concludes, brows pushed together. 
A laugh slips past your broken lips. “No fucking shot. They would not help me.”
“Why not?”
“Because one of their shit-eaters did this!”
The words take a moment to register. You see them filtering through Luke’s brain. He blinks absurdly. “An Apollo guy beat you up?”
“Not beat up. Just … tussled.”
“How much tussling earns you a black eye, exactly? From Apollo kids.”
“Gods, just tell me where your kit is so you can go back to fucking sleep.”
His fingertips inch around the back of your neck, thumb still against your face. “Already wasn’t sleeping. I might as well help you,” he shrugs. “I move the kit every once in a while so some other campers don’t ravage it.”
“I don’t need help.”
Luke opens his mouth, then sighs deeply. He takes a firm hold of your arm and starts to tug you along. “Hey, what—” you swat at his arm. 
“You’re ridiculous,” he huffs. “Come on.”
It’s strange. Luke’s never done you a favour before. At least not one like this. You’re disgruntled enough that you had to go ask him in the first place and now he’s dragging you around? “This isn’t such a big deal, Luke,” you badger. “I’m fine.”
“Sure, whatever. Wait right here.” He lets go of you and only then you realize you’re in front of the Apollo cabin. You grimace, and Luke must have noticed because he says, “Don’t worry, I’m just gonna go inside and grab some things. No one’s gonna jump you.”
You scowl at him, and he just laughs. A part of you hopes he hits his head on the way in. You hide anyway. 
It’s a few minutes of waiting in the oppressive summer heat, until Luke emerges from the cabin with his hands full. He looks around, hesitantly calling, “Heathen?” Then again. You move out of your hiding spot and he jogs over to greet you. 
“Nice haul,” you comment. There’s an ice pack, cotton pads, a few miscellaneous items. “How’d you get them?”
He smiles widely. “Everyone loves me, heathen. It’s not hard.”
“…So you stole them.”
“Yes, but only because I’m too tired to talk to people and I’m protesting for your sake,” he rattles off. “Now hold this ice pack before it gives me frostbite.”
The two of you make your way down to the docks again. It’s morphed into your usual meeting place, since the waves lapping at the shore mask when Luke gets a little too noisy just to piss you off. (At least that’s what he tells you.)
He’s stashed his little tin in a different tree this time. After he retrieves it he sets everything out like a chef preparing to make a meal out of gauze and rubbing alcohol. 
Your head has been throbbing for the past few hours. You’re not proud that you antagonized the wrong Apollo kid and got a shiner for it. You’re less proud that you came to Luke for help. Just like everyone else does.
“Come,” he gestures, tugging at the waistband of your pants. You scoot closer to him and swallow the weight of your pulse when he touches you. 
Luke slowly presses the ice pack to your black eye, letting you hold it. “What did you do to earn this, anyway?” He asks, head tilted to the side. 
You’re hissing because of the ice, half-consciously shifting into him. “The usual. Spat at him. Made fun of his daddy a little too much. Tripped him so he landed face-first in his offerings.”
“You did not,” Luke laments as he dots alcohol onto a cotton pad. 
“You’re allowed to say you’re proud of me, Saint Castellan. I won’t tell. You can be mean.” Your voice drips with irony, and you hope it bothers him. The flex in his jaw gives it away. 
“You’re always gonna be meaner,” is all he says back. “This is gonna hurt.”
It’s all the warning he gives before he presses the pad against your lip. The sting envelops you immediately, and your good eye squeezes shut. “Shit, ow!” 
“Stop moving your mouth.”
“Fuck,” you swear anyway. Your lip burns so hard you can feel it in your teeth. 
Luke holds your jaw with his other hand so you can’t shy away. “I’ll kiss it better,” he teases. “Almost done.”
You roll your eyes, but Luke takes the pad off a few moments later. “Serious question. How are you so awful to people all the time?”
A groan tears through your throat with such force your head tilts back. “Not you too! I don’t need a fucking reason, there is no reason. Why doesn’t anyone get that?” 
“I’m not asking why. I’m asking how.”
He’s oddly serious, the caress of his thumb on your cheek far slower. You hate it when people want a reason why you’re like this, just to help them sleep at night. But from the bags lining Luke’s eyes, sleep doesn’t seem to be on his radar. 
“I just don’t care,” you admit, shrugging. “I don’t care about any of them. I don’t care about what they can do to me. I don’t care about anything.”
“…What about the Gods?”
It makes you cock your head. “Huh?”
“You wouldn’t care about them, either?”
You think, but only about which words to use. “No,” you decide, “They don’t scare me. They’re nothing. What are they gonna do to me?”
Luke snorts, almost nervously. “Uh, punish you for saying that, for one.”
You turn back to him, ice pack leaving your eye as you gesture. “How? By killing me? Pecking out my eyeballs? Burning me alive? I’m telling you, I don’t care. I don’t care about anything. It’s all just nothing to me. I’m fucking unpunishable, I’d like to see them try.” 
Huffing, you look back up at the firmament of stars. Luke says nothing. 
The grass rustles as he shifts, and his mouth ghosts over the bruise on your eye. “Unpunishable,” he murmurs, like he’s testing it out. Then he places an uncharacteristically gentle kiss just beneath your eye. And another just above. “We’ll see about that.”
You get that feeling again, the unbearable lightness in a place it shouldn’t be. Mixed with the poison lodged in your heart. 
Luke kisses you, still so delicate that you wonder if he’s been body-snatched. If anything, your bleeding lip feels soothed against his. His hands cradle your face with no ferocity at all. It seems wrong. 
“How do you feel?” He asks after pulling away, dark eyes nebulous and wide. The night usually sharpens his features. Now, they’ve been hushed.
“Um, better,” you reply. 
He hums, laying a slow trail of kisses on your jaw. “Did you at least get the other guy?” He asks between kisses. “Like, did you hurt him?”
“Not really,” you divulge, wondering if you should feel shame. 
“Why?” He’s made his way to your neck now, nudging your jaw up so he can kiss behind your ear. 
“I’m not a fighter.” And, without warning, for a reason you will never, ever be able to explain, your tongue adds, “I’m a killer.”
Your own brows furrow. Luke pauses for a moment, but knocks his nose against your neck. “Guess one of us has to be.”
There’s no more fooling around. No snappy insults, no feverish kisses, no hunger to be satiated. Luke just checks you over a few more times, hides his med kit, and you both get up to sleep. But his hand wraps around your wrist, far less firm than when he dragged you here. “Stay in my bunk, heathen,” he offers. “Leave in the morning.”
You think you’re making a mistake when you agree, but it doesn’t feel like one. 
The next day, after you’ve left Luke’s bunk, rumours float around camp that Luke Castellan accidentally butted some Apollo kid in the face with his sword during training. Caused a bloody, broken nose. Luke was very sorry, apologized profusely. 
But you know, by the way he takes you behind the stables that night, that he didn’t mean a single damn word.
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