I wanna talk about Hard of Hearing Steve Harrington! I posted a version of this on twitter but wanted to edit and expand it slightly here. so please enjoy some HoH!Steve finding community through his and Eddie's deaf daughter.
Steve and Eddie weirdly have Richard Harrington to thank for their daughter. One of his mistress's had a child who was born deaf.
Richard wanted nothing to do with this child, or the girl's mother. He scoffed at the woman who just wanted some help, and told her "It looks like all his children are broken, and Harrington's demand perfection."
So this young woman - younger than Steve is at the time - who is alone in the world puts the child up for adoption, and as next of kin, Steve gets a call, asking about a child.
He and Eddie immediately say yes, of course they'll take the child. They'd been thinking about children for a long time, but they hadn't been so lucky in that department. Steve's half sister, as it happens, needs a home, because their good for nothing sperm donor of a father abandoned them both. So they will raise her, as their own, and she will never be made to feel othered, or lesser than. They name her Hope.
Steve has been wearing hearing aides for years now, he and Eddie had thought idly about learning sign language over the years, but they've never been able to commit. It always gets pushed to the side for other things, and Steve hears well enough anyway with his aides.
But with Hope? They buy all the books, and take lessons with Robin at the community college, because she's going to need it to communicate with the world.
Steve picks it up quickly, and he and Eddie watch as their infant toddler picks up language and can communicate with them. It's really a sight to see.
The guy who teaches the class is a CODA, child of deaf adults, and he puts them on to the Deaf community in the city, urges them to make sure their kid grows up with people like her.
So once again, they dive head first into the community, because Steve and Eddie would rather die than make Hope feel isolated. They take Hope to kid friendly Deaf events, they meet Deaf adults, and slowly as Steve talks to other Deaf people, he realizes that something just clicks for him.
Something had slotted out of place inside of him the second his hearing started to go, when he started to feel like he wasn't built for the world around him anymore, and people started to treat him differently for wearing hearing aides so young.
Eddie and the Party have always made him feel comfortable, they always make sure they look at him when they speak to him, never tell him never mind, or I'll tell you late when he misses anything. But even with all that support, he sometimes still feels like an outsider. But that off-balanced thing slides right back into place when he's at Deaf events with Hope because these people understand him so fundamentally.
Steve makes friends - outside of their little found family - actual friends who see him for who he is, not for what he lacks.
He wears his hearing aides less and less, and sign gets used in their home more and more, even when Hope isn't around. He starts to identify as Deaf. It feels like when he started dating Eddie, like the world opened up to him.
He's so so grateful to his father for the first time in his life because his affair brought Hope into their lives, and she is the best thing that ever happened to him and Eddie, and she gave Steve a community of people that made him feel comfortable in the world again.
And when Steve finds the Deaf Queer community? Well that just feels like coming home.
1K notes
·
View notes
Blue Eye Samurai & Themes of Breaking Free from Binaries and Boxes
Mizu must choose between being a woman or a man, between feminine and masculine.
Mizu must choose between being Japanese or white.
Mizu must choose between being human (loving) or demon (hateful).
Mizu has struggled against the chains placed upon her since birth, but no matter how much she writhes and pushes against them, the chains remain. And they will continue to, until she learns to accept all of those facets of herself and suppress none of it.
Mizu must realise that she is both feminine and masculine; Japanese and white; human and demon. Mizu is all of these things and everything in between and at the same time she is none of them. She is simply Mizu. Only upon accepting this can she slice through the chains and find freedom.
But Mizu isn't the only one faced with these stifling binaries and predetermined paths. Each of the main four characters represent this theme as well.
"This is the world. It grants women a fixed number of paths. Proper wife or improper whore." -Seki, to Akemi
Akemi, as a woman, must choose between being a wife (modest, meek, but rich) or whore (sexually liberated, willful, but exploited). Both of these would amount to defeat, both of these are cages. So what does she do? With the cards she's been dealt and the rules outlined for her, she decides to change the game so she can win, manipulating her husband (and father, who is now under her care) to give herself the advantage. This way, she blazes her own path ahead to achieve power for herself.
"As it says, there are four paths through the world. The way of the farmer, the artisan, the merchant, and the warrior. Each of these can lead to greatness. I never even cared which path, so long as I found mine." [...] "I know I can't touch greatness any more than I can swallow the sun. But, I can help. I can help greatness." -Ringo
Ringo, partially due to his disability, faces barriers succeeding any of the predetermined paths set out for him, but freely moves between each one in search of one that can lead him to greatness. However, upon meeting Mizu, his horizons expand. Now, he forges his own path, deciding to rise beyond a quest for his own greatness, choosing to instead to help greatness. This is similar to the role teachers take. Teachers do not get to be rich or successful or written into history books, but they help, teach, and inspire others so that they can rise up to their fullest potentials.
"Eighty-four thousand Dharma doors. For me, there were only two. The net or the sword. I could become my father, or I could cut my way free of the net." -Taigen
Taigen, born and raised impoverished, had only two options to survive. He could either be a fisherman and remain poor, or he could strive to work hard as a swordsman in the hopes to one day escape poverty. To him, it was a choice between a life of suffering or a chance at glory. Either way, the chances of dying (from either starvation or getting killed) were present, so obviously he'd taken the chance to run away and try his hand at greatness. But then, he lost his honour, and thus lost everything. Now his only choices are to regain his honour or simply kill himself. He tries the former, but upon bonding with Mizu and Ringo, he finds out there is more to life, that there is a third option open for him he'd never realised before: happiness. Rather than just mere survival, or toiling for material gain, he realises that life is about living.
Overall, the story is very multifaceted through its exploration of societal expectations and norms, and how people are forced to conform, but also the ways they can break free from those boxes.
And in my opinion each of the characters represent differing aspects of marginality, and can be analysed from differing perspectives.
Akemi's story is a predominantly feminist narrative about the marginalisation of women.
Ringo's story is a predominantly disabled narrative about the marginalisation of disabled folks.
Taigen's backstory is a Marxist narrative about the marginalisation of the poor and working class.
Mizu's story is most prominently a postcolonial narrative about the marginalisation of racial Others, ethnic minorities, and hybridised identities. However, as the protagonist, Mizu's story is the most multilayered and thus also heavily features feminist, queer, and Marxist themes due to her complex relationship with gender as well as her background as an orphan living on the streets.
I just found it very interesting that, altogether, the four main protagonists each represent groups that are fighting against an unjust system.
Even Takayoshi, son of the shogun, who should thus be one of Japan's most powerful men himself, is instead seemingly powerless as he is silenced and manipulated by his own mother due to his disability—his stutter.
I also find that these themes of breaking free from conformity and expectations are very interestingly displayed in Taigen, who had thought he'd found a way to join those unjust systems and play by all its rules, and by doing so he had played the role of antagonist. Because one of the central conflicts of the show is Man Vs Society, in which society is the antagonist and the man is Mizu, among others. So by becoming one with that cruel society, Taigen in turn also becomes Mizu's antagonist. Only when he is stripped of everything, all his years of struggle immediately stomped into the dirt as soon as he loses a single duel, only then does he shift away from his antagonistic role. Disgraced and dishonoured, he, too, now rejoins the margins of society, becoming an outcast alongside Mizu and Ringo.
So, TL;DR the society and world portrayed in Blue Eye Samurai is shitty for pretty much everyone unless you're a rich, corrupt, able-bodied cis man. Thus, essentially no one is free and everyone is restricted into neat little boxes where they play their roles and stay in line while the rich and powerful benefit. But Mizu, Akemi, Ringo and Taigen challenge this, and slowly they will rip the boxes go shreds—choosing what they want, and what they want to be, for themselves.
85 notes
·
View notes