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innenofutari · 5 years

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An Analysis of Vanitas’s Personality (meta)

I’ve always wanted to write some little meta for Vanitas no Carte, more specifically Vanitas, who probably is one of my favorite characters overall. I can’t help but find his entire character so well-built and intriguing! Most notably how he is written to be the center of the story- he’s like a “key” to the “catbox”; once you understand him, you can understand the themes and mysteries of the story (or at least that’s what I believe Mochijun is going for currently).

Diving into his mindset is, let me tell you, one hell of a confusing ride. But, at the end of it, I think I managed to form my own interpretations pretty well. Also, considering that he’s the type of character meant to be a mystery, feel free to agree or disagree with this meta, after all this is only the way I view things, and your interpretations aren’t any less valid than mine. With that being said, you better sit down because I’m one motherfucker who talks your ears off I’m so sorry.

1. Vanitas’s “change of mood” in the manga:

I think I want to start by talking about one of the things about Vanitas that caught my attention while reading the manga for the first time, and this is Vanitas’s “attitude change”. While I was reading, it was so subtle and gradual that I didn’t even properly realize until halfway through the catacombs arc. That instantly piqued my attention and I, a moron as I am, went “Wait didn’t this idiot act completely differently ten chapters ago?”. So why, exactly, did this dumbass change his demeanor so drastically? Well, he kind of didn’t, really.

At the start of the series, we all know Vanitas looked to be in “a good mood”; he laughed all the time, constantly wore a smile on his face and seemed like he was having fun with everything around him, yet suddenly, he got grumpier, angrier, snapping at the smallest things and so on. This never had anything with his temper and feelings, but everything to do with trust.

Now, what exactly do I mean by “trust”? I’m sure everyone reading this already knows, but I’ll talk about it anyway because it’s almost three in the unholy morning and I’m running solely on cans of soda.

I’ll start by saying that there is no more effective way to conceal your feelings than by wearing a grin on your face; one smile can mean a multitude of things, and it’s very hard to tell anything about a person based on that. The “smiling tactic” is an extremely effective way of obtaining information without unintentionally giving any to the person you’re trying to take information from.

Even when August is literally choking him, and Vanitas is clearly in pain, his smile stays on, unwavering, from the beginning to the very end of his interrogation. Later, August himself even acknowledges that he himself couldn’t discover shit about Vanitas after all, since Vanitas is so well guarded.

His smile also serves another purpose other than to omit, and it’s exactly to extract information from other people.

Vanitas relies a lot on charm and charisma to gather information. He knows people are more willing to talk to someone friendlier, who wears a smile on their faces all the time and to who they can feel a sense of security and trust towards.

Based on this, it’s pretty safe to assume that with Noé at first was the same, wasn’t it? His enthusiasm at the beginning never really existed (although I still believe his instant interest towards Noé is pretty real, like he gravitated towards him). He uses his smiles to conceal, to gather information and also to taunt people (e.g. Astolfo), but it’s not truthful.

For me, Vanitas’s sudden “change” was one of the biggest proofs of his trust on Noé, and marks the beginning of when he truly started to see him as someone he could (kind of) confide in. You could argue that Vanitas jumping in the Altus portal was also a sign of trust, but I disagree. That still felt weirdly “calculated”, he knows someone with a personality like Noé’s would never let someone die in front of their eyes, so he gambled on this possibility. Vanitas trusted his own understanding of Noé’s personality, not Noé himself. However, what would he even gain by acting grumpy next to Noé? Nothing, right? He’s just exposing himself needlessly.

Now the question, what exactly sparked this sudden change in the way Vanitas felt about Noé? For the when, I think it’s pretty obvious what scene it was.

This scene is very important for many reasons. Each of Vanitas’s expressions here tell their own story and capture the nature of his contradicting feelings so well. But, I’ll get to these “contradictions” in a second, now I wanted to talk about something else: “hope”.

It’s no news to anyone that Vanitas is like, depressed as shit and is pretty much passively suicidal and, of course, entirely disillusioned with the world and society as a whole. He believes people and vampires alike are inherently selfish, twisted beings. Creatures so wicked that there is no point to even reason with them. Vanitas doesn’t have any hope whatsoever, both in himself and others. For him, the person is already drowning before even stepping into the lake.

Even so, I firmly believe that there is a side of Vanitas that wished so fervently to be proven wrong. Even though he was dead set on his beliefs, he wanted someone to come and crush them. To prove him that there is good in this world, that he was being a damn fool this entire time. But no one ever stuck around enough to do that. They were all unable to truly reach out to him.

Noé gave him the hope that there was a person who could convince him. That there was a person who could understand him, reach out to the depths of his heart and get past his lies. He willingly sets up this façade of this cold, unfeeling jerk who has no care for others and always does as he pleases, but he’s always wanted someone to look past this. Yet, at the same time, he’s deathly afraid of this possibility.

In the first picture, his face is in awe, as if he was looking at salvation itself. However, that all crumbles down when Noé says he is staying with Vanitas and the implications this has. That’s what he is terrified of. Aaaand with this we move to the second section of this analysis! (Damn this is getting so lengthy I truly became that one freak who writes a thesis worth of analysis of a drawing).

2. Vanitas’s fears and contradictions:

I think it’s really obvious to everyone that damn this dude got some issues regarding forming relationships with other people. It’s pretty safe to say the only friend he has is Noé, and that’s such an easy thing to overlook, mainly because of how he acts around others. You could argue that he’s friends with Dante but… that’s not quite so. Dante is, in fact, fairly good at reading Vanitas (which, unpopular opinion, is not a hard thing to do given how emotional he is, but let’s get to that later) but between them there is an emotional barrier neither is willing to cross. They’re more like close acquaintances than anything.

Well, this isn’t groundbreaking, but it’s pretty obvious Vanitas is terrified of forming any meaningful bonds with others. Thing most obviously showcased in the notorious chapter 12:

This panel… is a tricky one. It’s totally up to the reader’s interpretation and it could mean a myriad of different things, especially since very little was revealed about his past as of chapter 39.

I personally see this scene as showing Vanitas’s fear of attachment, laced with a tinge of self hatred. There is nothing Vanitas fears more than getting close to people and caring about them, he himself sees this as a weakness and something he absolutely must not have. On a side note, it is also possible that Vanitas thinks so lowly of himself that he thinks anyone that would seriously love him was completely out of their minds. Or both, who knows?

But what is so interesting is that… he can’t. Vanitas knows he should be cold, calculating, use people as pieces and discard them, knows he shouldn’t be emotional or act on impulse, knows he shouldn’t express any kind of feeling whatsoever and keep the concealing smile. Yet, he just fails so miserably in every single one of those. Vanitas cares a lot, more than he’d ever want to admit, he does completely reckless and uncalled for things for no reason other than it pissed him off, so of course he gotta get the last say because he has the mind of a teenager on their rebellious phase.

Say, can you think of any, any at all, conceivable explanation of what Vanitas could possibly gain by making that speech for all vampires to hear during the ball? There is none. If you think from his perspective, the only thing that little spectacle of his brought were disadvantages for himself. So why? Because he felt belittled, humiliated, and he’s prideful as all hell, so of course he had to prove how none of that was even remotely true. He wanted to affirm himself. In the thinking process of a cunning, one hundred percent unemotional man, that was a completely unnecessary move.

It’s almost like Vanitas wants to become someone he’s not. He wants to act a certain way (to prevent even more pain?), but, ultimately, he cannot. It’s even funny how he fails spectacularly on keeping his expression “blank, without information” because even when he tries, his emotions all show on his face. It’s amusing how quick he is to try and cover said blunder with a laugh and a smile.

These contradictions are very deeply linked to his trauma, even if we don’t know the full extent of it it’s fairly obvious. What drives his wish to act so differently and thus his contradictions is, most of all, fear.

This part is pretty straightforward, in fact. In the end, Vanitas is afraid of forming bonds with others in fear of losing them, he knows firsthand how much it hurts (of course, he also doesn’t want anyone to discover his past). But that’s not all, remember how I mentioned that Vanitas’s expression only darkened in the clock tower (chapter 11) scene when Noé said he had decided to stay with him…? Well… I think Vanitas might think he brings misfortune to whoever gets involved with him. Like he is some symbol of disaster and doom that does nothing but kill those around him. If people care for him, they will suffer, but if they hate him, they will be completely fine.

Despite his insistence of being detached to all people and being a cold asshole because that’s what he must do, to avoid getting hurt, to avoid having weak points, he also craves so very badly for intimacy. He wants to be close to someone, to make an impression on someone. After all, during his whole life I doubt he truly had any meaningful relationships with others. But love only results in pain in the end, so what other strong emotion is left? Of course, it’s hatred.

Aaand this brings us to the last section of this analysis! May be a tad biased and controversial, but as I said, this is merely my opinion and I’m just as much of a random person on the internet as you! My opinion is no better than yours.

3. Vanitas’s relationships: Mainly Noé and Jeanne

As I said above, Vanitas wishes fervently to have some kind of relationship with someone, no matter which type. Since love is a no-go, he opted towards having someone feel intense hatred towards him. Because a strong emotion is a strong emotion, isn’t it? After all, hatred must be better than indifference.

Getting this out of the way, I do not think Vanitas truly loves Jeanne as of chapter 39. It’s glaringly obvious he does not, his way of showing true affection is not the way he does with Jeanne. The way he acts around her is much closer to the façade he tries to be. As I see it, this ties into Vanitas’s wish to explore intimacy and affection, even if a broken, twisted kind of. Another proof of this is that he doesn’t push her away like he does with people he knows he’s starting to grow fond of, but instead keeps her closer.

That is exactly due to the belief that she will always, always hate him, and so, there is absolutely nothing to fear. He can explore all these things and experience being the brunt of a person’s intense feelings without any consequences.

This is a very harsh thing to say, but I think Vanitas is using Jeanne as a “convenient female” he accused Dominique of being to Noé.

It’s also worth noting that in the one chapter he truly got somehow intimate with Jeanne he tried to avoid it in many ways, even trying the usual “flirting” to purposefully gross her out. By the way, can I just point out that this scene truly shows just how estranged from affection he is? He has none of the suave façade, he’s a blundering mess.

About the topic of whether Jeanne likes Vanitas or not, my answer is, too, a clear no as of chapter 39. Vanitas and Jeanne together are a combination that spawns all the disaster on earth, considering how manipulative and emotionally stunted Vanitas is, and how gullible and affection starved Jeanne is. It’s a recipe for disaster. Jeanne is not used to affection, she was mistreated during most of her life, treated as something below humans and vampires due to a thing that was completely out of her control, and then, melting at any sort of affection, no matter how twisted the person may be.

To be fair, I think overall Vanijeanne will develop immensely, and their relationship will grow into something else, more healthy? Who knows! I just think it’s undeniable that in the future Jeanne will have a big, big impact on Vanitas and vice versa. (Disclaimer: I will not tolerate any ship hate whatsoever and everyone is allowed to ship whatever they want regardless of the nature of said ship).

Shifting the focus away to Noé and Vanitas for now, there are some little things I would like to talk about and juxtapose with Vanijeanne, since parallels are my thing.

Parallels between Vanoé and Vanijeanne may not even exist and are just my mind overthinking (hell if this whole post isn’t just a big overthinking) but I would like to talk about what my sleep deprived mind came up with. First off, I think it’s safe to say that Vanoé’s relationship is depicted as complete opposites, opposite worldviews, personalities, fuck even color palettes! And the story as it is shows that they bring the absolute best out of each other and learn by staying by the other’s side. The whole narrative pushes the two halves of a whole idiot a lot.

Noé is naive, pure, idealistic but still possesses certain “selfishness” (like how he felt he was selfish when Louis died but he lived), while Vanitas is cunning, wicked, cynical and would throw his own life away for one corn chip. It’s like they were two people fated to meet.

Vanitas and Jeanne, on the other hand… are kind of similar, but only in certain ways, mostly due to trauma. Jeanne, too, only lives for a sole objective, the same way Vanitas clings to life using his self assigned duty to cure curse bearers. Jeanne and Vanitas both, are people who have essentially gave up on life, on the world, and on themselves. People who purposefully push themselves away from happiness, in fear of the consequences.

I think, at least right now, this is the main reason why they cannot see eye to eye (aside from Vanitas being an asshole). To understand Vanitas and reach out to him, one must see him with “love”. Without love, Vanitas’s struggles, trauma and suffering cannot be seen. If you look at him with eyes full of hatred, he’ll be exactly who he wants to be seen as; a cold, heartless bastard who toys with people and cares for no one other than himself. Jeanne doesn’t have the ability to see the world as purely as Noé does. She cannot find love even in seemingly irredeemable people such as Vanitas. Yet, at least.

That’s the main reason why I think Vanitas isn’t afraid of being near Jeanne, and that’s the main reason why Noé is probably such an… illogical existence to Vanitas. Vanitas, too, cannot see love in the world, and yet, Noé does. Noé catches every single small detail about him:

Whew! That was… one big fucking post! If you’ve reached this point, thank you! I write meta for fun only and to share my interpretations for you guys! Also, the last bit probably sounded very ship hate-y but I swear this was absolutely not my intention.

Actually, the true meaning of this whole post was that I wanted to make an Umineko reference with Vanitas no Carte and I have succeeded. Play Umineko, you guys.

#vnc vanitas #vanitas no carte #vnc #the case study of vanitas #meta #vanoé #vaninoé #vannoé #analysis #long post #vnc jeanne #noé archiviste

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qqueenofhades · 4 years

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I'm going to start this off by apologizing for how long this is probably going to be. And please feel free to delete this if it is too dumb or annoying But to start off the story I have been building in my head and have a few pages written now started in my head as a fanfic until it grew a life and a story of its own. (Not in the same vein as 50 shades I swear) So now I have been editing around the bits of what it started as a fanfic of and trying to make it more my own original thing. 1/3

The problem now comes in when I look at the literally hundreds of books/tv shows/movies I have read and watched over the years and my big fear is that in trying to make my story more original I worry that I'm just stealing from the other books, shows, and movies that I read and watched over the years that have just been filed back in the corners of my brain. And being raised in a weird school system and being taught that plagirism is the absolute worst thing you can ever do in writing. 2/3

It is basically making me want to throw my rough draft pages into the trashcan to never look at again and it has also left it very hard for me to read or watch anything new in all of this free time of quarantine because I worry that it will just influence my own story. Or I will see a better line and be like "well they wrote this type of story better than I could so mine is pointless". So I guess what this all boils down too is, is this the imposter syndrome that I see everyone talk about? 3/3

Oh honey. First of all, deep breath.

Next of all: absolutely NOBODY ever writes anything that is truly, utterly original. Even if they put some kind of new spin on the tropes or do it from a new angle or anything like that, all of humanity is drawing on the same basic literary architecture and telling narratives that have the same essential beats and structure. (Frankly, when anyone writes anything SO AVANT GARDE ORIGINAL, it’s usually turgid, deathly dull, and unreadable, at least in my opinion). Tropes and cliches are tropes and cliches because they work: they’re all part of the same storytelling kit that we all use and are proven effective ways to create drama, advance character conflict, provoke a response/emotions in your reader. Of course, if it’s nothing BUT unreconstructed tropes, that’s less good, but on their own, archetypes are not evil! They do not mean you’re a lazy writer, and they aren’t something that should Never Ever Be Used. Tropes are fun. We like them because they work. So you don’t need to reinvent the wheel of storytelling, and you shouldn’t feel that pressure to do so.

Everyone, as I said, engages in this kind of creative commerce, and by nature, stories will have common themes with each other. When in doubt, just channel your inner Mediocre White Man: mediocre white men get paid zillions of dollars to turn out absolute turds, and nobody thinks they shouldn’t, so why shouldn’t you do that with something that is almost guaranteed to be better? You have to read other stories and expose yourself to other narratives, both because a) it’s fun, and b) it helps you learn to sense how a story works, the parts that it puts together, the dynamic and technical aspects of good writing and narrative tension and character development, and to see which parts you want to learn and emulate, and which parts you want to improve on.

Trust me: the audience out there isn’t thinking “well this one author wrote this kind of story already, so nobody can ever write this story again.” Witness the thousands of identical and derivative mass-market fiction types that get published every year; even literary fiction and genre/sci fi/fantasy/horror fiction has recognizable and classifiable subgenres. They exist so people who like one book can eagerly go out and get books that are similar to it; readers LOVE having new options to suggest (and they may amass a huge pile on their bedside table that they really do not need to add any more books to, not that I am, uh, speaking from experience here or anything). You might discover, as almost everyone does, that there are authors or books out there that you like better than others, but that doesn’t mean that those authors you don’t personally prefer should just stop writing. There’s a huge literary market precisely because people do love books and stories and if they find something they like, will read it over and over. It’s like fanfic in that sense: just because someone wrote a coffee shop AU or whatever doesn’t mean that nobody can ever write a coffee shop AU again. We all bring our own perspectives and influences and preferences, and so nothing is exactly the same.

If you’re just ripping off huge chunks of someone else’s writing verbatim, and copying character names/plot beats without giving credit: then yes, obviously, that is plagiarism. But just allowing yourself to be influenced by stories you like (and to consume those stories, especially with all your quarantine free time when you’re probably climbing the walls with boredom otherwise) is absolutely NOT plagiarism, and you should not feel guilty about doing it. If you’re stressing over it to the point where it’s making you unable to do any work on it at all: again, take a deep breath, hit pause for a bit, reorient yourself, watch or read some things you enjoy, think critically about why you enjoy them, and decide how and why you want to apply them to your own work. You already transformed a fic into an original story -- that’s great! You clearly have thoughts and ideas about what makes this particular narrative go, and why you wanted to change the characters from the models you started with. That is the essence of transformative creative work, and of all storytelling everywhere. That is a GOOD thing! I’m excited that you’re doing it! People who might read your work are excited that you’re doing it!

So all this is to say: chin up, channel your inner Mediocre White Man, remember that everyone has done the same thing, has the same anxieties, and worries about how to shape their story, and it’s really okay. Art exists to comfort us in hard times like these, to be shared, to be enjoyed, to be transformed and replicated and critiqued and remade, and that is the essence of humanity and our love for these particular kind of stories. You can do it. It’s okay.

I believe in you. Hugs.

#writing advice #anonymous #ask

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gregoryandrew1991 · 4 years

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What Religion Is Reiki Wonderful Cool Tips

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Reiki Chakra Info

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Reiki Healing Throat Chakra

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#What Religion Is Reiki Wonderful Cool Tips #Learn Reiki In Gurgaon

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