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#and essays to do
cadaverkeys · 4 months
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You guys rlly don't realise how much knowledge is still not committed to the internet. I find books all the time with stuff that is impossible to find through a search engine- most people do not put their magnum opus research online for free and the more niche a skill is the less likely you are to have people who will leak those books online. (Nevermind all the books written prior to the internet that have knowledge that is not considered "relevant" enough to digitise).
Whenever people say that we r growing up with all the world's knowledge at our fingertips...it's not necessarily true. Is the amount of knowledge online potentially infinite? Yes. Is it all knowledge? No. You will be surprised at the niche things you can discover at a local archive or library.
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"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).
Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.
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thefantastician · 1 year
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is this relatable to everyone or just me
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druid-for-hire · 4 months
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[images ID: three images of a comic titled "one must imagine sisyphus happy" by druid-for-hire. it is a visual narrative beginning with someone with wrist pain (depicted by bright orange nerves) working at a drafting table. the reader is shown the same wrist as the person uses it for many everyday tasks such as carrying a grocery basket, pushing elevator buttons, typing, and doing dishes, until the pain dissolves all the panels into chaos. the person then performs several physical therapy exercises until the pain subsides. they sit back down at a desk with their laptop, sigh, and begin typing. a small spark of pain reappears. end id]
a fun little piece i made during the semester and submitted into our school comic anthology! (which you can buy at the Static Fish table at MoCCAFest in NYC ;] ). it's about artists and injury
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hattersarts · 9 months
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wives!
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cosmarrrs · 1 month
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get this boy out of the magnus institute NOW
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chillyfeetsteak · 3 months
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I first became fascinated with it a few years ago when I noticed it out an airplane window on a flight from Texas to Southern California. In an expanse of endless desert, suddenly, a vast body of water. When I got home, I immediately looked it up on a map. The Salton Sea.
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It’s the largest landlocked body of water in California. It sits right on top of the San Andreas Fault at over 200 feet below sea level. It is more than twice as salty as the Pacific Ocean. It is completely toxic. And I had never heard of it before then.
(photo essay under the cut)
In the early 1900s the Colorado River was diverted through a series of irrigation canals in order to provide water for the farmlands of Imperial Valley. One of the head-gates broke during a flood, and the desert basin filled with water for 2 years before it was fixed. The unexpected lake soon became a popular vacation destination; it was stocked with fish, and resorts and hotels popped up along its shores. It became known as a great place for sport fishing, waterskiing, and yacht parties. Big name celebrities visited. At one point, it had more annual visitors than Yosemite.
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Salton Sea has no outlet, and is only filled via agricultural runoff. As the water evaporated in the hot desert sun, the lake became more and more saline. Chemicals began to build up from the run off causing toxic algae blooms, and mass die-offs of fish and birds started in the 80s. By the 90s, the beaches were littered with fish gills and bird bones and the resorts were abandoned. The lake began to dry up as irrigation run-off was diverted away. The exposed lake bed is also toxic, and the high desert winds kick up the dust, making the air poisonous. 
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Despite the unpleasant odor, the noxious air and the summer temperatures regularly reaching 120°, a renaissance of sorts began in the early 2010s. Artist and nomad colonies began to spring up around Salton Sea. Bombay Beach, once a popular resort destination, is now mostly a ghost town, but the folks who remain have turned the ruins on the shores into an outdoor art installation gallery where the found-art sculptures are cyclically destroyed by the elements and then replaced with new ones. Many of the houses and RVs in town are themselves art pieces.
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In nearby Slab City, a settlement of off-the-grid lifestylers, you can find even more folk art. Salvation Mountain is a manmade hill painted with bright colors and bible verses and maintained by a community of volunteers. East Jesus is a sculpture garden and art installation. 
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This past weekend my partner and I finally made the pilgrimage to the Sea. California has the benefit of being home to a huge array of biomes. In just a couple of hours you can travel from snowy mountain peaks to lush oases to endless sand dunes. Driving the hour or so south from Palm Springs towards Salton Sea is like driving towards the end of the world.
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Bombay Beach especially enamored me. The beach is crusted with salt and millions of tiny shells and bones. It smells awful, like sewage and chemicals and low-tide and rotting fish. You drive out onto the beach and park anywhere amongst the sculptures and deteriorating resort ruins. The art feels raw in a way I haven’t experienced before. It reminds me of seeing paleolithic cave art. Humans made this, with no motivation other than to create something intriguing or beautiful or sad. Not much can live out here, but what you find fills me with a great adoration for humanity. Despite the asphyxiation of the natural world, the human spirit persists.
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ironunderstands · 15 days
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The way some of yall mischaracterize Ratio as being stoic in chill when in reality he is 24/7 resisting the urge to rip everyone around him a new one is crazy to me like. He cares so much, so much. It’s unhealthy, he loses the idgaf war every time because Ratio is the least nonchalant person ever like
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He was this close to breaking character and throttling Sunday like you cannot tell me he wasn’t planning a murder in this scene. Ratio straight up calls Sunday a crazy bitch but everyone brushed it aside 😭
Honestly his entire conversation with Screwllum is just him tweaking, watch it on YouTube the VAs performance is amazing, you can here just how much He Cares
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Genuinely, Aventurine is way better at concealing his true feelings that Ratio. Ratio may be acting for the sake of the plan but the way he truly feels about anything he’s doing always seeps through, it’s why he apologizes to Aventurine in 2.0 in their staged argument scene. It’s why he is as mean to Sunday as he can be. It’s why him pretending that he “hates” Aventurine makes him act so silly. Ratio can’t fully commit to the bit, he can’t force himself to not care or to be someone he isn’t, because fundamentally Ratio CARES and that is something he is incapable of hiding, alabaster bust or not.
The problem is that him expressing his care is often done in a rude and/or blunt manner which people tend to interpret as stoicism or apathy when it’s anything but. Ratio’s vial that he gives to Aventurine is short, sweet and gets straight to the point, because that’s the easiest way for Ratio to express his emotions, even if it’s often detrimental for him and anyone else around him. However Aventurine understands him quite well, and knows that although brief, Ratio telling him to “stay alive, survive this and keep on living” is how he truly feels towards Aventurine, and that’s enough to keep him going.
Underneath Ratios carefully crafted marble facade is a man who cares so much and is so bad at expressing it and I wish the community in general, especially Aventio shippers would acknowledge that more. Ratios true moments of sincerity are brief, but they are anything but stoic. Let the man be soft, it’s in character.
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chihirolovebot · 5 months
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on a real note that bit near the end of the video was genuinely haunting. hearing somerton talk about how gay writers are erased from history was one thing (with all the irony being that he stepped on the backs of numerous underpaid, underprivileged and uncredited queer writers to build his youtube channel) but when h revealed it wasn't even somerton's quote in the first place? the worst, most crushing sort of irony. how do you lament about the erasure of gay people and gay writers in history... whilst erasing a gay writer and taking his words as your own?
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theworldsforgottenboy · 2 months
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This but Lisa and the creature
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fictionadventurer · 9 months
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I have to talk about Chester Arthur. His story makes me go crazy. A mediocre president from the 1880s who's completely forgotten today has one of the best redemption stories I've ever heard and I need to make people understand just how cool his story is.
So, like, he starts out as this idealist, okay? He's the son of an abolitionist minister and becomes famous as a New York lawyer who defends the North's version of Rosa Parks whose story desegregates New York City's trolley system.
Then he starts getting pulled into politics and becomes one of the grimiest pieces of the political machine. He wants money, power, prestige, and he gets it. He becomes the right-hand man of Roscoe Conkling, the most feared political boss in the nation, a guy who will throw his weight around and do the most ruthless things imaginable to keep his friends in power and destroy his enemies.
Because Arthur's this guy's top lackey, he gets to be Controller of the Port of New York--the best-paying political appointment in the country, because that port brings in, like, 70% of the federal government's funds in tariffs. He gets a huge salary plus a percentage of all the fines they levy on lawbreakers, and because he's not afraid to make up infractions to fine people over, he is absolutely raking in the dough. Making the rough equivalent of $1.3 million a year--absolutely insane amounts of money for a government position. He's spending ridiculous sums on clothes, buying huge amounts of alcohol and cigars to share with people as part of his job recruiting supporters to the party, going out nearly every night to wine and dine people as part of his work in the political machine. He's living the high life. Even when President Hayes pulls him from his position on suspicions of fraud, he's still living a great life of wealth, power, and prestige.
Then in 1880, his beloved wife dies. While he's out of town working for a political campaign. And he can't get back in time to say goodbye before she dies. Because he's a guy who has big emotions, it absolutely tears him up inside, especially because Nell resented how much his political work kept him away from home. He has huge regrets, but he just moves in with Roscoe Conkling and keeps working for the political machine.
And then he gets a chance to be vice president. The Republican Party has nominated James Garfield, a dark horse candidate who wants to reform the spoils system that has given Conking his power and gave Arthur his position as Port Controller. Conkling is pissed, and he controls New York, and since the party's not going to win the election without New York, they think that appointing Conkling's top lackey as vice-president will pacify him.
They're wrong--Conkling orders Arthur to refuse--but Arthur thinks this sounds like a great opportunity. The only political position he's ever held is Port Controller--a job he wasn't elected to and that he was pulled from in disgrace. Vice President is way more than he could ever have hoped for. It's a position with a lot of political pull and zero actual responsibilities. He'll get to spend four years living in up in Washington high society. It's the perfect job! Of course he accepts, and Conkling comes around when he figures out that he can use this to his advantage.
When Garfield becomes president, Arthur does everything he can to undermine him. He uses every dirty political trick he can think of to block everything that Garfield wants to do. He refuses to let the Senate elect a president pro tempore so he can stay there and influence every bill that comes through. He all but openly boasts of buying votes in the election. He's so much Conkling's lackey that he may as well be the henchman of a cartoon supervillain. On Conkling's orders, he drags one of Garfield's Cabinet members out of bed in the middle of the night--while the guy is ill--to drag him to Conkling's house so he can be forced to resign. He's just absolutely a thorn in the president's side, a henchman doing everything he can to maintain the corrupt spoils system.
Then in July 1881, when Arthur's in New York helping Conkling's campaign, the president gets shot. By a guy who shouts, "Now Arthur will be president!" just after he fires the gun. Arthur has just spent the past four months fighting the president tooth and nail. Everyone thinks he's behind the assassination. There are lynch mobs looking to take out him and Conkling. The papers are tearing him apart.
Arthur is absolutely distraught. He rushes to Washington to speak with the president and assure him of his innocence, but the doctors won't let him in the room. He gets choked up when talking to the First Lady. Reporters find him weeping in his house in Washington. Once again, death has torn his world apart and he's not getting a chance to make amends.
Arthur goes to New York while the president is getting medical treatment, and he refuses to come to Washington and take charge because he doesn't dare to give the impression that he's looking to take over. No one wants Arthur to be president and he doesn't want to be president, and the possibility that this corrupt political lackey is about to ascend to the highest office in the land is absolutely terrifying to everyone.
Then in August, when it's becoming clear that the president is unlikely to recover, he gets a letter. From a 31-year-old invalid from New York named Julia Sand. A woman from a very politically-minded family who has been following Arthur's career for years. And she writes him this astounding letter that takes him to task for his corrupt, conniving ways, and the obsession with worldly power and prestige that has brought him wealth and fame at the cost of his own soul--and she tells him that he can do better. In the midst of a nationwide press that's tearing him apart, this one woman writes to tell him that she believes he has the capacity to be a good president and a good man if he changes his ways.
And then he does. After Garfield dies, people come to Arthur's house and find servants who tell them that Arthur is in his room weeping like a child (I told you he had big emotions), but he takes the oath of office and ascends to the presidency. And he becomes a completely different man. His first speech as president mentions that one of his top priorities is reforming the spoils system so that people will be appointed based on merit rather than getting appointed as political favors with each change in the administration. Even though this system made him president. When Conkling comes to Arthur's office telling him to appoint his people to important government positions, Arthur calls his demands outrageous, throws him out, and keeps Garfield's appointees in the positions. "He's not Chet Arthur anymore," one of his former political friends laments. "He's the president."
He loses all his former political friends. He's never trusted by the other side. Yet he sticks to his guns and continues to support spoils system reform. He prosecutes a postal service corruption case that everyone thought he would drop. He's the one who signs into law the first civil service reform bill, even though presidents have been trying to do this for more than ten years, and he's the person who's gained all his power through the spoils system. He immediately takes action to enforce this bill when he could have just dropped it. He becomes a champion of this issue even though it's the last thing anyone would have expected of him.
He oversees naval reform. He oversees a renovation of the White House. He still prefers the social duties of the presidency, but he's respectable in a way that no one expected. Possibly because Julia Sand keeps sending him letters of encouragement and advice over the next two years. But also because he's dying.
Not long after ascending to the presidency, he learns he's suffering from a terminal kidney disease. And he tells no one. He keeps going about his daily life, fulfilling his duties as president, and keeps his health problems hidden. Once again, death is upending his life, and this time it's his own death. He's lived a life he's ashamed of, and he doesn't have much time left to change. He enters the presidency as an example of the absolute worst of the political system, and leaves it as a respectable man.
He makes a token effort to seek re-election, but because of his health problems, he doesn't mind at all when someone else gets the nomination. He dies a couple of years after leaving office. The day before his death, he orders most of his papers burned, because he's ashamed of his old life--but among the things that are saved are the letters from Julia Sand, the woman who encouraged him to change his ways.
This is an astounding story full of so many twists and turns and dramatic moments. A man who falls from idealism into the worst kind of corruption and then claws his way back up to decency because of a series of devastating personal losses and unexpected opportunities to do more than he could have ever hoped to do. I just go crazy thinking about it and I need you all to understand just how amazing this story is.
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astrolavas · 1 year
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thinking about the... potential clawthorne woodcarving mentorship.
+ bonus cuz also thinking abt how if hunter ever met dell's palisman and got reminded of flapjack, he'd probably feel bad abt making that association cuz he knows what it's like to be seen only as someone's different version (even though the bird wouldn't mind much so lol)
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#eda having that palistrom seed.. hunter saying he wants to learn how to carve palisman... his relation to clawthornes. it HAS to mean STH js#the owl house#toh#hunter toh#toh hunter#hahaa always thinking abt hunter growing a soft spot for palismen and loving creating and bringing them to life#but never being able to replace flapjack no matter how many palismen for other ppl he carves. I'M GONNA-#:((((( :///#like he's not going to want to replace flapjack just like that rn. cuz he LOVES that bird. it's gonna be so hard for him to just.. Move On#and flapjack's a PART of him.. so very curious where they'll go with this because..... HM. HM like he serves as his disability aid almost#and he can't just REMAKE him. but he cannot also just.... ignore what happened straight away. but it's also important to heal#but whatever he decides to do i feel like he'd love to just............ create. whether it be for himself or others#BUT GAH. ANYWAY XKJSJSK wrote an essay abt this already don't need to write one in the tags TOO. so uh .. yea#little guy.. pls find happiness#my art#fanart#hunter#hunter noceda#hunter wittebane#eda#eda clawthorne#dell#dell clawthorne#dell's palisman#toh art#edalyn clawthorne#also like...... if flapjack and dell's palisman were caleb's and evelyn's palismen...... and knew each other........#and while flapjack was waiting for his new person at the bat queen's cave dell's palisman was being passed down clawthorne generations#OUUHGHHHHGHHHH they were probably friends..... they Knew each other#what's up with you you mysterious yellow bird with eyebrows...... what's your story
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xanderscollection · 4 months
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midnightsslut · 5 days
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religion is one of the most prominent recurring themes on the album, and it has been present in some capacity for quite a few records now. taylor previously compared love to religion: her saving grace, her belief system, and a fated divine intervention (false god, cornelia street, and cruel summer are the best examples of this). ‘sacred new beginnings that became my religion’ and ‘we’d still worship this love even if it’s a false god’ are two of the defining statements about her philosophy on the lover album.
taylor doesn’t want to leave all of that behind on ttpd, at least not at the beginning. the first supernatural force she mentions is the spaceship on down bad, which she compares to a skylight of freedom in the epilogue. *something* has finally come to save her from her life of suffering. she doesn’t care if it’s a force of good at first; if anything, she’s just fine being taken away by aliens. she views this man as her destiny. it isn’t until guilty as sin? that taylor starts to ponder the moral implications of what she’s doing. is she guilty as sin for wanting to leave her previous religion and relationship behind? she comes to the conclusion that, even if she rolls the stone away and gets resurrected/redeemed, she cannot avoid the fallout. she is okay with the thought of having to wait, as long as both lovers vow to be together forever, just as she once did with someone else in false god. ‘I choose you and me religiously’ finishes the bridge of the song in a direct callback to cornelia street.
the next mention of religion has murkier imagery. she claims that she does not need the Lord’s help to save this man. she sees the halo that he has, and she can fix him herself. now that she feels free of her prior cage, she isn’t looking for divine intervention anymore. she wants control. she is their route to salvation.
when the relationship falls apart, she retreats back into the position of a believer rather than a divine figure. she compares him to a Holy Ghost who promised to save her and take her to heaven. instead, she is in hell in every sense of the word: she’s down bad and feels guilty for digging up the grave. he was a jehovah’s witness who promised that she could break free of the cage imposed by love without changing her religion altogether; she would’ve just had to switch denominations. she could still have a marriage and kids! she could still have a blue tortured poet! the man was different, but not the dreams they had together. the story of the first part of the album ends here. her faith has been broken, and she has only found any semblance of sanity by refusing to mention these belief systems altogether.
side b/the anthology blends the christian imagery of side a with goddesses, sorcerers, and prophecies. she bargains with these powers to let her have the future she wants (the prophecy). she doesn’t sound like someone believing in salvation. if anything, she feels cursed. she decides that the concept of divinely ordained timing will never work in certain relationships (‘the goddess of timing once found us beguiling / she said she was trying / peter, was she lying?’). this disdain extends onto her perception of other people’s faith (‘bet they never spared a prayer for my soul’). she does position herself as a prophet in cassandra, but even then, she admits that the role has hurt her. perhaps the pain in thank you aimee was meant to be, or perhaps she was just strong enough to build a legacy in spite of it, boulder by boulder. is she a martyr? does she want to be? or did she save herself?
the only real love song on this half of the album makes no mention of fate or any divine forces. it wasn’t meant to be. it’s not a supernatural invisible string or lightning in a bottle. she is just in love.
the album ends with the manuscript, which revisits an old story of a defining, formative heartbreak. as she sings ‘at last, she knew what the agony had been for’ while describing the legacy of her writing, she seems to revert to thinking about the purpose of trauma. the only exception is that, in this case, she is the one who found meaning in her pain by turning it into a manuscript. writing is her belief system now, and she proselytizes by telling her stories and thus giving up the manuscript.
ultimately, her belief in destiny has chewed her up and spat her out. she so desperately clung to her existing belief systems that she was fooled by a conman, which left her feeling cursed. religion is supposed to be with someone even in their darkest moments, but the album explains that taylor often felt abandoned. the only constant in her life was, well, herself. she’ll be okay, but her pen will be her saving grace.
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probablyaseamonster · 5 months
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so insane about the Fairy Queen (or whatever the hell it is).
It takes no "disrespect" or "talking back". It wants you to stay. It will literally die without you. It is explicitly described as an elder. We are sticking to tradition because "this is just the way it is."
The Fairy Island is a place of pure nostalgia. Everyone who goes there stays young. You can live in the bliss and pretend everything's alright but the rules are set in stone and you cannot change or bend them.
Childhood is wonderful in comparison to adulthood, sure. But there's a reason being "treated like a child" feels like a dismissal of dignity. You could play and pretend you could fly and have zero responsibilities but there would always be an older figure holding you back, holding you down. You were never really free.
And leaving is hard, and painful, and you'll be leaving family members who love you behind. But you need to leave. Escape, even as the island tries to stop you. The human world will seem boring at times, but that island is a prison. You were never really free.
Hilda said a lot of things this season, about families and the different ways we love and hurt each other. But I was not expecting that the last reveal of the show would be that Johanna is not just the best mother in fiction, but that she also broke the cycle. By letting her daughter be free, by giving her daughter the same respect she'd give an adult. By treating her like a person. Like a human being, not a fairy. In the fairy realm, in nostalgia, and childhood, you were never really free.
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sugarsnappeases · 5 days
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returning to the arms of my lover (jstor) oh how i have missed her
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