I don't know if you have seen these comments on social media, but I have noticed a large part of people hate AmyLaurie even if they think of Jo is aro/ace or lesbian. They just hate the ship. When I read the book after the movie, I thought it was very well developed.
I've seen it. I think most of it comes from the idea that Laurie and Amy's marriage is a direct consequence of Jo's rejection. I hear people talk about them in a simplistic and superficial manner. "Laurie loves Jo but she says no, so he goes to her sister," or "Amy married her sister's ex." Cinema Therapy referred to it as Laurie getting over Jo by marrying Amy! This really hurts the relationship because it makes Amy a rebound. I just saw this post (x) that perfectly contrasts the audience vs the actual book. In the book, Laurie has headaches over his feelings. He thinks he has to remain loyal to his "love" for Jo but can't stop thinking about Amy.
And the hate for Amy alone makes people furious because she got a happy ending. Laurie's money might not have been important for the Marches, but it certainly is for some readers/viewers.
And then adaptations have never really made an honest effort to promote the couple. I know the story is not a romance, but a coming-of-age. But the character's growth led them to a place where they can build a healthy relationship.
Neither Florence nor Timothee made one intelligent comment about them. Flo justified the relationship by saying Amy had always loved him, which doesn't really mean anything, and then focused only on Amy's ambitions. And Timothee literally said Laurie lost because he didn't marry Jo and he always talked about JoLaurie 🤬🤬🤬🤬🤬 (beware for a new wave of those stupid comments during Dune 2 promo). In general, the promo for that movie ignored AmyLaurie. Where were the photoshoots, the interviews?! And the movie itself doesn't care about the love story and makes it all about the economic proposition speech 🙄🙄🙄. If Greta didn't care about the romance, then why did she put so much emphasis on it?
Other adaptations have given them truly beautiful moments, but overall they fall short. The 2017 series made a video about JoFritz, but I don't think Kathryn Newton (Amy) did any press. It does have the best proposal scene, though 🥰🥰🥰🥰. And at the very least, Laurie does not publicly humiliate her and then just kiss her. And it shows that they were friends since they were children.
The 1994 film had the best shot because the actors were a real couple. But there's something about Samantha Mathis' acting that just doesn't work. Plus they added the infamous line "I always wanted to be part of the March family."
Most adaptations sideline that story or completely omit any scene in Europe. So you see Laurie proposing to Jo and in the next scene, he comes back married to Amy. Make it make sense. Because Europe is also the part where Laurie grows up so that also is gone. I keep hearing the 1970 BBC series does a good job, but it is the most difficult to find.
So, part of it is a lack of reading comprehension, plus oversimplification, and unsatisfactory adaptations. It's all part of the problem.
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you
title: you
fandom: little women
pairing: theodore laurence x amy march
rating: t
summary: laurie is nervous on his wedding night.
you
They marry quickly - for practical purposes, of course. Aunt March can no longer travel, and it would be inappropriate for her to travel back to America with only him and his grandfather to accompany her. And her staying there in Europe until they manage to find a proper chaperone is out of the question; not only does she need to see her family, but the thought of being apart from each other for an indefinite amount of time, an ocean between them, is simply unbearable for the both of them.
He promises he'll give her a proper wedding when they get back to Concord, on their way to the chapel the morning they say their vows. She protests, saying that she doesn't need it, that he and her family is all she needs, but he persists, because she deserves more than rushed vows in an unfamiliar church in Le Havre. He whispers to her about all a wedding would entail - the beautiful dress she would wear, the elegant party they would hold with beautiful music and delightful food, the way he would dance with her - and her eyes slowly light up.
"That does sound lovely," she relents, and he smiles.
So they marry quickly, and afterwards go to where they're staying for the evening before heading to England the next day. His grandfather had found the nicest hotel in the city, and when they arrive, they are greeted with the finest champagne and a small cake baked especially for them from the kitchen. They sit in the parlor and eat it with his grandfather and Aunt March, who has become even more high-strung as her illness has progressed. She complains about everything - the china patterns, the temperature, the wallpaper in the room. He only half hears her, though, and leaves it to his grandfather to placate and entertain the woman. His only focus is his bride. His wife.
His Amy.
When the four decide to part for the evening, he leads her to their suite with slow steps, his heart pounding in his chest. He's been with several women before, but this is different - it's Amy. And he doesn't think he's ever been more anxious in his life than he is now.
He barely manages to open the door; his hand shakes as he attempts to put the key into the lock. Eventually, he succeeds, and he opens the door, stepping back for her.
"After you, my lady."
She fights a smile, and looks up at him for a moment before curtsying slightly.
"Thank you, my lord."
He watches her as she walks into the room, taking one deep breath to try and calm his nerves before following her and closing the door behind them with a soft thud.
They don't speak; instead, he sits down on the bed and watches her as she moves around. His grandfather has arranged for their things to be dropped off here, and she looks through her luggage before pulling out a brush and a thin white nightgown. He gulps, his fingers twitching against the sheets.
She sits down at the vanity and begins to take the pins out of her hair. He gazes at her, and catches her eye in the mirror as she reaches down for her brush. She averts her gaze quickly. He frowns; maybe she doesn't want to do anything tonight other than sleep. She's still mourning Beth, of course, and although the day had been happy, it had also been exhausting. Not to mention the long journey they were to begin tomorrow.
It's her decision. He doesn't want to pressure her, and he doesn't want to think she would be disappointing him. He wants her desperately, yes, but he's also willing to wait for her. He'd wait for her forever if it pleased her.
Just as he's about to tell her his thoughts, she speaks.
"Would you help me with the buttons on my dress?"
He looks up, and their eyes meet in the mirror once more. This time, she doesn't look away.
His mouth goes dry, but he manages to answer her gently.
"Of course."
He gets up, takes four long steps towards her as she stands and presents her back to him. He's immediately reminded of that day in her studio, when he'd unbuttoned her smock. It had been the first time he'd realized that his feelings for Amy March ran much, much deeper (and much, much differently) than he thought they did.
He pushes aside her long blonde hair; he doesn't think he's seen Amy with her hair down since she was a child. He immediately wants to run his fingers through it, to see what it looks like splayed out on the bed as she lies below him. But right now, he has a mission to complete, and a dress to unbutton.
But again, his hands shake, and he fumbles with the first few buttons like a fool. She turns around and looks at him curiously, but then, her face softens.
"You're nervous?" she asks, and her voice is almost incredulous. He'd already mentioned the fact that he'd been with other women before. She'd flinched when he told her, and he hated it. He wished he could take back every moment he had ever spent with someone else. But then she'd sat up straight and taken his face in her hands.
"It doesn't matter," she’d told him. "The important thing is that it's only the two of us now, always."
"Forever," he'd told her earnestly.
So he understands her confusion; he should be an expert at undoing the back of a dress, and he is, typically. But yes, he's nervous.
"Why?" she asks.
"Because it's you," he answers simply.
It's Amy. The love of his life. And she deserves nothing but perfection, something she can remember for the rest of her life with fondness and love.
"Are you nervous?" he asks her.
She blushes and looks down, but shakes her head firmly.
"Why?" he asks, echoing her question.
She looks back up at him, the sweetest smile on her face. For a moment, he remembers her face the first time they ever met, her staring up at him from her seat on the floor, her eyes shining with the firelight.
I'm Amy.
Now, she reaches out and takes one of his shaking hands in hers, kisses his palm and then holds it to the side of her face.
"Because it's you."
She smiles softly, closing the space between them and standing up on the tips of her toes to kiss him. And when her lips touch his, his heartbeat finally begins to steady.
a/n: champagne problems is coming soon!
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was rewatching little women (2019) yesterday and i noticed something interesting:
now i personally think that while byler parallels amylaurie perfectly, jolaurie and miIeven's parallels aren't as significant but this one line in laurie's confession to jo stood out for me:
"why does everyone expect it, then? why does your family and my grandpa expect it? why are you saying this? say yes. let's be happy together, jo!"
something something "mike is trying to be normal" and trying to do things people expect of him...
something something lucas and nancy teasing him about el
something something "i mean what did you think, really? that we were never gonna get girlfriends?"
what i'm saying is, the duffer brothers are geniuses for acknowledging the little women references because there's so much to decode too and gives me a newer perspective into the original works as well.
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