#amt theater

[sawthemusical]

She's never smiled so wide before!🐷

#amanda young #saw the musical #pig in a wig #i've never smiled so wide before #heroine #musical theater #amt theater #live performance #gabrielle goodman #musicals #parody #horror #saw #saw franchise #saw movies

[fearsmagazine]

SAW THE MUSICAL : THE UNAUTHORIZED PARODY OF SAW gets NY debut September2023

After a wildly successful run in Philadelphia, Cooper Jordan Entertainment will bring SAW The Musical: The Unauthorized Parody of Saw Off–Broadway this fall. Created by Cooper Jordan (DEX! A Killer Musical, The Rat Pack Undead), SAW The Musical has a book by Award -Winning Writer Zoe Ann Jordan (Virtuoso - NYCHFF) and music & lyrics by Patrick Spencer & Anthony De Angelis (An Axemas Story), and directed by Tony Award Winner Stephanie Rosenberg (Easter Bunny HOP! LIVE; Co-Producer: Moulin Rouge! The Musical, Anastasia) with music direction by Leigh Pomeranz (DEX! A Killer Musical). It will begin performances on September 16, 2023 in, advance of its opening on Sunday, October 1, 2023; the limited run is slated to run through January 1, 2024 at the AMT Theater (345 West 45th Street) in Midtown’s Theater District.

SAW The Musical: The Unauthorized Parody of Saw premieres Off-Broadway Fall 2023 in New York after its smash out-of-town tryout in Philadelphia last year! One of the most thought-provoking horror films of all time now is…a musical . SAW The Musical hilariously captures the events of the first movie, parodying the Saw that started it all, following from where Lawrence Gordon and Adam Stanheight find each other for the first time in the bathroom trap. Will they follow "the rules" as they discover each other's secrets? Will they escape the game in time and saw right through? A love story with fluidity (and lots more fluids), SAW The Musical: The Unauthorized Parody of Saw is Little Shop of Horrors meets Avenue Q , pushing the boundary on sexuality and how to love. {!Parental Advisory: Explicit Content}

"SAW The Musical: The Unauthorized Parody of Saw brings the iconic horror film to life on stage with a wickedly funny twist. Now is the perfect time to laugh at the macabre as we blend horror and hair-raising laughter, creating a unique musical experience that's both hilarious and thrilling. Get ready for a love story entangled in traps, secrets, and unexpected humor, pushing the boundaries of entertainment with a dash of explicit fun." Cooper Jordan, Creator and Producer

SAW The Musical: The Unauthorized Parody of Saw stars Bart Shatto (Bart Shatto Broadway (Dracula: the Musical - Quincey Morris), Tony- nominated War Paint) as Gordon, Adam Parbhoo (NY: Home’s Kitchen) as Adam, Jill Owen (NY Easter Bunny HOP! LIVE;) as Amanda/Alli/Jigsaw and Voiceover for Detective Tapp is by Donnell Johnson, with Danny Durr (National Tour: A Christmas Carol), Gabrielle Goodman (NY: Open, Stay), Patrick Voss Davis (Film: Lucky Louie. Regional: Newsies), James Lynch (New York: Baby Powder), Thomas Skea (Film: Out of Water), Morgan Traud (Regional: Mame), Jessica Morilak (“A Sketch of New York”). Additional cast TBA

The creative team includes Sound Designer Ryan Gravett (Sound Designer), Katie Reif (Associate Sound Designer), Dan Renkin (Fight Director), Sarah Thurmond (Production Manager), and Gabrielle P. Guagenti (Production Stage Manager). The Musical is produced by Cooper Jordan, Saw The Musical Parody LLC, Stephanie Rosenberg, Katie Reif and more to be announced. Cooper Jordan is the Lead Producer.

SAW The Musical: The Unauthorized Parody of Saw begins performances on September 16, 2023, at AMT Theater, located at 345 West 45th Street. It will play on Saturdays at 11 PM and Sundays at 5 PM (after 2pm & 8pm Broadway curtains come down), running 100 minutes with no intermission. Tickets are $41-$113 (incl. fees). Extremely limited “Super Saw VIP Front Row Seats” including The Bathroom Mirror Merch Box are available for every performance for $113 total ($110 + $3 fee), VIP Front Rows A-B at $98 ($95 + $3 fee), Premium at $78 ($75 + $3 fee), Orchestra at $61 ($58 + $ 3 fee) & Rear Orchestra / Mezz at $41 ($38 plus $3 fee) and are available by visiting SawtheMusical.com or at the AMT Theater Box Office in person or by calling 646-543-4385. All VIP Seats include “Pictures with Pigs in Wigs” on Stage following the performance. SAW The Musical contains mature content and is not recommended for children under 16.

#theatre news #off broadway #saw the musical #Unauthorized #Parody #Stephanie Rosenberg #Zoe Ann Jordan #Patrick Spencer #Anthony De Angelis #Cooper Jordan #AMT Theater

[travsd]

Tonight: Klezmer in the Kitchen (Hell's Kitchen, That Is)

Tonight: Klezmer in the Kitchen (Hell’s Kitchen, That Is)

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#AMT Theater #Frank London #Frank London&039;s Klezmer #Hell&039;s Kitchen #klezmer #Klezmer in the Kitchen #NY Klezmer Series

[spinninglightning]

treech th type of guy to listen to one direction and clarity by zedd. n jst the early 2010s music in general. lamina though? definitely into 80s pop, madonna, cyndi lauper, pat benatar- the WORKS

#like NO ONE expects him to listen to this music #and that whar makes it great #everyone expects him to be an indie or rock music typa guy (and he is. but they arent his mains) #theres so many different types of music out nowadays that its kind of hard to believe theyd only listen to one type #heart of glass by blondie is literally lamina guys i swear #i do think that lamina would love sk8ter boi and potential breakup song. emo music too #omg... treech cascada fan... everytime we touch is his favorite song #these dorks are the type to dance in the kitchen to the cheesiest songs #i think that whenever they do a big ol cleanign day thwy have to compromise on what music to play #so they make a big ol playlist and just have it on shuffle so there like big amts of tonal whiplash #omg okay so #i think lams wld also be an orbit but i feel like thats a given tbh #i think that lamina and treech both had emo phases. but lams had hers in middle school while treechs was all of highschool (theater kid too #laminas emo phase leaks more into her music taste than treechs i think. his leaks more into his fashion (to a lesser degree) #okay this is for modern au tbhhh #the songs that i associate with them and the songs i think they listen too are really different and i think thats great #i shld make them their own pls #brainedrot... #basil.txt #treech tbosas #lamina tbosas #tbosas

[ispyspookymansion]

its in nyc (the amt theater) and will run mostly on saturdays and sundays from september 16th to january 1st. its a parody musical with a lot of explicit comedy and only a 3 person cast! this poll is no obligation but if even a small number of people are interested, ill make a google form to see if theres any availability overlap for us to meet up and hang out :)

#i dont want to tag this for visibility that feels cringe so my psionic warriors just rb if you want to #and i’ll boost a few times #saw #kora.txt

[unddervorhanggehtauf]

1. Kleiner Mann, was nun?

3 Jahre. 3 Jahre Corona, nach denen ich beschlossen habe, wieder ins Theater zu gehen. Einen Vorsatz fassen, aber einen schönen und jeden Monat mindestens einmal ins Theater gehen. Das wieder machen, was man gerne macht, aber jetzt mit Maske und der Angst im Nacken. Habe einfach was gebucht, gar nicht lange darüber nachgedacht, einfach gebucht, irgendwas. Muss ja nur zeitlich passen, passt. Ich sehe „Kleiner Mann, was nun?“ am Düsseldorfer Schauspielhaus. Düsseldorf, wenn man nur die Hälfte der Zeit in die andere Richtung fährt, ist man in Dänemark aber ich fahre nach Düsseldorf. Weil ich übermütig geworden bin, weil ich irgendwann dachte, ich könnte alles schaffen, auch ein erfolgreicher BWLer sein und dann ist Düsseldorf ein Opfer, das man bringen muss. Dann wird aus dem Buchhalter im Stück für 10 Sekunden ein Buchhändler und plötzlich sitze ich nicht mehr auf meinem Platz, ich laufe durch das Hamsterrad. Wer beurteilt Menschen nach Verkaufsquoten? Ich. Was für Menschen machen das? Solche wie ich. Niemand braucht BWLer. Einmal, kurz nach meiner Ausbildung, hat mein Chef vergessen, uns das Gehalt zu überweisen. Ich habe bei Penny Brot für 65 Cent gekauft und mit Ein und Zwei Centstücken aus meiner Spardose bezahlt. Alles stöhnt, nur ein Mann sagt „Alles easy, ich kenne das. Aber meine Stütze ist schon da.“ „Wir wurden gerade alle entlassen.“, schreibe ich meinem Freund und sage „Ich packe das gerne als Geschenk ein.“  Ich packe Geschenke ein, das Geschäft trägt sich nicht. Auf dem Amt sagen sie „Was Sie bekommen, ist zum Leben zu wenig und zum Sterben zu viel.“ Ich fahre mit dem Fahrrad nach Hause und zähle die Centstücke in meinem Sparschwein. „Einfach mal arbeitslos sein, dann hört die Angst davor auf.“ Aber sie setzt nur eine Maske auf und wird jemand anders. Irgendwie geht es immer weiter, es geht immer weiter und am Montag werde ich den Prüflingen sagen: VERKAUFEN, VERKAUFEN, VERKAUFEN. Und sie werden sagen, dass sie erstmal noch keine Anstellung haben und ich werde nicken und ich werde sagen „Es wird schon weitergehen, es geht ja immer irgendwie weiter.“

Nach zwei Stunden in Düsseldorf sitze ich heulend auf der Toilette im Schauspielhaus, bis mir einfällt, dass es nicht meine Toilette ist und vor der Tür eine lange Schlange. Ich stehe heulend vor einem Parkhaus, bis eine Frau in ihr Handy schreit, weil das Parkhaus abgeschlossen ist und sie ihr Auto braucht. Ich heule, bis mir einfällt, dass es gar nicht meine Geschichte war. „Was machen Menschen in Lensahn?“ Geschenke einpacken, denke ich, Geschenke einpacken und ihre Stellung verlieren, weil das Geschäft sich nicht trägt.

Bitte geht ins Theater, bitte lest Bücher, bitte kauft sie nicht bei Amazon, bitte seid nett zu euren Buchhändler:innen, bitte wählt keine Nazis.

P.S. Falls du der Mann bist, der sich hinter mir laut gefragt hat „Hä, was Soll und Haben?“, melde dich gerne. Du brauchst einen BWLer.

Ich habe „Kleiner Mann, was nun?“ am 13.01.2024 gesehen, es war der erste Theaterbesuch nach drei Jahre, es war wunderschön, es war wunderschrecklich. Danach die Hoffnung, dass ein Gewöhnungseffekt einsetzt. Dass Shakespeare mich nicht so mitnehmen wird. Das Foto habe ich gemacht, weil ich nicht fassen konnte, dass ich in der dritten Reihe fast auf der Bühne sitze. Eigentlich ganz schön, sollte jetzt immer ein Foto machen. Macht auch im Tagebuch was her.

#theater #düsseldorf #düsseldorfer schauspielhaus #d'haus #kleiner mann was nun #sebastian tessenow #lea ruckpaul #andré kaczmarczyk

[altocat]

4 for Genesis

21 for Sephiroth

4. Did you initially dislike/hate this character?

At first, I was kind of indifferent on Genesis. Yeah, he spouts Loveless crap way too much. Yeah, he was unnecessarily mean to Sephiroth at the Nibel reactor. I knew popular members of the community had made it cool to just shit all over him. And I knew that a sizeable portion apparently didn't like that he was involved in Nibelheim at all.

Coming from someone who hadn't been in the fandom long at the time, I really didn't see what all the fuss was about tbh. Genesis was just sorta there. Just your resident theater kid who shows up to bully the cast. Over time though? While I was working on AMT I had to really sit down to try to dissect him. He featured prominently in the fic after all. Going over his actions and motivations in CC, along with some truly great Genesis fan content has breathed a new intricacy into his character for me. So much so that I now genuinely love him.

#Ourtrashking

21. Are your feelings about this character platonic, romantic, or familial? All of these feelings at once maybe?

Idk I mean, Seph is just a character. He isn't real. What I feel for him I guess is what I'd feel for any character I really love. In this case I guess the closest I could say is platonic/familial? But not in a meta way. I would NEVER interact with someone like Seph irl. Too spooky and too much baggage, not to mention the constant threat of being murdered at any given moment. I certainly wouldn't ever ship MYSELF with him, no way lmao. He's pretty nightmare fuel when he wants to be. But I do feel a level of affection and protectiveness over him. And I want to keep studying him as best I can so I can peel back more of his layers.

#asks #ff7 #ffvii #final fantasy 7 #sephcanons #crisis core #sephiroth #genesis rhapsodos

[romanken]

hi lev i very much appreciate your thoughts on civil war and i like the movie for what its worth bc stevebucky .... they were something here. but i just wanted to know ur opinion of it in the context of a captain america movie? i always felt like it should have been an avengers movie bc like. steve barely gets any real character development and i will always be pissed off that tony gets a flashback with his parents but the only thing steve gets in his OWN movie is that his moms name was sarah. whether it was ever going to be a real concept or not i think the original idea for cap 3 of sam steve and natasha looking for bucky + taking down hydra bases could have been sooooo much better. anyways thank u for listening ur like one of my fav mutuals ^-^

HUGE agree!!!! The captain america: serpent society that was lied about by my worst enemy kevin feige you will ALWAYS be famous. I like civil war for what it is but it is 100% an avengers movie not a cap one which is probably it's greatest crime. Tony had three whole movies of his own AND he was the emotional center of the two avengers movies out at the time so him being the focus of Steve's third movie was so evil... Giving his relationship with his parents the same amt of screentime as stevebucky literally jokerfied me in 2016. cacw could've EASILY been an avengers movie given how neatly it leads into infinity war and there's so much they could've done with shield's collapse + the search for bucky + dismantling hydra to create an Actual third cap movie. Actually they should've just went fuck it and made a movie just of stevebucky growing up together and of missing scenes during the war and I would've sat my ass down in that theater...

#asks #thank uuuu anjie 😭😭 ur one of my fave mutuals too <3

[navree]

After all, there's a reason that, even with all this time and with all of his training, he's half a heartbeat slower in the instances when someone somehow manages to specifically level an AMT AutoMag II at Batman's head, why he can't abide the taste of buttered movie popcorn or, in more recent years, kita firfir with yogurt and jalapeños. Circumstances can make the average into the horrifying, can add dark shadows to ordinary corners, can even turn simple foodstuffs consumed in theaters and hotels into the last meals of a condemned man. There are two days that remain sacred between them.

Fandom: Batman - All Media Types, DCU (Comics) Pairing(s): Jason Todd & Bruce Wayne Words: 11,273 Chapters: 1/1

#batman #bruce wayne #jason todd #dc comics #my stuff #i should start trying to find a beta reader or smth this shit took me a solid straight hour to proofread #anyway i might have put myself on some kind of fbi watchlist #with the amount of googling i did on which specific handguns would have been available to anybody in the eighties #and the differences in types of ethiopian breakfast food #in my defense i have adhd

[fearsmagazine]

SAW THE MUSICAL: THE UNAUTHORIZED PARODY OF SAW - Review

DATES: Sunday, Oct. 1, 2023 to Jan 1st, 2024 COMPANY: Cooper Jordan Entertainment THEATER: AMT Theatre, 345 West 45th Street, new York, NY ACTORS: Bart Shatto, Adam Parbhoo, Jill Owen, and Donnell Johnson. CREW: Created by Cooper Jordan; Book Zoe Ann Jordan; Music & lyrics by Patrick Spencer & Anthony De Angelis; Directed by Stephanie Rosenberg; Music direction by Leigh Pomeranz; Sound Designer Ryan Gravett; Fight Director Dan Renkin; Production Manager Sarah Thurmond; Production Stage Manager Gabrielle P. Guagenti

SYNOPSIS: “SAW The Musical captures the events of the first movie, parodying the Saw that started it all. Lawrence Gordon and Adam Stanheight find each other for the first time in the bathroom trap. Will they follow "the rules" as they discover each other's secrets? Will they escape the game in time and “saw” right through? A love story with fluidity (and lots more fluids), SAW The Musical: The Unauthorized Parody pushes the boundary on sexuality and how to love.” -Press Release

REVIEW: Even though they are related, there's a fine line between comedy, parody and satire. A satire can be painful, and not necessarily in a good way. SAW THE MUSICAL: THE UNAUTHORIZED PARODY OF SAW, after a run in Philadelphia comes to New York Off-Broadway this Halloween season.

The plot follows that of James Wan & Leigh Whannell 2004 film and mixes in a healthy bunch of musical numbers and satire. One of the key driving forces of the satire is the quickly blossoming sexual tension between Adam and Dr. Gordon. Other characters from the film, Jigsaw, Amanda and Zep receive some coverage and you can’t have “Saw” without the puppet, even making an appearance on a tricycle. The sexual innuendos felt crafted more for shock value than to be witty, as they fell flat on this viewer’s ears and seemed more sophomoric than cleaver.

In contrast, several of the songs were funny and witty, several feeling also sophomoric. As a fan of Monty Python, I’m also a fan of their song book. They could be off-color and vulgar, but had sharp witted lyrics and you understood the satire. Songs like “Saw Right Through,” "I'm Your Heroine," “I Want to Play a Game,” and “Pig in a Wig” come close, while songs like “Filthy Things” felt like they were pounding home the joke at the audience’s expense. The musical tracks were played over a nice sound system. However, there were a few times where the singers were off key. Actress Jill Owen had some of the best musical numbers in the show, but alas she was off key a few times.

The trio of actors are put through their paces with numerous scene changes and custom swaps that leave them little time to catch their breath between songs. During the performance I attended the blackouts were rather long and one of them they rest the musical cue as the actors were not ready by the end of the first go round. The production felt a bit chaotic as the costumes and props constantly felt a tad out of place. At one point the puppet seemed to be falling apart.

I went into SAW THE MUSICAL: THE UNAUTHORIZED PARODY OF SAW with a clean slate, no expectations, hoping for a few good laughs. There were times I felt the play dragging, the energy levels dipping between musical numbers. I didn’t have a bad time, just not a good one. Granted it is an Off-Broadway production, staged in a black box theater, and there were some likable things about the production. The level of the performance I attended felt more like an off-off-off Broadway production and left me feeling less invigorated and feeling more like I needed a nap. It could have been an off night, as I saw the play a week prior to its opening night, but I still have a few issues with the writing that make for a lackluster recommendation.

SAW THE MUSICAL: THE UNAUTHORIZED PARODY OF SAW begins performances on September 16, 2023, at AMT Theater, located at 345 West 45th Street. It will play on Saturdays at 11 PM and Sundays at 5 PM (after 2pm & 8pm Broadway curtains come down), running 100 minutes with no intermission. Tickets are $41-$113 (incl. fees). Extremely limited “Super Saw VIP Front Row Seats” including The Bathroom Mirror Merch Box are available for every performance for $113 total ($110 + $3 fee), VIP Front Rows A-B at $98 ($95 + $3 fee), Premium at $78 ($75 + $3 fee), Orchestra at $61 ($58 + $ 3 fee) & Rear Orchestra / Mezz at $41 ($38 plus $3 fee) and are available by visiting SawtheMusical.com or at the AMT Theater Box Office in person or by calling 646-543-4385. All VIP Seats include “Pictures with Pigs in Wigs” on Stage following the performance.

Review By: Joseph B Mauceri

#review #theater #off broadway #saw the musical #THE UNAUTHORIZED PARODY OF SAW #AMT Theater #Bart Shatto #Adam Parbhoo #Jill Owen #Cooper Jordan #Patrick Spencer #Anthony De Angelis #Stephanie Rosenberg #joseph b mauceri #joseph mauceri

[bellshazes]

there is unfortunately a link btwn revolution is an act of love/liberation theology and. mcyt rp. but i have drafted the several paragraphs i wrote abt that meanderign thru theater of the absurd & its offshoots (mikey and nicky clock fight i'm always thinking abt you) because i could make the argument and even a small amt of people might appreciate it but it's esoteric to such a degree it's functionally useless to spend time arguing. but i know it, in my heart

#not all plays are closed systems but girl closed systems............ #also since to transform the world is to name it. and the velvet revolution. and i hate the trivialization of The Narrative but. #imagine what could be hashed out if we truly engaged w the implications of The Narrative beyond it as a shorthand. #tapping the Your Best Friend Unfortunately chart forever since my ex wont explain to me how she felt abt pass/over. god #peter posts #this is also a complaint abt baudrillard & simulacra & also how everything keeps telling me to read wittgenstien and also moby dick.

[qazastra]

took a few days for me to respond to an email about another theater job and they just never responded and i forgot tmr would be the first day ... i followed up anyway i hope they say they found someone else honestly at this point because the offer was for me to have not one but Two job titles this time and get paid the same amt as the last show i did there with only one job title. which worked out to less than minimum wage so

#non union is crazy i dont really think i should do that again #m

[tenaciouspostfun]

Stories

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"Water For Elephants" at the Imperial Theatre will enjoy what I think will be a long run on Broadway. Like "Music Man" and "Back to The Future", this wonderful musical will appeal to people of all ages and all walks of life. The music and lyrics by Pigpen Theatre Co. are not overly memorable, the choreography by Jesse Robb is simple and plain, however, the acting, the book by Rick Elice the direction by Jessica Stone and the circus design and acrobatics by Shana Carroll (Cirque du Soleil's Crystal) are outstanding.

Based on the book by Sara Gruen, "Water" takes us to the depression; the circus, the people and animals in the Benzini Brothers Circus are the story-line. We get to see two Jankowski's, the younger Jacob (Grant Gustin) and Mr. Jankowski (Gregg Edelman). He is a veterinarian from Cornell who never finished his studies. He turns out to be a huge help to the penny pinching owner, August (Paul Alexander Nolan) who bought the circus from Benzini back in 1929. The good Doctor would fall smitten with August's wife, Marlena (Isabelle McCalla). August has a foul temper, he is often ruthless with his employees and worse with the treatment of his animals As the plot goes on, both tension and tempers flair, people are pushed to the brink (both literally and figuratively).

What makes "Water For Elephants" a standout is the star cast, the supporting cast and its ensemble. The sound and the projections too are quite remarkable; the costumes (David Israel Reynoso), the scenic design (Takeshi Kata) and the lighting (Bradley King) all complement what is a great evening of theater.

When this musical opens up full throttle is when the audience becomes most enchanted... songs that do its magic are: "Anywhere/ Another Train", "I Choose the Ride", "I Shouldn't Be Surprised", "You've Got Nothing" and "Go Home". It is these songs that have the actors giving its audience full singing and dancing; the lights and sounds are whirlwind. The audience laps up the circus atmosphere, it loves the protagonist/antagonist part of the show. In Jessica Stone's direction, the animals come to life onstage and they become a big part of the story. In both a simple way and a very visual way, "Water For Elephants" should not be missed!

.........................................................................................................................

I recently went to a performance at AMT called "Gallery". Although it was a run through for a later staged performance in New Hampshire, some of the songs and some of the singers were very talented. It will be very interesting to see how it is staged and directed. The premise of the musical is that famous artists have their work projected on the back of the theater while the different actors sing a song about the work that is presented in front of us. Both catchy and pithy, this new musical may take hold.

........................................................................................................................

As this very full Spring season is upon us we welcome up "Tommy", "Suffs", "Hells Kitchen" "The Wiz" and "The Great Gatsby". The two shows that most are waiting for is both "Tommy" and "Cabaret". Early word on "Tommy" is that is the best thing right now on Broadway and it is still in previews! "Cabaret" has been running raves with its great lead actor since it played on London's West End.

Other shows that should delight are "The Mother Play", which has a first rate cast," Mary Jane" and "Uncle Vayna" at Lincoln Center with Steve Carrell in the lead. "Stereophonic" will be coming later in the season along with "Heart of Rock and Roll". Stay tuned! Reviews and more reviews to come!

www.triviscompanies.com, Broadway Bob, Tony Awards, Broadway, Metropolitan Magazine, WACE Entertainment, Nimbus Magazine, Mann About Town Magazine, www.broadwayworld.com, Google, Meta, X, LinkedIn.







Words: 624

[thena0315]

Kelli Giddish's Next Project!! Another Theater Performance

" ⭐️Next up for ATC! We are thrilled to announce DMW Greer One Night Only benefit performance of Max Mondi’s MAYBE TOMORROW starring The Hangover’s Justin Bartha and Law & Order: SVU’s Kelli Giddish. Directed by Chad Austin, casting by Koppel Casting.

🎟️ February 29, 2024 at AMT Theater—Tickets are on sale now, link in bio!

#bravenewwork#onenightonly#maybetomorrow#abingdontheatrecompany#atc#nyctheatre "

📷 abingdontheatrecompany

#kelli giddish #justin bartha #actress #actor

[lokaleblickecom]

Stadt sucht zwei neue Schiedspersonen

Moers. (pst) Zwei neue Schiedspersonen sucht die Stadt Moers. Die Bezirke Hülsdonk und Moers-Mitte (Bezirk 4) sowie Hochstraß und Scherpenberg (Bezirk 5) müssen neu besetzt werden. Bis Sonntag, 14. Januar 2024, können sich Interessierte bewerben. Die Schiedsleute sollten ihren Wohnsitz in dem entsprechenden Bezirk haben und zwischen 25 und 75 Jahre alt sein. Die Bewerberinnen und Bewerber müssen besonders zur Streitschlichtung befähigt sein. Die benötigten Kenntnisse werden in Schulungen vermittelt. Freude und Geschick an der Verhandlungsführung sowie Bereitschaft zum Zuhören sind unabdingbare Voraussetzungen zur Ausübung dieses Ehrenamtes. Bewerbungen von Menschen mit Migrationshintergrund sind ausdrücklich erwünscht. Vielfältige Arbeitsgebiete Die Schiedsfrauen und Schiedsmänner führen Schlichtungsverfahren bei Streitigkeiten (zum Beispiel Einhaltung der Grundstücksgrenzen, Lärmbelästigungen oder Bepflanzungen) und verschiedenen Privatklagedelikten durch. Dazu zählen unter anderem Beleidigung, üble Nachrede, Hausfriedensbruch, leichte und fahrlässige Körperverletzung, Verletzung des Briefgeheimnisses, Bedrohung und Sachbeschädigung. Die Verhandlungen werden in den Privaträumen der Schiedsleute geführt. Die Bewerberinnen und Bewerber sollen einen PC besitzen, Kenntnisse in Textverarbeitung haben und bereit sein, sich in umfangreiche Formularsätze einzuarbeiten und diese im Zusammenhang mit den Schiedsverfahren zu benutzen. Die Schiedsperson wird für fünf Jahre vom Rat der Stadt Moers gewählt und vom Amtsgericht bestätigt. Die Amtszeit beginnt mit der Vereidigung durch die Amtsgerichtsdirektorin. Aufwandsentschädigung und Ehrenamtskarte Schiedspersonen erhalten eine monatliche Aufwandsentschädigung von 60 Euro, die quartalsmäßig ausgezahlt wird. Zudem erhalten sie eine Einmalzahlung in Höhe von 500 Euro. Diese kann zum Beispiel für die Beschaffung eines PCs genutzt werden. Des Weiteren können die Schiedsfrauen und Schiedsmänner wegen ihrer ehrenamtlichen Tätigkeit die Ehrenamtskarte des Landes Nordrhein-Westfalen beantragen. Damit erhalten sie Vergünstigungen bei rund 35 Einrichtungen des Landes und des Landschaftsverbands Rheinland (insbesondere Theater und Museen, zum Beispiel 50 Prozent Rabatt auf Einzeleintrittskarten im Archäologischen Park Xanten). Infobox: Bürgerinnen und Bürger, die Interesse an der Ausübung des Amtes haben, können sich schriftlich unter Angabe von Name, Anschrift, Geburtsdatum und Beruf bei der Stadt Moers, Fachdienst Ordnung, 47439 Moers, bewerben. Die Bewerbungsunterlagen müssen ein Lichtbild, einen tabellarischen Lebenslauf und einen Tätigkeitsnachweis enthalten. Weitere Informationen: www.moers.de, Stichwort ‚Schiedspersonen‘, sowie über die dortigen Links zum Justizportal des Landes Nordrhein-Westfalen und zum Bund Deutscher Schiedsmänner und Schiedsfrauen e. V. und über die Homepage der BDS-Bezirksvereinigung Krefeld-Moers www.bds-krefeld.de. Foto: Symbolbild Read the full article

[native-blog-deutsch]

U.S. Poet Laureate Joy Harjo hält Vortrag über die ersten Völker der Prärie

Die US-Poet Laureate Joy Harjo wird am 9. November um 17 Uhr im Johnny Carson Theater des Lied Center for Performing Arts die jährliche Claire M. Hubbard First Peoples of the Plains Lecture halten. Die Veranstaltung wird vom University of Nebraska State Museum und dem Lied Center präsentiert. Harjo wird einen Auszug aus ihrer Lyrik lesen und anschließend an einer Frage- und Antwortrunde mit dem Publikum teilnehmen. Die Veranstaltung ist kostenlos und für die Öffentlichkeit zugänglich, aber eine Eintrittskarte ist erforderlich. Tickets können hier erworben werden. Der Vortrag wird auch kostenlos per Livestream übertragen. Die in Tulsa, Oklahoma, geborene Harjo ist eine international bekannte Künstlerin und Schriftstellerin der Muscogee (Creek) Nation. Im Jahr 2019 wurde sie zum 23. U.S. Poet Laureate ernannt. Sie ist die erste amerikanische Ureinwohnerin in diesem Amt und erst die zweite Person, die dieses Amt drei Amtszeiten lang innehatte. Sie ist die Autorin von neun Gedichtbänden, mehreren Theaterstücken und Kinderbüchern sowie zwei Memoiren. Zu ihren Auszeichnungen gehören der Ivan Sandrof Lifetime Achievement Award 2022, der Jackson Prize 2019 von Poets and Writers, der Ruth Lilly Prize der Poetry Foundation, der Wallace Stevens Award 2015 der Academy of American Poets und der William Carlos Williams Award der Poetry Society of America. Sie ist Kanzlerin der Academy of American Poets, Vorstandsvorsitzende der Native Arts and Cultures Foundation und Artist-in-Residence für das Bob Dylan Center. "Wir fühlen uns geehrt, dass Joy Harjo ihre Gedichte und Erkenntnisse mit uns teilt", sagte Susan Weller, Direktorin des NU State Museum. "Die Hubbard Lecture Series ist eine Gelegenheit, das Verständnis und die Wertschätzung für das kulturelle Erbe der First Peoples of the Plains und ihren anhaltenden Einfluss auf unser Leben zu fördern." Die Vorlesung wird durch die Unterstützung der Claire M. Hubbard Foundation und des Lied Center ermöglicht. "Wir freuen uns darauf, die bahnbrechende Künstlerin Joy Harjo im Carson Theater begrüßen zu dürfen", sagte Bill Stephan, der Geschäftsführer des Lied Centers. "Seit mehr als 50 Jahren ist ihr Werk international für seine Kraft und Schönheit anerkannt, und ihre zeitlosen Worte sind heute vielleicht relevanter und notwendiger als je zuvor." Originalartikel   Read the full article