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mumuqings · 4 months

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tgcf book spoilers, but one mu qing and xie lian snippet that I think about a lot is this one, at the start of xie lian’s second banishment when he’s surprised to hear mu qing being described as generous and kind:

as opposed to this memory from before his first ascension when mu qing started giving out cherries to the kids in the city:

I think it just really goes to show 1) how deeply mq’s actions truly affected xl and what he thought of him, but also 2) just how different mq and xl are fundamentally in the way that they think and approach things.

I don’t have a lot of commentary on xl that hasn’t already been said, but bc we get the story from xl’s pov, we see a lot of mq’s actions being framed as selfish or suspicious (which is fair, bc again, we know how much his actions hurt xl), but we also see a lot of misconstrued kindness, like in book 8 where it’s revealed that he knocked out fx in order to save him. it’s also pretty obvious how much mq still cares abt xl, with how quickly he volunteers as fu yao and the lengths he goes to protect him when he deems hc a threat, so I also think it’s very likely that mq leaving the trio first was exactly what he said it was — that he thought becoming a junior official, ascending quickly, would be the best way to take care of not just his mother, but also xl, fx, the king and queen, and himself, and so in a way, him leaving was him acting on his kindness. but ofc it doesn’t work out, and he spends the next 800 years fighting w/ fx about it, defending himself, his decisions, and his kindness, and nitpicking the accuracies of his statues while he himself remains completely misunderstood by the two people he probably cares abt the most.

and idk, I guess I just think that’s probably a really lonely way to spend 800 years.

#idk where I was going w this actually #but misunderstood mq who cares so much abt how he’s perceived is smth that I think abt a lot #really resonates w my eldest daughter scapegoat of the family trauma tbh #also to be clear I don’t think xl was in the wrong for chasing him away either #I think they were both just twenty year olds doing their best in a situation that twenty year olds shouldn’t have to face #that said I do think it’s hilarious and incredible that fq spent 800 years beating each other up instead of having one (1) conversation #anyway! I love all three of them! I’m glad they get a happy post canon!#oh also I think mq deserved more than just a ‘just so u know dianxia never thought that poorly of u! just be normal!’#i think he deserves an apology actually #tgcf #tgcf spoilers #mu qing #xie lian #feng xin #xianle trio #yams thoughts

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dappercritter · 3 years

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Godzilla vs Kong: Brutally Honest Thoughts

(Took me long enough, eh? Depending on home video releases be like that.)

So first things first, I have a confession to make: I spoiled the movie before I watched it. I was impatient and they had only announced an HBO Max premiere in the states and a theatrical run in Canada at the time. Afterward, I got heads-up from a friend and immersed myself in the opinions of those lucky enough to see it early. I’m just saying that I have some preconceived opinions that I’m sticking to.

That said, Godzilla vs Kong turned out to be more fun than I expected! But you already knew that. Everyone did. The two kings of movie monsters had their rematch and this time it was with glorious Hollywood SFX powering it this time.

The human story was fun but it’s clear they stopped trying at this point. Team Kong stole my heart, especially Jia. Team Godzilla (although the Conspiracy Crew would be a more fitting term since they spend more time chasing down mysteries than trying to back or understand Godzilla) was more fun than I expected and their dynamic was surprisingly enjoyable. Bernie is actually kind of funny, it's nice to see Madison acting more assertive, and Josh was fine--he was the only sane man of the bunch but he was also the butt of the jokes. Still, all the hardcore conspiracy jokes got old fast and it feels off seeing the daughter of two scientists turn into an edgy conspiracy crackpot. Why not an edgy science major?

Team Apex are fun villains, especially Walter Simmons who's a great megalomaniacal CEO type, but Ren Serizawa is a joke. I like his actor's performance but he's just another footnote. Nobody bats an eye at his last name, although the only heroes he interacts with are Nathan Lind and he just misses Team Godzilla. He really could have just been any other villain, but instead, they had to sully Serizawa’s legacy further while robbing a good actor of some interesting material. (As is, it turns out he was just an egotistical jerk with daddy issues--an easy puzzle to solve on day one--after all...)

However, I still cannot and will not approve of the fact that somebody thought it would be a good idea to make the heroes of a sci-fi story into hardcore conspiracy theorists in this day and age. Likewise, I’m not a huge fan of how they essentially made the Hollow Earth into its own universe complete with a crazy portal and an environment with its own laws of physics, nor am I totally crazy about the huge leap in technology that was made between this and KOTM, or G’14 for that matter.

The monsters as awesome as they are, are the biggest mixed bag in the show.

Kong is at his best in ages, and while I am all for the new heroic warrior character that Legendary have crafted and I acknowledge that making him a worthy opponent for their god-tier Godzilla was going to be a hurdle, I think they did a splendid job. Seeing Kong using agility and acrobatics was a glorious sight to behold, and something about Kong becoming a tool-user and weapon wielder just feels right. It’s a far better demonstration of Kong as a “thinking animal” (*wink, wink*).

I’m much less thrilled about their treatment of his greatest opponent ever. After everything they’ve done to build up Godzilla as the incredible force of neutral good fighting to maintain balance and all the build up to ancient rivalry debating back to a great Titan war--even going as far as putting his name in front Kong’s this time!-- they’ve reduced Godzilla back to glorified bully for Kong. He only gets the minimum amount of sympathy from the cast of his movie before they go off to deal with the conspiracy plot or focus on Kong and the Hollow Earth. Worse still, he is somehow more powerful and more aggressive than ever for a good chunk of the movie which leads to an outcome I’m sorry to say we all saw coming. Somehow, I suspect that the reason behind this was how Wingard cited Godzilla vs. Mothra, vs. Destoryah, and Shin-Godzilla as influences for the monsters scale and story, which while cool and all, are all movies where he was played up as a mostly stoic antagonist rather than a three-dimensional character like Kong. (Though ironically vs. Destoroyah and Shin did a better job of making Godzilla feel more sympathetic and in both of them he was a walking nuclear reactor meltdown.)

Due to the unfortunate time constraints of the three-way deal between Toho, WB, and Universal at the time this was in production, Kong was unable to secure a proper sequel that could develop his skillset like Godzilla’s did. Nevermind the fact the filmmakers completely surrendered to the “nothing matters but the monsters” mentality that a chunk of the fanbase has been spouting since this universe unofficially kicked off almost 10 years ago. (Sidenote: Oh god, I’m turning in an old fart already.) As a result, the movie trips over itself trying to set up Godzilla and Kong’s rivalry as well as building up Kong as a worthy opponent to Godzilla while expanding on their shared lore, and as a result countless plot points set up in in the previous movie and tie-in movie are thrown out the window. I’m sorry to say but in spite of all hopes and illusions of grandeur, it’s safe to this damn thing is a Kong movie with Godzilla as the bad guy.

...at least until HE shows up. Yup, Mechagodzilla. The biggest spoiled twist of the centuries steals the show so the movie can pull a Dawn of Justice. But! It does it much better than the fractured DCEU’s most controversial entry ever could. Mechagodzilla’s inclusion gets a decent amount of build up thanks to Team Godzilla/the Conspiracy Crew, and when he shows up, does he make an impression! At first, I wasn’t sure how to feel about his inclusion or his design, but I’ve come to like this one. He’s basically a kaiju terminator built in Godzilla’s image made purely out of heavy machinery piloted by the best Ghidorah head. It’s a jarring change of pace compared to previous MechaG’s but it grows on you after a while. With the abundance of weaponry stuffed into him, he feels like a fitting update of the original killing machine, and even if his inclusion feels like an easy way out of the big showdown, it’s fun to see him played as a literal colossal heel for the kings to team up against. Not to mention he looks shockingly good with those red highlights. However, one still can’t help but wonder how and why he was made in this universe, or how he feels like pure heavy machinery one minute and then an extra-large Ultron unit the next.

As for the the big throwdowns we’ve all been waiting for... well, we’re still in the mixed bag deparment. While the fights are all exciting and excellently choreographed, and benefit from some more eclectic lighting and cinematograph, I’m sorry to say that as far as the rematch of the century goes they dropped the ball on this one.

Don’t get me wrong, the fights are all great in their own ways, but there’s a drastic change in the feeling of weight and power with the monsters. Godzilla, Kong, and even Mechagodzilla all feel strangely floaty in most of their fights. One moments they feel like true behemoths shaking the very earth with every movement and then it’s like they’re in Godzilla Unleashed, running, jumping, and throwing each other around with speed that feels that almost makes you wonder if the Hollow Earth’s gravity inversion stuff is leaking out into the world. While it’s all perfectly cool, you can’t help but wonder how Kong is able to leap between aircraft carriers and buildings, when Godzilla got the ability to blow a hole through the Earth itself, or how a colossal machine is able to move so nimbly or why it has to be flashing blue all the time.

It’s fascinating and fun but you just can’t help but wonder how we got from almost posthuman disaster and war movies exploring how we’re at the mercy of the ancient almost mythical forces beyond our comprehension, we’ve found ourselves smack dab in the middle of Bayformers meets Jurassic World levels of Hollywood absurdity where anything and everything can and will happen in the name of getting to the monster fights. Although I can’t say I’m surprised given the director’s take on Death Note made some questionable choices with it’s take on the infamous cast while still coming up with some genuinely inspired choices. Still, all things considered we could have gotten worse compared to ther cinematic universes made by WB and Universal.

As for some misc. thoughts to close up this rambling mess:

-The soundtrack is fantastic. A great continuation of the feel of Skull Island’s mixtape with some truly wonderful picks. Special mention goes to the opening and ending songs, and they GOT AN ELVIS PRESLEY SONG IN HERE! YES!!! The three kings of pop culture together at last!

-While this movie didn’t need to be any more overstuffed, it would have been nice if the rest of the Titans didn’t disappear entirely from this movie. I get that Godzilla: Dominion already explained what happened to them all more or less, but it really is a missed oppurtunity that we never got to see another Titan war. Or Rodan attacking Kong to avenge his pterosaur bretheren from days long past. Speaking of which...

-“Save Mothra” jokes be damned, Mothra would have been a welcome gues star, not just to help break up the big fight, but to show off Godzilla’s softer, more protective side. And yes, I want more Mothzilla. Shut up, we deserve it.

-Boy, Monarch sure does a whole lot of nothing up-top, huh?

-The cinematography is a great update but there’s a little too much neon lighting, especially in the Apex HQ and the Hollow Earth throne room. It feels like they’re trying just a little too hard to sell the more futuristic, Hollywood sci-fi feel.

-The score is... great but not that great. Of course, I’ve always had mixed feelings about Tom Holkenburg (AKA Junkie XL)’s music. I liked Kong’s themes, but they REALLY dropped the ball with Godzilla’s theme. Mechagodzilla’s works really well as long you ignore that it’s just Godzilla’s theme in this movie with an ominious choir added in.

-The new Hollow Earth creatures are all perfectly fine. Actually, I thought they were another highlight! Especially the Warbats, Hellhawks, and Doug the Titanus Foetodon Man.

-I want to do a release the extended cut campaign but I don’t think any of us have the energy for that s**t anymore.

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365days365movies · 3 years

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February 14, 2021: Brokeback Mountain (2005) (Part 1)

Happy Valentine’s Day!

Or Palentine’s, Galentine’s, Single Persons Appreciation Day, what have you!

Anyway, on this day where we (and the greeting card companies) celebrate love in all of its forms, I think it’s about time to diversify my movie choices a little bit. SO, for the next few days at least, we’re going to change it up, starting with a film that shook the 2005 public’s perceptions of love: Brokeback Mountain.

And who brings this movie to us? Same guy who gave us this:

And this:

And would give us this:

Ang Lee wasn’t originally meant to be the director of the film, as Gus van Sant was signed on to do it. You know, Good Will Hunting, Drugstore Cowboy, that one movie where Una Thurman plays the greatest hitchhiker in the world with giant thumbs, and eventually finds herself meeting multiple people, including Keanu Reeves, Pat Morita (Mr. Miyagi from The Karate Kid), and a group of radicalesbians who like in the Great Plains, coexisting with a group of critically endangered whooping cranes to whom they;’ve fed peyote, while also opposing the intentions of an evil feminine hygiene product company that seeks to take over the land for their factories? YOU KNOW, THAT MOVIE?

It’s called Even Cowgirls Get the Blues, and I wasn’t even slightly exaggerating with that summary, I SWEAR.

Anyway, he couldn’t do it, and Joel Schumacher also passed on it eventually, so they asked Ang Lee if he’d do it. After CTHD and Hulk, dude was on his way to retire, but after he cried at the end of the script, he accepted the job. AND HISTORY WAS MADE

Before I get into it, I should probably frank about something. I’m a cissexual, heterosexual man in a straight relationship with my girlfriend. She says hi, by the way. Here she is, a massive Jake Gyllenhaal fan, getting ready to watch this movie for the first time with me:

Isn’t she lovely? Anyway, just thought I’d be totally transparent about that. Incidentally, I remember when this film came out, as well as the fervor around it. This was JUST as the gay marriage debate was EXPLODING into the public scene, so this was obviously quite the talking point at the time.

Anyway, shall we find out who’s not going to quit whom? SPOILERS AHEAD!!!

Recap

Cowboys Ennis del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) are waiting outside of a trailer, with Ennis having just arrived on a truck that reminded me of Optimus Prime, and I’m sorry. They’ve been hired by Joe Aguirre (Randy Quaid) to look after a group of sheep and guide them over Brokeback Mountain, a fictional mountain in Wyoming.

The two finally introduce each other, with Ennis seeming considerably closed off as compared to the open Jack Twist. They head to a bar, where the two get to know each other a but better Jack’s an occasional shepherd, but highly involved in rodeos throughout the year. Ennis, meanwhile, is a regular ranchhand at his family’s farm.

Time for sheep-herding, as the two guide their flock of sheep on horseback, with soft country guitars playing in the background over all of it. And I gotta say, the music combined with the visuals is giving me this real sleepy ambience vibe that I 100% would watch specifically to fall asleep to. Which is not an insult by any means, by the way; it’s just super relaxing.

The two make camp with the sheep in a mountain valley, and now I want to go camping. I realize that it’s February, and I live in a place VERY non-conducive to camping, but GODDAMN this movie makes me want to go camping. In the wilderness, surrounded by bird calls and crisp mountain air, LET’S GO.

We find out that Ennis is engaged to be wed to a woman named Alma, while Jack is yearning to break free of needing to take jobs like this. And all the while, they’re eating beans, scaring away coyotes, and fending of REALLY REALLY FAT American black bears, who you could really easily scare away without too much difficulty. You ever stared at a bear while both of you were in the woods? I HAVE. And we BOTH took off from each other in opposite directions. They’re not the bravest of animals, black bears. Grizzlies, however, you don’t wanna fuck with.

Anyway, after they face off against that bear and lose their newly bought supplies, they go hunting the next day and take down an elk. Which is a LOT of venison, I tell you what! Oh, and I’m not a hunter, just to be clear, but elk are fuggin’ HUGE. Seriously, XL deer they are.

Anyway, time goes on after that, and they continue to make their way through the mountains. And they get to know each other more, sharing their rodeo experiences and family backgrounds. Ennis also opens up pretty considerably, a fact not missed by Jack. The two become friends.

My girlfriend asks an interesting question: if I had never heard of this movie in any capacity...would I have known the extent of the relationship of Ennis and Jack? And honestly...I’m legitimately not sure at this point. I think I would’ve just assumed that they’d stay close friends, but no further than that. Call that being raised in a society with heterosexual bias towards relationships, or call that me not being a natural shipper. Both are probably accurate, to be honest.

Anyway, it’s getting cold out, and Jack’s sleeping in the tent one night while Ennis is freezing his balls off outside. With Jack’s insistence, he goes inside the tent to sleep next to Jack. And then...

Oh. Well, OK. Again, though, still not sure that at this point I’d...oh wait...OH...OH.

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OK. Think I’d be able to tell at this point what the movie’s about.

So, yeah, they have sex. It’s spontaneous, it’s wild, it’s heat of the moment passion...and it’s REAL awkward the next day, I tell you what. That next evening, Ennis and Jack both insist that they “ain’t queer,” and that this is “a one-shot thing they got goin’.”

Uh, boys? There’s some important evidence to the contrary that we should consider here. But, OK, it’s a different culture, this is super new to you both, I get it. I’m not one to talk on the coming out or discovery experience (again, straight cis dude over here), but I understand that there’s some inherent denial. But still, they continue their relationship as is, for the time being.

Which is not as private as they thought, as Joe Aguirre observes them chasing each other naked on the mountain from afar. Whoops. Well, it doesn’t matter as much, as they still have a job to do until summer ends. And that job continues. They encounter another herd of sheep that gets tangled up with theirs, snow falls on the mountain and they have to deal with that, etc.

Then one day, the two need to head out. Jack goes to fetch Ennis, who’s moping on a hillside about something. He does this play lasso thing, which seems cute...

...until it turns into a full on brawl right there on the hillside. OK. Well. Some heavy denial going on here, I think, especially on Ennis’ part. Which is somewhat understandable, given the culture, and the fact that Ennis is engaged. Oh, by the way, hello infidelity. GodDAMN IT. Escaped you for TWO MOVIES IN A ROW, and you’re back rearing your ugly head.

Anyway, the job is done soon, and Aguirre’s not exactly happy with them, as they’ve apparently lost some sheep and picked up some from the other herd’s flock accidentally. With a light rebuke from Aguirre, the two part ways with not much else said. Jack asks if Ennis will come back the next summer, and Ennis reminds him that he’s getting married that fall. But as Ennis leaves...

Huh. Interesting reaction, that. Well, in the next scene, Ennis gets married to Alma Beers (Michelle Williams), and they seem to have a very happy relationship. They have two daughters together in a pretty small amount of time. The next summer, Jack tries to get a job with Joe Aguirre once again, but is refused on account of his relationship with Ennis on the mountain...kind of.

See, here’s the thing. Joe rebukes Jack for having their relationship on the mountain, leaving the dogs to babysit the sheep, rather than do the job they were hired for. And, uh...he’s not wrong, honestly. Yeah, OK, there’s definitely some homophobia laced in there, obviously, but they were hired to watch the sheep, and we only really saw them do that once or twice. So, yeah, sorry to say, but Joe’s not entirely unjustified in not rehiring Jack.

At a Fourth of July festival, Ennis brings his wife and daughters to see the fireworks, when a couple of bikers antagonize the crowd as a whole. This results in Ennis telling them to stop, and a fight takes place, with Ennis IMMEDIATELY taking out the two bikers, with little effort. Anger issues there, Ennis?

Jack returns to the rodeo, with new other options for money. He’s clearly also coming to terms with his own sexuality, as seen when he not so subtly hits on a cowboy at the bar. However, he also meets a young woman, a barrel racer named Lureen Newsome (Anne Hathaway), whom he seems to get along with fairly quickly at a rodeo. They dance together at the bar that night, and, uh...park.

And that, of course, leads to their eventual marriage and parentage as well. Looks like Lureen’s parents arent the biggest fans of Jack, though. Sure that’s going to lead to a healthy relationship down the road.

Been about 4 years since Brokeback Mountain, and this is punctuated by Jack paying a visit to Ennis’ place, which Ennis is told about by Alma. He seems...very anious, waiting nervously for a day to see him. But he finally arrives, and the two embrace happily. And then...

Oh, and Alma sees? Sure, sure, oh, and they go to a motel IMMEDIATELY? Oh, OK, OK, infidelity? Yuuuuuuupyupyupyupyupyup, halfway point? Yeah, sure, see you in Part 2. Geez.

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