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#also i need a name for this tv show
ruvviks · 23 days
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All That's Left follows two journalists and their friends in post-apocalyptic United States as they travel from the fallen east coast megalopolis Opportunity back to Los Angeles, crossing through a harsh wasteland overrun with zombies— only to find out that there is a lot more life left than what the protected cities want them to believe. On their journey they meet dozens of people living their lives as peaceful as possible away from military forces, corporations, and corrupt governments; and they learn that the same mutated ghouls that took down Opportunity are spreading rapidly through the country, destroying everything in their path. Will this finally be the end of the world as we know it?
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;
@vvanessaives, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree
#all that's left#edit:misc#nuclearedits#so um. hi. this is an original story i've been working on since 2016 and i love it so so much. sorry#it's not a tv show but i would love for it to be a tv show do you understand. my vision. are you seeing the vibes of this#it's BRIGHT. it's COLORFUL. it's FUN. there's so many cool characters and it's focused a lot on like#the connections between the main characters and all that#mac and layla (the journalists) go from having to write about this megalopolis which. if anything is just. a city version of a nepo baby#to writing about the people who are still living out there who are being completely overlooked by the safe cities and everything#everything really is not that bad out there!! in fact all of the misery that IS still in the wasteland is created specifically by like#the safe cities who keep snatching away supply drops from people who need it etc etc. and governments pretending that#there's no smaller settlements out there anymore and all that#and also there's zombies. ghouls. i call them ghouls but they have many funky names across the whole world in this universe#anyway yeah there's a lot more to this universe already because well 8 years in the making LMAO so i have another edit incoming#for the fictional season 2. aka book 2. yes there's a book 2. there's also a book 3 and 4. sorry for being insane#the linked playlists has songs for book 1-3 right now :]#if you have any questions PLEAAASSEEEE send me asks. preferably asks and not dms because tumblr dms suck ass#but i would love to talk more about this :^)
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after reading yasmin benoit's insta posts about O's character, I was all excited for some ace rep, and then, of course, comes the inevitable letdown.
O's (sarah owen's) asexuality was only discussed in the sense of, "it made me do this horrible thing because I felt so alone," and that was literally it.
like why did the villain have to be ace? it could have been anyone else. why is todd from bojack horseman still my favorite ace rep?
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earlgodwin · 1 month
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one of the reasons why i keep adding interviews and actors' insights about their characters in my gifsets, aside from wanting people to get a clear idea about the characters in case they misinterpreted them, is because i want this site to be more engaging! i need people to give their takes, opinions, and headcanons on my posts (preferably not negative), and as much as i love aesthetics and creativity, i also love discussions. it's also a way to keep this site active from dying.
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t4t-chargestep · 19 days
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can I interest u in some really bizarre millie bizaar propaganda?
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or maybe some abt your friendly neighbor?
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wexpyke · 1 year
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no but what was that finale… i miss longer shows so much… give us 22 episodes per season again!!! give us more time for character growth and relationship development and bring back fun filler episodes!!!! because what was this finale 😭
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minimoefoe · 8 months
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Troy’s daughter apparently being called Tracy is so…
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bunnihearted · 4 months
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📓🕯️🐇🖤pt.2
#only 30 tags lol i ran out... so furthermore#we only get one life. im gonna try as much as i can to enjoy the little moments. nd to not give up on myself nd my life#i will die one day anyway. why rush it. i'll enjoy as many books and as many walks and songs and tv shows as possible#if i get a loan nd have more money i wanna bleach my hair nd dye my hair green#and later this year i think i might change my name#it was the name i wanted to change to from the beginning. but i was in such a bad headspace i just picked eden at random#i do kinda like it now nd im attached to it but i more feel like this other name actually is me. my birth name nd my current name dont feel#really right. so maybe. i havent decided yet. like i rlly dont know. im also attached to this name for some other reason. like it's who i am#to a person i rlly like and if i change... will i be anything to them? i cant put it into words but that makes me hesitate#but it's unhealthy to stay attached to someone i cant truly have even if i want to. so i mean. idk im just weird abt it#but i do kinda wanna change my name (to embla. my mom wanted to give me that name but my dad was like nooo >.<) i am not 100% sure tho so#when i've been getting used to going to school nd working out at the gym. nd after my surgery nd i have more energy#i will try to face my avpd and try apps for making friends. there r two apps where u can find new girl friends!! maybe i can try that#also like i've never tried apps but i think maaaaaybe i can use bumble to try to find friends and women to date. potentially. idk.....#rn it's hard for me to think in those terms bc. i mean i am hung up on someone!!!! i cant evwn imagine dating or being intimate w anyone els#sometimes i feel like.. they're the only person i've ever felt like it'd even be possible. who i'd event want to do that w#not only physically but emotionally. so ig it's even harder to let go bc im so scared i will never feel like that w anyone else#but i rlly need to try to make the most of whatever life i have. the world will collapse soon anyway#that makes me even more sad that i cant be w who i wanna be w nd do what i wanna do but#all pain will all be completely descimated eventually. it's not forever bc life isnt forever#i've just never felt this before. like i want smth to be real so bad but if it happened once surely it can happen again? right?#i wont spend my life alone without intimacy and love and comfort nd support nd understanding right???? :o hope not#im still so sad nd exhausted rn. nothing in my life is working nd theres no repreive nd no help#it gets sooo hard to endure everything sometimes when everything just keeps piling up and gets so heavy it feels like im drowning#nd atm i dont feel like i have any anchor. nothing that keeps me grounded nd im just floating away nd im constantly being overwhelmed by my#feelings nd emotions. im like a stupid little kid who dont understand how to handle what im feeling. or make rational decisions#i feel so ... stupid and useless. i dont know what im doing. i have no idea. i have no compass. its so scary
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nostalgia-tblr · 1 year
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googlein1942 · 9 months
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ive been so into rdr2 lately and i keep thinking about public nations verse where people making historical games/movies/shows/etc. consult nation people on historical tidbits and accuracy and whatnot, so queue Alfred “Favorite era of the US was the wild wild west” Jones finding his way to rockstar studios to help them out with the game accuracy/go on about whacky people he met during those days while the studio is just like write that down write that down
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ioannemos · 1 year
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realized this morning that i am indeed in the weeds re lockwood & co bc like legit every song on my shuffled likes playlist on spotify had me going "this song makes me think of lockwood... so does that one... oof, ouch, so does this one! aww, this one would be cute as a fanvid... and that one's a songfic for sure..."
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donutdisturblivball · 2 years
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i apologize for being a downer rn but like i decided to go through the mileven tag and the anti-byler tag to sort of see what it’s like on the other side, to see what other people are thinking and how they interpreted the same show that we all watched. and it kind of made me sad?? because it’s so unbelievably toxic, but the thing is that looking at their behavior, i feel like i saw some of the toxicity there on the byler tag too. i don’t like how we keep badmouthing each other’s ship, and i don’t like how aggressive and rude we are to each other. at the end of the day, these are fictional characters, and all the shit talking for no real reason just sort of makes me feel all icky.
i don’t get why we can’t get along and just ship what we want to ship in peace. either way this doesn’t really matter, yk? what’s the point of being mean to others because of a fictional pairing?
that being said, i’m obviously not condoning homophobic behavior and people who are homophobic and use their ship as an excuse to be homophobic should and need to be called out. i’m just tired of being talked about like i’m an idiot and less of a person because i ship a certain ship, and i’m tired of seeing others being belittled or called stupid because they ship a certain ship.
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magentagalaxies · 1 year
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one of these days i need to make a kids in the hall iceberg based on all the increasingly obscure side projects/behind-the-scenes info i've acquired over the past few months
#the only thing stopping me is all the super obscure stuff is scott related bc i don't know as many obscure things for the others#but anyway i'm currently listening to ''accidentally cool'' which would definitely be a deeper level#(it's a rock band kevin played guitar in. also i befriended the lead singer her name's tiffany)#fruit blog would also ABSOLUTELY be a super deep level#i think the most obscure one on the list might be scottland (tv show)??? bc even i can't find much info on it???#like. it might genuinely be a piece of completely lost media which is why i NEED someone to explain it to me#scottland was a tv show scott made that was supposed to be the first internet sitcom#he made it in 1999 so quality streaming video was decades away. youtube definitely wasn't a thing it was his own website#the premise for it sounds completely bizarre#and i can only find one article mentioning its existence and 2 other places online where there's any record of its existence#(both with no major additional details)#the only image we have from scottland is an image of buddy cole dressed in cartoony kings robes#scottland fucking haunts me. most buddy cole things even if i can't find them online i have reason to believe someone out there has footage#or if not there's at least reviews of the live shows and like. solid records they happened.#some of these projects were even cancelled or on websites that no longer exist. but they're been referenced since#but scottland. scottland has only EVER been written about in one 1999 article#and all other records of its existence are COMPLETELY MISSING
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unproduciblesmackdown · 10 months
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oh the broadway world review of summer stock (a) loved it as much or more than anyone (b) has as much or more info than anyone and (c) generally has the most vivacity thus far
Summer Stock made its world premiere at The Goodspeed Opera House to a most deserving enthusiastic standing ovation. Based on the 1950 MGM film starring Hollywood legends Judy Garland and Gene Kelly, Summer Stock is a spectacular production with phenomenal dancing, feel-good music, and a sweet story, all modernized for today’s audiences.
Audiences will recognize and love hearing classic songs by Irving Berlin and from The Great American Songbook, including “Happy Days are Here Again”, “Accentuate the Positive”, “I’m Always Chasing Rainbows”, “It’s Only a Paper Moon”, “Me and My Shadow”, “Red Hot Mamma”, “’Til We Meet Again", and “You Wonderful You”. Summer Stock’s writer, Cheri Steinkellner, takes the original film story to a whole new level that both contemporary and classic theater goers will absolutely adore. Steinkellner provides additional lyrics to upgrade the story to first class. It’s hard to believe that she “got the call” to write Summer Stock in October, completed the workshop draft by March, and had the rehearsal draft ready by June for a July opening. Steinkellner clearly works well under pressure - Summer Stock is a diamond.
In the Writer’s Notes, Steinkellner elaborates on the restrictions of bringing the film to stage (like how heavy farm machinery wouldn’t fit up on the Goodspeed stage) and how she tackled answering the many questions that the original film glossed over: “Why is a Shakespearean matinee idol starring in a musical in a barn? What happens when you make show-people wake up at sunrise to muck out the stalls?” and more. She repositioned and repurposed the film’s original songs like “Howdy Neighbor” and “Dig for Your Dinner”, so the classic elements that film fans are looking for are still there - only, frankly, much much better. Lastly, she addresses the challenge of “crafting a [contemporary] story to support a diverse cast of characters with intention, authenticity, and care.” Steinkellner rose to the challenge, knocked it out of the park, and created a great musical in record time.
The story is simple and sweet. Set just after World War II, we meet Jane Falbury (Danielle Wade), a doting daughter working the family farm with her father, Lt. Henry “Pop” Falbury (Stephen Lee Anderson). The Falbury Farm is in trouble thanks to the devious and ambitious Margaret Wingate (Veanne Cox), who has grand aims for a monopoly over the Connecticut River Valley. Scheming with her naive son, Orville (Will Roland), they will stop at nothing to own the farm. Meanwhile, Jane’s showgirl sister, Gloria (Arianna Rosario), has moved to The Big Apple to make it on Broadway. She wins a spot in the chorus line of Joe Ross’ (Corbin Bleu) brand new show. With his sidekick and music director, Phil Filmore (Gilbert L. Bailey II) in tow and a Shakespearean star, Montgomery Leach, ready to take center stage, they hit a snag when they lose their rehearsal space. Gloria suggests uprooting the show to rehearse in her family’s barn. Jane, who is fresh out of farm hands, reluctantly agrees to let the actors stay in exchange for earning their keep. The company’s tight harmonies might not charm Jane at first, but they certainly had us swooning. I won’t spoil the entire plot, but will say that hilarity ensues, hearts flutter, dreams are realized, and it’s wonderful.
When I first heard about Summer Stock, I cynically thought that it felt too familiar. The show is set on a Connecticut farm whose owners have fallen on hard times and risk losing their livelihood. They turn to their Broadway friends, who are amidst the usual uphill battle of making it big in show business, and agree to put on a brand new production in the barn to raise funds to save the farm. It’s based on the film of the same name, features music by Irving Berlin, and includes incredible tap numbers, and spotlights America’s sweetheart Corbin Bleu. Hearing that alone, I’d think this was a copy/paste of Tony Award-nominated Holiday Inn: The New Irving Berlin Musical, which opened at The Goodspeed in 2014 and went to Broadway in 2016. We’ve seen a number of Irving Berlin musicals, including White Christmas, and the most recent Broadway production Nice Work if You Can Get It, starring Kelli O’Hara and Matthew Broderick. So, what more is there to add to this Broadway subgenre? If you’d asked me before, I would argue there’s “Nothing More to Say”. I was very wrong. Summer Stock raises the bar with phenomenal choreography, clever storytelling and humor, beautiful orchestrations, and unparalleled performers.
Speaking of unparalleled performers, the cast is perfection. There’s not a single throwaway line or character. They’re all exquisite gems and I’m running out of words to compliment them all. The “city mice” dancers and ensemble features Erika Amato, Hannah Balagot, DeShawn Bowens, Ronnie S. Bowman Jr., Emily Kelly, Francesca Mancuso, Tommy Martinez, Corinne Munsch, Gregory North, Kaylee Olson, Jack Sippel, and Cayel Tregeagle. Danielle Wade sweetly croons just like Judy Garland and swept audiences off their feet. As I left the theater, I overheard two ladies praising Wade for her stupendous performance, saying it was perfect likeness of Garland, yet even more meaningful. Arianna Rosario, as the sugary sweet sister, is absolutely delightful. Stephen Lee Anderson, as  the veteran and father, tugs our heart strings. Gilbert L. Bailey II and Will Roland had the crowd roaring with laughter as the feisty music director and innocent corporate heir. Veanne Cox, as the melodramatic mother and CEO of Wingate Agricultural Corporate, had the crowd roaring with laughter from the moment she spoke her first line. Not to be outdone, J. Anthony Crane, as the over-the-top Shakespearean star, brought down the house with his entrance alone. Together, Cox and Crane generate instant heat, which is especially appropriate since they rock the stage with Red Hot Mamma. The cheeky, interspersed Shakespearean innuendo is fast-paced, clever, and had the audience hooting and hollering. I would see the show again for this duo.
Last, but far from least, Corbin Bleu, as the show’s director, gives the performance of a lifetime. Bleu radiates pure joy and leads with heart, inviting his scene partners to shine with him. Audiences instantly fell in love with his gorgeous, velvety voice, and, understandably, swooned. Bleu previously won the Chita Rivera Award for Outstanding Male Dancing in a Broadway Show for his portrayal in Irving Berlin’s Holiday Inn, and his transcendent tapping in Summer Stock shows he’s not stopping there. Bleu’s dancing is out of this world! You can’t miss his charming and virtuosic spin on Gene Kelly’s iconic solo dance, featuring the world’s most unexpected dance partner. Corbin Bleu is a national treasure.
The 8-piece orchestra, lead by Goodspeed’s resident music director Adam Souza, performs the remarkable orchestrations, by Doug Besterman, beautifully. The score is demanding, but the musicians don’t let us see them sweat. As much as I’m gushing, I would recommend shifting the show to one hour earlier and give it a little trim. Not a haircutter’s inch, but a discreet tidy-up. As it turns out, I was in slight agreement with the obnoxious subscribers behind me, who disrupted a precious moment to voice their complaints, “This is two hours and forty minutes? Way too long!” I nearly turned to fisticuffs in defense of this phenomenal cast, but chose to deliver an icy, yet effective, glare. I digress, but Goodspeed subscribers are truly spoiled with top-rate performers straight from the Broadway stage. In any case, we could use a couple more developmental scenes to fully flesh out the plot, and I’d be willing to sacrifice by shaving a bit off some of the longer dance numbers (“Everybody Step” and “Dig For Your Dinner”) and songs. (Not too much! Just an inch! And don’t dare recast any characters!)
That isn’t to say that the dance performances weren’t epic: Summer Stock has the best dancing I have ever seen, hands down. The virtuosic ensemble, lovingly called “city mice”, perfectly deliver wildly acrobatic displays all with impossibly high-energy and make it look easy. Director and choreographer, Donna Feore, has made an unforgettable, magnificent Goodspeed debut. Feore makes use of every inch of the stage, making it feel larger than life, and her attention to detail is unsurpassed. The choreography is out of this world! Wilson Chin, scenic designer, set the stage beautifully. The Technicolor New England farm-turned-theater is framed with classic red-sided barn, delicate florals climbing the walls, and hurricane lanterns lovingly displayed as accent pieces. Summer Stock is Goodspeed’s best original production ever. The 12, which opens next, has very big shoes to fill. Summer Stock has its eyes set on Broadway. Does Summer Stock deserve a Broadway run? Absolutely. In this critic’s opinion, it couldn’t get there soon enough.  Perhaps my favorite aspect of the production were the many comedic theater flourishes. Broadway audiences will cry with laughter when they watch the city mice (actors) learn how to play the part of farmhands: “What is the farmer’s motivation?” “E-I, E-I!” Frankly, I want an original cast album yesterday. Finally, when it opens on Broadway, you’ll wish you had seen it at The Goodspeed first.
#this is the full text; the Breaks in [indented format] are from organic ones for ads & stuff on the sitepage#since the way formatting works now has an unbroken [indented text] line as One Block even if there's line breaks & Character Limit applies#fixed up a few name typos i caught....reminds me that i did check goodspeed's site again & someone Did correct ''will reynolds'' lmao#shoutout to not only this review mentioning gilbert / phil but also effectively mentioning the phil / orville duo i know is real & true#also i love that gloria is in the chorus now and not the lead....seems fitting & that eliminates [jane must take gloria's role]#and suggests that mayhaps jane's role is wholly created by/for her which also seems more apropos; thematically anyways lol#i agree re: the charm of calling the ensemble dancers / roles the city mice lol#feel free to have spoiled more plot...loving the Reviewer's feistiness also fr. the fisticuffs & effective icy glares. hooting & hollering#everyone agrees on unshocking points like ''could use a lil polish / honing / tightening up sure'' & ''fewer songs maybe''#here like ''shorter dance sequences a couple of times maybe''....also do recall via that cheri steinkellner interview i quoted#(in a separate post weeks back) that she mentioned her experience in tv serving the need to Write Fast#heard similarly before re: other ppl who worked in tv production then wrangling Shorter Than Usual development periods in other mediums#call that other media....also sure does seem like they can do another run of this show in nyc#between (a) being like ''yeah we want to'' & (b) corbin bleu is there (& others; incl ppl who've been on bway) & (c) nyt critic's pick....#summer stock#will roland#orville wingate#(p.s. i don't get the ''what is a farmer's motivation'' ''e i e i'' lol i get One ref & feel i am missing another theatre related one)
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navree · 2 years
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i really just do not care for trying to tie this story into the greater story of asoiaf at large because all it does is remind me that the show that came before this was a piece of shit and a giant letdown, and that ruins my ability to enjoy this show. stop tying it in to the long night. 
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forgaeven1 · 1 year
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introducing: anna williams, mother to ellie, from the last of us franchise. did i make her profile while i'm super sick and it probably needed a thousand more revisions before it is fully comprehensible ? yes. am i gonna drop the profile anyways and then pass out ? oh yes. what's most important is: i'm currently only tv-show based, but as usual, i'm open to anything at all :)
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loverofallthingssmart · 10 months
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i miss the old india channels like why r we playing venom and a dogs way home
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