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pluto-sims · 9 months

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Hi.I would be grateful if you showed how you do these recolors with patterns, because although I understood what it was about, somehow it didn't turn out as it should. I better see how to do it. Thank you <3

Hi again! Sorry it took me a bit to reply, I've been swamped with work asdfghjjhgfds. No problem at all, I'll do my best to explain - I'll just put it under the cut so it doesn't clog people's dashes up. I've also done a quick video showing the process too, in case that's also helpful.

Programmes I'm using:

Sims 4 Studio

Photoshop (I use windows, so all the keyboard shortcuts use the ctrl key. If you are on mac, it will be command instead)

Additional resources:

Photoshop actions by @silverhammersims

Photoshop pattern files. If you don't already have any, you can find some easily by searching 'free photoshop pattern files', or use some of the ones I've shared here

The ~Process~

So, first things first, I find the object I want to recolour in Sims 4 Studio (S4S). For this, I'm going to use 'Modern Colonial Bed'. It has a great plain white swatch which is perfect for recolouring, but if the object doesn't have a white swatch, finding a light/pale colour swatch is also fine.

Then, I open it up in Photoshop.

Obviously, it's one solid image, which isn't necessarily what we want. For example, when I do bedding recolours, I often do a pattern on the duvet (i think it's also called a comforter in some places?), but want a solid colour for the sheets and pillows. So, our next step is to separate each part on to its own layer so we can recolour them individually.

You can use a few different tools to do this, but for bedding, I use the rectangular marquee tool, because there aren't any curves we need to select around. The keyboard shortcut for the marquee tool is 'M'. With that tool selected, I drag a box over the part of the texture I want to separate. I'm starting with the duvet - you can see the 'marching ants' lines around it.

With that selected, I then use the keyboard shortcut 'ctrl + j'. This copies the area you selected onto a separate layer. I rename my layers so that I can easily find each one - i typically call the starting, flat texture the 'base', and rename each new layer accordingly. As you can see, if I click the eye icon next to the base layer to momentarily hide it, we still have the duvet visible.

I then repeat this process for the folded sheet, and both sets of pillows. I'll use the base layer to recolour the sheets.

Because the folded sheet and the long pillows are darker than the rest of the texture, at this stage, make them lighter. Whilst clicked on the layer I want, I press ctrl + u, where I can change the saturation and lightness.

To finish adjusting it, I then add a brightness/contrast layer. To access this, you can go to layer > new adjustment layer > brightness/contrast, or click the little circle icon at the bottom of the layers panel.

When I'm happy with the adjustment, I select both the layer (in this case, the one titled folded sheet) and the adjustment layer, and merge them together. (press ctrl, click on both layers in the layers panel, right click, merge layers). I repeat this process for the long pillows.

OKAY NOW THE FUN PART I PROMISE!

AIGHT now we're gonna add the pattern onto the duvet. Firstly, I make sure I'm selected on the right layer (in this case, the one I've labelled as 'duvet'). I often hide the other layers (by clicking on the eye icon next to each layers' name). Then, I open up the actions panel; if you don't see this at first, you can go up to window > actions.

As you can see, I have a lot of actions, but the ones I'm using for this are the silverhammer ones. The names for both action sets is pretty self explanatory - if you want to use a pattern, select pattern base, and for a solid colour, select solid base. Hit the play button, and boom! It will come up with dialogue boxes, just hit the enter key for now as we'll adjust the settings after.

Photoshop will use one of the default patterns first; it's always this leaf one for me, I'm assuming it's the same for everyone, but if not it doesn't matter anyway because we'll be using our own pattern. Using the ctrl key, I select all of the pattern fill layers. Then, I can select the pattern I want to use for my recolour. In my workspace, it's located in the bottom right corner, but it may be somewhere else for you. If you don't see it at all, go to window > patterns. When you've found the pattern you want to use, click on it, and all the pattern fill layers will change accordingly.

Depending on the original scale of the pattern you used, it may look HUGE, or really small. That's fine, because we change the scaling. Double click on one of the pattern fill layers, and it will bring up a dialogue box. I use the middle fill layer (which will be called 'Pattern fill 3') as it has the most opacity and is therefore easier to see. Here you can change the angle, and the scale. I don't want to change the angle this time, so I'll only be focusing on the scale. You can use the slider or type in different numbers until you find something you like. This pattern was really big, so I'm going with a 17% scale. When you're happy, hit the enter key or press the 'OK' button.

You can still see where the other pattern fill layers haven't been changed, but that's fine, because we'll repeat the exact same process with them. Just make sure you use the same scale as you did for the first one you changed (in this case, 17%).

And yay, it all matches! Then I'll select all the layers I just changed and put them into a group (ctrl + g), and rename that to duvet, to keep my layers organised.

Now, I'm going to move on to the solid colours. I'm going to start with the folded sheet layer. I'll click the little box next to the layer to make it visible again. The process is the same as the pattern fill, except this time, I'll select the 'solid base' action.

As you can see, it automatically goes to this eye-hurting neon green, which isn't what I want. Just like with the patterns, I will select all of the colour fill layers using the ctrl key, and then click on the colour swatch I want. If you can't see the swatches panel, go to window > swatches. If you haven't saved a swatch, don't worry! You can do it manually. Just double click on one of the colour fill layers, and it will bring up a dialogue box where you can drag around to find a colour you want, or type in a specific hex code. Then just repeat it for the other colour fill layers.

And tah-dah! It was a bit harder to see on the duvet because of the dark pattern colour, but here you can really see how the texture of the sheet (the shading, wrinkled fabric etc) comes through and doesn't look flat.

I then do the exact same process for all of the other layers.

Aaaaand tada! All that's left to do now is save your finished texture (I use PNGs, but you can also do DDS) and import it back into S4S to make sure it looks right.

I think it looks pretty cute!

I've also recorded a quick video showing the process too, just in case that's useful (sorry there's no voice over, I've honest to god lost my voice from reading so many books over and over again to kids this week).

youtube

I'm so sorry if this was needlessly long or confusing. If I cocked anything up and didn't explain it properly, please do let me know!

#asks #replies #tutorial #sort of?#this is why i dont make tutorials because i SUCK asdghjklkjhgf #tbh its probably good ive lost my voice bc i wont subject you to my accent #THIS IS SO LONG OH MY GOD IM SORRY

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rohirric-hunter · 11 months

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Okay so I was going to do a really involved review of the Unhinged LotR Mobile Game (otherwise known as LotR: Heroes of Middle-earth) but I'm tired and don't have energy for that, so here are the quick hits:

It's a gacha game, and it's published by EA. Draw your own conclusions.

This review is based off of 100% free gameplay. I have paid $0 for this game.

Lore: Good. 8/10. Game is based on the book and plot elements were clearly designed by someone familiar with the source material. Hero lineup consists of characters from the book, characters that were mentioned in passing in the book but have been a little bit fleshed out and expanded upon, and completely original characters. The latter fit in well with the lore and have convincing names that are, for the most part, based in Tolkien's actual languages or borrowed from elsewhere in the legendarium. Dialogue is lifted directly out of the book in general; when it deviates from these the language used is noticeably different. Minus one half point for that, minus one point for using a ring of power as a leveling mechanic, and minus one half point for female dwarves not having beards.

Gameplay: Typical. It's a gacha game. 6/10. There's never enough energy to actually get anything done in one sitting, as per usual, purchase packs are WAY overpriced, and no particular effort has been expended to make plotlines coincide with the combat mechanic especially well. There has been one special event since I've been playing, where they released Arwen as a hero. There were six stages to the event and I was able to complete five. The sixth required me to have leveled Arwen to five stars in order to complete, and in order to do that I would have had to have either paid $20 for the real world money Arwen pack or got incredibly lucky with the RNG on the in-game gems Arwen pack. However, I am not torn up about this as there was no plot to the event and the rewards were gold and upgrade materials; nice to have, but easy enough to get elsewhere. I am unsure if there are any plans to repeat this event or whether Arwen and other event characters will be available after their events have ended, and this information does have a significant impact on my final opinion of the game. However I'm overall satisfied; it seems to me that the highest levels of this character are locked behind a paywall, but I got a good solid hero that I'm actively using on one of my teams. Points added back for not locking auto-battle until you've manually completed the battle already and for forwarding uncollected daily rewards to your in-game inbox, great quality of life features that other gacha games would be wise to take note of.

Graphics. Fine. 6/10. This rating will doubtless go up over time, as the game is currently plagued by graphical glitches. No apparent impact on actual gameplay but there's quite a bit of A-posing (Frodo and Sam have a combo attack that seems to cause all goblins to A-pose), the Mordor Taskmaster/Úzhan occasionally interacts with the wrong character during one of his skill animations, sometimes when closing out a gear inspection window and going back to a hero's main page will cause them to sprout a second head, which is a bit terrifying, and a few other minor gltiches that are really weighing down the score in this department. But as I've said before, the art style is really fun and unique, I love almost all the character designs, and there are a lot of really good artistic choices (for example: the homepage link to the events page takes the form of a stained glass window, with a really pretty image of whichever character is in focus in the current event). The only probably permanent issue that drags this point down is that some of the combat backgrounds are a bit silly; the heroes are standing on water, or obviously about to run into a wall as they run from one combat stage to the next. But overall the game is really nice to look at. The music is nice too.

Plot. I'm not gonna give the plot a number rating because I like it, but it's not for everyone. You, the player, find a random ring on the ground and put it on because you're not genre-savvy I guess. This ring gives you the power to influence characters from LotR in order to direct them as heroes on the battlefield. How this works is not expounded upon, and it doesn't matter because it's a leveling mechanic. But some other nefarious person is also influencing characters from LotR and they're trying to change the plot, and you have to stop them. Or at any rate, that's what I was told? It seems that sometimes I'm also helping them -- but as this is all just an elaborate excuse to pit completely random teams of heroes together I expect it wasn't thought out quite as thoroughly as it it should have been. Or maybe I just haven't got far enough in the plot to understand it yet. I'm always open to that. Anyhow, I've gotten invested in the subplots mainly through the mechanics of 'it's really mean to Aragorn' and 'they made Uglúk really funny.'

Overall I'm not gonna give it a number rating. Would I recommend it? If you like gacha games, yes. If you like that kind of plot, I'd recommend it just to run through the light and shadow campaigns and look at the pretty graphics.

EDIT: forgot to mention before that this game has been out for roughly one (1) month so that's why I'm so forgiving of the graphical errors.

#unhinged lotr mobile game saga #a couple more notes that i couldnt figure out where to put:#im active in the arena but sort of casually #i regularly win battles and am moving up in the ranks despite not paying for the game #so it seems to me that i can be competitive without forking up #at least competitive enough to satisfy myself #also so i first downloaded this game to make fun of it right? and the tutorial was like 'hey you can open a bonus chest every 4 hours'#'why dont you open one now'#i was like okay yeah sure this is pretty basic w/e right #so i pop open the bonus chest and it gives you usually 2 hero shards although there is a chance for more #and a couple of other things #well it gave me halbarad character shards and to be quite honest that was when it hooked me #good job game you know exactly how to draw me in #i havent unlocked halbarad yet because outside of the chests hes only accessible through supplies with challenge coins #and challenge coins are a PAIN to get hold of #but im almost there! unreasonably excited #might post more about all that later

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loveletterworm · 1 year

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Sometimes people bring up how in splatoon according to the first artbook the reason humanity is extinct is because they nuked the south pole however I never knew before that Judd participated in an arms deal that appears like it might have directly lead to the south pole being nuked

Also someone brought a psychic cat to a nuclear arms deal

#this might have been retconned because these pages are labelled as ''judd's owner''#but the games would later seem to imply maybe the professor wouldn't be involved in a nuclear arms deal just sort of doesn't match #However it is extremely funny to say that the psychic tutorial and score counting cat is responsible for the death of mankind.#Why did he do that. Why doesn't he care.#mypost #splt

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carleycore · 4 months

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cute things i think the jjk men would do for you

genre. Fluff

notes. happy new year!!!!!! be sure to make yourself happy

Pulling out chairs/Opening doors

He doesn’t even realize he does it, but on your first date the second you try to sit down he pull out your chair which was a stark contrast compared to other men you’ve dated. At first, you thought it was just him showing off, but the further along you got in your relationship Megumi never changed.

Moving hair out of your face

Dating Sukuna was interesting to say the least. He showed love in his own sort of way which you always admired. But, he never understood why your hair was always in your face. When you woke up, it was a mess. When you were cooking or working on something there’d always be a strand or something in your face which he’d tuck behind your ear. “always having hair in your face hmm? you need to see my magnificence without your vision clouded”

Zipping up your dress

Being married to the strongest sorcerer meant going to a lot of formal events you’d rather not attend. But, on the bright side, you got to dress up and Gojo was your number one hype man. The first time he zipped up your dress it was because you couldn’t reach. Now that you saw how happy it made him for do that, you act like you cant zip anything, and he probably knows. But you’re in love so who cares.

Doing your hair

It all started when you were making pottery and forgot to put your hair up so you called your husband from the other room to put it up. At first, Nanami was terrible. He only looped it around once and didn’t even catch all the hair. You didn’t mind, and actually thought it was funny. But at 2:00AM you’d catch him watching a “how to braid your hair” tutorial while practicing on doll… that he bought? Now, he was the one to offer to do your hair, just for fun.

╰┈➤ ᴇᴠᴇʀʏᴛʜɪɴɢ ɪ ᴡʀɪᴛᴇ ʙᴇʟᴏɴɢꜱ ᴛᴏ @ᴄᴀʀʟᴇʏᴄᴏʀᴇ 2023 ᴅᴏ ɴᴏᴛ ᴄᴏᴘʏ/ʀᴇᴡᴏʀᴋ/ʀᴇᴡʀɪᴛᴇ ᴍʏ ᴡᴏʀᴋ ᴀɴʏᴡʜᴇʀᴇ.

#gojo x reader #sukuna x reader #megumi x reader #nanami x reader #jjk x reader #car writes #gojo #nanami #megumi #sukuna #jujustu kaisen x reader #jujutsu kaisen

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and-then-there-were-n0ne · 3 months

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I read this week that Instagram is pushing “overtly sexual adult videos” to young users. For a Wall Street Journal investigation, journalists created accounts that could belong to children, following young gymnasts, cheerleaders and influencers. The test accounts were soon served sexual and disturbing content on Instagram Reels, alongside ads for dating apps, livestream platforms with “adult nudity” and AI chatbots “built for cybersex”. Some were next to ads for kids’ brands like Disney.

This is something I’ve been trying to get across to parents about social media. The problem is not just porn sites. They are of course a massive concern. Kids as young as nine are addicted. The average age to discover porn is now 13, for boys and girls. And many in my generation are now realising just how much being raised on porn affected them, believing it “destroyed their brain” and distorted their view of sex.

But the problem is bigger than that. Porn is everywhere now. TikTok is serving up sex videos to minors and promoting sites like OnlyFans. The gaming platform Twitch is exposing kids to explicit live-streams. Ads for “AI sex workers” are all over Instagram, some featuring kids’ TV characters like SpongeBob and the Cookie Monster. And there’s also this sort of “soft-porn” now that pervades everything. Pretty much every category of content that kids could stumble across, from beauty trends to TikTok dances to fitness pages, is now pornified or sexualised in some way for clicks.

I think this does a lot of damage to Gen Z. I think it desensitises us to sex. I think it can ruin relationships. But beyond that, I also believe a major problem with everything being pornified is the pressure it puts on young girls to pornify themselves. To fit the sex doll beauty standard; to seek validation through self-sexualisation, and potentially monetise all this like the influencers they’re inundated with.

Which, of course, puts girls at risk of predators. Predators who are all over TikTok, Instagram and Snapchat. Predators whose algorithms helpfully deliver them more content of minors and steer them towards kids’ profiles. Predators who are taking TikToks of underage girls and putting them on platforms like Pornhub.

And this is even more terrifying because adolescent girls are especially vulnerable today. They are vulnerable anyway at that age—but today they have far less life experience than previous generations of girls did. They are extremely insecure and anxious, and much less resilient. Combine this with the fact that they are now more easily exposed to predatory men than ever before in history, and served to strangers by algorithms. And another thing: girls are also able to look way older now. They have AI editing apps to sexualise themselves. TikTok filters to pornify their bodies. And access to every kind of make-up and hair and fashion tutorial you can think of to look sexier and more mature. I don’t think enough parents realise how dangerous this situation is.

Which is why I find it so frustrating to see some progressives downplay the dangers of all this. Those that dismiss anyone concerned about the pornification of everything as a stuffy conservative. And somehow can’t see how the continual loosening of sexual norms might actually empower predatory men, and put pressure on vulnerable girls? That seems delusional to me.

Let’s just say I have little patience for those on the left who loudly celebrate women sexualising themselves online, selling it as fun, feminist and risk-free, but are then horrified to hear about 12 year-olds doing the same thing. C’mon. No wonder they want to.

But I also find it frustrating to see some on the right approach this with what seems like a complete lack of compassion. I don’t think it helps to relentlessly ridicule and blame young women for sexualising themselves online. I don’t think it’s fair either. We can’t give girls Instagram at 12 and then be surprised when as young women they base their self-worth on the approval of strangers. We can’t inundate kids with sexual content all the time and be shocked when they don’t see sex as sacred, or think sex work is just work! We can’t give them platforms as pre-teens where they are rewarded for sexualising themselves and presenting themselves like products and then shame them for starting an OnlyFans. We can’t expose them to online worlds where everything is sexualised and then be confused why some of Gen Z see their sexuality as their entire identity.

And again, on top of these platforms, girls are growing up in a culture that celebrates all of this. They are being raised to believe that they must be liberated from every restraint around sex and relationships to be free and happy, and many have never heard any different. Celebrities encourage them to be a slut, get naked, make/watch porn and make money! Mainstream magazines teach them how to up their nude selfie game! Influencers tell millions of young followers to start an OnlyFans, and pretend it’s about empowering young girls to do whatever they want with their bodies! I can’t say this enough: their world is one where the commodification and sexualisation the self is so normalised. It’s heartbreaking. And cruel that anyone celebrates it.

So sure, young women make their own choices. But when we have children sexualising themselves online, when girls as young as 13 are using fake IDs to post explicit content on OnlyFans, when a third of those selling nudes on Twitter are under the age of 18, I think it’s safe to say we are failing them from an early age.

I guess what I’m trying to get across is this: it’s tough for girls right now. It’s tough to be twelve and anxious and feel unattractive and this is how everyone else is getting attention. It’s tough to constantly compare yourself to the hyper-sexualised influencers that the boys you’re interested in are liking and following and thinking you have to compete. It’s tough to feel like the choice is sexualise yourself or nobody will notice you. The sad reality is we live in a superficial, pornified culture that rewards this stuff, and in many ways punishes you if you’re modest and sensitive and reserved, and a lot of girls are just trying to keep up with it.

We need serious cultural change. We need to wake up to how insane this all is, how utterly mental it is that we allow young girls anywhere near social media, and how we’ve let the liberalising of sexual mores escalate to the point where pre-teens are posing like porn stars and are lied to that it’s liberation. And where we need to start is with an absolute refusal from parents to let their kids on these platforms.

So please. If the relentless social comparison and obliteration of their attention span and confusion about their identity wasn’t enough, this has to be. Don’t let your daughters on social media.

#social media #freya #freya india

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ghcstao3 · 5 months

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Ghost never really learned how to properly tie a tie.

He never had reason to. Never had a father that would teach him, either. And when it comes to formal dress after joining the military, he’d always fidget and tug and prod at knots until they looked right, whether or not they were done properly.

He’s tried looking up tutorials, sure, but it’s just… overwhelming as to how many ways ties can be knotted. So he never bothers. Just does his best to pretend like he knows even when he’s so, so lost.

Because it doesn’t matter.

At least, not until—years down the line—his and Soap’s wedding.

Ghost figures it’s his time to finally learn, then, because it has to be perfect. He can’t mimic a knot for such an important day, just praying for the best, he has to do his tie up properly.

But he can’t.

He tries, over and over, watching videos and looking at picture-by-picture instructions, but he can’t. Ghost gets frustrated, hands trembling more and more every attempt until eventually he just… gives up. Rips off the tie and resigns himself to slumping into the nearest chair, running fingers desperately through hair he’d taken so long to make look nice.

Soap finds him much too close to the start of the ceremony, quick to rush to his side and ask what’s wrong.

Ghost isn’t sure when the tears had started welling, or when his bottom lip had started to wobble. He lets Soap gently guide his hands away from his head, pressing thumbs lightly into open palms.

“You’ll think it’s stupid,” Ghost mutters. His tie is loose around his neck, an irritating reminder of why he’s yet to be ready to meet Soap at the end of the aisle.

Soap smiles softly at him. He looks so handsome, as always—him and his perfectly tied tie.

“I doubt it,” he says, oh-so kindly. “Never is.”

Ghost laughs quietly, the sound shaky, watery. He swallows the lump that threatens to rise in his throat, peering into the comfort of Soap’s eyes to lend him strength as he confesses, “I can’t get my fucking tie right.”

“That’s all?” Ghost nods and Soap sighs, sitting down on his knees, pressing the back of Ghost’s hands to his forehead like an odd sort of worship. “Thank God. Had me worried you were rethinking things.”

"I'd never rethink this, I just—" Ghost takes a shuddering breath. "Fuck, I'm sorry."

"Don't be." Ghost mourns the loss of Soap's warmth as he lets go of his hands. He lifts a hand to drag through Ghost's hair, surely mussing it in a way that looks better than the tangled mess Ghost had probably left it as. "All you had to do was ask for help."

Ghost's gaze falls to the ground as shame burns his ears. "I just didn't want you to think—"

"I'd never think any less of you for not bein' able to tie a tie, Simon," Soap assures him. "There's a stupid amount of ways to do it 'right', anyway. C'mere."

Ghost leans forward enough for Soap to have a comfortable grip on his tie. He watches Soap's face the entire time, the subtle concentration in his expression, though surely he should be paying attention to how he ties the knot instead.

He doesn't move even as Soap has switched to adjusting his collar and smoothing the artificial wrinkles of his dress shirt.

"Pure braw," Soap murmurs. He sits up to capture Ghost in a kiss, sweet and innocent and comforting.

"You're supposed to save that for after the vows," Ghost says once they break apart.

Soap barks out a laugh. "Prude," he teases.

He stands slowly, then, wincing when his knees crack as he gets up. Soap offers out a hand to Ghost, of which Ghost happily accepts.

Soap grins at Ghost, then, bright and blinding and full of love.

"Let's go get married, then, shall we?"

#simon ghost riley #john soap mactavish #soapghost #ghost x soap #ghostsoap #ghoap #writing

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cereovo · 8 months

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A set of very conceptual notes I drafted a while back for someone asking for advice on learning to draw humans. I'm entirely self-taught so this is less of a tutorial and more of a very rambling set of general principles I follow and ideas that helped while I was learning. I figured I'd post it in case anyone else could get use out of it!

I also recommend checking out:

Drawing East Asian Faces by Chuwenjie

How to Think When you Draw (lots of good tutorials in this series)

Pose reference sites such as Adorkastock

Transcript and some elaboration under the cut:

Img 1 - Drawing a face

The two most important elements (at least for me) when drawing a face are the outline of the cheek/jaw and the nose*. I often start with a circle to indicate the round part of the skull, then add a straight like and a 'V' to one side [to create the side of the face and the jaw]. The nose creates an easy template for the rest of the face's features to follow (eyebrows at the top of the nose bridge, eyes towards the center of the bridge, ear lines up to eye) and the placement/direction and overlap with other features is a very simple way to indicate dimension. [A sketch of a face that has been adjusted by moving its parts to create 3 different angles. The following text is underneath:] -Different 3/4th views can be created just by adjusting the position of and amount of overlap between the facial features. - The top of the ear usually lines up with the corner of the eye. Think of how glasses are designed [specifically, how the arms run from the eyeline to the ear] [I go on a tangent in these next few paragraphs] *One thing I see many artists do - not just beginners - is learn how to draw A Person. As in, one singular person with one set of bodily proportions and one set of facial features. It's an issue that runs a bit deeper than 'same face syndrome' because sometimes these artists can draw more than one face, they're just not very representative of [the diversity present across] real people. Part of the reason I'm talking more about how to think about approaches to drawing - rather than showing specific how-to's - is because there is no one correct or right way to draw a person. The sooner you allow yourself to explore variety - fat people, old people, people of color, people with [conventionally] 'unattractive' features - the easier it'll be! Artists often draw their own features honestly and without [harmful] caricature, so it's always a good idea to look at art made by the kinds of people you're trying to draw if you're ever unsure about how to handle something. In general, it's far more important to learn how to interpret a variety of forms than to learn how to replicate the Platonic Ideal of the Human Body.

Img 2 - Stuff that helped me

Jumping into drawing humans (faces or otherwise) straight from photo reference can be overwhelming. The trick is to simplify forms into shapes - but even this concept is sort of abstract and it may be hard to know where to begin. Good news - Thousands of other artists have already figured it out. [When starting out] I needed to learn from photo reference AND artists I admired in order to improve. [When looking at stylization you are inspired by] ask yourself: WHY does this simplification work? How can I translate it into a different pose? Instead of copying what you see in a photo reference exactly, try to focus on the general forms first. My two biggest style inspirations for humans while learning to draw them were Steven Universe and Sabrina Cotugno's art. SU gets a lot of hate [in this instance I was specifically referring to a time on tumblr when the art was knocked for 'losing quality'] but its style does a great job of simplifying anatomy in a way that still portrays a diversity of bodies + features. [Extremely simplified drawings of Lapis, Steven, and Amethyst] SU characters are still identifiable- and still read as 'human' - even when reduced to just a few lines!

Img 3 - Things I keep in mind while drawing side profiles

- Eyebrows + eyes close to the 'edge' of the face - Forehead needs enough room for a brain - Eye is > shaped from the sides - Mouth kinda halfway [between the nose and the chin] but closer to the nose - Skin/fat exists under the jaw [and connects to the neck] - neck is about one half the width of the whole head - the back of the skull always sticks out a bit further than you might expect - Sometimes less is more - contours exist on every face, but drawing them in may make your character seem much older than they're supposed to be. However, it's a good idea to use them when you *want* your character to look old! These are very general notes- every face is different and has different proportions [and playing around with them creates unique and interesting character designs]

#2023 #may 2023 #i realized this is pretty nonsensical while transcribing it LOL #feel free to send asks if anything is unclear #but again im not any sort of professional

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shirecorn · 4 months

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Your reindeer designs give me such childish joy I can't wait to see the rest. What's your process (aka any advice) for designing from scratch with something like just a name or concept?

Redbubble (buy reindeer swag) || Patreon (see all early!) || Ko-fi

See more free tutorials!

You can see my process unfold in real time by joining any tier of my patreon discord. Which doesn't even have to go through patreon! If you want, you can just pay me $20 and let you in for a year (and then lose track and probably keep you anyway)

Here's a preview using comet! (nevermind the preview thing I wrote you a whole lecture lol)

initial sketches in 2021:

Revisited in 2022 and 2023

I was constantly asking which design was the weakest, why, and how to fix it. Whenever I tested without the magical comet behind it, people could only guess who comet was by process of elimination.

I didn't want to rely on throwing icons into the design. I wanted each one to communicate through shape and silhouette alone. It would be like drawing a little cherub with a bow and arrow floating along with cupid. If you have to include a nametag to communicate, your design can be improved.

So I tried a few different strategies to say "comet" before I realized I could twist the antlers into any shape I wanted. I was worried I would have to discard the drawing and restart from scratch! Which is what I did for rudolph about 6 times before I had a breakthrough.

Then I gave my patrons a brief lesson in antlers to explain where and why I was placing the tines. When I stray from the caribou structure, I do so knowingly in order to achieve something that cannot be achieved within the caribou shape, like dancer's tutu. Know the rules before you break them. My goal is to make animal nerds (myself chief among them) happy when they see species-specific anatomy instead of cop outs.

I tried a few things before figuring out antlers could become comet

Another thing that often caribou have is an unsymmetrical "spork" that comes forward off only one antler. I figured this out by looking at hundreds of reindeer pictures and saving them to my reference folder. A few of my designs have this, that's what the little spiral is in the final comet antler design.

When I put comet in my lineup, I realized that the antlers I drew were way more stylized, chunky, and "tribal" than the others. I had already changed the proportions on one of my designs to match, so then I had to hack away at the basic comet rack to make it look natural.

I already knew that comet's colors would be easy because a basic reindeer already Has the big comet on the shoulder. But here's a peak at all the reindeer images I posted for my patrons to look at.

As you can see below, I chose reindeer markings for all my designs instead of other deer or animals. Even vixen is tied to actually possible reindeer patterns rather than copy-pasting a fox. Almost all of my designs have light-colored anklets on dark colored legs, which is very common with caribou of any color. This is the sort of thing no one tells you; you have to observe it yourself.

Ft cupid's early design! I was continually testing out my reindeer silhouettes and colors on new people, taking their feedback, and fixing what wasn't clicking.

I know I could have made vixen sexy and curvy to play into a recognizable trope, but I really wanted them to be scary and fox-like. Sometimes you gotta do what you want and not what you think will appeal to audiences. Reindeer Days is a purposeful exercise in audience resonance. Most of my art is 100% me and what I feel like doing with no regards to anyone else. So it was a fun challenge!

My patrons also got to see me making fun of corporate designs for recognizably/cliches at the expense of literally anything good

One of these is going to get a lot more "that must be vixen!" results from people who aren't constantly thinking about animal colors, markings, hunting strategies, and teeth.

And one rocks.

Vixen changed the least from the initial 2021 concept!

A Vixen is a female fox. In english slang, it means a cunning, fierce human woman, and sometimes sexually attractive or promiscuous. Quite often an insult to someone because she won't date you!

But to me, a vixen is an animal. A predator.

When designing to reference something, I like to hit it at multiple angles, referencing obscure trivia about something to delight and educate. This is done by researching a topic deeply, far below surface level and beyond what you think you need to make your design. Or in my case its just knowing a bunch of animal trivia already.

After researching/dredging your knowledge, sit there and Think. Don't draw anything. Come up with several ideas and then throw them all in at once for the ultimate trivia design.

Trivia about red foxes:

They have Long bushy tails

They have teeth that include large sharp canines, flat incisors, triangular premolars, and chunky molars with points on them that slide scissor-like with the molars above to cut meat via chewing

They hunt rodents in burrows under the snow by jumping into the air, arcing, and slamming down with their face through the snow

They are orange

They have a dark vertical stripe on their snout

They have black legs, with the backs and bottoms being orange

Translated into the design:

Pose based on a fox jumping, about to land in the snow

Antlers twisted to resemble teeth

Long (for a reindeer) bushy tail

black mark on snout

Some adjustment to the pose to be at the top of the arc and flow better.

Tinkering with the design to make it recognizable but not 100% copypasta fox

I was finally happy with a design that absolutely showed "fox" while still being creative and plausibly caribou shaped. This would absolutely communicate who it is! I thought!

The most obvious one of the bunch! After all, everyone knows what a vixen is!

Nope! No they do not

Want to be part of the design process, help me with WIPs months before everyone else, see exclusive doodles every day, and join a funky little community?

(you also get to see photos of my dog)

Connect your discord to your patreon and join any tier to automatically get added to the server. Not a fan of patreon or monthly subscriptions? message me here, on ko-fi, or via email (shirecorn.art@ gmail.com) and ask if you can pay $20 to get put in the server for at least a year and longer if we work it out later!

This was supposed to be a preview to get you to pay me but instead I wrote an entire lecture for free because I can't help myself.

Want to thank me for the free info? Tag me when you use what you learned! Comment and give feedback! If I could pay rent with attention I would never need anything else in life.

You can also thank me by tipping my ko-fi! I use it to buy pens since I die if I have caffeine. But could you imagine??

#shire screams #shire draws #art tips #art tutorial #character design #character design tutorial #tutorial #behind the scenes #design tutorial #design tips #reindeer days #ask #ramble machine

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stardustgates · 5 months

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Trying to write for HSR SAGAU is so much harder than I thought, especially because I’m starting with the initial cutscenes and battles before choosing either Caelus or Stelle, and trying to figure out how Kafka and Silver Wolf would react to being suddenly aware of a higher entity hanging around them and controlling their bodies is so difficult in prose(?) form.

Anyway, some rules/extra info/thoughts I had for my own personal interpretation of a self aware star rail:

✧ It’s still a universe of its own, but for those who become aware of the player, it’s like realising you’re a picture in a picture book. The people and places still go on about their own ways and change with time, but suddenly there’s a metaphorical hole in reality that something beyond their comprehension is peeking through.

✧ The more time the player would spend with certain characters in their team, the easier it becomes for those characters to hear their voice. (E.G I Play with Caelus and Himeko with almost every fight, so they’d be able to hear pretty much anything I say after a week or so of playing with them non-stop.)

✧ The trailblazer is generally seen as not just a vessel for the stellaron but also the player, so a lot of characters and NPCs will offer really good rewards to them when the player is out quest-completing with them.

✧ The compartment that is ‘practically glued shut’ on the express, is used by the characters as a shrine to the player. The trailblazer spends the most time here when the player is offline, as they don’t have a room to themselves (yet!! Hoyoverse I’m counting on you!)

✧ Most characters start off confused and alarmed when first feeling the presence of the player but eventually come to idolise and worship that presence. The playable ones in particular being extremely obsessive over them and, as a result, the player’s trailblazer.

✧ March 7th, Dan Heng, and the trailblazer form a protection squad/Fanclub of sorts and eventually are seen as the de-facto representatives of the player. The make sure any visitors to the Astral Express know their place and don’t try to steal away too much of the player’s attention.

✧ Both Kafka and Silver Wolf are initially weary of the sudden feeling of being watched and controlled, even more so when the battles start and they feel their control of their own bodies ripped away from them. Naturally they are sceptical and distrusting, but the euphoria left from the surge of power this imperceivable entity (read: the player) gives them is borderline addictive and sways them into a more positive-leaning neutral standpoint by the end of the tutorial chapter.

✧ If you’re wondering why the characters talk so much when idling- or doing anything really- it’s because they’re trying to communicate with the player without setting off any alarm bells. They take it slowly and steadily, easing into their own true thoughts when they’re sure the player won’t panic at the sudden change in behaviours and mannerisms (read: So they can fight for their attention far more openly)

✧ This is most definitely going to be a yandere AU (I cannot escape my demons 😔)

That’s all I’ve got for now, I’m currently working on a really big piece for this SAGAU and it’s only just reached like 3k, and I’m not even half way done :) pain pickle

#I don’t expect this to get any attention but it was actually really nice to sit down and type out my thoughts :3 #honkai star rail x reader #hsr kafka #hsr silver wolf #hsr dan heng #hsr march 7th #hsr trailblazer #hsr x reader #yandere hsr #yandere honkai star rail #my writing(?)#more of a jumble of thoughts than actual writing but I guess I’ll put it here

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adelarsims · 3 months

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mini-tutorial: fixing pants/stockings texture overlapping

maybe you've had this happening as well. it's rare, but can be very annoying if it happens with pants that you really love but can't use with socks and stockings.

it's a very quick and easy fix. here's a simple explanation how to do it.

open pants in question in sims 4 studio

repeat exactly the same process as when you fixed pants/shirt overlapping

the only difference is sort layer numbers you'll be typing in this time. if it's anything other than 14000 (bugged bottoms most often will have 10400), make it 14000 for each CAS part.

that's it. we've fixed it :)

quick infodump in case someone's curious as to why that happens: creators often use panties as a base, because panties base is comfortable to work with. but panties have texture layer priority lower than stockings, so they go under stockings. and if a creator makes pants or skirt on that base and forgets to change the sort layer to match actual pants, they still go under stockings :)

#sims 4 tutorial

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phoenixcatch7 · 5 months

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Tips and tricks to survive Eden even less

Seeing a lot of people struggling with the fourth quest of Revival, aka the 'die and come back for one (1) heart pretty please' quest, and I thought some helpful hints and tricks I've found over the years might be helpful! (Feat: spoilers, obviously)

Step 1: Overcome your fear of death and accept your fate.

I'm serious! People are very cautious in Eden, and often to their detriment! Panic and rush will only make you clumsy and make the whole thing far more stressful than it needs to be! And take longer too!

Step 2: Carry a source of light, or bring a friend! Assembly guide sells a torch, I believe, but in an emergency the rememberance guide sells a teapot on a brazier that does the same... At a Very slow rate. If you bring a friend, you can carry friendship candles that work really well! Unfortunately they're also sort of fragile, so it's best when someone who is being carried holds it.

This will go a long way both to being useful and easing any stress! Just... Make sure not to place it anywhere in the way of krill or rocks.

Step 3: Don't rush after lost wings! If you're already losing light, you're not in a situation to be chasing the metaphorical ball into the busy road! Your first priority is yourself, get to safety and recharge. Lights that land nearby or in safe places sure, but don't jump into the path of rocks just to try and get one back!

I know it's counter instinctive, but you're going to be losing those lights anyway in a few minutes. Even if you have low numbers to begin with, you want to focus on keeping the ones you do have!

Step 4: Jumping vs skipping, also sliding. They're your best friends.

To jump, you press the jump button. Easy. To skip, you want to take your finger off the move circle so it fades, and then flick the screen in the direction you want to go, so your sky kid skips in that direction! The best part is, it has tracking abilities, which is invaluable in helping you land precise jumps (such as that freaking candle bridge in valley). Cool, but why is this important?

Skipping isn't affected by the winds like jumping. Well - it is a little, but it won't send you backwards the way a bad jump will. Not to mention the homing ability will make things easier! It's a bit weaker than a jump, but mix it in to make the journey easier!

Similarly, sliding can be achieved on almost any surface flat enough to walk on. It's not affected as much by the winds either, so try to slide where possible for some speed! Especially if you can move it into a skip, to get a good boost! (This is because you can slide without actively moving your sky kid.)

Step 5: Did you know? Emotes affect not only your hitbox, but also your knock back? If you're unfortunate enough to get caught by a short ledge, try using an emote to duck behind it! When you're in a standing emote (ie, one you have to stop manually and can't move until it's finished. Think the point emote vs the wave emote) you also become a lot harder to knock over! (Warning: this does not work on krill! They are bigger and beefier than you in every way!)

I recommend an emote that's fast to get in and out of, like the first stage faint emote! It's saved my hide many a time.

Also, most people run on Sunday, so if you're looking for a kindly guide, that's your best time!

Now. The route.

At the very start of Eden, there's a thin stone bridge with rushing rocks blowing left to right.

That bridge is optional.

For more experienced players with enough wedges, you can fly right across to the door with a little skill. (There's lots of video tutorials on youtube if you're curious!)

For people with less wedges or skills, hop right on down into the gap. Follow the bridge to where it meets the other side, and there's a slope you can climb back up to skip the rocks entirely!

The second area loads all at the same time. To be precise, in roughly the time it takes to open the door and trigger the cutscene with the krill, you'll usually hear the sound signalling a wave of falling rocks after the second horn note. You can still move in this cutscene! Also that krill can't see you, thank goodness, so don't worry about it.

For taller players (I'm serious lol) there's a big chip in the wall on the far left of the room. It's about in the middle, it's part of a seam, but if you can't find it get your candle out. Walk into the crack. Jump forward a couple times. Escape to oob. Make sure you got the door cutscene, though, because it will get you if you don't!

Climb the clouds as high as you can, following the path. You want to be ridiculously high up to avoid the invisible wall and the winds. You will get softlocked. Not 'I think I'm high enough', not 'I gotta be high enough now', you want 'I'm going to faceplant the sun' high. 'This feels like I shouldn't be here' kind of high. Right by the giant red pillar at the end! Then dive down. Straight down. Straight towards the entrance to the hall of lights. Avoid flying above the krill!! You should land without bother, but run to safety!

^^^ it looks cool, but don't land here! Land in the actual area down there, by the krill!

For shorter players or less experienced ones, run out and as far left as you can to make it to a safe spot to ride out the first wave of rocks! When the camera returns to you, I recommend keeping left and then running right to the tunnel: keeps you in the path of the rocks as little as possible. RUN.

You have a few seconds between the signal noise (which sounds like a match striking, or a carbonated bottle decompressing) and the surge of rocks (which sounds like strong winds and crunching). There's always particles flying, they're just decorative! It's safe to run when the rocks have stopped!

If you're close to safety, don't stop running!! Don't divert to somewhere that looks safer, get there as fast as you can. Because of the angle of the rocks, at the tunnel/pipe entrance, there's actually a little bit of area in front of it they don't hit. You're closer to safety than you think.

The next phase: pipes. Now, this area is either very easy or very hard, depending on if you get seen by a krill. There's two.

These guys work on a timer. They loop. You can hang around in the pipe between phases and watch them to get an eye on what they're doing, but they move pretty slowly lol. This is the phase you want to rush LEAST. If a krill is coming, hide under the girder. It has a zigzag pattern to help spot, and it's on the switchback leading up to the giant pipe. Don't try and rush it, there's very few places to hide quickly here.

However, the winds are very weak here! You can fly and run, if you're careful! Should a krill spot you on that ledge around the pipe, you can simply fly around it to the other side! Be aware, though, that you might fall into the sludge water below, so check you don't fall in! It's an annoying climb back up lol, but krill don't check down there unless they've been disrupted, so you're safe if you fall.

Do not jump over the girder bridge! Just run! I know it's faster but the girder is thin and slippy! If you get spotted there, just keep running, there's a rock you can hide behind on the other side.

Inside the pipe, you can take a break. There's a brazier of light and some crabs in a ditch you can take your anger out on. You'll see krill lights, but they can't get you as you climb out, they just pass very close. You can safely ignore that one!

Emerging, you'll see the giant red crystal. That's the goal. Again, keep left, use emotes and hiding spots. Listen for the signal sound. Do not be fooled by the placement of braziers! Some spots can still be hit with rocks if you're anything but a chibi!

There will be black, calcified bodies starting to appear. Do not worry. You can't interact with them. You can't save them. They will not protect you from rocks.

When you see a miraculously intact stone arch, you're close! Don't hide behind it, though! You want the ledge just under it. The arch won't keep you from rocks or the krill just ahead.

The krill moves in a very tight circle, for a krill. I'd recommend following its path from a distance, because it moved faster than we can, right now. Spots that will protect you from the krill won't save you from the rocks, either! This is a very tough spot to move through, so take your time choosing the right moment!

Also, there's a child of light, just to the left. This is a trap. Reach the safety of the corridor first, then once you've caught your breath drop back down and grab it. Grabbing the child on your way up risks slowing you enough for the krill to spot you.

And you're in the hall of lights! Lighting all the statues won't do anything, unfortunately. But this is also the first time you'll see children of light in any position other than standing looking up... It's a bit eerie. They're still the same thing, though.

At the end of the corridor, READ THE WARNING that pops up. This is your last chance to avoid death, if you're here to help a friend, or there's lights you want to get first, now is your last chance. Returning home after this point will take you to a scary, empty home, where thunder rumbles and the portals have been returned to rubble. The only way out is through eden.

The final phase: the eye of Eden.

There is no flying. Don't even bother. You'll need to conserve your light. Your goal is to light every calcified body you can - you can see them by the blue lines, if you're struggling. They also look unlit from the front, which can be very annoying, but if they're on fire or glowing, you've already got them. Eden can only be run once a week, and that's why. They don't reset until the Sunday/Monday daily reset, I'm pretty sure. You can still die and light ones you missed the first time, but it's usually not worth it. You'll need all your courage and recklessness here to move quickly.

There are no krill here. There is no clever skip. The only problems are the rocks and the sludge water (though that's not nearly as much of an issue lol. It's never more than ankle deep). Also the rocks to hide behind aren't very good. Sometimes you'll get hit despite being in a 'safe' spot. Don't linger.

Now, the rocks. You have more time than you think between waves, but as there's no noise to signal their stop, it can be hard to tell.

What you want to be listening for is the signal, of course, but also the sound of crashing. The signal is early. You have a few seconds. The crashing only starts when the rocks hit the floor.

What you want to be looking for is the bright neon red of rocks breaking on objects. It comes in waves, starting from the eye and washing to the entrance. These are the only rocks that will hit you, and if you see it coming, you can move out of the way! When they fade, start moving again immediately for the maximum safe time!

Watch for the blue or black of lights! They cost one light each, and each one will become roughly 1/3 of an ascended candle later. Get as many as you can!

Light every statue you go by and refill your light. If you're experienced, it might feel inefficient, but YOU WILL get hit at least once later and you don't want to crawl all the way back to the start to re light lmao.

The waves will come faster and harder as you get closer to the eye, and the angle the rocks fall from will also change, so watch out for that! If you get too close to the sides, they'll change direction SPECIFICALLY to spite you, so be aware of that too lol.

The very final stretch starts when the ground flattens into broken tiles. It's a straight line to the eye, and that's where we're going! Rocks fall all the time, there's little to no cover or light.

You just gotta run. You can't jump, don't try, it'll knock you down fast. You gotta take the hits. There's no two ways about it.

Well... There's kind of a way.

You see, the rocks fall in a pattern. Of you look up, you see them spawn in zigzag lines, and then fall at about 40° from horizontal. If you're very lucky, or very skilled, you can use that to predict where the rocks will fall. And avoid them.

Unfortunately, you can't move very fast. Especially once (not if!) you get knocked to a crawl. Sometimes you're just going to watch a rock spawn and then fall directly onto you lol. Don't try and zigzag to avoid, it'll just slow you down and you'll get hit.

Because of the rocks and the sludge water, any lights you lose will disappear the second they touch the ground. They are no longer your concern. Don't bother trying to focus on reaching the eye, just return the lights you do have to as many crystallised bodies as possible.

And then you die.

You gotta wait ages, at this point. For some reason. It can take about five minutes, longer if there's people there with you, but EVENTUALLY a pop up will appear asking if you want to move on without waiting for people. Click yes, or you'll be waiting even longer. Don't worry, your friends will come with you if they've also died.

Hug your own light, your bright reflection. It's always the exact same height as you. Fly up through the torrent.

There's one last shortcut, funnily enough. I'll include a picture.

See that pale window on the left of the giant doors? That I'm flying away from? That's intangible. You can fly straight through it to oob.

Go through. Go up.

Follow the clouds, just keep flapping up, as high as you can, even when you get lost. Aim for the space at the top.

And then you're headed for orbit, and there may be a giant slug whale sharing your personal space. Don't worry! It won't hurt you!

And that's Eden!

#long post #sky children of the light #sky cotl #thatskygame #that sky game #season of revival #sky children of light #skyblr #skykid #sky cotl eden #Sky cotl orbit #tutorial #Well... Guide #Sky cotl guide

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icallhimjoey · 5 months

Note

Are you still taking requests?

If yes, I’d love to read about pure domestic bliss. Peak Soft!Joey! Things he does for us that make us go all speechless and love him even more. Little things like running us a bath when he senses we had a shit day, takes care of us when we’re home with a cold…things LIKE THAT!

I could really use that rn. <3

um, so, hyper independent reader not used to someone wanting to take care of us in the smallest of ways???? goooooooot it got it got it Wordcount: 3.3K

---

For You

You rarely asked for help.

Didn't need any.

Joe thought hard, but couldn't remember you ever asking him for anything. Or anyone else for that matter. You didn't ask for help in big ways, but also didn't ask for help in any of the small, little ways.

You did things yourself. Didn't bother people and, even though things took time and effort, and were sometimes a real bitch to figure out by yourself, you always did. Eventually.

Sorted through whatever on your own, because that's how you'd always done it. How your childhood had shaped you. What you'd gotten used to. Who you'd become as a person.

You took care of, well, everything. Were organised in ways Joe couldn't even really phantom a person being organised.

"What do you mean you just fixed my washing machine yourself?"

"Was just the little motor inside, I opened it up and it needed a little part replaced."

"What the..."

"Was easy. I watched some tutorial on how to–" you stopped, had to laugh at the face of shocked disbelief and somehow sheer annoyance he made and finished, "There's tutorials for fucking everything online, it really wasn't that hard."

Yea, Joe wasn't so sure.

"All right then, I guess I'll go and cancel the order I placed for a new one."

Because he would have never even thought of opening whatever panel on the back of whatever machine to have a look inside. To look up what he'd be looking at, and to get a screwdriver out to fiddle around inside.

It was out with the old in the the new far to easily with Joe.

Didn't go like that with you.

You took care of shit yourself. Were the person that people would come to for help. Because that's what you did. Took care of your own shit and helped others with theirs.

It took some actual getting used to for Joe.

Girls had never been like that before with him.

They'd ask for shit, would whine at him in a soft baby voice until he'd do whatever they'd asked. Sometimes it'd be cute, but it could be annoying as fuck too. He'd always cave, however, and it would somehow genuinely increase his well-being. To make someone else happy by doing a small task they asked of him. Fed his ego a bit. Upped the self-esteem a little.

And it wasn't that you didn't accept help when it was offered to you.

Not at all.

You just never asked.

It took weeks for Joe to learn that he'd have to figure out for himself what he could do to help. To take care of you sometimes.

It was why sometimes, when you'd be sat doing whatever paperwork needed doing, or answering whatever e-mails needed answering, Joe would silently wander around your flat.

Looking for things maybe he could do.

Things that maybe you'd left for a bit.

Joe wasn't big on cleaning.

Or organising.

But he could pick up clothes that were left discarded on the bedroom floor. And he could shove whatever products were left out in the bathroom into a drawer. Could open the dishwasher, dishes still dirty, but stacked all wrong, not leaving enough room for the rest that were left on the counter still. He could sort that out for you, no problem.

You always thanked him with a squeeze in his side, or soft kisses to smiley cheeks. Made Joe blush a little, knowing he'd found a thing he could do to help, to ease your load and make you happy.

Until one sort of weird Friday afternoon. It had just gone noon, and Joe received a weird text.

"quick q, did you say you had work today?"

Just things he had to read.

"they wont let me leave on my own"

What the fuck?

"Hey, what's going on? What do you mean they won't let you leave on your own?" Joe decided he needed immediate answers, and called in response to your texts.

"I'm fine," was the first thing out of your mouth, quickly followed by, "Don't worry. If you don't have the time, I can see if–"

"Answer my question, please." Joe cut you off.

"I... I don't know, I keep feeling– I'm dizzy. I lost my balance and fell when my foot got stuck on a threshold– I'm not hurt," you were quick to assure, not wanting to worry Joe.

"Did you faint?" Joe was already on his way out the door.

"No, I'm not lightheaded or anything. Just feel like I'm gonna be sick, and like, my eyes won't stay still. It's more annoying than anything else. Mary says I probably haven't slept enough, or something."

You sounded like it too. All annoyed. Frustrated by the way your body was letting you down in the middle of a work day and now had to ask someone to do something for you.

Had to ask your boyfriend to come pick you up.

Like that was the end of the world, somehow.

"All right, I'm out the door." Joe said, coat billowing behind him as his legs rushed him down the street. "Do one thing for me, yea? Don't fucking move."

Not like you could. Moving your head made you want to throw up. Maybe you just hadn't had enough water and were a bit dehydrated. Or a lot hydrated. You didn't know, but thought having water would be a good idea anyway.

You had little sips in the reception area of the office until Joe arrived.

"Hey,"

"You all right?" Joe crouched down in front of you, one hand on your shoulder, then on your cheek. He ducked his head to look you in the eye.

“Yea fine. Just dizzy when I stand. Or move. That’s all.”

“She hurt her wrist,” Mary said loudly as she walked over.

You did a quick Joe, Mary - Mary, Joe, introducing them to each other. Joe stood up straight and they shook hands, exchanged polite smiles, and then turned their worried gazes back onto you.

“It’s fine, nothing serious,” you gave your hand a twist and turn to showcase how fine you were. When you’d suddenly lost balance, you’d braced yourself with your one free hand. It would maybe take a day or two for it to feel normal again, it had just taken a blow.

"It'll sort itself out."

"Are you accompanying her the whole way home?"

"Yea, took the tube here, but," Joe looked at you whilst he fished his phone from his pocket. Unlocked it with his face and swiped to find the Uber app.

"We're getting an Uber back."

Good. Yes.

You were glad.

You would probably feel just as sick in a car, but the hassle of escalators, tunnels, stairs, more tunnels, more stairs, the hot air but the cold winds, and just, other people... even just thinking of the whole process, of public transport, made black and white spots creep up behind your eyes.

Mary seemed glad too, told you to get some actual rest, to take it easy and to feel better soon as Joe helped you onto your feet and guided you out of the building.

You had to lean into him heavily, nausea gripping you by the throat as you walked down to where Joe said you'd be picked up in a minute.

Focussing strongly on putting one foot in front of the other and not moving your head around too much, your mind echoed left, right, left, right, left, right. You felt Joe's grip strengthen around your waist as the world kept pulling you to the side.

"Jesus, do we need to go to A&E?"

This wasn't the time for jokes. You were busy trying to generally survive. The lack of balance, the world spinning and tilting, was disorienting and didn't leave room for humour.

"Have someone look you over?"

Joe wasn't joking, though.

"No," you swallowed. A mistake. "I just need to lie down and be still."

Joe helped you slide into the car, then used his fingers on your jaw to tip your head back against the headrest. Held a palm over your forehead a second, making sure it stayed in place before he carefully got you into your seatbelt and shut the door as softly as he could.

Sitting still like this, it was okay. Head back, sat up right, no weird smells.

This was fine.

You told the driver not to worry. Lied and promised him you didn't feel sick, just dizzy, and prayed you wouldn't actually throw up.

Joe rounded to the other side and slid down the seat to be right beside you. Sat in the middle seat, and after doing up his own seatbelt, attention was back with you.

An arm pushed through behind your neck, curled around your shoulder as you got pulled in.

Resting your head on Joe's shoulder wasn't any better than having it upright and tipped back, but Joe used a large palm that covered most of your scalp and then softly scratched fingers into your hair.

That was better.

You closed your eyes when the car pulled onto the road.

Having the actual world move fucked you up way more than you thought it might do.

The light that moved as you drove still filtered through enough, so you turned your head and hid your face against Joe's arm. Found darkness and peace there, and took measured breaths. Tried to ignore how your brain felt like a carousel. Could still taste the coffee you had about an hour earlier.

"Just crossed the river," Joe softly spoke near your ear.

He was taking you home.

"Five more minutes."

When you arrived, Joe wouldn't let you get out of the car by yourself. Said, "Hang on, wait here," and rushed out to jog around where he opened your door. Then he turned, and crouched down. Got down on one knee, and held out his arms behind him to guide.

"Joe, I can walk,"

You'd never ask to be carried.

"This feels safer. Come on."

But Joe insisted, and so you slid from the backseat right onto Joe's back. Slung arms around his neck and rested your head on his shoulder. Closed your eyes again, which didn't really help the nausea, but it felt nice to pretend you weren't really there.

Joe walked with bent legs, never fully straightening his knees, and you got the smoothest piggyback ride you'd ever had, right into your flat.

Right into your bedroom, where...

"Oh, fuck,"

You looked up, peeked over Joe's shoulder and, you remembered as you saw it.

You'd stripped your bed that morning, threw all sheets and covers into the wash and had planned to make the bed later, when you'd get back after work. Would use the other set that you didn't like the feel of as much, but which looked nicer.

"Okay, sofa." Joe turned on his heel, spun too quick, and made you groan with discomfort.

"Sorry, sorry," Joe stilled completely. Waited a couple seconds. Said sorry again and then walked you over into your living room where he carefully lowered himself and let you slide onto your sofa.

"How are we doing?" Joe checked in, went to close the curtains to get the place as dark as it possibly could in the middle of the day.

"Just need to sleep it off, I think," you said, trying to control your breathing as you bent over slowly to take off your shoes.

Your hands got moved aside by Joe, who moved to sit down in front of you on his knees.

"Sit back,"

And so you did. Inhaled deeply. Exhaled slowly. Accepted that the room was just going to be spinning for a while, nothing you could do to make it stop.

Joe took off your shoes and gave both socked feet a rub before coaxing you to lay back.

Throw pillows got moved into place, a blanket got draped over you, and Joe felt something pang inside of his chest at the sight of you laying flat on your back like this.

You were a side sleeper.

Would always curl up into a ball, would pull your knees up all high that would get Joe in the back some nights. Most nights. Joe always had to turn around and move one of your legs to hook over his hip to omit the uncomfortable press of boney knees into his spine.

Joe had never seen you try to fall asleep on your back before.

"Need anything else?" Joe whispered, still hovering over you, now toeing off his own shoes.

Not like you were going to ask, were you?

If Joe wanted to take care, he'd have to ask you for what you needed.

You hummed, said, "Nothing," slung an arm over your eyes and then followed up with, "Quiet.".

All right.

Joe could be quiet.

It didn't take you long to fall asleep at all, thank fuck.

For a second, Joe thought of going back home. Leaving you to get some rest, ensure your place would actually be quiet. But then he thought of your bed, and decided, might as well make it.

Joe found a set of sheets, but knew it was the one you found a little scratchy. Then he found your washing, transferred it all into the dryer as silently as he could and then thought, yea might as well, when he saw you'd left the bathroom messy.

Joe tidied up.

Decided halfway through he could also cook later. Take on dinner.

What else would he appreciate someone doing if he couldn't move without holding onto a wall?

Lots of things.

He was going to do them all.

Joe moved around with intention, shuffled on his socks, did everything as quietly as he could. Still closed cupboards too loudly, and made himself wince several times. He would freeze and would listen if he could hear you stir, if he'd disturbed you.

Not a peep from you. Not once.

Good.

Joe found the fridge empty, then grabbed your reusable shopping bag and your keys. Would only be a minute.

Downstairs, he checked your mail, opened your little metal post box and found a slip for a delivery that you'd missed, for a parcel that needed picking up. Decided to do that too, because, why not.

When Joe got back and carefully went to check if you were asleep still, he saw that you'd curled up with both your knees pressed into the back of the sofa. Couldn't help but smile to himself.

Nearly three hours later, you jolted awake. Took a look around the room, frowning, squinty eyes, and tried to figure out what woke you up. Why you were on the sofa again. What day it was.

You could hear the oven close in the kitchen, and let your head drop back down onto the soft pillows from the sofa.

You remembered.

And you felt... better. Sort of... just fine. You noticed gravity was pulling at you just right again. Huge difference compared to before, when it got you from all different sorts of angles.

Shaking your head side to side, everything felt solid. Steady. And you were really fucking hungry.

"Joe?" you called, and had to cough right after.

"You're up!" Joe stepped into view, drying his hands on a tea towel and he... Joe looked windswept. Untamed. Disheveled and tousled, face all flushed. All smiley and excited looking.

"How are you feeling?"

The opposite of how Joe looked, but, fine none the less.

"Better," you smiled through squinty eyes.

"Yea? No longer dizzy?"

"I don't think so," you shook your head once more, to check. Felt fine.

"Feel sick?"

"No... I'm hungry."

"Yea?"

"Yea." you looked around, still a little dazed and, what was that smell?

"Good, dinner's in the oven." Joe made his way over, and took a moment to grin at you. Leant down and just grinned at you. You didn't know what was so funny, but Joe made you laugh anyway.

You still felt a little shaky when Joe kissed you. Small pecks. Then a long one. Another grin, followed by a suspicious frown from you, and then, more kisses.

"What?" you asked when Joe wouldn't stop smiling.

"Nothing. Just glad that you're okay. How's your wrist?"

You rotated it. Gave it a little shake.

"Bit sore, but not bad, thanks. And thank you for coming to get me from work, I really couldn't have– I don't know what happened, do people get their balance affected from lack of sleep, do you know?"

"Yea, I googled, and apparently, you can. So that could be it, but it also could be a million other things." Joe shrugged.

Hmm. All right. Well, at least you felt better now. Nausea gone. Vision no longer swimming.

"Want to take a bath?" Joe suggested, and you groaned at the suggestion.

"Yes,"

"Okay, be careful, the water was practically boiling when I filled it fifteen minutes ago,"

You gasped softly, immediately pouted.

"You... you already filled the tub?"

Joe's eyes twinkled.

"Babe, I did so much," he exclaimed all proud, and started going down the list.

Joe had done a massive food shop, picked up a parcel from the post office, cleared out the dishwasher, tidied the bathroom, folded the laundry and put it all of it away, made dinner, made the bed–

Joe had to stop when he saw your eyes blinking rapidly, eyelashes wet. You seemed overwhelmed, a bit.

"Are you..."

A sob wrecked from your throat and you immediately laughed, because you were well aware you were being silly.

"You're crying?" Joe asked, smiling, already pulling you in so you could hide your face into his chest.

"You didn't have to–"

"Stop, I know I don't have to. I wanted to. Believe it or not, sometimes people enjoy doing things for you."

People usually loved it when you did things for them, but, you loved doing things for other people, so you understood.

"You made the bed?"

You knew Joe fucking hated making the bed.

"Yea, used the nice sheets,"

"I put the others in the wash this morning–"

"No," Joe corrected. "I put those in the dryer and used those," Joe pulled back, tilted his head down enough to catch your expression. "The other ones are– they don't feel great, right?"

Joe saw your face scrunch up again and quickly tucked you back under his chin.

"Maybe just get rid of those all together,"

"They were an expensive–"

"I'll get rid of them." Joe said, knowing you probably never would yourself.

Unbelievable.

You didn't deserve Joe.

Joe would disagree and fight you on that, so you didn't say that shit out loud.

Joe held you for a bit longer, his affection pouring over you until it was dripping down the sofa and leaving puddles on the floor.

"Bath's getting cold," Joe eventually murmured into your hair.

"Thank you," you managed to croak out as you accepted the kisses Joe pressed to your forehead before he helped you up from the sofa.

He held wary arms out, ready to catch you if it turned out that standing up was still a task too tricky, but you seemed steady enough. Could walk towards the door without going sideways.

"You know what?" he said, hand on the small of your back, guiding you across the room.

"Get in the bath, I'll join you in a sec,"

You caught his little smirk as he looked at you over his shoulder, stepping closer towards the kitchen.

"With dinner." Joe finished, and, fuck off. That sounded like the best fucking idea you'd ever heard.

"Hey," you said, making Joe stop, and for some reason, you caught a flicker of worry in his eyes before they softened as you smiled.

"Thank you," you said again, this time more earnest than you'd done before.

Joe needed to know you were grateful.

"Anything," Joe started, squeezed his eyes shut tightly to bring his point across properly.

"Anything for you."

the end

---

The Taglisted

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taglist currently full, sorry

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ask-whitepearl-and-steven · 2 years

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i understand that its cool to receive fanart, but ur really lenient about people who draw these characters thinner than they really are, and as a steven universe blog with art that is really respectful about bigger bodies its really disappointing to see u supporting these people skinnyfying fat characters

Here's the thing about your message:

It assumes everyone drawing bigger characters skinnier is doing so with fully acknowledged malicious intent

It assumes that openly shaming people for it will fix the problem and make them draw fat characters 'properly'

I'm going to be completely honest with you for a moment.

I'm a teacher. I teach kids from ages 8 to about 15 (currently I'm teaching younger grades, but I've worked a lot with the older demographic as well.) So take what I say with the comfort that I at least know a little bit of what I'm talking about.

Why does this matter? Because a lot of the fanart that is gifted to me by this community comes not from adults, but from children. Sometimes, they're teens who have been drawing for a few years! Sometimes they're younger kids who have only recently begun to develop their skills.

Here's the reality - drawing bodies is hard. ANY bodies - skinny ones, fat ones, unusually shaped ones. In order to get good at it, you have to draw them a lot! And in order to draw, you need to find ways to practice. Usually, this happens by the budding artist looking around at other artists and copying them. Or looking at tutorials.

Here's another reality - unfortunately, the majority of art online, the majority of tutorials online, don't touch on drawing larger characters. They simply pretend it's not a thing. Finding references to larger people can take work! Getting started drawing larger people if you only have skinny-people references... is hard!

You know what doesn't make it easier? Getting shamed and told off by another artist for drawing characters 'too skinny'.

I teach English to students who have never learned English before. From 8 year olds to 15 year olds, you know what the one thing that remains constant is? Learning happens best through kindness and positive reinforcement. Not through shame and grabbing the child's attention and smearing it in their mistake like you're punishing a puppy that peed on the floor.

In fact, yelling at people of ANY age about their mistake pretty rarely gets them to stop making that mistake. What ends up happening more often is that they end up hating that activity altogether.

There's a reason I consciously and indiscriminately reblog all sorts of art - all of it has something that the artist excels at. Do all of them have great body proportions that are correct for the character? No. Some art is clearly made by people who are not used to drawing anything except super skinny characters!

But all of them ARE kind enough to read my comic, which I try to fill with body types that are diverse, true to the show itself. And that, in and of itself, is exposing them to art styles that don't have to over-rely on anime or CLAMP-esque noodly kids that look like they just popped out of Wonka's Laffy machine.

So yes, maybe they draw Steven or Rose too skinny. But they're also looking at Rose and Steven and clearly find them adorable, and maybe someday, they'll try something different for a change. It's not my job to rub their nose in the fact that they haven't gotten the chance to experiment yet. It's also not my job to ignore them if they don't have the 'correct' proportions, because like it or not, that's also punishment.

I do make it my job to try to reblog the fanart I see and promote it, because getting positive reinforcement and being encouraged to continue to experiment with art is what will make kids and teens AND adults confident enough to go beyond the socially-accepted weight-limit for MCs.

I know it can feel demoralizing to see a lot of character with your body type erased and made skinny as if that's a 'prettier' version of them. But 90% of the people drawing Steven skinny aren't doing it because they hate you. It's because they haven't been told it's ok to draw characters chubby. Or fat. And the unlearning part of that sort of thing is a process that needs support, not shame.

I don't expect you to be kind if you're hurt by that. You can react any way you want, and anger is a healthy emotion in this case.

But if you want ME to react with malice on your behalf, then I'm afraid I won't. I have another job to do, and that job is teaching with kindness.

#chekhov answers

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