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mostlysignssomeportents · 28 days

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Subprime gadgets

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me THIS SUNDAY in ANAHEIM at WONDERCON: YA Fantasy, Room 207, 10 a.m.; Signing, 11 a.m.; Teaching Writing, 2 p.m., Room 213CD.

The promise of feudal security: "Surrender control over your digital life so that we, the wise, giant corporation, can ensure that you aren't tricked into catastrophic blunders that expose you to harm":

https://locusmag.com/2021/01/cory-doctorow-neofeudalism-and-the-digital-manor/

The tech giant is a feudal warlord whose platform is a fortress; move into the fortress and the warlord will defend you against the bandits roaming the lawless land beyond its walls.

That's the promise, here's the failure: What happens when the warlord decides to attack you? If a tech giant decides to do something that harms you, the fortress becomes a prison and the thick walls keep you in.

Apple does this all the time: "click this box and we will use our control over our platform to stop Facebook from spying on you" (Ios as fortress). "No matter what box you click, we will spy on you and because we control which apps you can install, we can stop you from blocking our spying" (Ios as prison):

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

But it's not just Apple – any corporation that arrogates to itself the right to override your own choices about your technology will eventually yield to temptation, using that veto to help itself at your expense:

https://pluralistic.net/2023/07/28/microincentives-and-enshittification/

Once the corporation puts the gun on the mantelpiece in Act One, they're begging their KPI-obsessed managers to take it down and shoot you in the head with it in anticipation of of their annual Act Three performance review:

https://pluralistic.net/2023/12/08/playstationed/#tyler-james-hill

One particularly pernicious form of control is "trusted computing" and its handmaiden, "remote attestation." Broadly, this is when a device is designed to gather information about how it is configured and to send verifiable testaments about that configuration to third parties, even if you want to lie to those people:

https://www.eff.org/deeplinks/2023/08/your-computer-should-say-what-you-tell-it-say-1

New HP printers are designed to continuously monitor how you use them – and data-mine the documents you print for marketing data. You have to hand over a credit-card in order to use them, and HP reserves the right to fine you if your printer is unreachable, which would frustrate their ability to spy on you and charge you rent:

https://arstechnica.com/gadgets/2024/02/hp-wants-you-to-pay-up-to-36-month-to-rent-a-printer-that-it-monitors/

Under normal circumstances, this technological attack would prompt a defense, like an aftermarket mod that prevents your printer's computer from monitoring you. This is "adversarial interoperability," a once-common technological move:

https://www.eff.org/deeplinks/2019/10/adversarial-interoperability

An adversarial interoperator seeking to protect HP printer users from HP could gin up fake telemetry to send to HP, so they wouldn't be able to tell that you'd seized the means of computation, triggering fines charged to your credit card.

Enter remote attestation: if HP can create a sealed "trusted platform module" or a (less reliable) "secure enclave" that gathers and cryptographically signs information about which software your printer is running, HP can detect when you have modified it. They can force your printer to rat you out – to spill your secrets to your enemy.

Remote attestation is already a reliable feature of mobile platforms, allowing agencies and corporations whose services you use to make sure that you're perfectly defenseless – not blocking ads or tracking, or doing anything else that shifts power from them to you – before they agree to communicate with your device.

What's more, these "trusted computing" systems aren't just technological impediments to your digital wellbeing – they also carry the force of law. Under Section 1201 of the Digital Millennium Copyright Act, these snitch-chips are "an effective means of access control" which means that anyone who helps you bypass them faces a $500,000 fine and a five-year prison sentence for a first offense.

Feudal security builds fortresses out of trusted computing and remote attestation and promises to use them to defend you from marauders. Remote attestation lets them determine whether your device has been compromised by someone seeking to harm you – it gives them a reliable testament about your device's configuration even if your device has been poisoned by bandits:

https://pluralistic.net/2020/12/05/trusting-trust/#thompsons-devil

The fact that you can't override your computer's remote attestations means that you can't be tricked into doing so. That's a part of your computer that belongs to the manufacturer, not you, and it only takes orders from its owner. So long as the benevolent dictator remains benevolent, this is a protective against your own lapses, follies and missteps. But if the corporate warlord turns bandit, this makes you powerless to stop them from devouring you whole.

With that out of the way, let's talk about debt.

Debt is a normal feature of any economy, but today's debt plays a different role from the normal debt that characterized life before wages stagnated and inequality skyrocketed. 40 years ago, neoliberalism – with its assaults on unions and regulations – kicked off a multigenerational process of taking wealth away from working people to make the rich richer.

Have you ever watched a genius pickpocket like Apollo Robbins work? When Robins lifts your wristwatch, he curls his fingers around your wrist, expertly adding pressure to simulate the effect of a watchband, even as he takes away your watch. Then, he gradually releases his grip, so slowly that you don't even notice:

https://www.reddit.com/r/nextfuckinglevel/comments/ppqjya/apollo_robbins_a_master_pickpocket_effortlessly/

For the wealthy to successfully impoverish the rest of us, they had to provide something that made us feel like we were still doing OK, even as they stole our wages, our savings, and our futures. So, even as they shipped our jobs overseas in search of weak environmental laws and weaker labor protection, they shared some of the savings with us, letting us buy more with less. But if your wages keep stagnating, it doesn't matter how cheap a big-screen TV gets, because you're tapped out.

So in tandem with cheap goods from overseas sweatshops, we got easy credit: access to debt. As wages fell, debt rose up to fill the gap. For a while, it's felt OK. Your wages might be falling off, the cost of health care and university might be skyrocketing, but everything was getting cheaper, it was so easy to borrow, and your principal asset – your family home – was going up in value, too.

This period was a "bezzle," John Kenneth Galbraith's name for "The magic interval when a confidence trickster knows he has the money he has appropriated but the victim does not yet understand that he has lost it." It's the moment after Apollo Robbins has your watch but before you notice it's gone. In that moment, both you and Robbins feel like you have a watch – the world's supply of watch-derived happiness actually goes up for a moment.

There's a natural limit to debt-fueled consumption: as Michael Hudson says, "debts that can't be paid, won't be paid." Once the debtor owes more than they can pay back – or even service – creditors become less willing to advance credit to them. Worse, they start to demand the right to liquidate the debtor's assets. That can trigger some pretty intense political instability, especially when the only substantial asset most debtors own is the roof over their heads:

https://pluralistic.net/2022/11/06/the-end-of-the-road-to-serfdom/

"Debts that can't be paid, won't be paid," but that doesn't stop creditors from trying to get blood from our stones. As more of us became bankrupt, the bankruptcy system was gutted, turned into a punitive measure designed to terrorize people into continuing to pay down their debts long past the point where they can reasonably do so:

https://pluralistic.net/2022/10/09/bankruptcy-protects-fake-people-brutalizes-real-ones/

Enter "subprime" – loans advanced to people who stand no meaningful chance of every paying them back. We all remember the subprime housing bubble, in which complex and deceptive mortgages were extended to borrowers on the promise that they could either flip or remortgage their house before the subprime mortgages detonated when their "teaser rates" expired and the price of staying in your home doubled or tripled.

Subprime housing loans were extended on the belief that people would meekly render themselves homeless once the music stopped, forfeiting all the money they'd plowed into their homes because the contract said they had to. For a brief minute there, it looked like there would be a rebellion against mass foreclosure, but then Obama and Timothy Geithner decreed that millions of Americans would have to lose their homes to "foam the runways" for the banks:

https://wallstreetonparade.com/2012/08/how-treasury-secretary-geithner-foamed-the-runways-with-childrens-shattered-lives/

That's one way to run a subprime shop: offer predatory loans to people who can't afford them and then confiscate their assets when they – inevitably – fail to pay their debts off.

But there's another form of subprime, familiar to loan sharks through the ages: lend money at punitive interest rates, such that the borrower can never repay the debt, and then terrorize the borrower into making payments for as long as possible. Do this right and the borrower will pay you several times the value of the loan, and still owe you a bundle. If the borrower ever earns anything, you'll have a claim on it. Think of Americans who borrowed $79,000 to go to university, paid back $190,000 and still owe $236,000:

https://pluralistic.net/2020/12/04/kawaski-trawick/#strike-debt

This kind of loan-sharking is profitable, but labor-intensive. It requires that the debtor make payments they fundamentally can't afford. The usurer needs to get their straw right down into the very bottom of the borrower's milkshake and suck up every drop. You need to convince the debtor to sell their wedding ring, then dip into their kid's college fund, then steal their father's coin collection, and, then break into cars to steal the stereos. It takes a lot of person-to-person work to keep your sucker sufficiently motivated to do all that.

This is where digital meets subprime. There's $1T worth of subprime car-loans in America. These are pure predation: the lender sells a beater to a mark, offering a low down-payment loan with a low initial interest rate. The borrower makes payments at that rate for a couple of months, but then the rate blows up to more than they can afford.

Trusted computing makes this marginal racket into a serious industry. First, there's the ability of the car to narc you out to the repo man by reporting on its location. Tesla does one better: if you get behind in your payments, your Tesla immobilizes itself and phones home, waits for the repo man to come to the parking lot, then it backs itself out of the spot while honking its horn and flashing its lights:

https://tiremeetsroad.com/2021/03/18/tesla-allegedly-remotely-unlocks-model-3-owners-car-uses-smart-summon-to-help-repo-agent/

That immobilization trick shows how a canny subprime car-lender can combine the two kinds of subprime: they can secure the loan against an asset (the car), but also coerce borrowers into prioritizing repayment over other necessities of life. After your car immobilizes itself, you just might decide to call the dealership and put down your credit card, even if that means not being able to afford groceries or child support or rent.

One thing we can say about digital tools: they're flexible. Any sadistic motivational technique a lender can dream up, a computerized device can execute. The subprime car market relies on a spectrum of coercive tactics: cars that immobilize themselves, sure, but how about cars that turn on their speakers to max and blare a continuous recording telling you that you're a deadbeat and demanding payment?

https://archive.nytimes.com/dealbook.nytimes.com/2014/09/24/miss-a-payment-good-luck-moving-that-car/

The more a subprime lender can rely on a gadget to torment you on their behalf, the more loans they can issue. Here, at last, is a form of automation-driven mass unemployment: normally, an economy that has been fully captured by wealthy oligarchs needs squadrons of cruel arm-breakers to convince the plebs to prioritize debt service over survival. The infinitely flexible, tireless digital arm-breakers enabled by trusted computing have deprived all of those skilled torturers of their rightful employment:

https://pluralistic.net/2021/04/02/innovation-unlocks-markets/#digital-arm-breakers

The world leader in trusted computing isn't cars, though – it's phones. Long before anyone figured out how to make a car take orders from its manufacturer over the objections of its driver, Apple and Google were inventing "curating computing" whose app stores determined which software you could run and how you could run it.

Back in 2021, Indian subprime lenders hit on the strategy of securing their loans by loading borrowers' phones up with digital arm-breaking software:

https://restofworld.org/2021/loans-that-hijack-your-phone-are-coming-to-india/

The software would gather statistics on your app usage. When you missed a payment, the phone would block you from accessing your most frequently used app. If that didn't motivate you to pay, you'd lose your second-most favorite app, then your third, fourth, etc.

This kind of digital arm-breaking is only possible if your phone is designed to prioritize remote instructions – from the manufacturer and its app makers – over your own. It also only works if the digital arm-breaking company can confirm that you haven't jailbroken your phone, which might allow you to send fake data back saying that your apps have been disabled, while you continue to use those apps. In other words, this kind of digital sadism only works if you've got trusted computing and remote attestation.

Enter "Device Lock Controller," an app that comes pre-installed on some Google Pixel phones. To quote from the app's description: "Device Lock Controller enables device management for credit providers. Your provider can remotely restrict access to your device if you don't make payments":

https://lemmy.world/post/13359866

Google's pitch to Android users is that their "walled garden" is a fortress that keeps people who want to do bad things to you from reaching you. But they're pre-installing software that turns the fortress into a prison that you can't escape if they decide to let someone come after you.

There's a certain kind of economist who looks at these forms of automated, fine-grained punishments and sees nothing but a tool for producing an "efficient market" in debt. For them, the ability to automate arm-breaking results in loans being offered to good, hardworking people who would otherwise be deprived of credit, because lenders will judge that these borrowers can be "incentivized" into continuing payments even to the point of total destitution.

This is classic efficient market hypothesis brain worms, the kind of cognitive dead-end that you arrive at when you conceive of people in purely economic terms, without considering the power relationships between them. It's a dead end you navigate to if you only think about things as they are today – vast numbers of indebted people who command fewer assets and lower wages than at any time since WWII – and treat this as a "natural" state: "how can these poors expect to be offered more debt unless they agree to have their all-important pocket computers booby-trapped?"

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/03/29/boobytrap/#device-lock-controller

Image: Oatsy (modified) https://www.flickr.com/photos/oatsy40/21647688003

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

#pluralistic #debt #subprime #armbreakers #mobile #google #android #apps #drm #technological self-determination #efficient market hypothesis brainworms #law and political economy #gadgets #boobytraps #app stores #curated computing #og app #trusted computing

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mzap · 1 year

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I posted 1,173 times in 2022

That's 761 more posts than 2021!

15 posts created (1%)

1,158 posts reblogged (99%)

Blogs I reblogged the most:

@heywizards

@chynandri

@saltybiowarefantears

@bigboobshaunt

@fyeahpersona

I tagged 1,173 of my posts in 2022

#oh my queue - 924 posts

#dragon age - 179 posts

#ffxiv - 118 posts

#lol - 106 posts

#awww - 106 posts

#omg - 105 posts

#jjk - 87 posts

#dracula daily - 83 posts

#nice - 82 posts

#persona 5 - 77 posts

Longest Tag: 130 characters

#i imagine seiko did it on accident one time and since then she's had to remind herself to not to accidentally carve aymeric's face

My Top Posts in 2022:

Why bother with a Persona 5 replay when I can get the P5 experience right here

11 notes - Posted November 27, 2022

Day 1 of Wondercon was a success! It was so nice meeting new people, seeing everyone’s beautiful cosplays, and getting to bring out my Micaiah cosplay again!

16 notes - Posted April 2, 2022

A couple of my favorite photos from this year’s #SDCC! This year, I went as Doc Ock from Spider-Man: Into the Spiderverse and Maki Zen’in from Jujutsu Kaisen!

29 notes - Posted July 25, 2022

My family is rude so I’m going come right out and say that the only valid ones on this farm are Takakura and my farm animals

36 notes - Posted October 1, 2022

My #1 post of 2022

See the full post

115 notes - Posted September 2, 2022

Get your Tumblr 2022 Year in Review →

#tumblr2022 #year in review #my 2022 tumblr year in review #your tumblr year in review #sounds about right #trying to get back into posting #but I’m still lurking!#footnotes

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thecursedprince · 1 year

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Wondercon 2021 Black Widow with Chase Variant Exclusive set by @originalfunko 🕷 -•-•-•-•-•-•-•-•-•-•-•-•-•-•-•-•-•-•-•-•-•-•-•-•-•-•-• #BlackWidow #Soda #Funko #infinitywar #avengersinfinitywar #florencepugh #yelenabelova #blackwidow #mcu #marvel #marvelcomics #comicbooks #marvelcinematicuniverse #scarlettjohansson #funkosoda #avengers #superhero #marvelsuperhero #disney #captainamerica #thor #rachelweisz #hawkeye #natasharomanoff #chrisevans #blackwidowmovie #davidharbour #redguardian #comics #marvelstudios https://www.instagram.com/p/ClblsSHuLzX/?igshid=NGJjMDIxMWI=

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comickergirl · 3 years

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I’m doing WonderCon at Home this weekend! I’ve got stickers! My original comic! And a limited number of the Legion prints ONLY AVAILABLE at WonderCon! (A quick note about said prints: They arrived with damage to the upper left corner. If that’s a deal breaker, please don’t purchase one, as I won’t be replacing/refunding them for the bent corner. Thanks!)

Check it out --> Art By Comickergirl on the WonderConAtHome Marketplace

#comicker stuff #WonderConAtHome2021 #wondercon 2021 #supergirl #legion of super heroes

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spn-season-16-chronicles · 3 years

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SPNews

12th March 2021

No grand supernatural revelations.

A panel with LatAm dub voice actor Alejandro Mayen (Cas dubber) on WonderCon getts announced for 26th March. More info here.

Family Business Beer Co. releases new merch - blue-green string dyed t-shirts. Fandom looses it a little bit over colour scheme.

What will happen tomorrow?

And now weather

#supernatural #SPNews #Spn #spn season 16 #Spn metafandom #Destiel #Castiel #Cas #Latam dub supremacy #Alejandro Mayen #FBBC #Family Business Beer Company #Destiel merch?#WonderCon 2021

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dccomicsnews · 3 years

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Justice Society: World War II Panel At WonderCon 2021

Justice Society: World War II Panel At @WonderCon 2021 #JSWWII #DCComicsNews

The biggest attraction for this year’s WonderCon@Home for me was the cast and crew panel for the upcoming DC Universe Animated Original Movie, JUSTICE SOCIETY: WORLD WAR II Moderated by the best PR guy in the biz, Gary Miereanu, this panel brought together the cast & filmmakers for an entertaining panel featuring Stana Katic (Castle, Absentia, A Call To Spy) as Wonder Woman, Matt Bomer (Doom…

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#Barry Allen #black canary #DC #DC Comics #DC comics news #DC Universe Animated Original Movies #hawkman #Hourman #jay garrick #justice society #justice society: world war ii #Matt Bomer #Speed Force #Stana Katic #Steve Trevor #the Flash #wonder woman #WonderCon #WonderCon 2021

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4yourexcitement · 3 years

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WonderCon@Home: Stana Katic And Matt Bomer Headline Star-Studded Justice Society: World War II Panel

Credit: WBHE Just because WonderCon 2021 is happening virtually doesn’t mean that Warner Bros. Home Entertainment (WBHE) isn’t going to be the star of the show. WBHE is hosting a star-studded panel for their upcoming film, Justice Society: World War II, during WonderCon@Home on Saturday, March 27 at 11:00 am PT. The 50-minute panel will include actors, filmmakers, and clips and images from the…

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#Justice Society: World War II #Matt Bomer #Stana Katic #WonderCon 2021

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thecomicon · 3 years

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WonderCon 2021: Image Comics' Panel Schedule And Guests

WonderCon 2021: Image Comics’ Panel Schedule And Guests

Yesterday we brought you all the IDW panels, guests and exclusive merchandise for this weekend’s WonderCon@Home and today Image Comics have let us know what they’re offering too. Here’s the full line up of guest and panels below and all the links you’ll need: —FRIDAY, MARCH 26— Legendary Spawn Creator Todd McFarlane Talks Toys, Movie, and Expands on the Exciting New Spawn Universe…

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#Gary Frank #Geoff Johns #Image Comics #Invincible #Marc Silvestri #Marguerite Bennett #Todd McFarlane #WonderCon 2021 #WonderCon@Home

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brutalgamer · 3 years

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Justice Society: World War II to get panel presentation at WonderCon 2021

Yes, it’s WonderCon@home again for 2021’s version of the con. But even so, there’s going to be some cool stuff to see. Case in point, Justice Society. Justice reigns If you haven’t been paying attention to the next installment of Warner Bros excellent DC Comics...

#DC comics #Justice Society: WWII #WonderCon 2021 #Expo #Movies &amp; TV #News

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mostlysignssomeportents · 27 days

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Async mugwump linkdump

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me TOMORROW in ANAHEIM at WONDERCON: YA Fantasy, Room 207, 10 a.m.; Signing, 11 a.m.; Teaching Writing, 2 p.m., Room 213CD.

For 20+ years, I've processed all the information that came over my transom by blogging – mulling on why something I saw in the world caught my attention and trying to summarize it for strangers. This turns out to be a very powerful way to do a lot of different kinds of mental work:

https://pluralistic.net/2021/05/09/the-memex-method/

With Pluralistic, the solo blog I founded 4 years ago, I've moved into longer, more synthetic essays that try to connect the things that caught my attention today with all those things I've written about for the past two decades. That's also proven very fruitful:

https://pluralistic.net/2024/02/20/fore/#synthesis

But this move to longer works has a downside: sometimes I'll arrive at the week's end and have a list of things that caught my attention without there being any obvious way to connect them, and when that happens, I devote a Saturday edition to a linkdump. There's been 15 of these so far:

https://pluralistic.net/tag/linkdump/

Welcome, then, to the 16th Pluralistic linkdump, and a warning, this one starts with an obituary.

Ross Anderson was one of the heroes of the cryptographic revolution, a brilliant scientist and communicator, a fantastic activist, and a scorching curmudgeon. Ross died this week. He was 67, and had chronic heart issues as well as long covid:

https://www.lightbluetouchpaper.org/2024/03/29/rip-ross-anderson/

There's so much that's been written about Ross and his legacy already, and there's doubtless more to come, but I've picked out two pieces to point you to. The first is from Danny O'Brien, who was also the guy who talked me down off the ledge the first time Ross flamed me on a public mailing list, leaving me bleeding and furious:

https://news.ycombinator.com/item?id=39868983

As Danny says, Ross was "the model of a politically and socially involved computer scientist," a man whose blazing intellect, fierce moral center and relentless curiosity inspired a generation of technologists to think about politics, and a generation of political activists to think about technology. Few of Ross's eulogizers (thus far) have mentioned how Ross's passion came out as fury, and – as someone who counted Ross as a friend and inspiration – I think this is a serious omission. It's hard to imagine Ross doing all that he did without understanding the anger that – along with his ethics – fueled his passion.

(Compare with @neil-gaiman's classic essay on the anger of Terry Pratchett:)

https://www.theguardian.com/books/2014/sep/24/terry-pratchett-angry-not-jolly-neil-gaiman

The other obit that I want to point you to comes from Bill Buchanan, one of Ross's closest collaborators. Buchanan's memorial for Ross does a superb job of rounding up Ross's technical contributions to the field of security engineering:

https://medium.com/asecuritysite-when-bob-met-alice/ross-anderson-rip-59233c75fadf

Buchanan embeds videos for some of Ross's best speeches, links to his key papers (including the classic "Programming Satan's Computer," on "programming a computer which gives answers that are subtly and maliciously wrong at the most inconvenient moment possible), reminiscences of Great Moments In Ross Anderson, and terrific, lay-friendly breakdowns of some of Ross's key mathematical work.

As an unreasonable, angry person, I take great inspiration from people who channel their unreasonable anger to socially beneficial conduct – like whistleblowers. After Baltimore's Francis Scott Key Bridge was totaled by the 95,000-ton cargo ship MV *Dali(, a vast cohort of instant experts in structural engineering, sea freight and shipbuilding has taken to the internet with a slurry of takes on the Meaning Of the Bridge.

Some of these are very stupid indeed, like the idea that somehow "DEI" caused the collision. But you don't have to be an expert in maritime issues or civil engineering to understand the importance of this report from The Lever about shipping giant Maersk's culture of retaliation against whistleblowers:

https://www.levernews.com/feds-recently-hit-cargo-giant-in-baltimore-disaster-for-silencing-whistleblowers/

Maersk is the company that chartered the MV Dali; Maersk is also a key player in the cartel that controls the world's shipping. Maersk was just sanctioned by the Labor Department for retaliating against a whistleblower who complained of unsafe conditions on the ships that Maersk chartered:

https://www.dol.gov/sites/dolgov/files/OPA/news%20releases/Maersk-Sec%20Findings%20-FINAL%20071423_Redacted.pdf

Maersk's policy required employees to bring concerns to their supervisors before alerting the Coast Guard or others. This is not how that stuff is supposed to work. OSHA called this policy “repugnant” and a “reprehensible and an egregious violation of the rights of employees,” which “chills them from contacting the [Coast Guard] or other authorities without contacting the company first.”

The whistleblower – chief mate on the Safmarine Mafadi – complained of "unrepaired leaks, unpermitted alcohol consumption onboard, inoperable lifeboats, faulty emergency fire suppression equipment, and other issues." We don't know (yet) what happened on the Dali, but it's obvious that a company that retaliates against whistleblowers, rather than heeding their warnings, is prioritizing covering its ass, not operating safely.

Which brings me (inevitably) to Boeing, and to poor John "Swampy" Barnett, the Boeing whistleblower who took his own life earlier this month. Barnett's suicide has stirred up similar low-yield online chatter focused on whether Boeing assassinated Barnett, a question that categorically cannot be answered through the method of arguing with internet strangers.

But there is a lot to say about Barnett: in particular, there's the substance of his whistleblowing, the specifics of his complaints about Boeing. For that, we can turn to the always-fantastic Maureen Tkacik, whose American Prospect piece "Suicide Mission" is definitive:

https://prospect.org/infrastructure/transportation/2024-03-28-suicide-mission-boeing/

Tkacik does a great job of painting a picture of Swampy as a member of the tribe of unreasonable and angry people who refuse to sideline principle in order to get along. More importantly, Tkacik shows us what made Swampy so angry: a company that was hell-bent on lobotimizing itself by forcing out any technical expert who might point out inconvenient truths about the safety risks of high-profit strategies.

As Tkacik writes, Boeing once thought about "knowledge" in terms of expertise that could be brought to bear on the unimaginably complex task of making reliable, airworthy jets. But under the "value-engineering" financialized culture that arose after the McDonnell-Douglas merger, the company viewed knowledge as "intellectual property, trade secrets, and data." In other words, the point of knowledge was rent-extraction, not safety.

At the root of this transformation was the Jack Welch protege Jim "Prince Jim" McNerney, the former 3M CEO who took the helm at Boeing. McNerney was openly contemptuous of the company's senior engineers, branding them "phenomenally talented assholes" and rewarding managers who found ways to force them out of the company. It was McNerney who decided to produce the 787 "Dreamliner" in non-union shops, far from Seattle and its phenomenally talented assholes. Instead of these engineers, McNerney turned to Boeing suppliers to do the major engineering work on the 787 – despite the fact that many of these suppliers "lacked engineering departments."

The 787 was, infamously, a $80b-over-budget boondoggle, haunted by technical failures. Swampy was part of the "cleanup crew" that tried to salvage the 787, and witnessed first-hand how the company purged all the engineers who managed to ship the 787 despite McNerney and his "value engineers" and retaliated against workers who tried to unionize the South Carolina facility.

In particular, it was safety inspector who came in for the most savage punishment. When the FAA decided to let Boeing mark its own homework – hiring in-house safety inspectors to replace government inspectors – they pretended to believe that these Boeing-payrolled inspectors would be able to operate independently of Boeing's leadership. The inspectors tried to operate this way (not least because they were criminally liable for oversights that occurred on their watch) and McNerney's Boeing came down on them like a ton of aviation-grade aluminum.

To further neuter these inspectors, Boeing management ordered the inspectors to outsource their work to the mechanics they were supposed to be supervising – that is, the FAA outsourced safety checks to Boeing inspectors, and the inspectors outsourced those checks to the mechanics themselves. Tkacik: "Swampy believed relying on mechanics to self-inspect their work was not only insane but illegal under the Federal Aviation Administration charter."

Swampy kept careful records of every way in which this system produced unsafe aircraft and an unsafe workplace – including the day he discovered that someone had removed 400+ defective parts from the rejects box and installed them in aircraft in order to meet deadlines. Swampy's reports were key to establishing that the company's much-trumpeted "improvements" in safety reports were down to a culture of "bullying" – not any improvement in safety itself.

When Boeing went to war against Swampy, they barely bothered to pretend that they were playing by the rules. He was told one day that he was four-weeks into a 60-day "corrective action" that no one had told him about. The "corrective action" paperwork had a blank for Swampy's comments. He wrote, "Leadership wants nothing in email so they maintain plausible deniability. It is obvious leadership is just looking for items to criticize me on so I stop identifying issues. I will conform!"

Shortly thereafter, he was forced out altogether. Managers who tried to bring him on their teams were told that no one was allowed to hire John Barnett. His name appeared on a secret internal memo entitled "Quality Managers to Fire." Meanwhile, the value of Boeing shares had tripled.

After Boeing's 737 Maxes started falling out of the sky, Swampy's painstaking documentation of the flaws in the 787's production took on a new urgency. A program of random inspections of 787s found major defects in all of them ("Boeing Looked for Flaws in Its Dreamliner and Couldn’t Stop Finding Them" –WSJ). An Aviation Week diagram of problem spots with the 787 marked red arrows over "every single section, from the tip of the nose to the horizontal stabilizers":

https://aviationweek.com/air-transport/new-boeing-787-fix-details-reveal-extent-gap-check-challenge

Boeing's war on "brilliance" did its work: after everyone who understood how to make a safe aircraft was forced out of the company, financialized CEOs were able to cut corners on safety, triple the share-price, scoop up billions in government subsidies and bailouts, all without those pesky "phenomenally talented assholes" pointing out that they were going get (lots of) people killed.

Tkacik closes by saying that Swampy's former work colleagues refuse to believe he killed himself. A former executive told her "I don’t think one can be cynical enough when it comes to these guys…It’s a top-secret military contractor, remember; there are spies everywhere." I confess that I don't know what to make of that, but I'll say this: if Boeing killed Swampy, that's just one of hundreds of murders they committed. Whether or not Swampy's death was their fault, the deaths of everyone who went down on the 737 Maxes that crashed is on their hands.

That's what "profits before people" means, after all: sacrificing human lives to make yourself richer. It's the foundational tenet of the conservative movement, though that impulse is often checked by other factors, like human decency. It's only when sociopaths get a sustained run at leadership that you see what they really want.

Which brings me to the UK, which has been governed by the Conservative Party for 14 years. The Tories are tipped to get destroyed in the next election, and a long article in the New Yorker by Sam Knight catalogs the many ways in which Tory rule has devastated the UK:

https://www.newyorker.com/magazine/2024/04/01/what-have-fourteen-years-of-conservative-rule-done-to-britain

The thing is, after 14 years, it's impossible for the Tories to blame anyone else for the state of the UK. With strong Parliamentary majorities, Conservatives were able to govern as they pleased – the only compromises they made were between their own internal factions. The ideological commitment to making the rich richer, privatizing everything, subordinating governance to market forces – that's all them.

It's all them: the worst period for wage growth since the Napoleonic Wars, on them. The catastrophic traffic, housing, jobs market, and precarity, on them. Plummeting health, on them. The austerity, on them. The withering of the country's courts and prisons and police, its wilderness, its programs for young people and pensioners, its public health, its diplomatic corps, its road maintenance – on them.

A country where the police can't afford to prosecute burglaries – on them (4% of burglaries are prosecuted). The 2.5 year delay between a rape arrest and its trial? On them. Mass closures of schools that are literally crumbling? On them.

43% of the countries courts have closed. On them. Cuts to prison funding, coupled with longer sentences? On them.

And of course, Brexit – on them. Every part of it. The referendum. The referendum question. The failure to negotiate a deal with the EU. All on them. The collapse in British living standards, all on them. The fact that the 20% richest households in the UK have been untouched by all this? Also on them. But you might not notice it in London, where people earn an average of 400% more than people in Nottingham.

The only growth sector outside of London are the Citizens Advice Bureaux, whose client rosters are growing even as their funding is cut. Where the CAB once primarily catered to people who couldn't make ends meet due to disability, unemployment and other reliable predictors of economic distress, today, CAB advisors are seeing homeowners, people working two jobs. Desperation is "like a black hole, dragging more and more people in,"

More Conservative growth: Tories presided over a doubling in the rate of NHS antidepressant prescriptions, and a 20% rise in long-term health conditions. No wonder Tory Britain had the world's worst pandemic outcomes for a wealthy nation – that's on them, too.

Knight's article closes with a Tory MP who believes that "the key thing for the Conservatives now is to be more conservative…Toryism must have its day again."

We can't count on oligarchs to rescue us from oligarchy – not even when oligarchy's failures push society to the breaking point. There's always a rationalization explaining why we just had to lean harder into oligarchy.

You hear echoes of this in the pro-monopoly choir, whose squeals of outrage at the rise of a new anti-monopoly movement grow louder even as monopolism's failures grow clearer. One of the more tangible expressions of monopoly's failures is the Ticketmaster/Livenation octopus, which controls the entire live music industry – key venues, promotions, and ticketing. Ticketmaster fucks over music fans, but it also cheats famous musicians, the kinds of people with big microphones, so we know a lot about how bad it is:

https://pluralistic.net/2022/11/20/anything-that-cant-go-on-forever-will-eventually-stop/

Of course, the fact that Swifties hate Ticketmaster lets the pro-monopolists dismiss critics as foolish young girls, not Very Serious People Who Understand Economics and thus can see that Ticketmaster's monopoly is Good, Actually.

Last week, Congressman Bill Pascrell dumped a ton of litigation documents related to Ticketmaster's sleaze, and Matt Stoller broke them down:

https://www.thebignewsletter.com/p/explosive-new-documents-unearthed

The docs reveal how Ticketmaster's system of (formerly) secret kickbacks let it choke out any competitor, so that it could charge fans more and pay artists less. The mechanics of the scam are beautifully laid out in Stoller's post – as is the many ways in which it violated both the law and Ticketmaster's numerous consent decrees arising from its previous lawbreaking.

This kind of scam breakdown is essential. It's easy to think that we, as mere normies, can't hope to understand the machinations of the corporations that prey on us. But once you pierce the veil of performative complexity, what's left behind is a set of crude tricks and transparent ruses.

Here's one of those transparent ruses: Discord's terms of service require Discord users to actively opt out of its "binding arbitration" system. Binding arbitration is when you sign a contract saying you can't sue the company no matter how much it harms you – instead, you promise to have your disputes heard by an "arbitrator" (a fake judge paid by the company that screwed you). Unsurprisingly, these fake judges are awfully tolerant of their employers' crimes.

Discord says that once you click through its garbage legalese novella, you have just a few days to opt out of this binding arbitration clause – if you happen to miss that fine print, you have "consented" to giving up your legal rights.

But every time Discord changes its ToS, the clock for opting out starts ticking again, and Discord has just changed (that is, worsened) its ToS again:

https://discord.com/terms

That means that if you send an email right now to [email protected] with "I am confirming that as of the date of this email, I am choosing to opt out of binding arbitration to settle disputes with Discord" in the body, you can escape this consent theater:

https://mamot.fr/@[email protected]/112175832989845038

Consent theater is a particularly galling corporate ruse – the idea that we chose to allow them to abuse us. Consent theater gets more outrageous by the day. Take Soofa, who operate streetside digital kiosks that identify you by grabbing your phone's unique wifi and Bluetooth identifiers:

https://gizmodo.com/digital-kiosks-snatch-your-phones-data-when-you-walk-by-1851368948

Soofa sells this data to advertisers – claiming that by walking down a public street, you "consented" to being tracked and sold.

The only reason this flies is that the US hasn't passed a federal consumer privacy law since 1988's Video Privacy Protection Act, which bans video-store clerks from telling people which VHS cassettes you took home. Congress keeps on failing to pass a privacy law, despite garbage companies like Soofa.

But that hasn't stopped the administrative agencies from acting to defend your privacy! The FTC just dropped its latest Privacy and Data Security Update, a greatest hits list of the actions the Commission took while Congress failed:

https://www.ftc.gov/system/files/ftc_gov/pdf/2024.03.21-PrivacyandDataSecurityUpdate-508.pdf

One of the best things about the current administration is the number of extremely competent regulators who know exactly how much power they have and aren't afraid to use it to help the American people:

https://pluralistic.net/2022/10/18/administrative-competence/#i-know-stuff

The new FTC report, which details how the Commission's existing powers let it go after the commercial surveillance industry from smart doorbells to review fraud, from kids' programming to medical data, from lax security to data-breaches, is a bright spot in an otherwise grim week.

One more bright spot, then, before I wind up this linkdump. All week, I've been humming a half-remembered lyric, "come on baby/you're a link in this chain/put your hands together/and get free of the pain." For the life of me, I couldn't place it.

Last night, I searched for it (using Kagi, the post-Google search engine I've been paying for for the past month, and which I'm loving) and discovered that I had somehow completely forgotten a whole-ass band that I once loved: Toronto's Bourbon Tabernacle Choir, whom I saw live on many occasions.

The mystery lyric came from "Death is the Great Awakener," a fucking banger of a post-gospel track that I've been listening to on nonstop repeat as I wrote this. It's a hell of a tune and I'm intensely grateful to have it back in my life:

https://www.youtube.com/watch?v=Q6RUb63Tx3w

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/03/30/dewey-502/#rip-ross-anderson

Image: Waffleboy https://www.flickr.com/photos/waffleboy/28198395465/

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

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ramascreen · 3 years

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Here Are The Details on "JUSTICE SOCIETY: WORLD WAR II" Panel For WonderCon@Home 2021

Here Are The Details on “JUSTICE SOCIETY: WORLD WAR II” Panel For WonderCon@Home 2021

I’ve received this press release officially announcing Warner Bros. Home Entertainment’s celebration of “Justice Society: World War II” at WonderCon with a star-studded panel during the virtual experience on Saturday, March 27. Please note that the link within the press release will not go live until the date/time of the panel – March 27 at 11:00am PT. “Justice Society: World War II” arrives on…

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#Justice Society: World War II #WonderCon 2021

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wonderconathome · 3 years

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WonderCon@Home announces the winners of the 2021 Masquerade Costume Competition

Note that some winners are credited only by Tumblr accounts:

Best In Show: “Astra: Queen of the Frostborn”, a light-enhanced original design crafted by The Queen’s Armory.

Judges’ Choice: “Elphaba Act II Gown” from the Broadway musical Wicked, re-created in every detail by Shane Chandler (ShaneChandlerCostume).

Best Re-Creation: “The Ugly Stepsisters” A 2-person historical re-creation from Disney’s animated Cinderella, crafted by Devon Baker and Carrie-Lea Hoch (Komickrazi).

Best Original Design: “Cheshire Cat”, an original design inspired by Tim Burton’s Alice in Wonderland, designed and made by Nina London Cosplay.

Best Workmanship: “The Ur-Dragon” inspired by card art of the Magic: The Gathering game. Crafted by Kensadi Cosplay.

Best Presentation: “This Is Quarantine” a 2-person re-creation from The Nightmare Before Christmas, imitating famous paintings, crafted by Perditas Wardrobe.

Most Humorous: “The Infinity Gauntlet” An original design inspired by Avengers: Endgame, crafted by Adolfo “Ariel” Estandarte, (Ariel004).

The above winners will receive WonderCon@Home trophies, plus free attendee badges to WonderCon Anaheim 2022. Also, the Best in Show winner Astra: Queen of the Frostborn will receive $500 in cash from Frank and Son Collectible Show, of the City of Industry, California.

Honorable Mentions:

Each of the 3 judges had a costume they liked very much but did not win. Here then they are:

“Oscar François de Jarjayes from The Rose of Versailles”, a re-creation from a Japanese shōjo manga series, and crafted by Yugiri315.

“Elizabeth Swann from Pirates of the Caribbean: At World’s End”, re-created by Emily G. (GeekyGirlFashions).

“End Game Ironman” re-created from Avengers: Endgame, crafted by Capt Cash.

WonderCon gives a big thank-you to the contestants for all their work, to the guest judges for their time and expertise, to the Foglio’s for being our Masters of Ceremonies, and to Frank and Son Collectible Show for their generous support of the event!

Meet your 2021 WonderCon@Home Masquerade Judges:

Jennifer May Nickel

"What makes the art of Costume Design so thrilling is the opportunity to help tell a story and bring characters to life."

Jennifer May Nickel is a Costume Designer for Television and Film. For television, Jennifer’s Costume Design credits include Neflix’s Cabin with Bert Kreischer and Taylor Tomlinson: Quarter-Life Crisis, the CW’s Containment, Fox’s What Just Happened??! with Fred Savage, Syfy's TV movie Miami Magma, the History Channel’s Legend of the Superstition Mountains, TLC’s TV movie The Secret Santa and Nickelodeon’s The Massively Mixed-Up Middle School Mystery.

Classically trained in theatre, Jennifer holds an MFA in Costume Design from Carnegie Mellon University and also studied in England at Oxford University (St. Edmund’s College: Myth and Ritual in Theatre). A proud member of the Costume Designers’ Guild Jennifer has won the Elizabeth Schrader Kimberly Costume Design Award, The Cecilia Cohen Award for Excellence in Theatre and The WCDAC Achievement Award.

Her more extensive bio can be found on IMDb.

Gigi “Fast Elk” Bannister

SFX Artist, Director, Producer, Actor, Director, Gigi "Fast Elk" Bannister (formerly Porter) has been in the film industry for over 35 years. Better known for her practical special effects and production work, Gigi is comfortable on both sides of the camera. She's appeared in over a dozen films and television shows, and is a popular guest at horror conventions, film festivals, workshops and seminars. For several years she has donated time at San Diego Comic-Cons to assist Masquerade contestants with their special effects make-up needs.

Gigi is credited as a Producer on Don Coscarelli and David Hartman's "Phantasm V: Ravager" (2016) and Steve King's "One For the Road" (2011) (Night Shift Anthology). As a character actor, she's appeared in "Bloody Bloody Bible Camp" (2011), "Carnies" (2009), in "Small Town Saturday Night" (2009) (with Chris Pine, John Hawkes, Reggie Bannister, and Perry Anzilotti), and again in Don Coscarelli's "Bubba Ho-Tep" (2002) (Bruce Campbell, Reggie Bannister and Ozzie Davis), and many more. She has produced and directed on numerous projects including dozens of live events, fundraisers and seminars, six independent feature films, and six shows for television.

More information on Gigi can be found on IMDb.

Allan Lavigne

Costumer, make-up special effects artist, sculptor, and [MJ1] painter with 40+years with credits from Lucasfilm, Sony Pictures, Disney, and more, his costume fabrication work has been exhibited around the world in museums, film premieres and numerous conventions. His Bronze Armory studio is in the San Francisco Bay Area where he creates, lectures, and teaches. His newest exhibit of screen-accurate motion picture and television costume reproductions “The Batman Armory” will be re-opening soon at the San Francisco Cartoon Museum, requested by Warner Brothers to promote the new Batman encyclopedia: Batman: The Definitive History of the Dark Knight in Comics, Films and Beyond which Allan was technical advisor for. Formerly a top winner for many years in fan costuming at many conventions, including San Diego Comic-Con, he brings with him great insight from having learned and honed his costume skills as a contestant himself.

Additional information about Allan’s work can be found at https://thebronzearmory.com

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