TIL AFTER THE US JOINED WWI THERE WAS A TREND TO RENAME SAUERKRAUT LIBERTY CABBAGE GUYS THE FREEDOM FRIES ARE NOT THE ORIGINAL THIS SHOULDN'T BE FUNNY WHY IS IT FUNNY.
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Absolutely magnificent creature.
(source: Sears catalog, Fall/Winter 1918.)
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French and British soldiers sharing a light at Étaples, c 1915.
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The Grim Reaper doesn't come for the dead. That's a myth. He doesn't wear a robe either. Nor does he carry a scythe.
The Grim Reaper comes for the living. He wears the uniform of a private, ill fitting on a young man who's barely past boyhood.
The Grim Reaper comes for mothers. And when he comes every mother on the street steps outside to watch him go, dreading that it's her door where he's gonna stop.
The Grim Reaper is trembling and shy. It never gets easier. All those eyes on him.
The Grim Reaper doesn't carry a scythe. He carries a mailbag. And in it are a hundred letters. Each stamped with the Royal Army Seal.
The mother cries. She refuses the letter. But the Grim Reaper will not be denied. He is not the instrument of death. Only its herald.
The Grim Reaper has no time to stay. There're so many letters yet to deliver today.
The year is 1915, and the Grim Reaper knows that tomorrow will be a busy day as well.
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Little girl and patient friend. Taken in France during the reconstruction period after the devastation of WWI - ca. 1917 - 1924. Source.
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“The evolution of the fighting man” between 1914 and 1918.
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I'm haunted by the beautiful potential in an Edwardian-era Persuasion.
A setting just after WWI, another time of major social upheaval--blurring class barriers, new ideas about gender roles, further crumbling of the aristocracy
Sir Walter blindly clings to the old order, barely thinking about the war except to lament the impossibility of getting good servants these days
Elizabeth Elliot styles herself as a bit of a women's rights activist, claiming this is the reason she remains unmarried
Anne would have served as a nurse if her father had allowed it, but of course he couldn't permit an Elliot of the Elliots to undertake such ugly work, so she stayed at home quietly undertaking the usual home-front charitable work
This war deepens the story's melancholy. There's not the same sense of the men returning home as conquering heroes. The world is changing, but is it worth what we've lost? Can we have hope for the future when all our optimistic dreams led to such slaughter?
The best way to retain some of Wentworth's glamour is to make him a flyboy. However, given their short life expectancies, I'm not sure how realistic it is to have him and several buddies survive the war.
A "band of brothers" in the trenches is also a decent analogue for their relationship
Harville's injury meant he was invalided home fairly early. Benwick's probably a wartime poet suffering from shell shock that only got worse after his fiance died in the influenza epidemic.
Louisa and Henrietta are of a slightly younger generation that hasn't been quite as scarred by the war. Their relative innocence makes them refreshing to a war-weary returning soldier
It's possible Wentworth is so shaken by Louisa's accident (and thus needs Anne to take charge) because it sparks some kind of PTSD flashback. (Though that may not be the best direction to take the character).
There's just so much potential to explore the layers--old wounds and new possibilities, finding ways to heal and grow and rebuild after pain and loss
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Best part of the Sabaton Great War film that played in museums by FAR was the night trench scene opening up on a lone French soldier checking to see if anyones around and then whipping out and DEVOURING a 3 foot long baguette
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