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#Varsi
wingwaver · 1 year
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Gonna start trying that make your OCs in picrews thing I always see going around.
Illya (Court of Darkness) | Ina (Soul of Yokai) - Nadria (Skyrim) | Asmodeus (Skyrim) - Varsi (No Media) | Varrta (No Media)
Picrew is here if you'd like to make your OCs
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at-weeb96 · 10 months
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Adventure Time with PB and Marcy (Varmints art study)
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citizenscreen · 4 months
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Diane Varsi and Orson Welles in Richard Fleischer‘s COMPULSION (1959)
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bubblew0lf1 · 1 year
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Silly little Jedi OC's
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elegieenbleu · 2 years
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GENIETTA VARSI /
La tornada 2021 _ More about the artist : ig : @geniettta
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dozydawn · 11 months
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Diane Varsi in The People (1972).
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vintage-every-day · 2 years
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Diane Varsi, Lana Turner and Hope Lange in 𝑷𝒆𝒚𝒕𝒐𝒏 𝑷𝒍𝒂𝒄𝒆, 1957.
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cinevisto32 · 10 months
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Johnny cogió su fusil (1973)
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yourhotbigf · 1 year
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Dus alirken aliyev parkini yiktiklari geldi aklima ilk ogrendigimde de cok uzulmustum ama niyeyse dustu bi anda aklima hic fotograf da cekilmemisim orda kendime kiziyorum cocuklugum diyebilecegim iki uc yerden biriydi
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wingwaver · 2 years
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anyway I wanna talk about the twins Varrta and Varsi
They're demonic clowns and one is super depressed and wants to become a holy creature like his ancestors and blames humanity for the fall of angels into demons and the other is just here to Cause Problems On Purpose, she is doing it for the laughs and having a great time, everything is all jokes to her, she is suave, smooth, cunning, and will absolutely make you a balloon poodle for your birthday but Watch Out it might actually be alive
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at-weeb96 · 11 months
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Got these in the mail today from the talented @crochetwithcat as a special order (thanks so much Erika🥰)
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citizenscreen · 4 months
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Remembering Diane Varsi on her birthday #botd
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byneddiedingo · 2 years
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Lana Turner and Diane Varsi in Peyton Place (Mark Robson, 1957) Cast: Lana Turner, Lee Philips, Diane Varsi, Hope Lange, Arthur Kennedy, Lloyd Nolan, Russ Tamblyn, Terry Moore, David Nelson, Barry Coe, Betty Field, Mildred Dunnock, Leon Ames, Lorne Greene. Screenplay: John Michael Hayes, based on a novel by Grace Metalious. Cinematography: William C. Mellor. Art direction: Jack Martin Smith, Lyle R. Wheeler. Film editing: David Bretherton. Music: Franz Waxman. Take the sex away from Grace Metalious's lurid novel Peyton Place and what you have left is a portrait of small-town narrow-mindedness and hypocrisy, very much in the tradition of fiction by much better writers, from Mark Twain to Sherwood Anderson, Sinclair Lewis, and William Faulkner. Squeezed by the strictures of the Production Code, the film version of the novel becomes a kind of reworking of Thornton Wilder's Our Town. There was narrow-mindedness and hypocrisy in Wilder's Grover's Corners, but only in the background. It bubbles to the surface in the adaptation of Metalious's novel, which replaces Wilder's heroine, the romantic Emily Webb, who loves her family and her town, with the embittered Allison MacKenzie (Diane Varsi), who hates not only the gossip-ridden town but also her mother, Constance (Lana Turner), for having withheld the information that Allison is the product of Constance's liaison with a married man. The film version of Peyton Place turns what in the novel was sexual molestation of a girl by her father into a rape by her stepfather, side-stepping the incest issue a bit, and converts an abortion into a miscarriage. The randy teenagers of the novel do nothing more shocking in the film than make out a bit and go skinny-dipping. The film hints a little that the shy mama's boy Norman Page (Russ Tamblyn) may be gay -- he refers to himself as a "sissy" once -- but relieves him of that stigma by having him join the paratroopers when war breaks out and come home bold and no longer shy. (It would never occur to Hollywood or its audiences of the day that a gay man could be bold and masculine.) In short, Peyton Place makes today's viewer do a lot of decoding. Which, aside from the fact that at 157 minutes it's overlong and a lot of the dialogue is heavy-handedly expository (and sometimes just banal), doesn't fatally undermine it as entertainment. There are some very good performances: Varsi, Turner, and Tamblyn received Oscar nominations, as did Arthur Kennedy as the slavering rapist stepfather, and Hope Lange as his victim-stepdaughter. Metalious, of course, hated it all the way to the bank.
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Rise From The Ashes | Part 3 | Stepping Up To Serie D
Red-hot form had seen FC Pompei explode through Italy’s 5th tier and claim an unlikely promotion to Serie D. However, manager Robí Sulpicius faced the significant challenge of his entire first-team squad being out of contract and a worrying financial situation overshadowing his need to rebuild. Indeed, Pompei came into the second season with minus £230k in the bank and with the board making 0%…
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meowgaze · 10 months
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matteo varsi
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evinyy · 11 months
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Darenimde Darenimm
Benden nefret etmene dayanabilirim ama onu seveceksin diye ödüm kopuyor.
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