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whichpercydoyouthink · 3 years

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I Recommend: 3 Will Be Free

We have roadtrips. Gang conflict. A lot of tense stand offs. We have queer-accepting mafia bosses. We have Neo’s trademark croptops, Miw’s flawless makeup, and Shin’s adorable glasses. We have guns. We have a whole lot of shirtless shots. We have antagonists you’ll root for just as much as the protagonists.

What to we have? 3 Will Be Free!

Let me make this clear first up, this ain’t about a love triangle. This is a polyamourous relationship between three people. Just so you know. Rare, ain’t it?

This Thai drama is, in my opinion, freaking brilliant! Not only did it do a polyamourous relationship pretty good (and actually had it endgame), but it did it with a captivating plot, beautiful camera shots, and a hella intense soundtrack. I will definitely be rewatching this one in the future.

Let's get into this. I’m not trying to spoil anything hear but I have to gush about this and so I’m sorry if I accidently reveal anything or imply enough for some people to work stuff out. Just watch it! I can’t say it enough.

To introduce you a little, the initial plot of 3 Will Be Free all surrounds this Mafia type boss guy called Thana. Enter main character number one: Neo, a free spirited dancer at a club who catches the eye of Thana's second wife Vanika and they start an affair. Enter main character 2: Miw, a hostess at a nearby club who meets Shin (main character 3), the son of Thana's first wife, one night when his friends pay her to sleep with Shin. Things quickly get chaotic when Thana finds out about the affair, sends people to kill Neo and punish Vanika only Vanika gets killed in the crossfire, Neo runs and hides at Miw's club only to run into Shin in the bathrooms and just as they're both caught, Miw comes in and shoots Thana's right hand man dead (it all happens in like the first episode, okay, its fine to spoil, right?). So yeah. You can probably imagine the running-for-their-lives, road trip that Neo and Miw enbark on with Shin swept along for the ride because of a mysterious connection to Neo.

I'm not gonna say more about the plot except that Thana's right hand man, Phon, happens to have a transgender girlfriend, Mae, who is devastated whe she hears about Phon’s death and embarks on a revenge driven chase after the main trio with Phon's best friend Ter (who also works for Thana). The two bond over their shared loss and show some of the saddest, heart-wrenching moments as Ter struggles without his friend to guide him and Mae suffers the loss of the only person who properly supported her. Mae is probably my favourite character in the show, she is just so good and showed the most emotional depth despite her limited screen time and the show really did her dirty, she did not catch a break. Also why the heck did this show have to make me love Phon even after he died?? He was just the nicest, most supportive boyfriend ever and honestly, despite the whole gang thing and the fact that he was trying to kill Neo, I kind of wish he had lived. For extra info this show is ten 50 minute episodes long and is on youtube with every episode split into 4 parts. So go watch. You'll be in for a ride.

All along we have Miw and Neo bickering constantly and Shin grinning quietly in fondness. That’s essentially their relationship summed up. It’s adorable.

Individually, though, I loved the depth I felt in these characters and how they felt more than just stereotypes or cardboard flat.

Neo ( Way-Ar Sangngern / Joss). On the surface, this guy is your pansexual bad boy hooker/prostitute/stripper who works a ton of jobs and lives freely, working a ton of jobs with no set future. Neo is also a gentleman who can be summoned by wallet theft to save the day and is very caring and protective of those he loves. Essentially, he’s the mama bear of the trio, but unfortunately he is also a jerk, selfish, and may very well have a saviour-complex. I don’t think he’s everyone’s favourite by the end of the show BUT he kind of holds the trio together and they need him to keep Miw out of trouble and free Shin a little. I also believe he is singlehandedly reviving people’s love for croptops.

If anyone’s wondering why I consider this guy pansexual when Wikipedia says bisexual, it’s because he literally says he doesn’t care about gender in relationships. I could be wrong, but that’s how I interpreted what he said.

Miw ( Lapassalan Jiravechsoontornkul / Mild). In a time when we are seeing more and more strong, independant female leads, Miw is the queen. She is definitly the source of strength of the relationship and has no time for anyone’s sh*t. She is bold, always has flawless makeup and outfits, and is never scared to speak her mind, tough and prepared to do anything to survive. She also honestly has some of the best lines in the show. But if this type of character puts you off, don’t run away because she’s more than just that. Miw has her own vulnerabilities, isn’t completely bulletproof and killing a man is not easy for her. There are reasons behind the strength she projects and her way of seeing the world, reasons she has to keep being strong, and that doesn’t stop her from bonding with other women over shared experiences, standing up for others, and comforting Neo and Shin when they hit their lows.

Shin (Tawan Vihokratana / Tay). Let me just say, you are guaranteed to fall in love with this boy, he is the soft and innocent one in the trio from a completley different world from the other two yet that doesn’t stop him from not wanting to be left behind and trying to understand. Shin is honestly the real hero of this story, he is so selfless and insecure and must be protected at all costs. Of course, the characters in the show know that which is why everyone is either trying to kidnap him or save him. But he isn’t just quiet and shy, he’s also smart and has his own bad*ss moments when Neo has being a jerk and Miw is just trying to survive. If Neo is the glue, Miw is their strength, then Shin is peacekeeper and balances out Neo and Miw’s outspoken personalities.

I do understand, though, that some may be a little less than satisfied with Shin’s ending. I felt like they really needed to develope or explore his relationships with Miw and Neo further or atleast as much as they seemed to for Miw and Neo.

In the end though we had quite a few cute moments with all three of them together and apart from that minor issue, I got nothing other than to cry over all those characters who suffered the director’s killing spree. Like seriously, is nothing safe?! So beware.

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ptersparkers · 4 years

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I literally had no interest in outer banks at all, like I never even wanted to watch it, but I somehow found your story and now I wanna watch it because I’m so invested in what you have written. You’re honestly an incredible writer

this is singlehandedly the nicest thing anyone has ever said to me and i 100% recommend watching it!

#ask #im so honored you think this #thank you 🥺#anonymous

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spiritfamantics-blog · 5 years

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About Us

Hi, I’m Helia, your local human Tumblr user and spirit companion. I’m 18, a Taurus sun and moon, and am in a committed polyamorous relationship with any and all pasta dishes. I also use they/them pronouns. I’ve been working with spirits since May 2017, so over two years now. These guys have made it fly by. Speaking of, I suppose I should introduce them.

First up is Feyr, the wyvern-bird hybrid. She is my only known guardian, and she is 18, exactly the same age as me (down to the birthday). She was the first spirit I ever met and has thankfully stuck around to keep me out of trouble (mostly, she can’t cure impulsivity). She, like some dragons, keeps growing well into her lifetime. When I met her she was about the size of a ferret. Now she’s about 3 feet tall. Anyway, onto her personality. She is the “wildcard” of the group and often behaves like a child who has eaten too much sugar. She is very energetic and happy-go-lucky. She is incredibly curious and loves to learn anything and everything, even if she doesn’t take well to it (see her rudimentary Spanish). She is very funny and has a sunny disposition, seeing the positive in every person and situation. Though she can act immature, she is the voice of reason (sometimes). Other times, she wants to get herself into some astral trouble because she thinks it’s fun and adventurous and she is an adrenaline junkie. When it comes to me and the rest of the family, she is unconditionally loving and accepting. She has a bit of an overachiever complex because she never felt good enough in either of her parents’ communities, being raised a hybrid. Not fully dragon and not fully bird, she is in the process of accepting herself as her own unique being. One of her hopes and dreams in life is to find whatever deity cosmically assigned her to me and thank them. I, for one, am flattered.

Next is Rabbit the winged rabbit. Yes, he did choose his name, and yes, he will kick you if you make fun of it. Rabbit was the second spirit I met, when my beloved Nana gifted me a jade rabbit necklace. I, a newbie energy worker, could feel the anger radiating off this thing. So, I did the smart thing (I’m being sarcastic, please do not follow in my footsteps, meeting your own Rabbit is highly unlikely and not guaranteed) and decided to free the entity. Lo and behold, a grumpy old man. Who was a rabbit. Who had wings. Needless to say, I was a little confused. But then this guy really laid into me, yelling at me about how he was fine living in a necklace and how dare I move him. I had half a mind to banish him, but Feyr, always more intuitive than I, told me to let him stay. So he did, reluctantly, and I let him, reluctantly. We kind of had beef at the beginning, but he and Feyr got along so incredibly well. He was like a father to her. Much better than her own father, who never visited. Finally, one day, Rabbit approached me, and sat down next to me. He said, finally, “Thank you for freeing me.” I said, “You’re welcome, but why’d you have to be such a douche about it?” He laughed, and thus began a beautiful friendship. Anyway, moving away from his origin story. Rabbit is an odd character. He, at first, appears very gruff, no-nonsense, and uncaring. Under this facade, however, is a sweet, brave, sarcastic, and fatherly spirit, who is fiercely protective and loving. He tends to adopt those without good parental relationships, and becomes a father to them. He can be loose and fun, if you find him under the right circumstances. Otherwise, he is a bit buttoned-up and doesn’t find it easy to relax. He is easily stressed but doesn’t like to show his emotions at all. He is working on being more open and not bottling things up. He can be self-deprecating and sometimes even unkind to himself, but being part of a loving family and seeing how much he is cared for is helping with this. Any love you give him, he will return tenfold. He is an upstanding, true, gentleman. However, he isn’t polite and can be a bit crass at times. He has a perpetual “grumpy face” and smiles very rarely. He cries even less so, but when he does, you mirror his emotions because they are just so powerful. Overall, he is a very sweet man.

Third is S, the winged cat, and Rabbit’s beloved wife and the mother to his children. I met S through a now-closed spirit shop. Don’t worry, there wasn’t any shady business, and I’m still friends with the former owner. S is a true firecracker, but she is incredibly motherly, gentle, and kind. She says what she means and means what she says, but is very sweet (most of the time). Don’t mistake her femininity for fragility, because if any of her loved ones are threatened she will claw somebody’s eyes out. She is the optimist to her husband Rabbit’s pessimist, and is a firm believer in thinking positively. However, she is a Slytherin, and can be prone to scheming to get what she wants. She is never manipulative, and instead prefers honesty in her words and actions. To her friends, she is the quintessential “mom friend”; she makes sure everyone is cared for, especially fed. To her children, she is their world. She is curious and eager to investigate new scenarios, though she often prefers the familiarity and comfort of her family. She is quite funny and loves jokes, though she doesn’t tolerate stupidity from anyone. If any of her loved ones make a mistake, she’s quick with a light smack of the head and to call them an idiot, while reminding them to do better next time. She has “settled down” quite a bit in the last year, since her children have been born, but she still retains her adventurous spirit.

Fourth is N, the strawberry elf, and the girlfriend of Violet and Paris. I met her, also, through a now-closed spirit shop. And yes, I am still friends with the mod who matched her to me. N is a lovely soul, if a little shy at first. Once she gets to know you, however, she never shuts up (and I say this in the most loving way ever). She is bubbly and bright, and probably the nicest entity I’ve ever met, including humans. She would do anything for a friend and goes out of her way to be compassionate. If everyone were like her, the world would be absolutely perfect and free of conflict. She loves to garden, and is very patient (as seen with her trying to help me knit, which is not one of my strong suits, to say the least). Although she can seem a bit timid, she is a huge believer in not letting fear control her, and is quite brave. She also has a gentle touch, and is a great listener and comfort when any of us aren’t feeling our best. Her dynamic with her girlfriends makes me smile every time I see them, because they’re just so goshdarn cute. N is definitely the chatty one, although if she talks about plants Violet jumps right in with her. She is often in the middle when they all hold hands. (Hey N, how come your mom lets you have two girlfriends?)

Fifth is Violet, the deer shifter, and the girlfriend of N and Paris. I met her through Forestsong Sanctuary, where I was an intern. The shop is now closed, but being an intern was one of the best experiences of my life (Psst, now I intern at Hallowed Conjurations; I’m Intern Werewolf). Violet is the queen of all memes, and has the best (and silliest) sense of humor. She is incredibly sweet, but unafraid to call you out if you’re doing something dumb. She cares deeply for everyone in the family, and the Earth. She is probably singlehandedly going to end global warming (I’m kidding but still). She’s very active, being the kind of weirdo who goes for a run every morning, no matter the weather. She is a huge self-advocate and also stands up for those who cannot speak up for themselves. Very much a girl boss. She is perpetually barefoot and generally kind of a hippie (she’s all about achieving peace and love, even if we have to eat the rich).

Sixth is Paris, the Crystal Cut Succubus (gee Par your species picked one helluva name). She is the girlfriend of both Violet and N. I met her through Supernova Spirits, which has now merged with Spirit Companionship.She is a hopeless romantic, and very solemn, sometimes. She’s generally quite placid in nature. She loves people and is very encouraging. She honestly reminds me of those influencer girls that are genuinely nice and want to help people (so like, one of them). Though, she’s quite private about her life and would never actually be a social media influencer. I suppose a more accurate comparison would be Sappho, or some other incredibly gay author who cannot contain their poetic love for women. If there’s one thing she doesn’t like being, it’s misunderstood. Yes, she is a succubus. No, she doesn’t want to bang everyone she sees. She emphasizes that species does not equal behavior, and that free will is a thing. On a summer day, she can be found watching the sunset, writing love letters, enjoying the cool breeze, swimming, and eating a popsicle seductively to make her girlfriends go into cardiac arrest.

Seventh is Opal, the color-changing cat thoughtform. She was made for me by Forestsong Spirits as a therapy thoughtform, and is part of the family. Though she doesn’t speak, she communicates her emotions by changing the color of her coat. She is very empathetic and sweet, and can be found lying in my lap at any given moment.

Eighth is Oink, the pear pig. He was an RA through the same shop S came from. Oink’s gentle and soft personality can seem childlike, but he just loves life and is enjoying it. He can be a bit innocent, but do not mistake his placid temperament for that of a child. He is a bit immature, especially in regards to jokes. He absolutely loves food, and will eat just about anything. His attitude to food is generally how he approaches life; his philosophy is “bring it on.” He accepts the good and bad, in life and in people. He is absolutely very “chill”; he doesn’t care for much “action” and would rather be home eating than out having an adventure. However, he isn’t lazy, he prefers the term “cool”. He can seem a bit detached at times, but he is truly very enthusiastic and energetic. He matches Feyr in terms of energy, which is quite hard to do. He is ineffably kind, and if he offends someone even by accident, he is wholeheartedly apologetic. He wants to be seen as a good person, and he truly is.

Last but not least is Unity, the werewolf-sanguine vampire hybrid. I met Unity through Mod Ghost of Hallowed Conjurations. Feyr and Unity found kinship in one another, both being hybrids. Unity is the quintessential cool relative who seems kind of removed from it all, but the second things start heading south, they’re protecting everyone who needs help. They don’t take shit and they don’t dole it out, either. They say exactly what they mean, every time. They detest liars and those who try to trick others with words. They are very parental and sweet, but never hold back. They will absolutely swear at you and call you a gigantic idiot if you do something you know you shouldn’t have. They only lay into you if you don’t use common sense; if you make a true mistake, they’re there to help you solve the problem, even if it doesn’t involve them. They are very spontaneous and like to have fun. You’ll rarely see them regretting anything, as they believe that living in the moment is the only way to live.

I’m sorry for the wall of text, and will be putting each of my companions’ bios into their own posts.

#spirit companion #spirit companionship #spirit work #spirit worker

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writingwithinwriting · 6 years

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Honest, soft spoken knicker-untwisting: I should probably say something about this whole Hollie McNish debacle, because I can.

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(Hollie McNish, disagreeing with me.)

I have always maintained that some of the best insights you can hear in any field often comes from the person two-weeks into their endeavours rather than a person who has been doing it twenty years.

This is also horrible, horrible advice and there is a reason I run a blog and not a full-blown literary journal. But then again, I have only been doing this for a year... Thus, I present to you my nicest hat I have to be trampled in the ring: here’s what I have to say about this whole PN Review debate...

If you have our ear to the ground on the poetry scene, someone said something not at all positive towards the current state of spoken word poetry. The piece is loudly proclaiming how it feels and I am not going to say what they are saying is totally invalid, I know I am a humble peasant in all of this. It is well worth a read. You can read Hollie McNish’s response here and, what I think is the most succinct defence out there, Melanie Branton’s well-written retort here. This isn’t a reply, it is a report from how things look from my point of view.

I hope not to prove that spoken word at large is indeed academic, or needs to be more technical or artful, or that the what reaches people fore-mostly is necessarily the best of what is out there. I think everything is fine, knickers simply need to be untwisted in this situation. Instead, I put forward that there is a reason that people are being reached by the poetry of this ilk, and it isn’t because we’re all beginning to drag our poetic knuckles as we frollick in delirious circles over the plug-hole of impending illiteracy blinded by our own conveniences.

I could use words like spiteful or vicious about the review, but I think the review knows that it is spiteful, and it is happy with its life choices. Watts doesn’t jive with spoken word as a genre and has mistakenly decided to attack it as a whole.

“What good is a flourishing poetry market... less appreciative of nuance, less able to engage with ideas, more indignant about the things that annoy us, and more resentful of others who appear to be different from us?”

I could write an entire piece around this statement which seems to misunderstand the fundamentals of the contemporary spoken word altogether but other poets have said it better and will continue to say it better than I can. But I will instead focus on what Watts missed.

She doesn’t deserve to be attacked for expressing her frustration and opinion in a genre that can often be an echo chamber of ideas. I welcome her voice as an outsider to spoken word. I read some of her work and it’s perceptive and has a lot of effort put into it, her voice deserves to be heard, she makes many good points but draws few good conclusions in my opinion.

I can’t even say I am neck-breathingly familiar with the work of Rupi Kaur or Hollie McNish or even Kate Tempest, of whom I consider myself a fan, who are all dragged into this piece. I decided to catch up on the work of Kaur and McNish for the sakes of this post, discovering I rather liked what I read and listened to. I won’t distract from my point by going out of my way to expand on my feelings. What I can say is that I am very familiar with the criticisms at hand here.

Mostly because Lindsay Ellis beat me to the punch with what was going to be one of my main points...

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This came out after I had finished my first draft of this bloody blog post and I had to redo it all over again. I was going to talk about my unquestioning love of Jupiter Ascending and everything.

Ellis says it better than I ever could: this isn’t anything new, people just don’t like women. Even women don’t like women-y things. Our presence does not imply success. I’m not a woman myself, but I am easily mistaken for one all the time so I understand the resentment people have for when a medium is invaded by the feminine youth of today. People love to shake their fists at teenage girls; harbingers of degeneration in everything they touch with their grubby, right-swipey, manicured fingers.

Thankfully, I can ramble on more than just that aspect of why I think the review isn’t anything to be worried about. This isn’t a totally gendered issue, there are many facets to this and from what I can see it is a generational issue in many regards. Watts isn’t exactly middle-aged, but I know plenty of people who could be safely counted as millennials who dislike the technology that defines us as a generation and the possibilities that come with it.

Social media allows us to show too much our lives to other people, it ruins the magic. Social media lets us show the best bits of our lives, its all false. Social media lets everyone have a platform regardless of quality, everyone has a blog these days. etc etc. Which brings me back to the review: Watts makes a few logical leaps in the piece which seemingly amount to ‘this ideal of honesty before technique has come to the forefront of these popular pieces of work no one can take them seriously anymore and they are the knell of the populist take over.’

I don’t want to attack Watts when I say perhaps she believes there is a throng of seraphic artistic thinkers whose opinions are the only ones we should care about thereby making her statement non-contradictory. Maybe in a few years time I will no longer be a sparkly-eyed amateur and agree. For now, I personally think that spoken word heading into the mainstream is a sign that it is being taken more seriously, not less. As well as a sign that more people are engaging rather than mindlessly teething over it.

I think Watts has inadvertently proven that things are going rather well for spoken word; the piece brought up a defence hot on its heels and sparked rich debate, and must have been relevant enough to publish in the first place. Which is why I’m not angry, its why I don’t think McNish is all that bothered in her response. The review misunderstands how people take part in poetry these days. You can’t maintain that “the reader is dead” and also say the consumer has taken over; readers are consumers.

People read and listen to Kaur’s work, they make hundreds of choices a day, they listen to Elliott Smith on their turntables whilst they eat toast with almond butter, or play Drake on repeat on their iPhones on the way to work as they shove a meal deal into their face. They might own tote bags, they might own tote bags and constantly forget to use them. They may or may not use groupons or own houseplants. You can’t just call the people consumers when things don’t go your way.

These are people, teenage girls on Instagram are people, many of whom care about things like caesuras and others who just feel resonant with the work of people they find in their every day lives. Maybe they are both.

I’m sorry not everyone knows where their local independent bookseller is and regularly listens to BBC radio shows on the latest publications but I don’t believe correlation is causation. Kaur and her colleagues across the social media spectrum are not discouraging engagement beyond their own works.

The internet just happens to be where young people live and I mean that literally. Online is where our friends are, where we watch our favourite vloggers, where we listen to our podcasts about shrimp and not, say, something useful. We aren’t always doing something ethical and studious, I’m afraid, and neither are you. I think poetry should embrace being a part of people’s lives when they aren’t wanting to feel smart.

Something I’d like to propose, however, is that you can listen to podcasts concerning jokes about shrimp that and know where your independent bookseller is in your city. The internet is another home, so I am going to allow myself to appreciate the poetry I find closest to home.

I don’t know what to suggest about poetry outside the internet and spoken word, it is where I choose to engage with it, as a reader and consumer, thus I cannot say let it wither away and die nor can I list ways to engage us further in strictly paper publications. This is a false dichotomy.

I think it is pithy for anyone to complain when you don’t think a surge in interest in your passion is being done properly. I think it is ludicrous to say that short, clipped insta-poetry is akin to Orwellian Newspeak and “celebrating amateurism and ignorance...” All in all, it’s a bit mean-spirited and not all opening the floor to the people the attack is aimed at.

And the targets are not just McNish, although it was addressed personally in some regards, they are the people who brought McNish and others to prominence. Which brings us back to the Millenials and our self-created habitat of knee-jerk reactions, instant gratification and social media platforms that singlehandedly allowed Donald Trump to happen. We, the club-footed careless Godzillas crushing the old without thought, to make way for our new world order.

T.R. Darling’s work is a good example of something beautiful and lichenous that would not survive in its entirety outside of the ecosystem to which it has adapted. I wouldn’t call one screenshot of T.R. Darling’s work on Twitter a whole representation of what they do, I highly recommend scrolling through the muttering cavernous archives of Quiet Pine Trees yourself.

But in an interview on Wordpress Darling brought up something that I thought applied very well to the situation at hand, as a fellow peddler of literary internet snippets they had something to say on the nature of their work:

“Being brief isn’t enough. You can boil down a story to a sentence or two, but often you need context.“

It’s almost as if there’s a skill to this. Much like a haiku isn’t just about syllables but grounding in place and time, one of the online microfiction’s essential tools is the fact it is cut off by Twitter character count. Even Darling will admit their failures often curtail to not following through with the setting they’ve placed their work in.

McNish is more than honesty. They are more than just an outpouring of what they feel, and if Watts can’t see that then it shows they are not seeing past the vehicles that have brought the work to a book’s pages. Rupi Kaur is more than soft-spoken delicately typed Instagram posts. Kate Tempest is more than blasting the tories on youtube. They are more than just what we perceive their draw to be, they are more than their audience, and the audience is more than that.

As I was watching McNish’s piece ‘Embarrassed’ and searching for devices to make some sort of argument against a professional poetry reviewer that her work is just as well crafted as anybody else, left me realising that what cannot translate to the page are the breaths held and spaces left open for thought and reply. As well as the fact my scrutiny was a fool’s endeavour.

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Maybe McNish doesn’t want to do a finely tweaked disembodied personification of her feelings on breastfeeding in public because she wants people to reply and that would impede the voice she has created. I have absolutely no doubt that someone who shows as much intelligence and depth in their observations and work could do something adequately complicated to please us.

In my head, as I listened to Embarrassed and other poems, I felt myself start conversations in the pauses she left. Not just mmmms and yeahhhs, but actual interjections directed at the poet. And this is part of the medium, in finger clicks, in retweets and reblogs, there must be room to reply.

And it is not just about accessibility or the fact it says something you can tutt about my generation’s need to butt in with their opinions at all hours of the day. I think this could be what people are finding nuance in, I think there is an art to this. It isn’t just the legion drawling consumers with their apps and scant free time, but the people who buy poetry books and go to open mic nights.

This is why people care. And I believe that is the goal in all of this, not in how many gold stars we get in using devices for devices sakes (or for the sakes of halting the rise of fascism, as the article implicates as the social media generations fault... somehow...) but communication and engagement.

I think the aforementioned authors have hit upon this better than almost anyone before them, and whilst I might be a scraggly infant on the scene, I do believe I care. And that is why I decided to write this, not because I necessarily had the most nuanced, experienced contribution but because I could.

#hollie mcnish #kate tempest #rupi kaur #t r darling #quiet pine trees #spoken word #performance poetry #poetry #poem

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