the weird thing about having a horror podcast as a piece of comfort media is being sad and going "you know what would make me feel better? listening to that traumatized British man read out people's deepest fears and horrible experiences! that will cheer me up!" and then it WORKS.
the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
Okay, so I saw a couple of people say that we should make Zepotha out of spite. The main thing that keeps popping up is summer camps and aliens (I think someone also wanted lesbians, but I mean who doesn't want lesbians?)
But I'd like to say that this really points out the difference between Goncharov and Zepotha.
Zepotha, in a very tiktok fashion, is being made based on a popularity contest. Zepotha will exist. It didn't already exist.
Zepotha is treated like it's being made, rather than like it already exists. It's an 80s movie not because it was made in the eighties, but just based on the vibes.
Tiktok is trying to make a movie, much more than they're pretending the movie already exists.
Goncharov on the other hand, is treated like it always existed. Tumblr made a fandom and not a movie. The clarifications and contradictions are just a normal product of fandom, especially a fandom of a lost media. It's normal for people to mix up details.
The details of Goncharov depended on people seeing a mentioned plot point and going along with it, 'yes, and'ing the bit. If there was a common plot detail you didn't like, you'd just talk about how much you didn't like that that happened in the movie.
Since Tiktok is writing a movie, the contradictions are more prominent, because people want Zepotha to be the story they want it to be, rather than the story it is.
Like, I find it some of the religious symbolism in Goncharov annoying, I feel like they overdid it with two 'eating the forbidden fruit' scenes, but I'm not going to say 'that didn't happen in Goncharov', because it did!! And there's nothing I can do about that.
Well this took ages. I wanted to get one more page done for this but the next page has uh... 14 characters across the panels and I'm going to be away for 4 days. So a smaller update, but the next one shouldn't take almost 2 months.
I'd absolutely listen to this man's voice play deceitful tricks on me all day, 10/10. (Clips are from the technical test livestream featuring Greg Kasavin and Amir Rao, which you can watch on YouTube.)
Happy 4/27!!!! Just in time after my exams! It's so wonderful seeing this fandom still up and going. I never even thought that i'd have the guts to post about these sillies when the first game came out!
I hoped that i would be able to do a full-fledged art piece with proper colors and shading and all for this day, but i got rather busy this past week ^^;
I hope you all enjoy the rest of the Stanley Day ^^ take care <3
Oh, and see you guys at the sad-ist premiere too ;)
psa that the day there are no jgy stans left on tumblr dot com is the day i am dead
but rest assured i'll go to my grave exactly as i lived: obnoxiously proclaiming to everyone within earshot how great lianfang-zun is. narratively, metaphorically, spiritually. sexually, too, like why limit myself. i like to keep my options open