#That 100% plays into my personal characterization of his relationship with his confidence

[lurkingshan]

Be My Favorite: Why, Kwan, why?

Week after week I wait for this show to wobble and disappoint me, but here we are at episode 9 and it’s still going strong, even when the story goes in directions I don’t expect. I sat here for a few minutes trying to decide what to focus on from this episode, and this is the thing most on my spirit this week.

Kwan, I say this with nothing but love in my heart: what on earth are you doing getting tangled up with a guy like Not? 

In every timeline, over and over again, we see that Kwan gravitates to this dude, despite all his awful behavior. Here is what we have seen from Not to date across the timelines:

Bullying

Homophobia

Misogyny

Pretending to befriend Kawi so he could manipulate him 

Threatening to out Pisaeng for his own gain

Having a sexual relationship with Kwan while actively pursuing or even marrying Pear

All around unkind behavior toward pretty much everyone

To date, BMF has shown me nothing to explain why Kwan is so desperately into this guy. Kwan has been witness to all this same behavior we have seen throughout the story, and they have had one (1) conversation where Not was only about 50% instead of 100% an asshole. He’s not nice to her, and he doesn’t respect her. And let me say this clearly: it’s not that it’s unrealistic for a great girl to get caught up with a total dumpster fire of a man who treats her like shit. That’s a tale as old as time and I can absolutely justify how this can happen in my head. But from a storytelling and characterization perspective, I want to feel a bit more grounded in who Kwan is to fully understand why she is letting this man treat her this way. We still don’t know anything about her family background, romantic history, or personal desires beyond wanting Not’s attention. Unlike the other core characters, we don’t know what motivates her and what she wants out of life. We don’t even know that much about her friendship with Pear and how deep (or not) it is.

So here’s my best theory for now: Kwan is fat-coded in this story (but not actually fat, because actors playing fat in dramas rarely are). I first raised this idea a couple weeks ago with a few friends, asking if they thought we were supposed to be reading Kwan as fat, and therefore socially undesirable, and we were not yet confident that the show was going there with her. But at this point, it’s the only read on Kwan that’s really tracking for me.

Kwan has been placed in the familiar role of the less desirable best friend to the pretty popular girl, and has some very obvious insecurities about Not’s clear preference for Pear over her. She seems to be hoping that having sex with him will cause him to realize she is the one he actually wants (oh, girl). In the former future timeline, we see that she carried on with Not even after he got into a relationship with Pear, which to me speaks to some resentment she is carrying for Pear, as well. We’ve had some subtle indicators that Kwan and Pear may not actually be that close (like Pear saying Pisaeng is the only person she talks to about her family issues). And that would track with Kwan knowingly participating in Not two-timing Pear and never fessing up. You don’t do that to your best friend if you actually love and respect them without some other unaddressed shit laying between you.

I am still holding out hope that the show is going to give us a little more to go on with Kwan. It was only this week that we got a fuller picture of Pear’s family life, and we still have three episodes to go. I want Kwan to be a three dimensional character with desires and motivations we understand, and this drama has shown such compassion and care for its characters that I trust them to finish rounding her out. When that happens, I’ll be back to check in on this clown theory.

#be my favorite #thai bl #shan shouts into the void

[northern-passage]

do you rec god of war (from what you've played)? i've been looking for new rpgs to play but i feel like im 50/50 on this game

so for ragnarok, i haven't really played too much yet to have a real opinion, i've literally only played about 2 hours, and a lot of it has been cutscenes setting up the narrative (like a lot of cutscenes. i was surprised but i'm into it because i like my games with a juicy story. i have seen others complain about this though but i'm withholding judgement since i know i'm still early on and the game is clearly easing me into the story, and i haven't even gotten into the "open world" part yet) BUT that said i have enjoyed what i've played so far.

as for god of war, the first one from 2018, i haven't played it in a few years but i would still 100% recommend! i have some criticisms of that game but nothing major, just that i felt like the characterization of atreus was inconsistent and some aspects of his character arc felt shoehorned in (i can't really say specifics without spoilers)... however i can still excuse it as him just being a kid, and overall the game is really fun and i do still like the story and relationship between kratos and atreus, and all of that outweighs the mild criticism. the combat with the leviathan axe is literally my all-time favorite combat in any game, i love it so much. they did a really good job making both the axe and kratos himself feel very heavy and powerful.

also the character designs are really good. i've been losing my mind over thor in ragnarok so far, and i really like freya (who is in both games) and all of the valkyries. the regions you get to explore are fun, the "fish out of water" greek god dealing with norse gods is interesting, and i like that the core of the narrative in the first game is very mundane, despite everything else that happens. and with the sequel, it feels organic, like the 2018 game clearly set up ragnarok with the way it ended so i do feel confident in ragnarok even though i haven't played much.

i've never played any of the previous god of war games so i can't say anything about those, i went into the 2018 one pretty much blind and only knowing that kratos was the god of war, though i did eventually skim some wiki pages but even then i still have minimal knowledge of kratos' history. which honestly kind of adds to it, for me personally, at least. we know he's done terrible things, we get glimpses of it through kratos' memories, but it's in the past and now he's trying to be better.

so if any of that sounds interesting, you should check it out :-)

#like kratos is trying but he's not successful (so far) #controversial opinion but kratos isnt like joel or logan because kratos is a really bad father lmfao #it's not the same as logan and joel suddenly becoming the guardians of random children #kratos IS atreus' father for real and he knew about him #but i think that's what makes their relationship interesting esp playing from kratos perspective #and again obviously even w/o playing previous games we know that kratos has been through a lot #and has done terrible things and has had terrible things done to him #and we can see him trying to break the cycle. i don't think he can do it but i do think that atreus can #also one more thing irt 'too many cutscenes' since im not too far in i really cant say if there's 'too many' #im not really sure if there is a thing as 'too many' when you are trying to tell a story. which is clearly what god of war is doing #so don't go in expecting cod or some shit idk lmfao. people use video games to tell stories. it's a storytelling medium #sometimes... the game needs to tell the story #and you just have to listen #you know? #ANYWAYS. this has become a real gamer blog the last few days... i just love discussing. bideo game #thanks for humoring me lmfao #ask #savagious

[smokerkeiji]

hiromi higuruma [unofficial] official birthday

turns out Higuruma doesn't have an official birthday, so I spent the last three and a half hours looking through astrological charts from 1982 to come up with his Unofficially Official birthday. I am by no means an astrology expert, but I had an intense phase in high school and feel like I know enough to provide some decent justification for this. If I'm like, horrendously off on something here you can message me about it or something. Anyways, I'm pretty confident going with May 7th 1982 at 12:27 AM...

taurus sun

I was really indecisive about whether to give him a Scorpio or Taurus sun, but I think the Taurus sun was better for capturing his stubbornness and groundedness. A fixed sign was for sure the way to go. Thinking about when he said he will be going back to his "roots" and his immovable dedication to what he believes in (justice) felt fitting.

gemini mercury

Had to step back for a moment after I came up with this one and take a breather because damn! Chefs kiss! This placement especially paired with that Taurus sun makes him the most annoying motherfucker ever (I love him). I read a lot about how people who have this Gemini Mercury placement are extremely doubtful and very suspiciuos, and have a really hard time getting behind anything unless there's solid proof to convince him. I though this was perfect especially given how his domain expansion is built for this exactly! I also read that people with this placement are super smart, and this checks out given Higuruma is described as a genius.

scorpio moon

Since I figured a Taurus sun would be more fitting for him, I decided to give him a Scorpio moon placement instead. And I feel like I made the right choice. Scorpio moons are extremely perceptive, quick to notice changes in those around him. But what is most True in my opinion is how this characterization falls in line with how Higuruma puts his 100% into everything he applies himself to. I think his Scorpio moon and Gemini mercury combined are the Perfect justification for why he challenges himself by taking on the most impossible of legal cases. I also read about how in relationships, this placement expresses itself as being really into commitment, and also with a huge fear or betrayal. The issues regarding betrayal are huge in Higuruma's character, given the way he reacted when he was betrayed by the legal justice system after losing Oe's case. So, I think it would definitely make sense if these issues were also present when it comes to his interpersonal relationships.

aries venus

I'm... to shy to talk about this right now. Just trust me. I'm right about this.

aquarius rising

Giving Higuruma an Aquarius rising was a requirement from the start, and was the initial building block for all this madness. I have a hard time believing that any other ascendant placement will put that much effort into creating such a Strange first impression on the next random person they meet (yes, I am talking about the bathtub spotlight stage set up). I thought of a Leo rising maybe, but a cardinal rising just didn't feel right for him. My first impressions of the guy were 1) what a weirdo and 2) he's so fucking cool. He's very concerned with what the world should look like and how things should be (thinking about how curious he was about how the Culling Game would play out and how it would change the world) and these things all fit into my understanding of Aquarius risings. It just works.

that's all.

#jjk_txt #higuruma #lolz

[lexpressobean]

Shino Aburame Multiship List and my personal takes that no one asked for but I'm sharing anway because I just want to give Shino more love and maybe if anyone else has a take they can share? Idk! This concerns the Rookie Konoha Nin (Sai Included <3)

Shino.Hinata 7/10

Seems obvious enough on why it makes sense. In canon Shino, and Kiba, very much act like the older brothers she never had. They learn to rely on each other and get along more than others might expect at first. They're both from Noble Clans, and so obviously have a certain amount of pressure on them (though surely Team 10 felt the same way. And Sasuke, probably? maybe?), and that kinda helps their connection. Natural, soft, cute. Kind of dramatic when you start involving clan politics and things like that (or maybe that's just me lol). Unfortunately, despite my fondness for variety, I seriously can't help but mainly think of this ship as unrequited on Shino's part when I consider it more seriously and romantically. Something about... the trick your mind plays on you when you associate with someone frequently enough that you get a crush on them? Hm, I prefer their relationship as soft besties, supportive and not messy with romantic feelings. But yeah, they'd have a super cute and soft domestic life together for sure when I push past canon and just enjoy them together as a couple.

Shino.Kiba 7/10

When it comes to shipping Kiba and Shino, I just like how goofy it could get. Canon certainly provides fuel with these two being the only two not married or with children. I know Kiba has Tamaki, but just like so many other things in the series, Tamaki's introduction as Kiba's love interest feels... forced and last minute. As a ship, I like to think think of that classic ambivalent relationship where Kiba is super jealous of Shino, but realizes he's actually into Shino later on. Meanwhile Shino is annoyed as fuck, but also misses Kiba's company regardless. They didn't just magically become friends, there were a lot of hours put into their relationship! But because of that, they get along in a much more personal level compared to Kiba and Choji or Naruto and Shikamaru. So after that, just a lot of typical awkward and moody feelings because I think it's hilarious when lighthearted. More serious and angsty, the more I feel like it's not such a great ship, especially when it's pushed WAY too far by others in fandom and I see Kiba characterized as the token fuckboy (what?) and Shino as a passive nerd (WHAT?) that takes his shit willingly (W H A T ! ?) Shino 100% would never go down without a fight. That or he'd just leave to fight another day. But he's never gonna just STAND THERE? And Kiba? Kiba LOOKS TOUGH but Shino's probably made Kiba cry unintentionally, like, at least TWICE since teaming up as Genin!

Shino/Shikamaru 8/10

This is a ship where it would just be me shipping characters I simply like together. Lots of fans do this. I know Shikamaru is just a truly young and immature boy that deals with anxiety and low self confidence and grows into a man that is absolutely smitten by that one woman who wakes up and chooses violence everyday. I already love that, ShikaTema is my favorite canon ship in Naruto. But I also have this idea where Team 10 is literally the Queer Team in my head. Ino-Shika-Cho are all some kind of queer, and I just love them being so close and friends and just... yeah. ShikaCho and InoSaku, yeah? But in a world where I play up the drama in my head, Shikamaru and Shino I personally ship later in life? And... they're more interesting to me because it's NOT easy to apply a romantic relationship to! But it's still plausible in a way that I feel they would make the other "feel things" and not strictly romantic things, but compared to ShinoKiba and ShikaCho, ShikaShino is "Smart Guys Go Goofy in the Head Over Each Other" while KibaCho is "Childhood Friends Who Drifted Apart and are Reconnecting". Mostly Shikamaru who's initiating it and Shino resisting at first, but we all know Shikamaru is the best strategist of his time. It's not manipulation, it's understanding and effort and also building a better friendship as a base? Shino's still unpredictable, but that's what makes it so fun to weave as a story.

Shino.Choji 5/10

Honestly I didn't think about this ship too much before? The whole Cho/Butterfly thing with Shino associated with Insects gives way to some superficial jokes, but tbh, as I wrote this, I feel like Shino would be the one who falls for Choji first? Not because of the butterfly thing, but because of simply how caring and kind Choji is. He's so loyal and human with his insecurities and yeah, he's a dumb boy, but at his characters core, he is a GOOD character that was wasted, much like Shino. And even though ShikaCho is, like, obviously it, if Choji were to extend even half of a ShikaCho level of friendship to Shino, I think it's only logical that Shino would fall first because Choji is simply just kind and grounding in his own way. Similar in a way to how I see Shino.Hinata, but even more fucking confusing because Choji was a problem child, Shino is just Like That and also gay?? Oh yeah, and they're Dads work pretty well together? And they're both Nobles too? But literally the two Nobles that not even the common people take all that seriously lmao... Shino and Choji would be so shy I think though, that'd be cute.

Shino.Ino 8/10

Okay, so I actually LOVE flowers, and I do like learning about insects. Bugs and flowers go together very naturally. In world where Ino wasn't terrified of bugs or in love with Sakura (I NO SA KU) I could probably ship Ino and Shino pretty fondly actually. Especially when you take into account that Shino had a CANON glow up and though canon always writes Ino as a little superficial, all in all, I also like a sensorXsensor ship. Ino realizing she doesn't actually have to BE a Yamanaka sensor to "read" Shino because all she had to do was pay some fucking attention lmao. And I love me some petty Shino, and Shino being gently fixated on Ino because he was canonly in 2nd place because Ino's charismatic ass was 1st back in the academy (at least concerning the rookie 9 lol). I also see this ship as ambivalent, but not as argumentative as Shino/Kiba and more just getting to know each other with time, getting over first impressions! You can change them! I ALSO headcanon that Inoichi was the closest of his InoShikaCho team to Shibi back in their heyday, Inoichi actually having enough comfort in Shibi to straight up yell at Shibi about stuff and junk, and Shibi taking... most things to heart. (AKA Inoichi helped Shibi get with Shino's Mom lmao She was InoShikaCho's classmate). The Good Libra/Aquarius Ship

Shino.Naruto 3/10

Naruto is constantly disrespecting my man Shino. However, if Naruto were ever to come out of the closet (BECAUSE YES) and realized what a babe Shino really was later in life, and how GOOD at his job Shino really is, and how Shino is surprisingly gentle and caring with kids like Iruka-sensei was when he was still an instructor, Naruto's whole idea of Shino could do a 180. Shino, bug boy who blew off a kids arms off because HE COULD. Shino, ever the stickler. Shino, who ACTUALLY threatened Naruto to never speak of that one mission ever again. Shino who holds grudges and aimed his murderous aura at Naruto more than once... And then you have Shino, who just wanted to know that Naruto cared about him as a friend, but instead you get dumbass Naruto suddenly all in Shino's business and really acting WEIRD and Shino is really unsure how to handle it all, but he's not easily impressed, so Naruto just keeps trying. That, or like... I get a 2000's movie vibe from these two somehow. Like... American Pie levels of stupid, or Fired Up but not quite GR!ND... closer to Blades of Glory but DEFINITELY NOT Superbad or later... It works out in the end and it's not THAT funny but it still makes you laugh?? Naruto is the dumbass but Shino gets knocked off his high horse and gets dragged along with him for the ride and that's the best part lol

Shino.Saku 2/10

Equally matched in intellect... Otherwise I don't know.... how... But I think... Maybe Shino came in handy with the Chakra reserves? Sakura was on her way, being the top notch medic nin she is, but Shino was able to keep the Pt/Victim stabilized with chakra replenishment via his Kikaichu? New found respect? Not a very likely ship, though I can see their professional relationship very well! Aburame specialize in Ninja Arts, obviously, but do y'all realize just how handy bugs can be when it comes to medicine and treatment? Shit is pretty cool! Medical honey infection control, sterilized maggot debridement, oil beetle cantharidin wart removal, fruit flies can even be used to detect cancer? (Idk lol)

Shino.Sasuke 5/10

Again, if Sasuke ever were to come out of the closet. But even so, it's so crazy how Sasuke is able to recognize Shino and just be like, "Oh, it's you." Shino REALLY down about not being able to bring Sasuke back, and Sasuke becoming aware. Or Shino ACTUALLY on the Sasuke mission and being ESSENTIAL in the success of the mission and Sasuke, defeated, KNOWING IT, and hating everything, but as time goes on, being thankful, even though it's often overlooked. Sasuke and Shino becoming closer friends, apart from their respective teams. Both from Noble Clans... I just want them to be friends tho tbh

Shino.Lee 6/10

I can see it, but it's kinda hard!! Lee and Shino can be equally intense. But it's the difference between Sunlight and Gravity. Like, Lee is such a good boy though and when I ship Shino and Ino, Lee gets to sweep Sakura off her feet. And Shino ADMIRES Lee, he really does, and I can see him standing up for Lee and Lee really appreciating it too. But idk, this would be one of the slowest of burns, but it WOULD be cute now that I think about it! Like, legit it'd be so positive awwww...

Shino.Neji 6/10

Kind of like a combination of Shino/Hinata and Shino/Sasuke? Shino absolutely ready to murder Neji after what happened to Hinata, but then Hinata and Neji slowly build a relationship, and Shino is happy for Hinata but still weary about Neji. Neji being kind of priss and uneasy around Shino, but they both care about Hinata enough to try and get along. Smart, tolerable, very much about the Shinobi mentality. Mutual respect? Admiration from afar? Hinata getting tired of their prideful shy boy bullshit and planning shit with Kiba and Lee and TenTen? Idk lol (As far as crack goes, I've seen more KibaNeji personally??? It's an odd one!)

Shino.Tenten 6/10

Can be a case of pairing spares, but regardless of canon, it could be cute? I do love that Tenten has some sass of her as well! As with Shino and Sasuke I would have liked these two to be better friends than anything else, just for a chance to see their dynamics?? I'm more of the headcanon that Tenten and Shino are both queer and ACTUALLY Tenten is THE mean lesbian who also didn't realize she was a lesbian but also doesn't grow into her queer self until later. Same with Shino but he's just SO quiet about it, not mean because if it. He's just mean lol. They're mean together.

Shino.Sai 8/10

Bro, these two get along so well!! I feel like there's already a lot of mutual respect between them when they first meet. They size each other up some, but keep it light and don't do anything unecessary. They're both very "clean". BUT, unlike Shikamaru and Neji, and like Sasuke but he's always absent, Shino and Sai are just so weird in themselves and I think that's part of the fun. They made up their own little fucking club in the games SPECIFICALLY to mess with Naruto, like... they can both murder you easily on their own but then you see them together and they have that soft boy/enby aura about them?? I also ship it asexually, but also unbelievably and almost embarrassingly romantic "as time passes". They're own brand of romance. A slow but very natural and warm burn. Yet you don't get to see those moments. They're not for you <3

#anime: naruto #aburame shino #shino aburame #i'm not gonna tag every ship #but I feel chatty today I guess lol

[alliterative-albatross]

So, I sent you (@disgruntledspacedad) a pretty long ask a while ago (back when you had anon on) and I'm decently sure Tumblr ate it (or maybe you ignored it, in which case, feel free to ignore this one as well). But then I saw one of those "writers appreciate feedback no matter how long" posts, so I'm back here. Here is my mediocre attempt to rewrite my original review of your work. Bear in mind that English is not my first language, so if at any point my phrasing sounds weird to you, you know why. Mandatory disclaimer/apology: this might get a little too long 😅

RULES OF ENGAGEMENT

I remember being SO mad at myself for not finding this sooner. I binge read it one afternoon with no thoughts for any real life responsibilities I might have had (and no regrets). Javiears is one hell of an unconventional relationship in the beginning, and I really love what you did with them. The whole premise of your story is quite refreshing, and you somehow manage to convey the trust and mutual respect there two feel for one another without explicitly showing us the beginning of their "entanglement".

Also, fuck you for what you did to poor Emilio, that man was a saint and he deserved better! I honestly can't believe that I got so attached to a character that appeared so little in the story, but it happened, and his death kind of broke my heart.

But the Javiears reunion + mild confession was lovely, and felt completely deserved. And of course the sex scene. I won't lie, I expected a bit better from Javi there, but I did like how utterly /human/ it was. Capturing that humanity, the imperfections in each character is something you're really good at (more on that later).

AFTERSHOCKS

Ah, my emotionally constipated babies who really need to work out their communication issues. I do love them, though. And this short series did a really good job of delving a bit deeper into Ears's and Javi's psyche. Kudos to you for dealing with the medical "aftershocks" of living through an explosion AND using that experience to move your emotional plot forward. These two need to grow a lot before they can get to a stable point in their relationship, and you really manage to convey their insecurity and fear of commitment/intimacy while making it clear that they're in it for the long run and that theirs is a relationship that WILL work out so help them God.

IF I FALL

Ouch. Punch me in the gut while you're at it, why don't you?

But seriously, "If I Fall" is SO FUCKING GOOD. Don't get me wrong, it's angstier than an image of Jesus on the cross (don't judge me, it's Holy Week and I just got home from accompanying my grandma to church), but it somehow works beautifully. You, my dear, play heartstrings like they're a fucking guitar and I AM HERE FOR IT.

You're doing an amazing job at making me feel everything these characters are feeling, which is both awful (bc pain) and impressive.

Also, if anything happens to Ana I will cry, because she is adorable and wonderful and has suffered way too much already and really deserves a break and some cookies.

Also also, if anything happens to Ears I will cry, because she is badass and wonderful and has suffered way too much already and really deserves a break and some cookies.

Also also also, if anything happens to Javi I will cry, because he is loving and wonderful and has suffered way too much already and really deserves a break and some cookies.

Basically, I am really invested in the well-being of these characters and can't wait until they're happy and safe again (please tell me they will be, my heart can't handle much more pain).

A quick note on the angst complaints: yes, this story is way angstier than most other fics out there and it can be a bit too much at times, especially considering how many chapters of pain it's been. BUT it's obvious that "If I Fall" NEEDS this amount of angst to get where it's going, to send the message it wants to and to properly develop its characters. The pain is as important to this story as flour is to bread. You may not like eating flour on its own (I don't think anyone does), but you love bread (because bread is amazing) and you must recognize that bread NEEDS flour to work. It wouldn't be bread otherwise. And eating the flour as part of the bread even makes you like the flour because the bread is just DELICIOUS.

I fully understand and sympathize with the people who have elected to table "If I Fall" until it's completed so they can binge read it knowing there's a happy ending in sight, but in case you're feeling a bit self conscious about all the angst, please know that your story is beautiful not in spite of the pain, but rather /because of it/.

PS: No, I'm not high/drunk, I just really like bread

AUTHOR'S NOTES

Silly thing to comment on, I know, but I do feel like it's important that you know how useful your ANs have been. There are many details in the story that I simply wouldn't fully get without reading your comments at the end of each chapter, and I appreciate your writing a hell of a lot more knowing how deeply you understand and care for each one of your characters. Plus, it is obvious how much work you've put into researching a country and a time period that are (from what I gather) unfamiliar to you, and I really do believe you've done an amazing job of it.

JAVIER PEÑA

My boy. I love your characterization of this complicated character, and I have eagerly read each and every one of your headcanons about him. I can't really say if your version is fully faithful to the source material because it's been a while since I saw Narcos, but your Javi most definitely reads like a real person. He's fairly consistent as a character, and I feel like everything he does is perfectly natural for him to do as a character. He makes for an unconventional yet deeply interesting romantic lead, and so far I have thoroughly enjoyed all his POV chapters/scenes.

OCs

I know you've gotten some flack for making her into an OC halfway into the story, and while I get why the sudden change may have felt like a disappointment for some, I don't share that sentiment. I firmly believe that this fandom is unfairly harsh towards Original Characters and their creators, and I don't really understand why. Listen, I love Reader fics, and consume many Reader fics. I have read dozens, maybe even hundreds, and I can safely say that I've only ever "inserted" myself in approximately 10% of those stories. Reader characters are not as blank as their writers may want them to be. They can't be. They're characters, and character have personalities and moral values and senses of humor and a bunch of other things. Reader characters may not have a backstory or a physical description attached (and even that's not guaranteed), but they're still characters.

And on a more personal note, pretending they're actual blank slates is naive at best and insensitive at worst. Reader characters are American coded 99% of the time, and white coded 95% of the time. Not every readers is white nor American, even if that's the predominant demographic on Tumblr. When I read a JavixReader fic about a woman who speaks exactly zero Spanish, I know she's not me. The story may be beautifully written and have an amazing plot and character development, but the Reader *isn't me*. There is absolutely nothing wrong with that, and some of my favorite xReader stories feature a "reader" who couldn't be more different from me, but it's something that enemies of OC fics should take into account. Particularly if they are white and/or American. But I digress.

HANNAH AARONS

Your character is amazing. She's strong, smart, confident, independent and an all-around badass. She gets kidnapped while pregnant and still focuses on problem solving and survival. But she's also overly guarded and mistrustful, and really needs to work on her communication skills. There are times when I absolutely love her and even admire her, and other times when I want to whack her with a slipper. She's no Mary Sue, but remains interesting and likeable throughout the story. She feels wholly human and real, and that's no easy task. I like her, I am invested in her, and I can't wait to see what's next for her. She's a compelling and three dimensional protagonist in a complex story who never fails to draw me in. I love her. She's your baby, and you should be proud of her.

Also, quick question about personality types: I know you've typed Javi as ESFP and Ears as ENTP (100% agree on both, btw), but have you given any thought to their enneagram types? I personally have always seen Ears as being somewhere on the thinking triad, maybe a 7 or even a 6w7, but I'm not too sure about Javi. 9w8 maybe? He could also be a 6w5 🤔

PARTING THOUGHTS

Basically, I love your story, your characters and your writing in general. You are a fantastic storyteller and wordsmith. You get into the heads of incredibly different characters personality-wise (Ears, Javi, Berna...) and manage to capture all of their complexities and quirks every single time. And it doesn't feel like it's something innate for you either. To me, it seems that you have put a lot of work and effort into understanding each and every one of your characters, who they are, why they do what they do and what they want. And let me tell you, all that effort has been more than worth it. "Better Love" is a fanfic, but it wouldn't be out of place in a regular bookstore, if I'm honest. I don't know what you do for a living or if you've ever considered writing professionally, but you clearly have the skills and the drive to create some masterpieces.

You are amazing and your writing is a gift. Thank you for sharing it with us, and have a nice day! ~ 🍪

~

My friend, I apologize for hoarding your first ask. I’ve been sitting on it because I’m not gonna lie, I enjoy going back and rereading it. It gave me a lot of comfort when I was in a pretty dark place, both personally and in regards to my writing, and I was reluctant to send it out into the the abyss of Tumblr where I might never see it again. 

That’s not fair, though. You put just as much effort into sending me that review as I put into my writing, and I apologize for never responding to you.

Okay, anyway, so twice now, you’ve made me cry. In a good way, I promise! 

I absolutely love your bread/flour metaphor. It made perfect sense. I want the emotional release of Javi and Hannah’s reunion to be earned, and in order to do that, the angst has to come first (there are also a few plot “ingredients” that have yet to make their appearances). Thank you very much for understanding that, and for voicing it so eloquently.

I appreciate your comments on my research and characterization. You’re correct that I’ve put a lot of time and effort into crafting a universe. In a lot of ways, I’m doing my best to stay true to the source material (regarding culture and timelines in particular), and in others, I’m branching into my own territory. 

On that note, I’ve never once regretted fully embracing Hannah Aarons’ identity as an OC. She’s stayed consistent in my mind from the beginning, and it was a relief to finally share my vision of her with the audience. And for the record, I totally agree with you regarding “reader” characters. Every reader insert echoes the perspective of their author, no matter how vague the physical description. I can only imagine how grating that must be from the perspective of a non-white, non-american reader. Thank you so much for sharing your insight! I will certainly keep it in mind the next time I write a “reader insert” fic.

Okay, enneagrams! I am much less familiar with enneagram than I am MBTI, but I agree 110% that Javi is a 9 with a strong 8 wing. I waffled back and forth on Ears a little, but eventually landed on 8w7 for her. It came down to the eight’s deepest fear, which is being controlled. That’s Ears all over, and the fact that she and Javi share that eight willfulness means that they might butt heads a little, which also seems very appropriate for them. Big thanks to @remusstark for her insight into the eight frame of mind - our conversations helped solidify my decision on this. :)

Anyway, I’m just rambling now. The big take-away point that I want you to get is that I am so, so grateful to you, both for your insightful feedback and your dedication in making sure that I actually saw it. You are an absolute gem and a deep thinker, Cookie-Anon, and if you ever feel like sliding into my DM’s, I’d welcome the opportunity to get to know you better.

Mad love and soft hugs, 

~ Jay

[lizacstuff]

Hello, Liza! I hope you are doing well. Passing by because I (and everyone else I think) would like to know your thoughts about episode 25. I watch this show trying my best to avoid spoilers but today somehow I ended up seeing everything. Twitter was and still is mad about the episode and I thought I was going to have the same reaction as them. Surprise, surprise, I didn't which left me speechless. I feel like you might have the same reaction as me so I would love to know your thoughts! xo

Hello! I have a lot of asks and rather than flooding my dash, I think I’ll put them all in one place, so this is going to get very long.  I have mixed feelings. I didn’t hate it, but it was a hard episode to watch.

I wish I had seen the reaction before I watched, then I would have adjusted my expectations. The whole time I was waiting for a twist at the end that didn’t come. Partly because of my own speculation, but partly because I’d watch the live with Hande and Kerem and from the translations, Kerem said there was a shock at the end and called the ending beautiful. Never trust Kerem! LMAO. Not because he would ever intentionally mislead, but boyfriend never remembers anything that happens in any episode. Though he was right about the shock, just not about it being beautiful. (Prince be crazy!) Anyway I kept hoping for the twist of them working together and fooling everyone and it didn’t come. 

So I was disappointed at the end, but with adjusted expectations the episode, taken for what it is, is actually decent and I can definitely get onboard with Eda sacrificing everything to save him. That’s very romantic and they did a great job of setting up how devastated she was and how serious the threat is from Babaanne. Eda did not crumble in the face of a couple of idle threats. No, every moment that Eda waited to break up with him, Babaanne introduced some very real and catastrophic consequence to Serkan or his family. Shit got real and Eda was pushed into a no-win corner and needed to act fast. I’ll talk about that more, but first, I’ll mention a couple of thoughts about the writing and the new writers:

(more under the cut)

Good

Structure - The structure of the episode was a lot better than last week.  Scenes actually made sense one after the other, the emotions of the characters were consistent and it all flowed. 

Plot - I’m not necessarily praising what happened in the episode, more that there was one. And it’s one that will not be forgotten in the next episode and it feels like this plot could sustain a number of episodes which his necessary if the show is to continue.

Characterizations  - The characters felt true to what we’ve watched the last 20+ episodes. As I said above, work went into showing us both Eda and Serkan’s mindset and how that led to the ultimate outcome. It’s impressive that they put together one of the most heartbreaking breakup scenes I’ve seen, and the characters weren’t actually even together. 

Not-so-good

Proposal dream - I’m not a big fan of fooling the audience like this, and I’m really not a big fan of putting it in a teaser or promo. That is a bait and switch, and I think it’s a cheap trick for the production company to have featured it in the fragman. Badly done.  In next week’s fragman we see Serkan “punching” the Prince, I fear that is not real, possibly Serkan’s fantasy, and I’m really hoping that “fake scenes” are not going to be the go-to for these new writers. We’ve already spent 50+ hours with Eda and Serkan, we don’t need to see imaginary things, we need real scenes. No fake outs at this juncture. 

Humor and ‘sparkle’ - I think this is what’s going to be missing from the new writer’s scripts. They tried really hard with the game night at the newlywed’s house and Chef Alexander love triangle, (Team Aydan all the way, Ayfer can fuck off. If she doesn’t care about her niece’s happiness, then she shouldn’t get any herself) but it just didn’t get there comedy wise. Ayse really had a way of pulling together very funny scenarios and making everything sparkle, and I’ll miss that. 

Lack of Edser - This is their show, they are the ONLY reason most people watch. You can’t build a plot that separates them. When Serkan broke up with Eda they were able to build a scenario where they were still thrown together all of the time, and kept finding excuses to be with the other. Their screen time didn’t suffer that much. I’m not sure this scenario will allow the same with him being at risk if Babaanne spots them together.  However, for this episode I’m willing to give the benefit of the doubt as @jan31​ brought up to me, Kerem and Hande were very busy last week with rehearsals and then shooting The Voice, so that might have contributed to why there was so much focus on the other characters this ep, they needed to release the leads for other commitments. 

hawaiigirl84 said: So I'm on a SCK Facebook group looking at a lot of irate fans. If you haven't seen the episode yet, I think you're going to have to gird your loins for this one.

@hawaiigirl84 Haha. I wish I’d seen this ask so I could have adjusted expectations. I went on twitter last night and then backed away slowly. Lots of dramatic rending of garments and gnashing of teeth.  You know the fan reaction is bad when both the producer Asena and Nesliyan (Aydan) tweeted out reassurances about the journey to love and then this morning the production company twitter account released video of Eda kissing Serkan in the jail. Trying to feed the fans who were out for blood, I’d guess. 

Anonymous said: Okay so the latest episode of SCK had to be the show creating a very low point for Eda & Serkan in order to build them back up, right? My thought after the episode ended was that things honestly could not get worse. That episode was just disappointing. While I get why Eda did what she did I still absolutely hated it and was pissed the writers could not come up with something better. And how heartbreaking was it to realize the proposal scene was a dream 😭. And now they released a clip showing Eda did kiss Serkan in the jail cell but they decided to cut it out? I get that the show has to create drama but the promotion of the episode as being super romantic was certainly a gut punch. The fragman has me hopefully that Eda & Serkan might finally work together to bring down Grandma or at least Eda will let him in on her plan. I will say even though that episode hurt the actors were absolutely killing it.

Are we the same person?? I think I went through all of these thoughts/emotions since watching, lmao.  

And 100% they are taking Eda and Serkan to their low point before building them back up. Also, think about it, after this they will both have a much better understanding of one another. Eda will understand how he could have made the decision to breakup rather than confide in her, and Serkan will understand why doing what he did hurt her so much and why it wasn’t easy for her to get over it. They’ll both have experienced the situation from all sides.  Ultimately, this will make them stronger.

Honestly, Eda has a LOT better reason to do what she’s doing than Serkan did. As I said above, Evil!Granny is not playing. She is deadly serious and seems to be capable of anything. In the course of 48 hours she had manufactured charges against Serkan that were serious and landed him in jail, she caused him to lose the tender they’d won which would have huge ripple affects for the business, and she was able to set up Alptekin and get him thrown in jail. At this point I could see her ordering a hit! Eda needed to call her off and get her to stop or who the heck knows would have happened to Serkan, Aydan and the business in the next 24 hours. Eda needed to move fast and she needed to be convincing. 

Right now I think Eda is just buying time, so Serkan is safe while she tries to fight her grandmother.  No way she’s rolling over. Not Eda. I’m still very hopeful that Serkan will figure out what she’s up to sooner rather than later and they will start to work together. 

Also, YES, to the performances. The actors were stellar. Hande and Kerem both brought it. I physically felt their pain.

Anonymous said: I'm completely convinced that the writers' room for this last episode wrote it without any knowledge of ep 24 except for the fact that it ended with Serkan getting arrested on NYE. Like I still wouldn't like it, but if we had gone from ep 23 to ep 25, it would make more sense. But not after ep 24. Did Ayse just say "fuck it" while writing that episode and gave the fans everything she could knowing full well what the other writers' plans were? Talk about some severe whiplash.

I don’t know what the background is on the writer change, but I don’t think this is fair.  I got whiplash from the fragman (proposal) to the episode, but not from ep 24 to this one. When watching ep 24 didn’t you think it was just a matter of time before the other shoe dropped? I thought that it was obvious that a dark cloud was gathering, just as Eda was willing to start fresh with him. Babaanne directly threatened Serkan several times to Eda. She told Eda she would destroy Serkan if she found they were together.  Episode 24 was Eda being defiant and letting herself be with Serkan and this episode was the consequences of that.  

There are things to criticize, but I completely disagree with you that this is one.

Anonymous said: I think Eda didn't say ily at that time because she must have already thought about maybe accepting what her grandmother had asked for. It would have been weird if she told him I love you and then broke up with him right afterwards. It wasn't the right time, I think the writers are saving it for a big confession like in episode 11. At least for now we could hear her say it in her dream.

Agreed on the timing, and you’re right about the dream. While I am annoyed they put it in the trailer, in the narrative it did serve to tell us exactly where Eda’s head is at in regards to their relationship.  She loves Serkan, she wants to marry Serkan.  So we know beyond a shadow of a doubt, that none of her actions are because of any lingering “confusion,” right now she is acting out of pure love for him. That’s beautiful. (maybe that’s what Kerem meant by the ending being beautiful, lmao) 

Anonymous said: Eda really breaking him by called what they had a mistake and threwing him the parents death in his face like it was his fault, he doesn’t deserve all this. At least im happy serkan walked away first! although he loves her with all his being, he's fed up with Eda behaviour... if she really wants him, she has to fight for him.

Oh boy. 

You understand that Eda didn’t mean anything she said, right?  That the only way for her to convince Serkan she was serious was to bring out the big guns, and that she only did it to save him?

Yes, that was hard to watch. My heart absolutely breaks for Serkan. Actually, it breaks for both of them.  But it’s supposed to, they are in love, and Babaanne is tearing them apart. Did you watch Eda all episode? She was devastated the entire time. That’s one of the reasons this ep was hard to watch. It’s hard to see a beloved character be at that low of a point for 2 straight hours.  

This storyline will be easier for you to watch if you reframe this from applauding Serkan for being “fed up” at Eda, to Eda loving him so much that she is going to do whatever is necessary to save him.  She sacrificed and now she’s going to risk it all fighting Babaanne, and all of it is for LOVE. 

Anonymous said: The ending is so ridiculous, and let's not even talk about the fragman of the next episode I really don't know if I want to continue watching

Okay, you’ve just hit my pet peeve. DO NOT come into my inbox with flounce threats. I don’t care if you watch or not. If you’re done, fine, move on, no need to announce it on anon or add it to any of my posts. Because why even talk about something you’re not going to watch? If you’re not serious, but just saying that cause you’re throwing a temper tantrum and think that you can bring about change that way or think you’re making a point by threatening to withhold your support, I’m not going to validate you. You’re being manipulative and all you’re doing is trying to make other people feel bad.  Anyone else who does this will be blocked.  

Anonymous said:  The new writers are really destroying the series. Eda blamed serkan for not telling her the truth and now she did exactly the same. They're ruining eda's character by doing that. Eda wouldn’t have ever, nor left herself be defeated like this by babaanne, nor used the words she did with Serkan, it was beyond mean, and unnecessary for this plot, im so upset

Dude, pull yourself together. It’s not that bad. The new writers are definitely evolving the series, if feels like it’s going to be more plot driven, than situational, but I think that had to happen if they were going to continue making episodes. Maybe you believe they should just end it, and that’s a fine opinion to have, but if it’s to continue, and I personally want it to, there needs to be a plot, there needs to be a big obstacle and this is what these writers’ have chosen.   

Out of all the thing they could have done, it’s actually a good direction to go. Once again, they’ve chosen to separate them, not because one betrayed the other. Not because of some third-party love interest. Not because one is uncertain about their feelings. Not because one of them made a bad choice that hurt the other. They’re separated because of something that happened when they were children, something completely out of their control.  And Eda made the decision she did, because she loves him more than anything. 

For drama in a romantic story its about as good as you can hope for. Because despite your knee-jerk, overly emotional take, the reality is there is nothing here that taints either character or their love for one another. 

They are NOT ruining Eda’s character.  Eda was pushed into a corner and she made a hasty decision to save the man she loves. Babaanne was watching her constantly, she was having her followed. Eda did what was necessary to get Serkan out of jail and then to stop Babaanne’s relentless, and successful, attacks against him.  She said what she said, because that’s the only thing that would have convinced him she was for real. Anything else he wouldn’t have believed, and if he didn’t believe it then Babaanne wouldn’t have stopped. Also, Eda hasn’t let herself be defeated. She did what she needed to do, so she can keep Serkan safe while she fights. This is just one battle, Babaanne won’t win the war. 

They’ll get to the point when they’re fighting her together, but we’re getting this part first. The part that will give both of them greater insight into the other, and the perspective they both need to truly understand how each felt during the first break up. And it will give us angst and longing and pining and jealousy and all sorts of things. 

Also, curious, why is it okay for Serkan to break her heart because he was afraid of her reaction to the truth of the past, but it’s not okay for Eda to break his heart to save him from huge and real threats to his safety, livelihood, freedom and family?

Anonymous said: I am so sad for serkan he doesn't deserve this. Eda ended up abandoning him like everyone else who comes into his life. The worst thing about it is that he knew it was going to happen and he was afraid it would happen and it did happen 😭

It’s definitely gut-wrenching. Serkan doesn’t deserve this, but neither did Eda. And Eda didn’t abandon him because she wanted to, she did it because very bad things were happening and she had to act quickly.

However, think about what you just said: he knew it was going to happen. It’s also not like the consequences of going against Babaanne are unknown to him.  He knows he was thrown in jail, he knows his dad is in jail, he knows there were serious threats to his business. So what that means is that it won’t take Serkan long to figure out that Babaanne is behind everything and Eda is 100% acting out of love for him.  

He will just need to shake off the sting of her words, and the haze of heartbreak and he’ll see that she did it for him. 

#Sen Çal Kapımı #sen cal kapimi #edser #sck episode discussion #edser discussion #sck 1x25 #sckask #anonymous #asklizac #alicekepley

[madmaddoxfuryroad]

HSMTMTS: Season 3 thoughts

So I’ve been ruminating a lot about this show today (like every other day) and I got to thinking about what they might do for season 3. Less so plot-wise (I mean season 2 is just over halfway through), but more about what musical they might do, what the cast might be, and how that could tie into the individual characters and their arcs (some more so than others, but c’est la vie).

In trying to figure out what musical they might do, I started first with the obvious: what does Disney own? I don’t think they would return to the HSM franchise (until the final season, but thoughts on that for another day), so anything related to that and other DCOMs I counted out. I also eliminated all Disney animated/princess films. I love them, don’t get me wrong, but seeing as this season they are doing BATB, I don’t think they would immediately go into another animated-film-adapted-for-broadway right after that. So at that point I wasn’t quite sure where to go. Mary Poppins was really the only other thing that came to mind and while I love the film and broadway show I just don’t think it fits the cast well slash even has enough parts to really showcase them. You have Mary and Bert. And then I guess Mr. and Mrs. Banks? Then the kids are a whole other issue. It just felt messy. So I just started thinking about broadway shows that I like, I mean if they wanted to, Disney has the money and could pay for the rights to use most shows. Then everything fell into place.

Into the Woods. I am 100% positive I am letting my bias for this show cloud my judgement, but if you stick with me, I think I can persuade you (or not, your mind is your own and I respect that). First off, Disney owns it. At least I think they do. They made the movie (RIP), so I am going to safely assume they have the rights at this point. Next, yes it contains fairytale elements, which might make you feel it’s a little too close to BATB, but it is such a deconstruction of fairytales and their tropes that I almost feel like it is an amazing follow up to a more traditional fairytale. It introduces conflict and the real world into these fantasy scenarios, which I feel goes really well with high school in general and growing up, expectations being shattered, and learning to alter your world view (I really love this play). Plus, I think it would be exciting to see this cast do a more broadway-type show. Obviously BATB is a broadway show, but I think there is a lot of reliance on knowing the film and less on the play itself. And not going to lie after Julia Lester’s rendition of “Home” last week (which I have not STOPPED listening to) it would be amazing to hear these teens tackle more broadway-style music. Which, takes me to my final point: the cast. What I love so much about Into the Woods is how it is very much an ensemble cast. Yes some roles are bigger than others, but if you have a named character, odds are it’s a fairly good role. And the whole HSMTMTS cast is so talented, I like the idea of them picking a show where it does not feel like anyone is sidelined with their part. Now the only thing left to do is cast it…

FULL disclosure. I ran into an issue early on that I ended up thinking Ashlyn was perfect for every female role and Seb was perfect for every male role. But I was eventually able to push through and cast it (in my humble opinion) pretty well. So I am just going to go off in the order that I cast them, because I think it will help explain my thought process.

THE CAST

Cinderella - Nini. Once I got over my need to hear Julia/Ashlyn sing “No One Is Alone” (loophole to this coming later), this felt like a pretty natural fit and was one of the easiest to cast. For one, I just think Olivia’s vocal range pairs very well with Cinderella’s and she could do beautifully with her songs like “On the Steps Of The Palace”. But what really got me was the way she parallels the character so perfectly. Cinderella is a character who always dreams of more but isn’t quite sure what that “more” is. And because she isn’t *quite* sure what she wants, the character is often seen grappling with indecision (see: “On The Steps Of The Palace”). Most of Act I is her being stagnant and letting the Prince take the active role. Finally in Act II she starts to get a better sense of who she is, who she wants to be, and what she doesn’t want. So this felt like it tied in really nicely with Nini’s journey and would be a great role for her, especially when…

Cinderella’s Prince - Ricky. Yes, yes I know. Ricky and Nini playing love interests? Groundbreaking. But stay with me. For one, I just like the idea of Ricky not getting the lead male role, and this part is perfect for him, regardless. The whole relationship between Cinderella and her Prince mirrors Nini and Ricky remarkably well. The way the Prince sees Cinderella as this perfect maiden who, if he could just be with her, would be the only thing he would ever want/need. But of course this isn’t realistic and isn’t how relationships work, which they both come to terms with by the end of Act II. Their break-up/parting ways scene might be my favorite in the entire play and I think it would be so great for Ricky and Nini to get to perform. In part because the conclusion of the scene is basically them both admitting that they will always love the idea of the other, even though they don’t actually work as a couple. (**I am operating on the assumption that they will have broken up in season 2 and are still broken up, but never really dealt with it). Honestly I recommend just watching the scene I will link it here (it goes from about 2:12:35-2:15:00). Plus, I could totally see there being an episode where they are trying to rehearse this scene, but it just isn’t working so Miss Jenn has both of them improv it or rewrite the lines to something that might feel more comfortable or personal. And I just see that being a really beautiful moment for the two and a chance for growth and closure. I could go on about this dynamic, but I will move on to my final point: “Agony”. First, while it is mostly a comedic song, you can take just the first verse of the song and recontextualize it really nicely as a Ricky pining kind of song, which I absolutely dig (not quitting on my Rina endgame, and you can’t make me) I mean: “If I should lose her, how shall I regain the heart she has won from me? Agony, beyond power of speech, when the one thing you want is the only thing out of your reach”. And BONUS I think we could also get a full-on version of “Agony” in all its absurdist glory with…

Rapunzel’s Prince - EJ. Well, sort of. Technically, no. BUT for the purposes of “Agony”, yes. At this point EJ will have graduated, but I don’t think he will be written out of the show, so it remains to be seen exactly what his place will be. I just think these two 100% need a song together and this is 100% that song. I could see it being something as simple as EJ is helping out with the show, the unnamed kid playing Rapunzel’s Prince is out, so they have EJ fill in. Or they have to have him go on for that kid last minute during the performance. It’s a quick, easily explainable thing that would have SUCH a great payoff.

Jack - Big Red. This was certainly one of the easier ones to cast, but my first thought was of course Seb. Jack is just a boy whose best friend is his cow and Seb radiates that energy. But I needed him for something else. Enter Big Red, the perfect Jack. For one, Big Red has a lot of that starry eyed wonderment that Jack has, that none of the other characters do. There is a purity and innocence to the way Jack sees a lot of things. That pairs nicely with Big Red. And it also opens the door for him to grow and mature more as a character. By the end of the show, Jack is in a place where is needs to transition more to adulthood and with Big Red being a senior by season 3, I think there is a lot of potential here. Also, with Big Red as Jack, I really like the character he is often paired with in scenes, but I will hold back until I get to them.

Witch - Kourtney. Yes. It is her time. One can debate over which character is the “main character” of Into the Woods, but for me it’s the Witch. And Kourtney deserves this. Did I heavily consider Ashlyn for this as well? You know I did. But I grow more and more confident in the casting of Kourtney the more I think about it. First thing’s first: the Witch belts, and I mean BELTS. Dara is such a powerhouse vocally that she would crush every moment of that; I have total faith. But the Witch also has such quiet and tender moments that people don’t think about as much, but are so necessary for the character to be effective and I think she also has that on lock. We have not seen a ton of it (so I would be eager to get more) but when she did her version of “Beauty and the Beast” she was able to find soft but strong moments in the song, and it was so lovely. Then, from a more thematic POV, the Witch is characterized as “the voice of reason”. While everyone else is running around in their fairytale dream world, she is always the one there dolling out the reality checks. And if that ain’t Kourtney. Basically, I think it is her time to get the lead and she would be amazing in this role.

Baker - Seb. Finally settled on a role for him. But really, how could it be anything else? I have felt since the first time we heard him sing (in Truth, Justice, and Songs in our Key, I think) that he was severely underused. The Baker is essentially the male lead, and he has earned it. I don’t think there’s much more that needs to be said here.

Baker’s Wife - Ashlyn. Here’s the thing: could someone else be cast as Baker’s Wife? Yes. And I am sure they would do a fine job. But the thing about this role is that you often don’t realize how fantastic it is until you see someone really great playing it. There’s heart, humor, tragedy, and so much more all wrapped into this character and I would far and away trust Julia/Ashlyn with this above all others. And Baker’s Wife gets to sing a short reprise of “No One Is Alone” so I get to win both ways. No matter how I try to cast it or rearrange characters, I keep coming back to the fact that Ashlyn is just hands down the correct choice. Plus she is one of the better options when it comes to having chemistry with Seb. And I’m not even talking about romantic chemistry, just more about the camaraderie of it, and being able to really see them as a team worth rooting for. They both have an inherent sweetness that makes you care for them, which is crucial for the show. AND this would be another opportunity for Julia Lester to flex her acting after playing VERY different roles in HSM and BATB. Basically, I don’t know when it happened, but I think I am a Julia Lester stan and I only want what is best for her and I think this is it. 

Little Red - Gina. “Didn’t see that one coming did you?” -Pietro Maximoff. And honestly same. There’s always that tough moment in casting when you’ve done the more obvious ones and then you feel sort of stuck with cast choices that weren’t really your choice. But this one really grew on me. Hopefully, I can do it justice. And I will be the first to admit Gina deserves her time to shine because I do think she is amazing. It just isn’t her time yet. It also doesn’t help that Into the Woods is one of the LEAST dance-centered shows and dance it where she really puts all others to shame. So this is where we landed. But it works. I promise. Little Red as a character is pretty naïve, but covers it up with over the top confidence. That feels pretty Gina. I love where her character has gone and all the growth she is displayed in trying to be more vulnerable. But there is still a part of me that does miss mean girl Gina and I think Little Red is a great way to get that energy without backtracking the character development. I don’t think she would be the stereotypical “bratty” Little Red, but I think she could still do something great with it. Also very similar to Jack, Little Red is one of the more innocent characters that has to grow up and face a lot of harsh realities over the course of the play. And I have no doubt Gina would nail that aspect of it, too. And speaking of Jack, Little Red has a number of scenes interacting with him and you know what that means: Gina and Big Red bonding time! I really like the idea of these roles bringing the two closer as friends. And I already head-canon that they would have a ton of fun playing with the fact that they are now Big Red and Little Red (especially since he is on the shorter side and she is on the taller side). Basically I see this as a way for them to build up a really good rapport. I am also pretty convinced that Big Red is a secret Rina shipper, and this would only add to that. And finally even though this is not a dance-heavy show at all, one place where they could add a dance is during “Hello Little Girl”. Now I will be the first to admit that this song is dicey at best, particularly for Disney. But even a scene working on the dance with just the instrumental, no lyrics, could be great. I see it as a partner dance with the wolf (I don’t know dance terms, so maybe this is super vague). And oh, wouldn’t you know it? Cinderella’s Prince is often double-cast as the wolf! (WHAT ARE THE CHANCES) Meaning the Wolf would also be good ol’ Richard Bowen. And I like the idea of getting Rina scenes of them trying to work on the dance, but Ricky is super bad a leading, and they just have fun trying to figure it out. It’s also nice that it is absolutely not a romantic dance so the two wouldn’t feel any added pressure and could just have fun with one another, and that really is when Rina is at its best (not that I would say no to a scene where Gina has to teach Ricky the BATB waltz, but I digress).

Narrator/Mysterious Man - Carlos. By process of elimination, you probably could have guessed who was next. And I know this one also feels like a weird choice but I do kind of love it. First you have the narrator, which is another one of those roles that is only as memorable as the actor playing it, which I think is right up Carlos’ alley. He is always trying to put his unique stamp on things and be memorable and he would take the narrator in a very enjoyable direction. There’s also the matter that I see Carlos as something of an assistant director with Miss Jenn, which makes him a third-party observer of the shows inherently, so it is almost a little meta that he would also end up being the narrator. Then there’s is the mysterious man. I love the idea of Carlos getting to play two very different characters, but I love it even more because the mysterious man is the father of the baker which makes for a lot of sweet moments between the two of them. Yes it might be a little weird for Seblos to be playing father and son, but there is such a vulnerability and tenderness in the moments between the two characters, particularly during “No More” that I can get over it. Because I think they are one of the few pairings on this show that could really pull that off. I just think this character would be a great way to exhibit the range of Carlos.

**BONUS ALTERNATE CASTING**

I really, really love this idea and could not fault them if this was the direction they went, but I ultimately decided against it, mostly because I felt too strongly about another character having the role BUT:

Baker’s Husband - Carlos. I just really love the idea of Seblos getting to be front and center, with their dynamic as the focal point of the show. And honestly Carlos would also do an amazing job as this character. I mean, Seb and Carlos singing “It Takes Two”? How sweet is that? This would also be a great way for the development of their relationship to get a little bit more attention, instead of a side story here and there. There is a lot that could be done with this from a story perspective and I would be here for it.

Unfortunately, then that leaves me unsure of where to put Ashlyn. She could be Jack’s mother, but that feels like such a waste of her. I mean, she would do well and she does have the lead this year, so it’s not SO terrible her having a more minor character, but it just doesn’t feel right. And I really just feel so strongly that she would be the best option for Baker’s Wife out of everyone. And it opens the door to develop the Seb and Ashlyn friendship more, which I am always here for. 

Anyway. Those are my thoughts. If you made it this far: wow and thank you!

#hsmtmts #rina #hsmtmts season 3

[hp-fanfic-archive]

an introductory rec list (that no one asked for) to some of my favorite ships: wolfstar [1/10]

First fic I read for the pairing: Where Rain And Smoke Mingle by smallestbird [1k,T] It doesn't matter if they've disowned you, they're still your family. It doesn't matter how often you walk away, it still hurts. [it’s a bit dreary, but the writing style is so nice and i’m a big sucker for hurt/comfort]

Fic that really sold me on the pairing: Of Brothers and Boyfriends by Amuly [38k,E] There’s no summary on the fic, but, essentially, Remus and Sirius’s secret relationship gets found out and things get… complicated. (warning for homophobia) [My note on my ao3 bookmark pretty much sums up how I feel about this fic: Honestly one of my favorites (and one of the stories that really got me hooked on Wolfstar tbh) and I've read it at least eight times. However, I’m not entirely sure how I feel about the homophobic James Potter (even though he does come around).]

Absolute favorite fic(s) for the pairing: Text Talk by merlywhirls [141k,Not Rated] Sirius is in boarding school, Remus is in hospital, and they don't know each other until Sirius texts the wrong number. (warnings for homophobia, mentions of abuse, and homophobic language) [One of the earlier fics I read and it’s always just been one of my favorites, even though it’s been 3 years since I read it for the first time.] Harry Potter and the Live Laugh Love Sign in the Basement by loudestfandomsoftheworld [24k,T] Harry spends his summer with his fugitive godfather and his former professor who is a jobless werewolf. It's probably the best summer he's ever had. [The humor, the characterizations, their relationships, it’s all so fucking perfect!!] Go East [+Podfic] by xinasvoice [84k,E] Remus has been running for a long time. Eventually, he runs into a strange castle built by a wizard and his young apprentice. The longer he stays, the more secrets he uncovers...and the less he wants to leave. This is a novel-length adventure story that loosely follows the plot of Howl's Moving Castle. It does not require knowledge of the HMC book or movie to enjoy it. [it made me laugh, it made me cry, and it’s plot is based on one of my all time favorite movies? 11/10] Of Queries and Quarantines by MoonCat457 [51k,E] LUPIN.RJ: James, WHY? POTTER.JF: Because you’re the one currently doing the job, so it makes sense that you’d be the one to train the person hired to take your place. LUPIN.RJ: No, I mean why is Monty hiring a new editor in the middle of a fucking pandemic? POTTER.JF: An old friend of mine is in a tough spot and needs a job, so of course, dad is helping him out. - - - - OR A story set in the middle of the pandemic in which Sirius is hired at the Potter’s publishing company and Remus is responsible for training him. Lots of texting, lots of video calls, lots of mutual pining, and a lot of really bad literature quotes. [i’ve largely avoided quarantine au fics, but sometimes they’re so well-written and hilarious and also a texting fic and i accidentally fall in love with them, so here we are.]

Most recent fic I’ve read for the pairing: There Is No Man, However Wise by enigmaticblue [87k,T] It’s 1988, Sirius has Harry, and possession is nine-tenths of the law. [i adore a good raising harry au and i also adore the premise of the series this is in and i also adore the writing story and characterizations. 10/10]

Favorite AU(s) I’ve read for the pairing: High School AU: Likewise Variable by ssstrychnine [28k,T] James has plans, Peter is the nurse, Sirius keeps fake blood up his sleeves, and Remus just tries to stay alive. [i first read this fic in 2017 and it still lives rent free in my mind. it’s hilarious, a perfect characterization of the marauders (even tho it’s a muggle modern high school au) and adding shakespeare? just icing on the fucking cake. it’s excellent.] University AU: Wannabe Your Lover by Maraudererasmut & shadow_prince [15k,M] Somewhere in America, Fall of 1997 - Returning to University, James refused to room with Sirius in the wake of The Great Cheez-it Battle of '96. They must adjust to living with someone new, Mr. Potter worried they'd both get scurvy, James unsuccessfully continued trying to court one Lily Evans, Snape got what was coming to him, and Sirius was the most confused of them all. [this is the university experience we all wish we had, lowkey. aside from the hilarity that comes from having the marauders in a fic, it’s just cute and well-written and i love it (and southern remus??? it’s everything i never knew i needed.] Alternate Sorting AU (Slytherin Remus): Half Agony, Half Hope by Barry_Manilows_Wardrobe [21k,E] A tale wherein Sirius Black loses 750 House Points for Gryffindor. But it’s totally worth it. [listen, if, before i read this fic, you asked me if remus could’ve been a slytherin, my answer would have been “perhaps but probably not.” now, however, yeah. 100%. it’s hilarious, it’s novel (which i love to see), but it’s still the same remus and sirius and it’s excellent.] Haunted House AU: Another Day in the Sun by REwrites [19k,T] Is it haunted? I suppose that depends on who is telling the story. [really really excellent and a little haunting (pun entirely intended). it’s romantic and sweet and a little bittersweet but i adore it.]

WIP(s) I really love for the pairing: We Were Infinite by WolfstarPups90 [336k,E] “The Marauders aren’t something that will just go away once we graduate.” James continued, taking a more serious tone and addressing not only Remus, but the fear that they all had found recently in the back of their minds about what may become of them outside the walls of Hogwarts. “We’re a family. We’ve proven that again and again, haven’t we? We’re forever. Unstoppable. We’re infinite.” The full story of The Marauders from September 1st 1971 - October 31st 1981. (Heavily centered around Wolfstar and Jily in later chapter) [the first WIP i ever read (usually i stick to completed works, but this was being pretty regularly updated when i started reading it and also it’s fucking iconic so what can i say?)] Of Leaves and Stars by irrationalmoony & LadyAmina [273k,T] Almost a year out of Hogwarts, Lily finally manages to convince Sirius and James to get more acquainted with muggle technology and buy phones. Sirius, of course, texts the wrong number. [everyone is queer! (as they well should be). also: is it complete? no. has that stopped me from reading it twice? also no.]

Favorite Series for the pairing: TransVerse by picascribit [30k,E,2 works] Canon-divergent AU in which Remus is a transgender boy instead of being a werewolf. (warnings for underage, transphobia, internalized transphobia, bullying, self-harm) [i am a trans remus stan and this series is iconic, but also heed the tags kids.]

Longest fic I’ve read for the pairing: Once in a Blue Moon by FullMoonDreams [408k,M] In a world where Remus never received his Hogwarts invitation and Sirius wasn't accepted by the Gryffindors the two lonely boys become friends. A story beginning in their first year, and continuing right through Hogwarts and beyond. RLSB. [this fic emotionally ruined me,,, but like,,, in a good way, you know? i will probably never reread it because i cried for hours the first time, but the plot does live rent free in my mind (and i do have a playlist of songs that remind me of it).]

Fic(s) with some of my favorite tropes: Matchmaking: Pining, Parchment, Plotting, and Pranks by KayBee1762 [12k,T] “Idea parchment,” James said. He unfolded it and smoothed it out. “You want to get them together, right? That’s why you came to me?” “Yeah,” Lily huffed, which was ridiculous because he was right, that’s why she came to him. But it was supposed to be her idea, because she wanted to help her dear friend Remus, not James or Sirius. But it was so nice to be able to talk about this with someone, and James looked so pleased and excited. “Good,” James said. “Good, because they need to get together, they would be so happy and so good together, and Sirius will stop sighing like a lovesick puppy and just snog him instead.” In which Lily considers changing Houses, James blushes a lot, Sirius is his usual dramatic self, Remus mopes, and Peter knew everything all along. [the marauders (especially james and lily) trying to play matchmaker is one of my favorite instances of the classic matchmaking trope.] Road Trips + Bed Sharing: Of Comets and Counter-Examples by Woldy [5k,T] If the past is a foreign country, can travel help to resolve a troubled history? Dumbledore assigns Remus and Sirius a mission to explore three European cities, or perhaps to find each other. [a lovely tale of travel, reunions, comfort, friendship, and self-rediscovery. plus, travel, bed sharing, and friends to lovers??? yeah] Matchmaking (again): In The Middle by Blossomwitch [3k,Not Rated] James is the natural confidant of both Remus and Sirius. When they both swear him to secrecy on the same topic, James is stuck watching his friends pine for each other without being able to say a word to bring them together. A lesser man might shrink from the challenge of finding a way to break his promise without breaking his promise, but not James Potter! [i already did a matchmaking trope fic i know but what can i say other than the trope fucking slaps and so does this fic.]

#wolfstar #remus/sirius #sirius/remus #wolfstar fic rec #wolfstar fic rec list #intro to my fav ships rec list #hp fic rec #hp fic rec list #queue is for quibbler

[comfeyworks]

Alastor writing/ Character ref sheet

NOTE: This is MY interpretation/ notes of my characterization of Alastor. Most is speculation and the other parts are just me having fun imagining what his character could be like. This is no way meant to be official or taken as cannon in any way.

A wonderful user by the name of dolly moon complied a lot of information from Viv’s streams. I’m referencing some of the information here so please check them out, they did a fantastic job making notes.

Warning: Contains talk about murder, cannibalism and other possible triggering subjects.

General

---NAME: Alastor--- Died: 1933 Age: 30′s Occupation: Former radio host and serial killer. Currently powerful overlord in hell

Main Personality/ notes

Always smiling (He sees people frowning as weak)

Sadistic

Charming and charismatic

Very proud( puffed out chest, arms behind back)

He's controlling/ does things his own way

Careful! He's not too braggy, or too forceful/ demanding. Ex: Viv stated in her qna that the pilot was originally going to have Alastor boast about himself and his backstory. Instead vaggie narrates his backstory. She changed this because Alastor wasn’t the type of person to flaunt his achievements. He knows that everyone knows how powerful he is, he’s not the type to rub it in. He's supposed to be charming, but still proud, juuuust in the right way

He knows what he wants, but doesn’t necessarily brute-forces his way to get it. Ex: "He-" "-llo!" He KNOWS he's getting in hotel regardless, but waits for Charlie to open up the door before invading the hallway.

Deceitful; When asked why he wants to help out at the hotel, he says: "Consider it an investment in ongoing entertainment for myself!" 'This is what you can think my reason is...' is essentially what he's saying. He answers Charlie’s question in a roundabout way that givers her what she wants to know while still keeping his true intentions secret. Time and time again, he lets his mask down slightly when Charlie isn’t looking. At 24:10 he narrows his eyes when she has her back turned to him At the beginning of his song he distracts her with magic so he can push Vaggie away. When he says “...And it’s just laughable-” during he reprise he turns away from Charlie to say this, he leans down to Vaggie.

He’s a hypocrite (hates being touched, invades other’s personal space)

Watches people do things the hard way and then reveal he can do it once it's done just to watch people fuck up

DELIGHTS in watching people failing/ struggling to do things. He likes observing people/ sinners as they are battling with their conflicted emotions.

He’s curious (He stopped by the ‘radio shack’ place to see what Charlie was talking about on the broadcast, and cocked his head when she started singing. To me that meant, “Oh? What’s this now? Something new?” he was intrigued and wanted to know more)

He analyzes people. He looks at the Magne family portrait when left alone. You can briefly hear him playing Charlie’s “Inside of every demon is a rainbow” song, and smiling.

He picks up on things quickly. Vaggie makes it clear she doesn’t like the idea of him being there, and he messes with her. He puts his elbow on her and pushes her away ( 20:44-20:48) He pulls her chin up and tells her to ‘smile’

He’s egotistical. No one is really ‘up to his level’

He gives verbal and physical affection constantly throughout the pilot, but it’s not genuine.

Likes being unpredictable

Primary drive:   Decisions are weighed in his own wants/ feelings. He wants to be amused, he chases exciting/ entertaining things. Think of him as like a cat chasing a mouse.

Fears: He doesn’t fear anyone. But is wary of powerful threats. He dislikes dogs Physical Expression: He’s VERY, VERY expressive through his body language and eyes. Large/ easy to read emotions can be perceived through his body language (Leaning towards someone, or leaning away). Smaller/ pinpoint emotions can be read through his eyes and type of smile (Wide eyes, squinted, closed vs open smile, etc.) He’s like a bird, fluffing out his feathers constantly. (He fixes his hair briefly at 24:41) He expresses himself proudly. ‘This is who I am, remember that!!’. Viv said the reason why almost all of characters have nicknames is that a soul’s real name is dangerous, its a way others can have power over you. Yet Alastor uses his first name, because he’s not scared and confident in who he is as a person. He doesn’t hide from any aspect of himself. I’ve stated he hates being touched by others. When he picks up Nifty in the pilot, she poofs out and spreads her limbs out. At 25:41, Alastor turns his head away from her briefly so she doesn’t touch him.

Flaws/ Weaknesses:

(Note: Basically anything already stated can be a problem depending on the situation, I’m just saying things about his character that he’d find weak or naturally cause problems)

His mother, he’d do anything for her.

He has a darker/ more powerful demon side to him where he runs purely on instinct/ primitive emotions.

He’s arrogant. This can cause problems!

---

Killer/ moral compass profile (Living)

Motivations:

Thrill Killer- Pleasure from pain

Slight power/control aspect involved as well.

‘Causes’

Childhood trauma (abusive father)

Environmental factors (mother died when he was 18-20)

Type of killer: *Note: I’m still not 100% satisfied with this part, I might make some changes later*

He won’t just kill anyone. They have to meet a certain list of requirements.

Viv compared him as someone similar to Dexter

He’s a very goal oriented killer. Whatever he did it was with reason and purpose, meticulously planned. Ex: Maybe one year he’d kill someone who was a real jerk, to see how the others around him flourished. Likewise he might kill someone who was important to the community just to see how the grief made everyone react.

He was a very careful killer, he ended up dying purely on accident, bad luck.

He killed for the fun of it, pure joy, excitement, curiosity. But he only killed people he thought deserved it.

He considers what he does to be ‘work’. He expresses in the pilot how after decades in hell it’s become ‘mundane’ and ‘aimless’.

The victims had to be overconfident to some degree.(This ties into the ‘he wouldn’t chase his victims.’ They had to be somewhat full of themselves or naive)

Some kills are personal (Someone wronging him, trying to hurt him, otherwise he just wouldn’t care if some guy is an asshole) but others are just because he feels like they’re bad/ they’ve have done something that they need to die for.

He used ‘personal’ ways of killing people. (Knife, his hands). I don’t think he would have used a gun of any kind because of the noise, but he could have once every blue moon.

Generally doesn’t draw things out for too long ”...If I wanted to hurt anyone here... I would have done so already.” (He defeats Sir Pentious in under a minute. But still takes the time to crush him and drag his body across the floor.)

He ate people, and knew how to make delicious meals out of them.

Buried his victim’s bodies/ remains on a hunting ground for deer.

Morals

No human is pure or kind just because. They’re selfish beings. Who take and act to help their own causes. Everyone is a monster on the inside. “...redemption, the nonexistent humanity!”

Everyone puts on a mask to hide who they truly are. Life is one big game to see who can survive. “...the world is a stage! And the stage, is a world of entertainment!”

People don’t change “...there is no undoing what is done.”

Puts himself first, and above everyone else. He also degrades others. “I don’t think there’s any hope left for such loathsome sinners...” ”Inside of every demon is a lost cause, but we’ll dress them up for now with just a smile!” “...and show these simpletons some proper class and style...” “...do I know you?” “You think I’m [husk] some kind of fuckin’ clown!?” “...maybe!”

People deserve the consequences they get for being themselves “...the chance given was the life they lived before, the punishment is this!”

He understands what society views as good and evil, but doesn’t really believe in those standards himself. What is considered evil he just views as a hobby or something fun to explore. Ex: Cannibalism is wrong by society’s standards, but to him he thinks the greater wrong is killing something and not making use of it.

He has some level of empathy. (Again, He’d never kill a child or those running away.)

People’s emotions are a fun little game to him. “...I want to watch the scum of the earth struggle to climb up the hill of betterment! Only to repeatedly trip, and tumble down into the firey pit of failure!”

Doesn’t see value in being nice or honest. (He does find it funny to watch)

Other notes/ hc

He’s knowledgeable. In more ways than one. He knows not to fuck with certain people if he doesn’t want to get hurt, he’s got knowledge on the workings/ operations of hell and deal-making.

Likes to cook

He likes bitter things (Bloody meat, alcohol, black coffee)

He’s got a party side to him.

He speaks french!

He plays musical instruments

He knows how to fight without his powers

He’s an only child

He’s part creole

He hates silence, he always surrounds himself with noise of some kind.

Husk and Alastor have a long, complicated relationship

He does things to make Nifty happy (Wearing sweaters)

He’d go out into a hurricane just to let it beat him down for fun (Why is this so funny to me)

Despite all he is, Alastor is capable of having friends and loving.

Has absolutely NO romantic experience.

He hates modern technology in general, but hates tik tok the most

The idea of Alastor cross-dressing to lure his victims in is absolutely hilarious to me, but I don’t think he’d ever do it.

#i made this to help me write him #alastor is deceivingly difficult to write if you dont understand him #and he's WAY more complicated than you'd think #hazbin hotel #hazbin hotel alastor #alastor #writing

[svartalfhild]

The Enola Holmes Books, A Review

So, since watching the Enola Holmes movie that was recently released on Netflix and realizing that it was based on a book, I went and read all 6 of the Enola Holmes books by Nancy Springer to see how they compare.

Let me begin by saying that I think the movie was better in a lot of ways.

Where the movie builds a narrative that is primarily focused on the very loving relationship between Enola and her mother, the books are centered around Enola’s feelings of neglect and abandonment from her mother.  In the movie, her mother leaves suddenly for safety reasons after giving Enola a wonderful childhood.  In the books, her mom is so focused on wanting to do her own thing that she doesn’t really spend much time with or show much affection to her daughter and leaves for her own selfish reasons to live with Roma.

While I can’t say either the movie or the books are more historically accurate, as both make some Errors™, but the movie at the very least didn’t spend nearly as much time spreading horrid misinformation about corsets.  The movie gives one line to the idiotic notion that corsets are nothing but evil deathtraps meant to keep women oppressed.  The books spend so much time on that idea that it becomes an essential part of the main plot of like half of the books and even becomes one of the main reasons why Sherlock and Mycroft eventually are persuaded not to send Enola to boarding school.

On the subject of the portrayal of the Holmes brothers, I have to say that neither the movie nor the books do a good job of characterizing them correctly, but the movie at the very least does Sherlock a little better (even though Henry Cavill remains the weirdest casting choice in Holmes adaptation history).  The books do describe the brothers’ appearances correctly where the movie made no attempt to be loyal to canon in that respect, but their personalities are another matter entirely.

Springer’s portrayal of Sherlock and Mycroft as bluntly misogynistic assholes doesn’t ring true to the way Conan Doyle depicts them, nor indeed to how any proper gentleman of the Victorian era would have behaved towards women, even if they held very sexist opinions.  Canon Sherlock is a gentleman who is never rude to women (with the possible exception of Mrs. Hudson, but that’s more the vibe of a rowdy kid being demanding of his mother than anything).  He is not above praising women and their accomplishments, nor is he completely insensitive to their concerns.  Springer’s Sherlock is outright dismissive, condescending, and generally rude to women, particularly Enola, until the last book, where he comes to be more like ACD’s Holmes and starts showing Enola respect and care.

The movie falls somewhere in between.  He’s not an outright bastard and he does very obviously love Enola almost from the start, but he’s still far more unbending in his opinions than I think ACD’s Holmes would have been.  I firmly believe he would have respected his eccentric mother and been encouraging of Enola’s goals from the very beginning.  Mycroft I can see being a bit stubborn about making sure she’s taught social graces, but even from what little of him we see in canon, I feel confident that it would not take a whole year to convince him of Enola’s potential like it does in the Springers’ books.  Mycroft is not the rude ass bitch she portrays him as.  He’s just kind of stuffy and likes being alone.  He’s also supposed to be smarter than Sherlock, but both the books and the movie replace that quality with him just being meaner.

Another thing that’s horribly wrong with these stories is the portrayal of Roma.  The books are full of racist stereotypes about Roma and of course they are only ever referred to as gypsies.  The word is used so frequently, it’s even in the title of the last book.  The movie, in comparison, has one throwaway line about them and completely erased the weird plot where Mama Holmes goes to live with them.  That’s not 100% better, but it’s certainly something.

Now I’d like to end my criticism with some things these stories did well.

The movie-

Does a great job of illustrating a loving but complicated relationship between a mother and daughter.

Does a great job of showing in subtle ways that Sherlock loves his sister.

Makes the story about the Missing Marques waaaaay more interesting.

Makes Mama Holmes a way cooler person.

The books-

Do a good job of illustrating the struggle of a neglected and abandoned teenage girl who is caught between feeling angry/distrusting her family and desperately wanting to be loved by them.

Very thoroughly illustrates all the ways in which Enola is clever, and indeed cleverer than her brothers.

Have a scene where Enola and Sherlock play a prank on Mycroft.

Generally have some really nice Holmes sibling content in the later part of the series.

#Sherlock Holmes #Enola Holmes

[slo-liveblog]

Witch’s Heart: Bonus Stage Final Thoughts

Hello hello! Honestly I can’t believe I finished Bonus Stage after all this time... took me quite a few months, oof. Many thanks to the handful of you that stuck around during all that, and to the few new people who popped in too! Hope you’ve all been taking care of yourselves, and don’t mind the long post.

CHARACTERS

Claire: After finishing the first game, I didn’t know it was possible to love Claire even more. I was absolutely wrong. The way she took charge at the end was incredibly powerful and I’m so fucking proud of her, even if it’s sad as hell. I really really like how the game both criticizes and respects her unconditional empathy, I think there’s definitely room for both conversations and they’re both incredibly fascinating. I do think she suffers from some of the most writing pitfalls out of everyone, though. Like I said while playing, there’s really no reason given why she wouldn’t confide in Leon, or at least acknowledge that he’s likely the person there she can trust most. In addition, I found it really bizarre that Claire just... never tried to talk to Reynaldo or Sirius after learning about their pasts. Like, at all. I understand why the emphasis on Ashe was important, but it was jarring and kind of unsatisfying to see Claire act so uncharacteristically by not even really acknowledging them after their stories were over. It’s more of a story problem than a character problem though, I think, and I understand why it had to be that way especially considering the conclusions will touch on a lot of the missing pieces- I just wish there could’ve been more of a justification for it. The way her personality was explored through her interactions with everyone, and how other characters were depicted based on their reactions to her ideals, was incredible and I would die for her.

Ashe: Oh Ashe. Fuck Ashe. I do appreciate the depth given to his character, he’s definitely far more complex than I expected and kudos on that. I don’t really empathize with him as much as I do the other four mains, but I do think his writing is incredible and his relationships with Leon and Claire continue to be some of the most interesting to see play out, if not THE most interesting. Star shaped carrots man. Fucked up. Super excited to see how his dynamics with everyone continue, and he’s probably the character I’m the most interested to see make decisions going into these conclusions. His arc feels the most... unfinished, he’s never really reached any sort of closure at any point of the story so far and especially not bonus stage so it’ll be cool to see where he ends up.

Reynaldo: MY BOY. I’M SO FUCKING PROUD OF HIM... going into bonus stage my expectations for him were pretty much rock bottom from the moment I realized he didn’t have a single line in the opening scene outside of saying his name. Like, I kinda made my peace with the possibility that the writer just wasn’t that interested in developing him, and would rather spend time on the rest of the mains. But holy SHIT did he pull through in the second half of the game. The subtle but noticeable build to him deciding to side with Claire was so, so well done. I still wish there was a little more solidity to his characterization- I do have to reach way further to understand him than I do any of the other mains- but I think what we DID get for him was wonderful and god, I appreciate him so much. Definitely the character that improved the most for me from the first game to bonus stage. I can’t wait for his conclusion, here’s to hoping we do in fact get it this year. The way his similarities with Claire were set up makes me SO excited to see how their relationship develops when it’s actually the focus, and how he’ll be fleshed out more in general so we can finally have a clearer picture. Because to be honest, as much as I like the development he was given in bonus stage... there’s still a LOT of gaps to fill in with him.

Sirius: continues to be the perfect human being 1000000/10

Leon: Sweet baby boy whose expressions always make me cry. Leon is still a character I’m sort of on the fence on. Like, he’s very well written and easy to sympathize with. But I realized I’m always far more interested in how OTHER characters react to HIM than the other way around, though. He’s not really a character I personally would find interesting in general, he’s a little simple for my tastes, but that doesn’t mean I’m not 100% invested in seeing him end up happy... eventually. Something tells me it might be a while.

Charlotte: I feel like Charlotte definitely got the short end of the stick in bonus stage, moreso than any other character. Her only memorable scenes that I can think of off the top of my head were when she told Leon he could kill everyone but Claire, when she thought about how Ashe probably can’t be saved, and when she reacted to Claire after the completion of Ashe’s backstory. None of those scenes even come close to hitting the same level of intrigue or emotion as the sparse Charlotte scenes had in the first game, even if that last one does have some interesting bits in it. I said at the end of the first game that we’d only really scratched the surface and I was interested to see more from her and, well, my opinion hasn’t changed. I don’t think there was much I would’ve wanted out of her here anyway unlike the boys, so I’m not especially disappointed. Just hoping we get more excellent Charlotte moments somewhere down the line.

Zizel: I would’ve liked Zizel’s deal to be... a bit more built upon, to be honest? I could just have missed things along the way, but her triumphant moment is a little harder to get in to when we know almost nothing about her or the way she thinks beyond stuff reveled about her in the same scene. I could definitely see that her siding with Claire was being foreshadowed, but I think there needed to be juuust a bit more characterization given to her for that particular development to have the impact it seemed to be going for. Still, it was a good moment, and I think it definitely made up for a lot of the sore lack of Zizel in both games. Can’t wait to see what she does from here.

Lime: Goddddd. Okay look, I still love Lime probably more than I reasonably should. She’s wonderful and I love her design and her personality and her backstory and her motivations but... yea she’s a very very bad person. Bonus stage did really make it clear that she’s not just lashing out occasionally, and this isn’t anywhere near harmless teasing. She’s full on the primary villain of the game, in some ways, and has been doing pretty horrific stuff knowing (and intending for) exactly what she’s causing. Which we sort of knew in the first game anyway, but now it’s very explicit. And like, damn dude... I do wanna see what’s gonna happen with her. It’s tough, wanting to see a character get their comeuppance and stop hurting others while simultaneously just wanting good things for them. this really is how y’all ashe stans feel huh

Side Characters: I gotta say, I really loved a lot of the smaller characters introduced in bonus stage and the way their presence added to the development of the mains. Dorothy and Nicholas, the old dude and the thief woman (I didn’t actually realize until just now but nobody in Wilbert’s backstory had a name, huh. It may not have been intentional but considering that he might literally just not remember that far back I actually really like that decision.), and Ashe’s family and friends were really smartly integrated into the story’s themes and I appreciated that a lot. also lucy and coco rights

Overall This one gets a fucking 10/10 from me chief, some small issues certainly but as close to perfect as they get, in terms of the kinds of stories I like.

STORY

I debated breaking this up into chunks, like I did in the first game with the scenarios, but I feel like the writing quality is more or less consistent throughout the game so it would be a little redundant. I definitely need more time to think on bonus stage before I have a really solid opinion, but at the moment I kind of think the story was even better than the first game? My only major issue was the aforementioned use of Claire’s character, where she’d only really react to the boy’s backstories as she finished hearing them, with the exception of Ashe’s. And her not confiding in Leon. But other than that, it was a constant rollercoaster, with pretty much every scene being jam packed with 3000 layers of character development and relationship building with lore sprinkled in. The elements that were amazing in the first game, like the fun dynamics between the characters and the subtle and unobtrusive exposition, are nothing but improved upon. I do wish we got to play more with the idea of the demon girls living alongside the mains, I think that aspect was severely downplayed almost immediately after it was introduced, but I’m crossing my fingers those potential dynamics get some time in the conclusions. Once again, my biggest gripes with the story are just that I feel like there’s so much more to explore and I can’t wait to see how the rest plays out. still giving this bitch a 10/10 on this one it was everything I wanted and more

GAMEPLAY

Combat: This was kind of... not even really utilized in bonus stage, which I didn’t actually realize until just now. There weren’t any real “boss battles” in the way there were in the first game, the closest thing to it would I guess be Dorothy’s showdown. Considering I didn’t even notice, I think that was a perfectly fine decision. The climax worked well without any actual fights. The battle mechanics continued to be functional and everything, just... not much of a thing.

Demon Requests: It could just be because I played a lot of bonus stage at a very different pace than I did the first game but the demon requests didn’t feel as frequent or intrusive this time around. I was always really excited to get to the request portion anyway cause of the photo booth and all the cool new areas, I had a super fun time using the deep sea bubble and I think overall the stuff that was added to the fantasy spaces was really neat. also lucy and coco rights

Minigames: Very hit or miss. It felt like the minigames were either so quick and easy they were hardly memorable or so tedious they made me wanna die. Take that with a grain of salt, though, I’m really bad at video games. There were very few of them anyway so it doesn’t matter much, but I guess it would’ve been nice if the minigames were less... Like that. To be fair, they were all still pretty charming or cool conceptually. Can’t really complain about getting to fucking shoot people as Dorothy even if it was hell to play.

Overall The demon requests were actually really enjoyable this time around, but the minigames and combat were kind of downplayed. Not to big of a deal, though, it’s not as if they were a focal point of the game to begin with. 7/10

ART & SOUND

Character Design: Not much to say that I didn’t already say after the first game, but the special bonus stage outfits are absolute bangers and I wish they got shown more often. And maybe I would’ve liked the guys to have a little more variety to their suits. But that’s nitpicking, Claire and the demon girl’s dresses are absolutely gorgeous.

Sprites and BGs: The overall art quality definitely got shaky in places but I gotta say, they pulled out ALL the stops for the sprites in this one. Ashe just fully has an entirely new set of them, and everybody else gets tons of new expressions too, all of which are super super good at conveying incredibly specific emotions. All I’m saying is, this would be a totally different game for me without the sprites, and I was always ecstatic to see new ones and figure out what was going on in the character’s head based on them.

OST and Sound Effects: Again, pretty much the same deal as the first game. I think there was a bit of a higher frequency for songs that made me immediately want to search for them so I could listen to them later though, thank god for that. So many good tracks.

Overall Continued to impress me, and then some. Only a slight improvement from the first game, in my opinion, but even that is pretty impressive since I didn’t have many issues with the first game to begin with. 8/10

So uh, in other words, I really really loved this game. Cannot WAIT to start best boy’s conclusion!!!

#witchs heart #slo reviews #slo talks #LETS GOO

[canaryrecords]

According to George Katsaros’s WWII draft registration, he was born April 3, 1898 in Trikala in western Thessaly, Greece. He arrived through Ellis Island alone on October 20, 1913, and his declared age at the time was 17, which would have meant he was born in 1896-7. His brother Harry (whose also WWII card as well as a 1930 border crossing document also give Thessaly as his place of birth) had preceded him and settled in the Detroit area. Their parents’ names were Kristos (Gustos) and Zoe.

Much of the information about Katsaros’ life that has circulated for decades, drawn from stories he told in the 1980s and 90s when he was an old man, including that he was born ten years earlier on the island of Amorgos with the surname Theologitis appears to be false. For reasons we haven’t ascertained, Katsaros was by then an untrustworthy narrator of his own life. Two serious studies of his biography and music have been undertaken - one in Greek by Panagiotis Kounadis (which, unfortunately, I have not been able to read because of the language barrier) and another in English by Steve Frangos. The interviews conducted by Frangos in 1985 (available through the site of the State Library and Archives of Florida) and that articles Frangos subsequently wrote based on on those interviews are an invaluable resource on Katsaros’s self-mythology and some of what follows in drawn from them.

Katsaros’s memories of his life were often highly detailed and therefore more or less verifiable. There are some vast craters in his narrative and some apparent fantastic invention. It seems reasonable to suppose that he is telling the truth that he was playing at a cafe called the Zapeion in New York around early 1917 when he had an opportunity to go to San Francisco to play at the Minerva and Acropolis Cafes, both on Folsom Street. The Minerva at the time widely promoted its family-friendly French dinners and 30 cent vegetarian lunches while, around the same time, being under close scrutiny by the police for underworld activity, resulting in the 1919 withdrawal of its liquor license after a fire and a drugging-and-theft incident there made the news in quick succession. Police found the cafe in violation of the wartime prohibition act.

Katsaros named no less than 16 towns in California where he played during the period 1917-18 and another dozen in Oregon, Washington, Utah, Montana, and Nevada in 1918-19. Performing a wide array of traditional Greek (and some Armenian) folk songs for audiences of agricultural workers, port workers, and miners, he spoke in generalities of this period, but the fact that he names specific venues (the Parthenon and the Aphrodite in Salt Lake City, for instance) and some bandmates, including cymbalom players Frank Gazis, who later recorded with violinist Demetrios Poggis, and Spiros Stamos, who later recorded for the Greek Record Company in Chicago, gives credence to his story. He bragged of earning $50 ($750 now) a night, often playing almost continuously from 7PM to 2AM. By 1920, he says, he was back east, playing at the Kentron Restaurant at 1018 Locust Street in Philadelphia. His claim of having been called to sign a 5 year contract with Victor Records in 1919 seems to be fabricated or at least unverifiable, as were his descriptions of a tours to Mumbai, India (via Australia, Burma, Singapore, and other locations) or his assertion of a 1924 trip to Algeria, Tunis, Morocco, Libya, Egypt, Ethiopia, and South Africa. "My records, they went all over the world," he said. "From every place in the United States and South America and Europe [...] they pay me and I take a boat and I go. Playing for the big concerrts. I play for the churches, for the rich people." But he hadn't actually made any records yet.

We can be sure of two significant events in the Summer of 1927. On June 6 and 16, he made his first recordings for Victor across the bridge from Philadelphia in Camden, New Jersey, resulting in his first issued disc, a 12” with the zeibekiko “Elleniki Apolausis (Greek Pleasure)” on one side and “A Kakoorga Eli (Cruel Hearted Elli)” on the flip. And then, at 29 years old, he married a 20 year old woman named Ouranea (b. Dec. 25 1907; d. April 28, 1984). Years later, she told a newspaper that she was the niece of Theodoros Pangelos who had become President of Greece in April 1925 in the aftermath of a coup, only to be deposed August 1926 in a counter-coup.

By June 24, 1928, George and Oura were in Michigan, where George’s brother Harry lived, for the birth of their first daughter Arete (Rita). During the onset and and deepening of the Great Depression four more children arrived there near Detroit - Steve (Jan. 13, 1930), Cleopatria (ca. 1933), James (ca. 1934), and Paul (April 23, 1936.) Parallel to the growth of their family, George made approximately annual trips to New Jersey, New York City, and Chicago to record. His memory in 1985 of the number of sides he made during that period is pretty close to the facts: 18 for Columbia and 36 for Victor, he said. In fact, he released 8 on Columbia and 33 for Victor as well as an additional 20 or so for Victor that were rejected and unissued. At present, we have evidence of one concert during that period, a fundraiser for the Women’s Organization for National Prohibition Reform under the auspices of a Greek organization in Detroit on December 1, 1931 along with a Greek soprano and pianist. A photo given by Katsaros to the researcher Pangiotis Kounadis in 1987 apparently depicts him with a friend in the early 1930s in Birmingham, England.

His reputation as a seminal force in the development of rebetika, the music of the Greek underworld, based on certain of his 1920s and 30s discs is only part of the story of what he did. The vast majority of what he recorded were his own compositions and many of them spoke plainly of the nightlife, of an empathic eye for modern women, a wicked confidence as a gambler, a powerful appetite for hashish, rough companions, and the hustling all of it entails. He also recorded songs that were comedic or deeply pathetic, as often in tango rhythms or with similarities to American songsters like Jimmie Rogers or Mexican conjunto as they were to the zeibekiko rhythms and quasi-Turkish tonalities of the rebetika demimonde that grew in Athens at the same time. Playing a spruce-topped Martin parlor guitar made in Nazareth, Pennsylvania, his songs were straight-shooting, deeply honest, and totally syncretic of his experience as a Greek-American. There is nothing Hellenistically “purist” about Katsaros’s records, but they are adamantly pure in their relationship to his own sense of himself. That is what made him so unique and, perhaps, what made him one of the very, very few Greek performers to have been able to continue to record at all during the 1930s in the U.S. The 1929 stock market crash had simply ended the recording careers of most the Greek-American performers on records, including for instance Marika Papagika, (with whom Katsaros said he worked in the 30s on the road and characterized as a "very very lovely singer and a very very good person") or made their performances feel like remnants of the “old world." It was Katsaros’ singular approach to his instrument and his plain-talking songwriting, as in his exhortation of Herbert Hoover at the end of his Depression ballad “With Pockets Empty” or his lament for the sick “Mother, I Have Tuberculosis [Consumption]” that gave his records such legs that they were regularly repressed, year after year into the 1940s.

Katsaros claimed to have recorded another 24 sides for Decca in the 1930s-40s, but we have no evidence of those having been released. We know that he made about 10 sides for the Gary, Indiana independent label Grecophone and then in the 1940s about six sides for the New York Metropolitan label (related to Adjin Asllan’s Balkan label) and four or more for Standard (run by Tetos Demetriades, who had previously been the head of the Foreign division of Victor in the 1930s and had championed Katsaros then).

In 1940 his family of seven was living in Wayne, Michigan in a heavily Polish neighborhood along with a 51 year old boarder, who, like George, was making $1,900 ($35,000 today) a year working six days a week as a switchman for the Grand Trunk Railroad between Six Mile and Nine Mile of Detroit. The census that year also counted them at another house in Tarpon Springs, Florida where a "John Katsaros" is listed as the head of the household was working as a driver. Katsaros spent the Summer of 1943 playing hotels in the Catskills - the Monte Carlo, the Olympia, and the Sunset. Performing was lucrative enough that he and Oura got their picture in the Detroit Free Press that November for having bought a total of $842 in War Bonds (about $12,500 today), and his occupation was mentioned as “nightclub performer.” But on February 7, 1945, they divorced. He was 46; she was 37. A few years earlier the German occupying forces in Athens had killed his mother for having hidden two American servicemen. Her house was burned. George’s sister Sophia survived and later emigrated to the U.S.

By 1950, he was living in Brighton, Massachusetts at 100 Washington Street. On his way home just before 5 in the morning in November, 1952 Katsaros was robbed at gunpoint. The two muggers grabbed $150 in small bills from his inner jacket pocket but, he said, neglected to check his pants, where he had another $2,000 in cash.

Meanwhile, back home, George and Oura’s eldest child was in the papers. Having been drafted in 1949 to the Korean war, he’d been called back for another year of service as an enlisted infantryman in 1950. On February 12, 1951 he was captured and held as a prisoner of war until August 1953. He was 23 years old when he was reunited with his mother and siblings, living at 2961 Hanley St in Hamtramck, Michigan, including his younger brother James who had also served in Korea. Every member of the family is mentioned in the press notices of his joyful return except for his father.

Katsaros worked in the late 50s in Chicago in Boston at the Club Zara at 475 Tremont St. According to researcher Amy E. Smith, the Club Zara might have had mob ties. On May 6, 1960, 25 days of police surveillance a resulted in the dispersal of a crowd of 300 people at midnight and the arrest of seven women (five of them dancers in their 20s) and five men (including the maitre d, the manager, and an Armenian singer) under charges of “participating in or contributing to an immoral show.” Whether Katsaros was present that night or was even still working there at the time, we don't know. He said in 1985 that he’d been one of its cofounders and took credit for hiring the club’s first bellydancer “Morocco.” The trial that resulted from the raid was a media circus, and all but one of those arrested was fined between $200 and $1500. Four of the dancers were given 3 to 6 months in prison. One dancer lost custody of her eight year old daughter. The club lost its liquor license. The District Attorney told the press “This is filth, real filth. It’s about time we get rid of that show.” If they’d been looking for evidence of underaged employees or other illegal activities, the catalyst for the raid was when one dancer’s bra straps snapped.

Whether or not Katsaros was still in Boston when the raid happened, by about 1962 he’d moved to Holiday, Florida near Tarpon Springs, a town founded in the 16th century as a Greek sponge fishing village. Through the 1960s, 70s, and 80s, he performed sporadically at Greek community events and restaurants, often with the accordion player John Gianaros whom he’d known since the 40s back in New York. Katsaros was getting old with several lifetimes’ worth of experiences and songs in the head, still covered in a thick pile of of kinky hair that he kept vainly under a net at home.

When a new generation of Greeks got hip to the 1920s-30s material of the old dope-smoking hipsters, they found him there in Florida. At 80-something years old, he wanted to know where the money was. In 1985, he asked Steve Frangos about how to collect royalties on his recordings from 50 years earlier or how to get a new record deal. In 1988, he traveled to Greece to perform and gave interviews. His old music was reissued. In March 1995, he was flown again to Greece to be honored by the Deputy Minister of Foreign Affairs at a widely-broadcast concert and spoke and played for his countrymen (now available on YouTube).

When he died at home in Holiday, having outlived practically everyone who could have remembered him, on June 22, 1997 at the age of 99, newspapers around the world told an incredible story about 109 year old badass, a walking antique, who had been everywhere and done everything. Among them, the researcher Aydin Chaloupka noticed a mention in the Pappas Press that Katsaros had a birth certificate from Amorgos for one Yiorgos Theologitis born in 1888 that he'd had authenticated and showed visitors, letting them make copies of it. The story he told that his last name Katsaros was a stage name referring to his his hair ("katsaros" means "kinky" or "curly" in Greek) might hold true if his brother, a grocer in Detroit, didn't share the same name.

Why would Katsaros lie about his date and place of birth and go the trouble of obtaining someone else's birth certificate? We can only speculate, but it is not out of the question that there was something in his life that he did not want to catch up with him even as he attained some notoriety in the late 1980s. Perhaps is was the family he left behind in Detroit in the mid-40s. Perhaps it was the authorities for something he'd done (or felt he'd done) wrong. Perhaps it was some of the underworld characters he'd crossed paths with in the course of his career. Maybe the birth certificate was an insurance policy so that, if someone knocked on his door, he could say "you've got the wrong guy. I'm not George Katsaros, born 1897 in Thessaly. I'm Yiorgos Theologitis, born 1888 on Amorgos." Plausible deniability.

Something is true. But George Katsaros was probably not the person who would have told you.

#rebetiko #78rpm #78 rpm #greek #immigrant #rebetika

[red-sterling]

thanks for answering!! i hope you don't mind if i send more charas...how about green and/or lillie?

fhgjkfdg aw yea thank u!! hopefully this doesn’t publish before i’m done typing lol

also this definitely needs a readmore bc i got emotional abt Green oops

Green

favorite thing about them

first of all: the fact that Green canonically has a rivals to best friends arc with Red fills me with so much joy and YES they are on their alolan honeymoon you cannot convince me otherwise

okay like. gen 1 Green just perfectly encompasses what it’s like to be a ten year old in a way? like ofc he’s written like a kid bc he is a kid, but i feel like the writing on him just feels so genuine as compared to some of the other 10 yr old rivals you get in other regions. even though he’s kinda a brat at the start, he kinda eases up a bit as you go along your journey and starts giving you progressively nicer/more praise-y end lines when you beat him (going from “i picked the wrong pokémon!” to “so, you are ready for boss rocket!”) but still retains this childlike rivalry and competitiveness and i love that about him

and like. fucking beating him at the Indigo League still completely breaks my heart because even after he did become the champion at age 10 the first thing that happens is you beat him and Prof Oak just yells at him for being bad at things and like. ow. 

this is why i headcanon that Red actually took awhile longer to get to Green like please. please give my boy a chance to be happy and proud

also Red was caught up with Team Rocket anyway so i imagine he must’ve fallen a little behind at some point? anyway

the development on him across regions is so choice!!! he’s so much more mellow and even kinda melancholic when you find him in gsc/hgss, like he’s calmed down over a few years and he obviously misses Red so much but like, it’s clear that Red is kinda the reason Green does settle down and he seems to have worked on his character and become a nicer person - and he still has that sassy flair to him! he’s just got that gradual slope from asshole rival to kinda aloof gym leader to friendly/sassy battle legend and aaaaa i love my boy so MUCH

also huge point: he’s so fucking driven??? he’s got the most drive and the most passion for battles/pokémon in general out of all the rivals i feel. he’s only closely matched by Silver, but Silver seems to be more aggressive than passionate, and somewhat out of necessity too (like, Giovanni abandoned him what was he to do), whereas Green just really like. he genuinely just cares so much about battles and about pokémon in general! he literally calls you in hgss and just rants about how many different kinds of pokémon there are in the world!!!

also in Alola he’s like???? just so sweet?????? he congratulates you and is like hey you’re really strong lets battle like!!!!!!!!! supportive boy!!!!! he has come so far over so many generations and i cry

also on Four Island when you play frlg he legitimately says “Be smelling ya!” when he leaves and how do you not love this idiot

least favorite thing about them

i mean. while i get that you beat Green right after he becomes the champion in the kanto games i feel like there should’ve been more pomp and circumstance for him and i’ll never forgive gamefreak for giving this boy his dream, then making you rip it away from him, and then watching his own gramps yell at him for fucking up like. again it’s that drive, i get why Red keeps such good pace w Green but i just feel like he worked so hard and he deserved so much better than that

also while i’m very biased towards him bc Big Emotions, i feel like if i knew this boy irl who was constantly i’m so great and you’re a loser i would probably punch him eventually lmao. in theory it’s kinda endearing but as a real person that’d be grating 

favorite line

on one hand, “smell ya later” is so fucking iconic, but on the other - 

“I’m Blue. Man, this guy called Red brought me down in a heartbeat. I haven’t seen him in a long time…I wonder where he is and what he’s up to… Come to think of it, you look a little bit like Red. Yeah, you do. Just…Just a little bit. Whatever…”

my namelessshipping heart

ALSO NOT CANON BUT GREEN RANTING TO YOU ABOUT RED AND GETTING SO DISTRACTED THAT HE FORGETS TO GIVE YOU THE POKÉDEX????? BIG GAY

brOTP

for long elaborate headcanon reasons, i see him as being a good brotp with Kris - i headcanon her as also being really driven the way Green is, but more quiet about it, she’s kinda a good balance to him and they probably do pokemon research together. i also feel like she kept him sane while Red was still missing/before they found him on a fuckin mountain

OTP

do i really need to tell you that i’m 100% namelessshipping

like they perfectly balance each other. Green has all this energy and all this spunk and Red is just like… so opposite of him y'know? he’s quiet and he’s more measured in his behavior i feel, he doesn’t really rush into things as much, and yet they both really just took Kanto by storm when they were kids, and i like how they have this foil dynamic and are both still so successful? they’re so different and they complement each other in that way, and they both find success in their own ways

like one of the reasons i hate that Green’s championship gets undersold so much is that he did beat you to the punch, and he has been one step ahead of you, and there’s so much passion there and it’s so loud - and yet you as Red are just as driven, you take down Team Rocket, you’re always right on his tail, so close but not quite there, you’re the only one who can keep up with him and you’re the only one he cares enough about to slow down for

so like. idk with even all my headcanons about namelessshipping aside (and i can infodump those another day lol), i feel like the in-game representation of them just works. they just work so well together, they balance each other without ever holding each other back, and there’s something really beautiful about that in a relationship y'know

…..i feel bad abt not putting as much infodump about isshushipping now but oh well

nOTP

i don’t really have a notp with him? i kinda like. i basically just do namelessshipping, but i don’t get a visceral eugh when i see other ships with him, just kinda a well it’s not nameless so i’ll be on my way. idek what other ships w him are popular?? i’ve been in nameless hell since 2012 so 

random headcanon

while Red is still living on Mount Silver, Green is not coping well with having him so far away, and so Green massively overworks himself to the point that he keeps just not being in his gym sometimes bc he’s bouncing between the gym, training multiple teams, pokémon research, and ofc going to visit Red whenever he can. this leads him to be kinda temperamental after he’s been working on 2 hours of sleep a day for like a week until he just has an emotional meltdown and crashes, and then he gets right back into it because he has no self preservation

…….. nicer headcanon; Red can only cook two (2) foods, so Green cooks all the food for them when they move in together. he has attempted to teach Red how to cook, but Red pretends not to understand so Green will keep making him food. Green knows Red is faking it and doesn’t call him out bc he thinks it’s cute

unpopular opinion

look i’ve played through classic red version a few times and when i say he wasn’t that much of a jerk, i do genuinely mean he was not that much of a jerk. he’s like ten. ten year olds are just Like That. i guess this isn’t too unpopular anymore but it was Back In The Day and in some parts of the fandom he’s still seen as a jerk and like Bro He Is Ten In RGB/FRLG cut him some slack

also genuinely unpopular - Green is taller than Red. i know namelessshipping has fallen into the bara Red and twink Green trope but i refuse to let go of tall Green/short Red fuckin fight me why dont you

song i associate with them

a lot of the Pray For The Wicked album by Panic! at the Disco gives me Green vibes, more for the sound than for lyrics necessarily, but for some reason Roaring 20s just like. has the sound of Green to me. it’s somewhere between flamboyant pride and underlying insecurity that i think really encapsulates Green (or at least his subtext)

favorite picture of them

i genuinely love his let’s go concept art he’s such a sweet good boy?? 

and for the life of me i cannot find the op source on this but this is my fave pic of Green/namelessshipping in general that i’ve had saved since like 2012 maybe???

yeah if anyone can help me source that i’d appreciate it bc reverse image search only brings me to pinterest and random wattpad links :/

update: source seems to be the artist くる (pixiv id=982894) on pixiv, even though the original post got taken down (ty anon!)

Lillie

favorite thing about them

by now i guess you know im a sucker for character development, but i think they did a really good job with her!! i feel like her turn is a bit more in moments than it is with Green, who gradually evolves (lol) over the course of Kanto/all the gens overall. you see more discrete moments where Lillie starts to shift and gain confidence in herself and i am so proud of her ???? like the way she gets excited when she sees Olivia doin’ her z-move stuff, she starts buying her own clothes and getting ahead of you, etc etc

and like, she still has moments where she’s scared, there’s still some fundamental Lillie in there yknow? you don’t lose any of that softness that characterizes Lillie, she just like… she gets better, she develops without losing her Lillie vibe and i love that abt her. she overcomes a lot of the shit she had to deal with when she was stuck with Lusamine, she stands up to Lusamine eventually, and ghfdkjsg gah she’s a sweet gorl i love and appreciate her

also like. the writing on her backstory is so subtle in-universe. like yeah she literally looks like Lusamine’s daughter and you see her in the opening cutscene leaving Aether, but as the protagonist - like as Selene lets say, there’s little hints about where Lillie came from, and if you suspend your disbelief and put yourself in the pc’s shoes, there’s subtly to her character arc that i like 

also like. when she changes her outfit and starts being more protagonist-y, like more confident and kinda bubbly instead of shy??? love that shit it’s so cute can i have custody of this child pls

least favorite thing about them

i like. sometimes feel like she’s too soft of a character for me to really get into? like i love her and Hau, they’re sweet good friends, but i tend to personally gravitate towards characters that create a little more tension (ie Green and N)

(though on that note, Hau can be kinda savage. he just calls Faba out and sarcastically calls Gladion “a ray of sunshine” at some point i think?? Lillie is just very tender and i will support her forever, but i think that also makes her almost too soft to keep me fixated on her yknow. it’s not even a flaw in her character but just not something i fawn over as much)

favorite line

“I’m so glad I got to meet everyone. I’m so glad I got to meet you.”

like that ending kills me but that line almost feels like. I Feel That So Much like i feel so happy to have met all these new characters and to have played these games, and i feel like some of the player’s energy and enjoyment of the game is channeled into this last line of hers 

also GET IN THE BAG

brOTP

probably her and Hau?? idk, i don’t have a specific brotp for her but i like her just hangin around w the other Alola kids, so like her, Hau, Gladion, and the protag kids. they’d raise hell together and Lillie continues to be the only one with some impulse control

(Gladion also has some impulse control but keeps getting annoyed by Hau and so he gets dragged into their nonsense anyway)

OTP

Selene and Lillie is. Good. idk what the ship name is but it’s canon

nOTP

i dont even know if people ship her with Gladion but incest is a big no-no in my house

random headcanon

when she goes to Kanto, i bet she’d pick Bulbasaur as a starter if she was given the opportunity - and if not, she’d probably catch a wild Vulpix 

unpopular opinion

idk if have any unpopular opinions for her?? 

song i associate with them

i have no reason to associate this with her but the Rainy Day theme from acgc just. has a vibe about it. i think a lot of ac music feels like it suits her

favorite picture of them

i found this art of her through a lofi remix of her theme awhile back and it’s so pleasing to look at? her hair is nice and the colors are so warm n happy gjhkfdgf

if you read this far, congratulations!!! and i’m sorry

#thank u for asking again and i'm sorry this took so long and *is* so long lol #sterling content #Anonymous

[hellzyeahthewebwieldingavenger]

Black Cat #1 Thoughts

Mixed feelings

Black Cat is a character near and dear to me, so much so that when my family got a kitten queen (a female cat) who was the black variety, I insisted we name her Felicia. My fondness for Felicia stems primarily from the 1994 Spidey cartoon in which Felicia was a notable supporting character for 3/5 seasons and became Black Cat, the secondary protagonist (to all intents and purposes) in the fourth, and a recurring ally in the fifth. When I began reading the comics proper Black Cat was on the side of the angels, another recurring ally to Spidey

For me Black Cat on the side of the angels is my preference.

This doesn’t mean her time in the 70s and 80s as an antagonist were bad or uninteresting, but what made her arc compelling was that she transitioned from being a villainess who had a sense of style and flair, whilst not being a truly horrible person (like say Electro or Doc Ock) into someone who was more morally grey.

She wasn’t a bad guy but she wasn’t exactly a good guy either.

She could be violent, she was open to taking life, she was a thrill seeker, she moved in seedy criminals circles, she could and would steal.

But...she wouldn’t use excessive force as a matter of course like the Punisher. She wouldn’t take life if she really didn’t have to. She didn’t seek thrills to the point of endangering anyone (except maybe herself). She might’ve moved in criminal circles but she had clear cut boundaries she wasn’t going to cross and made that clear to the people she worked with. Even her tendency to steal evolved from anyone and everyone she could get away with into people who at best deserved it at worst could afford it

At the same time she became one of Spider-Man’s closest friends, confidants and allies. Someone he knew 100% had his back and could help him by crossing a few lines he wasn’t willing to cross himself. Their relationship was beautifully complicated as Peter knew Felicia still broke the law and was willing to maim and kill, but he also trusted her to maintain her limits and her loyalty and friendship enabled him to turn a blind eye to some of her shadier character traits.

When Brand New Day rolled around and it became Felicia’s turn for the character assassination roulette that was that era, a lot of things changed, noticeably she went back to just stealing in general. And Spidey knew about it. And did nothing about it.

This was reductive for both characters and their relationship.

Of course then Slott crucified her character yet further making her into an outright unrepentant murderer and wannabe gang leader.

Nick Spencer in his Heist and Hunted arcs (specifically ASM #16.HU) has done a lot to heal the damage to Felicia’s character and it was my hope that her ongoing series would continue this and finally give Felicia the respect she has long deserved.

The opening status quo of this book thus comes as a huge disappointment to me.

Felicia is still a thief, she’s stealing from people who as far as we know aren’t bad people, she’s still very much and out and out criminal.

This doesn’t quite jive with her most recent characterization in Hunted sans her care for her henchmen.

It also raises the question of whether Spidey knows what she’s up to (she certainly wasn’t subtle about hiding her activities) and if so why he’s turning a blind eye to it.

Now I said my feelings were mixed and that is because I’m hoping this issue is merely the set up to eventually course correct Black Cat rather than ‘this is what this series will mostly be sort of thing.

My feelings are also mixed because if one accepts the thieving nature of Black Cat as the perennial status quo for her going forward this issue did a solid enough job of executing that.

My main problems would be the following:

a)      I felt the art started strong then got a little bit less refined towards the end of the story and

b)      It seems inconsistent that after the Heist arc Felicia is so determined to not share her spoils with the Thieves Guild. Not only is she a card carrying member but she knows all too well what they are capable of. If they can steal Cap’s shield and Thor’s hammer what hope does she have?

c)       Her bad luck powers. They essentially enable her to autowin in every situation so there is no tension or conflict

These are problems but easily corrected ones, I hope the series will address these going forward.

Her characterization within the context of ‘thief mode’ is pretty decent.

As a cat owner myself I think the issue did a good job of capturing Felicia’s cat like tendencies within this context.

I also loved the use of deepcut continuity, specifically reviving Korpse and Bruno from waaaaaaay back in ASM #194, Felicia’s debut issue.

And the fact that Black Fox, another classic character who’s been hardly seen in recent years, is now canonically Walter Hardy’s teacher? It’s an idea so obvious I’m shocked no one thought of it before.

Other than that the action was pedestrian but the use of the Thieves Guild was a nice way to give Felicia some immediate antagonists suited to her.

So the main story was...okay for what it is trying to be, problematic for what it should be at this point, but it might address those problems as the arc unfolds. Because it does very much feel like a stage setter moreso than a self-contained story.

The other stories in the issue I enjoyed a little bit more.

The second story had arguably better art (definitely more consistent at that) and a story you will dislike to feel indifferent to or love depending upon how much you care for cats.

So on that basis it’d be an A++++++++++++ from me.

The third story was mostly okay, a nice simple little background story shining a light on a very unexplored character. My only issue with it is....why would Dracula care about money?

Playing cards, the competition of that, sure...but he seemed to care about the money itself.

I’m not Dracula expert so maybe I’m missing something but that was at minimum eyebrow raising.

In spite of my complaints I’d still recommend picking this book up just to show Felicia some support though.

#Black Cat #Felicia Hardy #Peter Parker #the Black Cat #Black Fox #Spider-Man #Nick Spencer

[tzigone]

Favorite characterization of Dick Grayson

What's your favorite era or writer for Dick Grayson?  What characterizations do you like or dislike?

Here are my opinions.  I may ramble a bit. Sorry about that. 

You can skip this paragraph if you don't care how I ended up here and which comics I’ve read  - it's not particularly important, I just wanted to share.  First, while previously having seen on-screen versions of Dick Grayson, and read a bit of DickBabs fanfic (Batman: TAS sold me on them before the show went directions I loathe), I never actually read any issues of DC until 2015ish.  Had been a Marvel girl because they didn't do reboots, but then they destroyed Peter Parker's marriage and rebooted the universe, so I abandoned comics for a while.  But then I saw some reruns of Young Justice cartoon.  So I read some fic.  Many fics incorporated comic characters.  There I discovered Spoiler, who I really liked the idea of as Spoiler (someone who works against Batman's wishes and doesn't obey his orders and refused to back down, but isn’t a killer).  So I read the Robin series for the first 100+ issues (quitting when I knew War Games was near because the storyline sounded bad).  But that made me decide to read the Nightwing comic that stared in that era.  Really liked that, and really liked Dick Grayson (on-screen portrayals had already lead me to favor him).  Then Birds of Prey, Dixon-era, too.  Then, because I liked Dick, the Original and New Teen Titans. Original was too Silver Age for me, but really enjoyed 1980-1986ish New Teen Titans (thought it went downhill after that, and abandoned when I reached 1990 issues).  Also read assorted Golden, Silver, and Bronze Age comics.  So I have relatively broad, but very shallow knowledge of most Bat-eras, with more in-depth knowledge of the '90s and much less of post-2000 (mostly fic, which isn't always representative of the comic).

While I have opinions on various Bat and non-Bat characters and storylines, I'm starting with Dick here. He was my favorite. It's so dependent on writing (as is ever character), and right now he’s Ric, and that is something I’m not interested in. 

While I absolutely like aspects from other eras, and I dislike some aspects from these eras, my favorite time periods for Dick are probably 1980-1986ish and 1996-2000.  There’s some good 70s stuff and I like certain dynamics of him as guardian/mentor to Damian (and some stuff with other family), but as whole, these two eras in his titles (Teen Titans and Nightwing) are my favorites.  For his characterization as stand-alone (rather than his relationships with other characters).

Golden and silver age Dick merit a bit less discussion. Characters weren’t as distinct from each other back then.  Nor, really, as consistent.  But Dick was sometimes regarded as quite a mature young man in the golden age.  Responsible, good grades, intelligent, etc.  But so was Speedy - like I said, not much distinction.  Despite some impressions, in the stories I read I did not notice Robin to make lots of puns or be unusually cheery and smiley.

Come to the mid-60s and Dick was so much a teenager. I mean the original Teen Titans fairly scream with it early on (so much slang, really folks). One writer I didn’t like had him behave like an idiot (I’m not the only one who thought so, judging by the letters pages, though opinions were split).  Really, though, in the early original Teen Titans it felt like writer(s) were trying to push the “teen” thing too much, and they sometimes came off like caricatures.  But it was a time in comics when stories and characterizations were shifting and there were, IMO, both failures and successes in trying to embrace new and different.

The ‘70s were okay. Some bits I liked, and some I didn‘t. Dick is usually responsible in Detective Comics stories. He did a little bit of playing the play-boy (with Silver), which isn’t my speed, since I like the idea that Dick, unlike Bruce, doesn’t put on a facade in day-to-day life.  Had a few girlfriends - very normal and not either stunningly celibate or shockingly promiscuous. Though the entire 70s was one year of college for Dick.

I am not at all fond of the "goofy" Dick that seems to have popped up fairly often in the past 20 years.  They often seemed to have seriously dampened his brainpower and detective skills (because Tim is the smart one and the detective and for some reason they can’t both be that).  I’m not a fan of separate out all Batman’s skills and assigning one to each Robin. It makes the Robins all less than Batman and inferior to him and sets that they will never be his equals and that I do not agree with. Now this is by no means a *consistent* thing, but it does happen, and it does irritate me.  I don’t like seeing characters diminished.

I really love old-school Dick.  Back when he was young (late '70s to mid '80s), they showed us how mature he was (probably to contrast his youth and make him a viable peer to older heroes).  Both Wally and Roy commented on it. Roy said how he always felt so much younger (issue where he got custody of Lian).  Wally though Dick was always on top of things (Kory and Donna knew better).  Heck, Terry's (Donna's ex) bachelor party was another fine example how much more of an adult he was than some men twice his age.  He was pretty cerebral, a fantastic detective, a good fighter, etc.  He could hang out and have fun, too, of course. He wasn't a stick-in-the-mud.  He was too closed off and unwilling to talk sometimes (moreso with his team, and perhaps because he thought he needed to project confidence as a leader?).  He was, in a reverse, quite willing to talk about other people's emotional issues.   Sometimes as a friend, and sometimes as a leader.  He behaved most immaturely when dealing with Batman, particularly as their relationship became more difficult - there were times when they brought out the worst in each other. Though it wasn't steady, of course.

We really got to see Dick as a leader in this era. Someone people respected and looked up to.  Not that his team always agreed with him or that he was always right, but that but that he was a person that people did have trust in. And that he usually did a good job of deserving it.  It’s not just other teenagers, though, but the older heroes respect him as well.  It’s also the first time we a real, substantive romance - with Kory.  Saw where he floundered and how he loved, and such.  Which I thought worked well until it reached a point where I thought it needed to end, and it didn’t (or rather it did end, but didn’t stay ended).  Readers who like the ship, though, will likely have a different perspective, if they are like me (I just blame the writing when this sort of thing happens with ships I prefer).

Batman: Year Three - not the best story.  I don't remember most of it, to be honest.  But one thing I really liked was the highlighted difference between Bruce and Dick.  It hits that Dick is more emotionally healthy than Bruce. That Dick had the emotional support Bruce lacked as a child (I don't think continuity had yet settled on the idea of Alfred as a father-figure to Bruce).  That could segue me into changes in Bruce's backstory and characterization, but I'll refrain.  I will say that I preferred Dick with the nice-nuns orphanage to Dick-in-juvenile-facility (though I really, really like Dixon's run on Nightwing).  It makes Bruce less of a "rescuer" of Dick, which I prefer. I do not like the idea that Dick was doomed to end up dead on street (or a criminal) if not for Bruce.  Though I admit to preferring old-school Dick-goes-directly-to-Bruce's-home, no matter how unrealistic.  I dislike the entire Talon thing even more. I hate the back-projecting of more angst and more terrible things, like his parents being murdered wasn't bad enough.

Now we come to Nightwing series. I  really liked Dixon's run.  I'm a DickBabs fan, so seeing them get together was great.  I did read he wanted Dick/Donna, and I'm glad that didn't happen.  Partially because I'm a DickBabs fan, but also because I really, really liked the platonic friendship between Dick and Donna during the New Titans.  And I liked that it was platonic and that a friendship - rather than romance - could be so very important.  I don't think friendships get near the credit they should as important relationships in fiction, and so often fans want them to be romantic.  And the older I get, the more I value good fictional friendships and sibling relationships and so on.  For the record, I also really liked the Vic/Gar friendship. And I still tend to think of Donna, rather than Wally as Dick's BFF. Though he has many friends.

Anyway, I really liked seeing Dick working on his own and having his own city.   He was finding his own path and his rogues were being developed. I liked the idea of him as a cop, and I enjoyed Amy. I liked a lot of his banter with Barbara. But not just the banter, the serious stuff. Dick was looking for a real, long-term, serious relationship.  And Barbara was the hesitant one - for understandable reasons.   It's an everyday reminder of the things they used to do together.  Things he can do that she no longer can.  And she really wants to.

Of course, in this era, he was totally a big brother to Tim, a relationship he never really had with Jason (post-crisis).  Now, Bruce's character was becoming worse and worse in this era, so that provided some conflict for Dick.  Early in the series, Bruce wasn't that bad yet, and he and Dick had some nice bonding/reconciling moments.  And so some of the issues were just on Dick's side.  He has, since at least the Titans days, had a persistent need to prove himself Batman's equal.  To others and to Batman. I was kinda peeved with Donna when she said he'd never be as good. He thinks Bruce thinks less of him on occasions when Bruce doesn't. But Bruce still treats him like an underling a good portion of the time.  He expects Dick to take orders with no questions and doesn't give him full details of plans and doesn't listen to his opinions or consider Dick's needs.  Way too often, Bruce just puts his goal ahead of everyone else.  That's an issue with Bruce.  But Dick feels like it's Bruce not seeing him as equal.  Which it is, IMO, but mostly in the sense that Bruce tends to put himself/his goal above all others in terms of importance (a problem that has only gotten worse with time).

I wasn't real fond back-projection/retconning of the Dick/Babs relationship over the years. Or her de-aging.  I like her at least 4 years older than Dick.  With no involvement when he was in highschool.  Flirtation when he was in college (1970s Batman family issues), sure, but nothing really happening until he's in Bludhaven and in his mid 20s and the 5-7 year age gap doesn't matter because they're both adults.  I much prefer her pre-crisis background with Batman to the post-crisis one, but that's a topic for my post on her.

Then the Devin Grayson era - I don't agree with all the positions of the author, but I do agree about Devin Grayson: http://theflyingwonder.tumblr.com/post/107703923021/you-made-me-curious-and-i-couldnt-resist-it-tell and I think way too many of her aspects stuck with the character.  Which I guess makes her a success, but doesn't work for me at all, because I don't like the character she describes at all and he is not Dick to me. I've read her interview on Dick Grayson and her perception of the character was just nothing like mine. She acts like he's not a thinker (even though got called too cerebral in the old days).  She acts like Dick either "fights or fucks" everyone he meets, and totally disregards so many other types of relationships. Now, the Mirage-rape had already happened (and was horribly handled), plus the Raven-mind-controllish thing (also didn't work for me), but Grayson made Dick the sleeps-around type.  That was specifically contradictory to earlier characterizations where Dick was the committed-relationship type - something he actually discussed with Roy at one point.  I liked Dick being a relationship-only guy, it was a big contrast with Bruce (particularly post-Crisis Bruce).  I don't like Dick being Batman-lite at all.  

Not Devin Grayson, but Nightwing Annual #2 - ghastly. So incredibly out of character for who Dick was back then.   Another not-my-review at http://theflyingwonder.tumblr.com/post/93534635531/can-you-explain-the-nightwing-annual-2-thing. Though I would go further in that it's  reason I don't like post-Kory’s-political-wedding Dick/Kory.  It felt like a lot of build up to "love isn't enough" and then he basically chunked his beliefs to stay with her, which makes the relationship a bad thing to me. Here's my less-well-worded thoughts when I read the wedding. http://tzigone.tumblr.com/post/170389768364/nightwing-and-starfire

So, Dick's life in Bludhaven was destroyed.  His life as independent hero was destroyed.  I enjoyed Dick with the Titans, but him in Gotham is a no-go to me.  Because he goes back to being an appendage of Bruce.  He's working in someone else's city, he's a subordinate (at least with Bruce is actually there).

I haven't read as much of the Dick/Damian relationship as I maybe should have.  While interested in their dynamic, I'm not keen on Dick's wider characterization.  I do not like lothario-Dick.  And I do not like Batman-lite Dick.  So I deeply disliked him taking Robin from Tim and giving it away without discussing it, just like Bruce did to him.   Yeah.  To top that off, I unlike many, did not like the first 12 issues of Red Robin, so there wasn't even pay-off.  And then later we'd get Dick faking his death and hurting his family for the sake of the mission (Batman's mission).  Too Batman-like. I do get incredibly frustrated with that no matter how badly he treats them, Bruce's "kids" keep coming back and following his orders.  I didn't like his non-masked storyline, in N52, either. Sadly, at least Barbara (who I don’t like being a student of Bruce’s), Dick, and Tim have all adopted some of Bruce’s worse traits in regards to secrets and manipulation at one point or another.

But my biggest thing is that Dick all to often (not always, but even once is too often) gets treated like a joke. He's the lovable brother, and that part is okay. But he's all cuddles and cartoons and Disney and most of his maturity is just gone.  This is heavy in fic, but it's present in the comics, too.  At 19 he was man, and now he's a man-child. Not when he's working, I mean, but in personal life.  Lex Luthor says he's not a big thinker and some people agree. And that is just totally wrong to me.  For me Dick, while far from perfect, is a person that has earned and has respect not only from his peers, but from the first-generation heroes.  And it just gets worse later.  Late Pre-Crisis they de-age him and he's 21 in N52 (when it starts anyway). And I hated his de-aging, and Barbara's.  It feels like they're being drug backwards and not allowed to grow up. Even though Barbara *started* grown up and Dick had pretty much been a man even during his endless year at Hudson.  I don't like the idea of Dick as someone people don't take seriously. Bart or Booster, maybe is someone villains don't take seriously, but should. But Dick, at least as he reaches his adult years, should be someone that people (villains and colleagues) do take seriously and respect.  Thought without the intimidation Batman has, at least with criminals.  I will say I do think it was done partially to keep Batman from getting too old to do the job, but I still don’t care for it.

Don’t get me started on Dick and what he thought was Bruce’s body and the Lazarus pit.

I thought the entire issue with Dick and Bruce after Bruce’s failed wedding was bad.  Dick tries to be the goofball. They try to redeem it at the end, but it falls flat because he was stupid enough to think it would help in the first place.

Some people seem to think it's the sweetest thing ever if Dick moves back to Gotham and lives in the manor and Bruce takes care of him, and that's just a no-go to me.  It's infantilizing. He's grown up and should be allowed to grow up.  I see a lot of infantilizing of Dick, Jason, Tim and Damian.  I get why it's done (to see Bruce the dad), but dislike it intensely.  It's demeaning to me. I like Bruce the dad, too. But he can be a dad to adult children and treat them like adults (well, the grown ones). And yes, like equals, but that it what I think the relationship between adult parents and children should be.  Though it’ll be a long time before Bruce gets to a point where he’ll consistently do that.

Side note: the comments on Dick's body get a little old.  I totally get that he's stunning.  I'm cool with Kory or Barbara or his current girlfriend enjoying his body or complimenting him on it.  But sometimes it seems like various characters (usually female) are discussing him like a piece of meat. Particularly frustrating when his hero colleagues do so.  I know a good bit of this comes with me binge-reading, making it seem more often than when issues are read a month apart.

#Richard Grayson #Nightwing #Batman #Bruce Wayne #Barbara Gordon #koriandr #koriand'r

[liz-crimson]

Fix Him stories can be good

I've seen comments/criticisms here and there that Julian's route is just the MC being his babysitter/his therapist and it's therefore a poorly written route. But the thing is, I feel like that’s really only a half truth and, like most things in life, there are heaping amounts of nuance that are missed.

I'm going to be the first one to say I'm a sucker for "I can fix him" stories. I 100% see the flaws in them and recognize they can be extremely harmful when applied to real life relationships, but hey I still can't help what I like in my fictional romance. I’m also going to recognize that, with Julian being my favorite and 80% of the reason I play this game, I’m going to be incredibly biased.

That all being said, I spend a lot of time thinking about all the little nooks and crannies of this story and am relatively confident in my own judgement. I spend a lot of time thinking “is Julian’s route just me being his therapist the whole time?” And to that I answer.... kind of? But with a big ol asterisk leading to a whole essay that can be summed up in “but also there’s a whole lot more to it than that”

At its very core, yes, Julian’s route is an “I can fix him” story. He is a fugitive on the run who never sleeps, abandons his friends and family on a regular basis, and has a whoooole slew of deep personal issues that he insists on dealing with himself through bad coping mechanisms. He does not shy away from admitting this himself. He is an incredibly flawed character that shows a lot of red flags and you as the player have to recognize that. This is just a thing you have to already agree you are into before diving in headfirst. You enjoy that? Great! Dive on in with me, friend! Not into that? That’s ok, it’s not your thing. Doesn’t mean it’s bad writing tho.

And I think that’s the thing that bugs me most about this criticism, like, seeing people be like “yeah but it’s just an ‘I can fix him’ story :///“ and it’s like yes!! That’s the point Brent!! I want to feel like I am capable of improving on someone else’s life just by being nice and loving to them!!! It being a fix him story doesn’t make it inherently bad, what matters is how the content of the story is actually handled.

And honestly? I really really like the way the story itself is handled. Besides minor tweaks I would make here and there, I’m completely pleased as punch with the overall content of the story so far. Yes, including the whole turning himself in to pull off a batshit crazy plan that includes hanging himself and maybe surviving plotline. It's super compelling! I'm having the time of my life watching him continue to struggle cuz he didn't get "fixed" right away and drowning in the subsequent angst!! It's incredibly frustrating to watch and that's the point! Julian’s characterization is some of my favorite I have seen in quite a while. The narrative doesn’t really have enough time to explore every aspect of his character, but that’s ok! It doesn’t really have to, the game is purposefully set within a small setting and a tight span of time, expanding on it is what fan content and good ol fashioned imagination is for.

So first off, it’s a fix him story where the onus of the “fix” isn’t squarely on the MC’s shoulders. The strength of the game is the interaction between characters. The world doesn’t exclusively revolve around Julian and MC, and that means the other characters play an integral part of the storyline. Portia, Mazelinka, and eventually Asra and Nadia all put in a hand to help Julian. You know what that’s called? Having a network of support. In other words, a really healthy method of healing, not relying on one person for comfort and help and instead having a whole group to help. This is a huge difference that is a departure from the problematic part of most fix him stories.

You know what also makes a big difference? The MC isn’t pressured to stay. In fact, they are given many opportunities to leave. If you took an out, well, I guess you wouldn’t be playing the route anymore, would you? Nobody in the story implies you are obligated to help him (Portia directly asks you if it’s what you want rather than assuming you’re on board), nobody implies the MC would be a huge jerk by jumping ship, or says “But you have to help him!!” The other characters have made the decision to help him themselves, and if you decide to go with them then cool beans. The MC helps him by their own choice, not because they felt a moral obligation to do so.

I think this criticism also ignores that “fixing” is an integral part of Nadia and Asra’s routes as well? Granted, Julian’s issues tend to way outdo the other two, but a large part of Nadia’s route is teaching her to trust others, and to work past the deep seeded issues she has with her sisters. Asra’s route is largely about MC pushing him to be more open and honest with them, instead of hiding everything away for the sake of comfort. These.... are not small feats to work through, and the MC is responsible for being the one to fix these issues, this is not unique to Julian’s route.

And the thing is, helping Julian isn’t a one way street like most fix him stories. The problem with a large portion of fix him stories is that the recipient of the help acts like a leech (lol), selfishly demanding the help and not considering the needs of their partner. Yes, MC is doing most of the legwork at this point in the relationship, but Julian is taking initiative in at least trying to reciprocate. He states his frustration in feeling like he’s not being helpful at multiple points, he wants to give back and return the favor that MC is doing for him. He wants to learn how to consider MC’s needs, but he hasn’t quite gotten the hang of it yet. You hear that? That’s the sweet sweet sound of character development in the works, my friend.

And that’s the thing, isn’t it? He’s actually developing as a character and working toward improvement, even if it's slow going. What is often the problem in relationships where the romantic partner is acting like a babysitter or therapist is that the recipient of the help doesn’t actually learn anything from it, and instead expects their partner to fix everything for them. That’s not the case here, Julian is trying to take initiative, he’s trying to take charge of his own problems, he doesn’t want to be dependent on MC forever. He’s not necessarily succeeding at this point in the story, but he’s trying, and that’s what really makes the biggest difference in the end. MC helps to ground him, but at the end of the day he’s still putting on his big boy underwear and trying to tackle his problems on his own, and he intends to be there for MC when they need his help too.

He started as a character that was hopeless about his own flaws and incredibly selfish, feeling he was a lost cause incapable of fixing himself. He is becoming a character that, through the help of MC as well as the other characters, is gaining his own agency and actually working on his dang self.

#the arcana #julian devorak #tropes are not evil #fix him stories can be good #i like them dont @me #ramblings #analysis #long post #just because you don't like something doesnt mean its bad writing