#Something Is Wong With Sunny Day Jack

[missellaneousworks]

Excerpt from "Sundae Jack" - Fluff n' Smut SDJ Fic

Something is Wrong With Sunny Day Jack is a +18 ONLY community. Therefore, the content of this fic is NOT APPROPRIATE for anyone under 18+ and should not be engaging with it.

Very self-indulgent Ella (OC) x Sunny Day Jack fic. The full version can be found on AO3 HERE.

Below is just a taste before things get spicy~

Something is Wrong With Sunny Day Jack is a +18 ONLY series. MINORS DNI.

~

Oh yeah.  It had been that kind of a week for Ella.

The tub of ice cream landed on the counter with an unceremonious clunk, followed by the rest of the ice cream fixings.  Strawberries, bananas, chocolate fudge syrup, and whipped cream.  After a whole week of work, paying bills, having her hot water shut off for two days due to a water main breaking…. She needed to treat herself.  So after a horrible week, Ella went to the store with a little extra cash she had left over and got herself the full sundae spread!

Jack’s head poked out of the bedroom as he was finishing up folding laundry.  “Welcome back, Sunshine!  Whatcha got there?”

“My salvation,” Ella remarked with satisfaction. “I decided to take some of your advice about treating myself after a rough week.”

In the not-too-far past, Ella would usually turn to a nice bottle of wine and a bubble bath to relax and unwind. But while walking down the frozen dessert section in the grocery store earlier, she found a brand of ice cream she hadn’t seen in years. Normally, she would sadly pass by before she could change her mind, but today of all days she figured why not?  Besides, Jack would probably appreciate a little sweet treat, too!

“Anything I can do to help?” Jack’s ever-cheerful voice inquired helpfully. 

“Actually, yeah! Can you slice up the strawberries and a banana?”

After retrieving the cutting board and knife, Jack began to cut the fruit into thin, even pieces, humming a melody that Ella didn’t quite recognize, but was sure she heard it before.  “You know, most people get cherries with their sundaes.  I like the fact that you bought strawberries, though!”

“Eh heh, yeah… cherries remind me too much like cough syrup.  I know they’re already cherry flavored, but still… I like strawberries more.”

“Blueberries are also great!”

“No kidding, Mr. Blue-Haired-Clown-Sir.”  Ella teased back.

“Pfft, okay, okay, that one was obvious.”

“A little,” Ella giggled.  As she removed the ice cream tub’s lid and began to scoop the into the bowl.  “You know, I’m also a fan of peaches and nectarines.”                                                        

“Those sound tasty!  Maybe we can buy some next time.  Can never have to much fruit for your diet.”

“Not unless they go bad because I don’t eat them in time.”

“That's what you have me, here for, Sunshine,” Jack said triumphantly as he finished cutting the fruit, quickly washing the knife and setting it into the sink drainer.   

“…to eat the fruits I don’t like?” Ella innocently blinked up a Jack, leaning into his side slightly.

Jack chuckled and shook his head.  “No, silly.  To make sure you stay happy and healthy!  So we can keep having ice cream dates together~”

“Hmmm!  A fine point, Mr. Sunny Day.”

“You know what they say, an apple a day keeps the doctor away!  So it’s important to keep you in pear-fect health!”

The silence was incredibly loud as Ella slowly, deliberately turned towards Jack.  “…honey.  May I remind I am armed?  With an ice cream scooper?!”

Jack didn’t even attempt to hold back his laughter.  “I’m sorry, I’m sorry, I can’t help it.  I just think you’re one in a melon.”

“I know where you sleep.”

“I should hope so,” now the clown was turning the tables again on Ella, his voice lowering an octave as he came up behind Ella and wrapped his arms around her waist.  “It’s right next to you, after all.”

A pleasurable shiver ran up Ella’s spine as she felt Jack’s breath across the back of her neck and shoulder.  Subconsciously leaning back onto Jack’s body, Ella almost forgot about the ice cream sundae, at least until she accidently knocked over the open jar of chocolate syrup and got all over the counter. 

“Ah, shit!”

“Whoops!”  Jack blinked at the mess, a slightly disappointed grimace across his face.  However, it didn’t stop him from getting a moist paper towel and dabbing the mess.  “I got it, Sunshine, don’t worry!”

“Guess your flirt was too hot for this hot fudge to handle.”

That earned her another chuckle from her lover.  “Want to cool down with this sundae?”

“I thought you’d never ask~”

Within moments, Ella and Jack were nestled on her couch with a blanket, and a sizable bowel of the sundae, with two spoons so they could share. 

“Um, is this okay?  That we’re eating out of the same bowl?  I thought about getting one for each of us, but I kind of thought it would be cute to share…”

“I don’t mind, this is perfect, Ella.” Jack reassured with that ever-comforting smile of his.

“I thought it was pear-fect.”

“Ooooh!  My own pun thrown back in my face.”

“You’re very handsome face,” Ella shimmied closer to Jack’s side and wasn’t blind to the slight blush on Jack’s face.  It was nice to know even he could get bashful at times.  Adorable.  “Anyways, let’s dig in—”

The abrupt pause in his Sunshine’s delight caused Jack to raise his eyebrow in confusion.  “What’s wrong?”

“…I feel like… we’re missing something.”  Ella thoughtfully tapped the spoon against her lower lip before her head snapped up.  “The whipped cream!  Oh my god, hang on.”

Her sudden departure to retrieve the forgotten condiment was amusing to Jack.  Ella’s strive to get something just right might have been considered a setback to others, but not Sunny Day Jack.  He took a lot of time and dedication to improve Ella’s quality of life, and even more important, her happiness. 

Which was one thing they had in common.  His sunshine worked so hard to make people around her happy, it just showed how kind, creative, and amazing she truly was.  Sadly, there were times when Ella overdid it—with the best of intentions, but it was a small secret Jack kept to himself; he felt that most other people didn’t deserve the time of day with Ella.  She worked so hard at work, maintaining her home, and her writing, and finding new inspiration to keep her going.  As the matter of fact was that Ella persisted despite all of the trouble and heartache she’d been through in the past.  And that fact alone made her… special. 

It felt good being in her light.  Incredibly, warm, light, and loving light.  It was only right that her attention shouldn’t be wasted on others who would otherwise dim that precious light.

He’d make sure it would stay that way.  Forever, if he had to. 

“Got it!” Ella triumphantly scampered back to the living room with the whipped cream.  She plopped right next to Jack again, shaking the can before placing a sizable dollop on top of the sundae.  “Now, it’s perfect!”

Jack couldn’t help the mischievous smile.  “You mean pear—”

“Don’t,” Ella pointed the can directly at Jack’s face in an attempt to look intimidating.  Though the scrunch of her noise proved to be cuter than anything.  “I am armed and dangerous.  Don’t you dare, Jack.” 

Jack bit his lip in an attempt to stifle the chuckle building in his chest, but he couldn’t resist teasing her… just a little.  He jokingly lifted both of his hands up in mock defeat.  “Oh-ho!  What do you intend to do now that I’m at your mercy, Sunshine?”

The glimmer in Ella’s eye was unmistakable.  Her finger pressed on the tip of the can’s spout, intending to spray just a little on his nose, to make good on her threat, and to be a little coy.

However.

After a moment, nothing came out, and Ella added a little more pressure.

Jack stiffened as a flurry of whipped cream erupted all over his face, covering his left eye, cheek, part of his lip, but most of it did land on his red nose.  Jack squeezed his eyes shut when he was met with a barrage of sweetness, not fully registering what exactly happened at first.   After one mortifying moment, Jack’s right eye blinked open.  Ella’s face blanched from utter embarrassment.

“Pffffft!” Jack’s shoulders began to shake.  Then a giggle slipped, followed by a snort. 

Ella could only blink back as the silliness of her nerves and the situation itself sunk in.  Jack hunched over in an attempt to turn and hide his face, but Ella could clearly see his eyes squeezed shut, and the corners of his mouth failing to suppress a smile. 

“Oh my God,” Ella released the beginning of her own breathless laugh before she finally quipped, “Sorry honey,” she genitively wiped the cream from his eye.   “Guess I was the one who blew their load prematurely, huh?”

Jack guffawed and doubled over with a shocked laugh.  “ELLA!”

It broke the damn that held back Ella’s jovial laughter as she hunched over while cupping Jack’s face.  “Hey, first time for everything, am I right?”

“You’re t-too much for me, sunspot!” Jack managed to eke out through his laughter. 

Ella giggled back, “Too bad! You’re stuck with me, innuendoes and all.”

“I’d hardly call that a bad thing, you know.”  Jack’s laughter began to subside into breathless chuckles.  Most of the cream had slid down his face and landed on his chest and lap. 

“O-oh,” Ella tried to remain focus, but Jack was so close to her.  “Let me help, honey.”  Quickly, she grabbed a napkin that was sitting on the coffee table blotted parts of his face to remove the sweet confectionary cream from his face.  Jack was perfectly still and let her work, seemingly content to let Ella touch him, even if it was just for the sake of cleanliness.  She could feel his warm breath against her skin.  He wasn’t even doing anything other than just sitting there, messed up by her own hand.  Yet something about it made it feel… oddly intimate.  Especially the way Ella was studying the sharp features of his face.

“I think that’s all of it—oh, wait,” Ella cupped the side of Jack’s cheek and guided it to the side.  “You’ve got something on your face…”

“Ella--?” Jack was cut off at the feel of Ella’s soft lips against his cheek.

The dusting of pink across her face as she pulled back was impossible to ignore, as was a small, coy smile.  “Never mind, it was just me.”

Jack’s smile widened, positively smitten.  “Have I told you recently that I love it when you get spontaneous?” 

The compliment hit its mark perfectly as Ella’s blush deepened before an idea began to form in her mind.

Spontaneous, huh…?

~

Read more at the link on top. Thank you for reading~!

#Sunny Day Jack #Something Is Wong With Sunny Day Jack #SDJ #SDJ OC #SUnny Day Jack Fanfic #MissElla's Works #please don't bully me for the title too much #puns are my bread and butter

[ainereads]

Reading Rush TBR

This month I am participating in The Reading Rush. I’m really excited about this one! All book descriptions are from Goodreads.

Read a book with a cover that matches the colour of your birth stone

For this prompt I picked Survivior by Tom Hoyle. I was born in May and so my birthstone is Emerald. 

When the first person on the Ultimate Bushcraft adventure holiday mysteriously dies, it's a tragedy. But when the second, and third die ...it's no longer mysterious: it's suspicious. Who can you trust when everyone left alive is a suspect? Who is the murderer? As the numbers dwindle, the chances of survival plummet ...Staying alive has never seemed so guilty.

Read a book that starts with the word “The”

I picked another Tom Hoyle book here. The Challenge. I’m pretty sure I attempted this before and was severely creeped out.  

The Challenge by Tom Hoyle, bestselling author of Thirteen, is a gripping adventure thriller about an online game gone wrong. Ben's been grieving for his best friend, Will, who suddenly disappeared from their tiny village a year ago. But when twins Sam and Jack begin at the school, things start to look up. Cool, good-looking and popular, they draw Ben into their world and introduce him to The Challenge. What first appears to be a fun internet game quickly turns sinister as Ben's tasks become wilder and more dangerous, starting to raise questions over Will's disappearance. But once you're involved with The Challenge, it's very hard to get out.

Read a book that inspired a movie you’ve already seen

Here, I picked The Miserable Mill by Lemony Snickett. I loved the film and the series for these books. 

Dear Reader, I hope, for your sake, that you have not chosen to read this book because you are in the mood for a pleasant experience. If this is the case, I advise you to put this book down instantaneously, because of all the books describing the unhappy lives of the Baudelaire orphans, The Miserable Mill might be the unhappiest yet. Violet, Klaus, and Sunny Baudelaire are sent to Paltryville to work in a lumber mill, and they find disaster and misfortune lurking behind every log. The pages of this book, I'm sorry to inform you, contain such unpleasantries as a giant pincher machine, a bad casserole, a man with a cloud of smoke where his head should be, a hypnotist, a terrible accident resulting in injury, and coupons. I have promised to write down the entire history of these three poor children, but you haven't, so if you prefer stories that are more heartwarming, please feel free to make another selection. With all due respect, Lemony Snicket

Read the first book you touch

I haven’t actually picked a book for this prompt yet but I can confirm that it’s just going to be a book that is already on this TBR because I’m already being overly ambitious as it is.

Read a book completely outside of your house

For this, I’m going to be reading Mistletoe & Murder by Robin Stevens. Christmas in July and all that jazz. I’m going a trip during the Reading Rush so this will be the book I pick up then. 

Daisy Wells and Hazel Wong are spending the Christmas hols in snowy Cambridge. Hazel has high hopes of its beautiful spires, cosy libraries and inviting tea-rooms - but there is danger lurking in the dark stairwells of ancient Maudlin College. Two days before Christmas, there is a terrible accident. At least, it appears to be an accident - until the Detective Society look a little closer, and realise a murder has taken place. Faced with several irritating grown-ups and fierce competition from a rival agency, they must use all their cunning and courage to find the killer (in time for Christmas Day, of course).

Read a book in a genre that you’ve always wanted to read more of

I’ve picked The Silence of The Girls by Pat Barker for this prompt. I’ve heard great things about it and I haven’t read anything like it before so I’m very excited about it. 

The ancient city of Troy has withstood a decade under siege of the powerful Greek army, which continues to wage bloody war over a stolen woman—Helen. In the Greek camp, another woman—Briseis—watches and waits for the war's outcome. She was queen of one of Troy's neighboring kingdoms, until Achilles, Greece's greatest warrior, sacked her city and murdered her husband and brothers. Briseis becomes Achilles's concubine, a prize of battle, and must adjust quickly in order to survive a radically different life, as one of the many conquered women who serve the Greek army. When Agamemnon, the brutal political leader of the Greek forces, demands Briseis for himself, she finds herself caught between the two most powerful of the Greeks. Achilles refuses to fight in protest, and the Greeks begin to lose ground to their Trojan opponents. Keenly observant and coolly unflinching about the daily horrors of war, Briseis finds herself in an unprecedented position, able to observe the two men driving the Greek army in what will become their final confrontation, deciding the fate not only of Briseis's people but also of the ancient world at large. Briseis is just one among thousands of women living behind the scenes in this war—the slaves and prostitutes, the nurses, the women who lay out the dead—all of them erased by history. With breathtaking historical detail and luminous prose, Pat Barker brings the teeming world of the Greek camp to vivid life. She offers nuanced, complex portraits of characters and stories familiar from mythology, which, seen from Briseis's perspective, are rife with newfound revelations. Barker's latest builds on her decades-long study of war and its impact on individual lives—and it is nothing short of magnificent.

Read a book that takes place on a different continent than where you live

For this final prompt, I’ve picked Gregor & The Code of Claw by Suzanne Collins. This is the final book in the Underland Chronicles and I’m so excited to see how it ends. 

Everyone in the Underland has been taking great pains to keep The Prophecy of Time from Gregor. Gregor knows it must say something awful but he never imagined just how awful: It calls for the warrior's death. Now, with an army of rats approaching, and his mom and sister still in Regalia, Gregor the warrior must gather up his courage to help defend Regalia and get his family home safely. The entire existence of the Underland is in Gregor's hands, and time is running out. There is a code to be cracked, a mysterious new princess, Gregor's burgeoning dark side, and a war to end all wars.

And that’s my entire TBR for this readathon. I’m so excited to complete it!

#tbr #reading #reader #readers #book #books #the reading rush #reading rush #book blog #book blogger #readathon #fantasy #middle grade #bookworm #bookworms

[eddycurrents]

For the week of 4 February 2019

Quick Bits:

Archie #702 sees Sandy Jarrell and Matt Herms pitch in for much of this issue as Betty and Veronica try to figure out who Archie’s seeing now. It goes about as well as you’d expect. Nick Spencer is still delivering some humorous dialogue and the opening sequence from Marguerite Sauvage is as beautiful as ever.

| Published by Archie Comics

Archie 1941 #5 is pretty heavy, dealing with the the grief, remorse, and emotional devastation of loss experienced during the war. Peter Krause and Kelly Fitzpatrick’s artwork has been wonderful throughout this entire series and they nail the conclusion.

| Published by Archie Comics

Avengers #14 sparks the fuse of the vampire civil war from Jason Aaron, David Marquez, Justin Ponsor, Erick Arciniega, and Cory Petit. There’s some really nice world-building going on here with the Legion of the Unliving and a rather interesting development with Ghost Rider.

| Published by Marvel

Batman #64 begins “The Price” crossover with The Flash from Joshua Williamson, Guillem March, Tomeu Morey, and Steve Wands. Outside of the tie-ins throughout the DC titles, I haven’t been reading Heroes in Crisis, but this ties in as well, spotlighting some of the strain that Batman and the Flash have been under. Something definitely feels off about the situation.

| Published by DC Comics

BPRD: The Devil You Know #13 feels like shuffling deck chairs on the Titanic at this point, with all of the pieces moving into place, and we’re just awaiting the inevitable end of everything. Stunning artwork from Laurence Campbell and Dave Stewart.

| Published by Dark Horse

Champions #2 fills in the hole of what happened during the battle with Zzzax last issue and, boy, is it a doozy. Jim Zub, Steven Cummings, Marcio Menyz, and Clayton Cowles set up something interesting, and possibly horrifying, to come down the line.

| Published by Marvel

Conan the Barbarian #3 maintains its high bar of excellence as the one-off stories building up Conan’s past continue from Jason Aaron, Mahmud Asrar, Matthew Wilson, and Travis Lanham. The art from Asrar and Wilson is just perfect.

| Published by Marvel

The Curse of Brimstone #11 is the beginning of the end in the first of this two-part finale for the series from Justin Jordan, Denys Cowan, John Stanisci, Rain Beredo, and Wes Abbott. It’s great to see Cowan’s art here as he, Stanisci, and Beredo make the beginning of this final fight look absolutely gorgeous.

| Published by DC Comics

Daredevil #1 is a very impressive debut from Chip Zdarsky, Marco Checchetto, Sunny Gho, and Clayton Cowles. It picks up from Matt’s recovery in Man Without Fear and, well, things are messy, unfocused, and he’s having a hell of a time getting his feet under him again. But, beyond that, there’s a real depth to the story here. Though there’s a ton of action, it also goes deep into character building and flashbacks of Matt’s time as a kid getting morality lessons from his priest. This is damn good, taking cues from Frank Miller and David Mazzucchelli’s “Born Again”, but it also feels influenced by Mike Grell’s “The Longbow Hunters”. There’s also a back-up written and illustrated by Zdarsky himself with an interpretation of how Daredevil “sees” and the digital edition gives a smattering of back-up material including covers, art comparisons, and sketches. I highly recommend this.

| Published by Marvel

Deathstroke #40 concludes the “Arkham” arc with Slade killing Hugo Strange and then slaughtering a bunch of homeless men. Maybe. Depends on which truth you believe. In doing so, Priest sets up the seeds for the upcoming crossover with Teen Titans.

| Published by DC Comics

Die #3 peels back another layer of the onion of this world as Kieron Gillen, Stephanie Hans, and Clayton Cowles give us a story of how the various regions work. All through an allegory of war between Eternal Prussia and Little England, Tolkien re-adapted to a kind of explanation on his own allegory. It’s interesting, especially when coupled with the essay Gillen pens in the back that explains the whole construct. That said, it also works great as just an extremely pretty adventure where a party of adventurers fights a dragon. I’m loving what this series is doing.

| Published by Image

Doctor Who: The Thirteenth Doctor #4 concludes the opening arc with the Hoarder from Jody Houser, Rachael Stott, Erica Eren Angiolini, Viviana Spinelli, Richard Starkings, Sarah Jacobs, and John Roshell. I still love the inventiveness and ornate quality to the Hoarder’s design.

| Published by Titan

The Empty Man #4 gives a bit more insight into the disease ravaging the planet, as more of the strange skittering monsters appear and the kids from the original mini-series return. Cullen Bunn, Jesús Hervás, Niko Guardia, and Ed Dukeshire are crafting something very dark and weird with this series, but also very, very good.

| Published by BOOM! Studios

Female Furies #1 isn’t a bad start from Cecil Castellucci, Adrian Melo, Hi-Fi, and Carlos M. Mangual. I quite like Melo’s art here, as she’s adapted it somewhat to highlight influences from some Fourth World luminaries like Jack Kirby, Keith Giffen, and Walt Simonson.

| Published by DC Comics

The Freeze #3 delves deeper into the early days after the Freeze as the awakened look into the serial killings, and we get more mysteries in missing people (who may or may not be the same as those murdered) and the revelation that Ray is being manipulated. Really great work here from Dan Wickline, Phillip Sevy, and Troy Peteri. 

| Published by Image / Top Cow

GI Joe: Sierra Muerte #1 sees Michael Fiffe bring his kind of retro charm to the Joes in the beginning of this series. It’s actually played pretty straight and reminds me of the loving care that Tom Scioli also takes to these properties. Great art and a story that reminds me of the original GI Joe cartoon.

| Published by IDW

Giant Days #47 intertwines Daisy learning to drive, McGraw’s brother dropping in on him and Susan, and Esther taking care of an illicit adorable puppy. All the usual humour and character building you’d expect from John Allison, Max Sarin, Whitney Cogar, and Jim Campbell. 

| Published by Boom Entertainment / BOOM! Box

The Girl in the Bay #1 is an intriguing debut from JM DeMatteis, Corin Howell, James Devlin, and Clem Robins. It jumps headlong in to some of DeMatteis’ favourite themes and topics as spiritualism, reincarnation, and coming of age (particularly in Brooklyn) and presents a compelling world and mystery for the seemingly dead, then strangely awakened fifty years later Karen Sartori. Very nice artwork from Howell and Devlin.

| Published by DC Comics / Berger Books

The Green Lantern #4 may yet be the most beautiful issue to date, with Liam Sharp and Steve Oliff elevating the impossibly high bar of their artwork to an even greater level. The character designs, page layouts, panel transitions, and sheer storytelling in the artwork is incredible.

| Published by DC Comics

Gunhawks #1 is another of the revived title one-shots in celebration of Marvel’s 80th anniversary, this one a western from David & Maria Lapham, Luca Pizarri, Neeraj Menon, Rachelle Rosenberg, and Travis Lanham. It’s gritty, bloody, and the art from Pizarri, Menon, and Rosenberg is very impressive.

| Published by Marvel

Immortal Hulk #13 concludes the descent into Hell in an issue that is probably as epic as the Avengers beatdown from #7. Al Ewing, Joe Bennett, Ruy José, Belardino Brabo, Rafael Fonteriz, Paul Mounts, and Cory Petit continue to deliver one of the best series on the stands today.

| Published by Marvel

Justice League #17 follows on from the annual and the revelations in the “Escape from Hawkworld” arc in this single issue story of Martian Manhunter’s past from Scott Snyder, Jim Cheung, Mark Morales, Walden Wong, Tomeu Morey, and Tom Napolitano. Some fascinating developments in J’onn’s history here, with gorgeous artwork, and the funny truth that Batman’s really a concerned bat-dad.

| Published by DC Comics

Killmonger #4 wages a pitched battle with Die #3 and The Green Lantern #4 for most beautiful art in a comic this week. Juan Ferreyra’s work is stunning, giving the book depth, character, and an immense re-readability just to stare at the imagery again. There is a wonderful sequence of blood pooling up the page as the violence and body count increases and the design for the cat goddess is gorgeous. As to that latter, Egypt isn’t for want of multiple cat deities and, though Sekhmet is probably the easy answer, I wouldn’t be surprised if this is the older and somewhat lesser known Mafdet. Bryan Hill, Ferreyra, and Joe Sabino continue to deliver one hell of a solid story with this series.

| Published by Marvel

Oberon #1 is off to a fantastic start with this tale from Ryan Parrott, Miloš Slavković, and Charles Pritchett. It strikes a nice balance between fantasy and the mundane as Bonnie finds out she, and the world, aren’t exactly what she thought. Gorgeous artwork from Slavković.

| Published by AfterShock

Old Man Quill #1 kicks off a Guardians tale set in the “Old Man” universe from Ethan Sacks, Robert Gill, Andres Mossa, and Joe Caramagna. I liked the recently concluded Sacks-penned Old Man Hawkeye series as well and Star-Lord appears to be taking on that same kind of beaten-down sardonicism of Clint.

| Published by Marvel

Prodigy #3 sees Crane and Agent Straks racing across the globe to find out information on the cult aiding the alternate dimension insurgents. The artwork from Rafael Albuquerque and Marcelo Maiolo continues to be the main attraction, delivering some amazing action sequences.

| Published by Image

Self/Made #3 gives us another twist as Rebecca and Amala attempt to take down Bryce for control of Amala’s code. This story continues to evolve in some very interesting ways, while including some of the toxicity inherent in some game development studios, with some beautiful artwork from Eduardo Ferigato and Marcelo Costa.

| Published by Image

Shadow Roads #6 returns with Brian Hurtt stepping in for the line art and it’s great to see him back illustrating within the Sixth Gun world. Really nice, weird designs for the Bone Plains and interesting hints as to what’s next for the new/old threats seeping back into the world.

| Published by Oni Press

Star Wars: Age of Republic - Anakin Skywalker #1 spotlights a moral quandary for Anakin from Jody Houser, Cory Smith, Wilton Santos, Walden Wong, Java Tartaglia, and Travis Lanham. It’s still interesting to see Anakin as “General Skywalker” during the Clone Wars and how different he was from what he’d become.

| Published by Marvel

These Savage Shores #3 is almost a perfect comic, actually it may well be a perfect comic. The craft and care that goes into creating this work is astounding. Ram V, Sumit Kumar, Vittorio Astone, and Aditya Bidikar are elevating the art form each issue. With the compelling intertwining of history and horror. With the epistolary narrative approach perfectly befitting the vampire sub-genre. With the attention to detail in how dialogue and narration are presented visually. With the variations on the 9-panel grid to guide pacing and keep the reader visually interested. With the consideration of the colour washes and tones to amplify the mood and atmosphere of the tale. This series is incredible.

| Published by Vault

United States vs. Murder Inc. #6 is kind of a weird conclusion to this series as the larger plot of the predicament the families currently find themselves in is left to the next series and, like last issue, we instead get more of Valentine’s family history. Great art, though, from Michael Avon Oeming and Taki Soma. The art really reminds me of some of Darwyn Cooke’s in his Parker adaptations.

| Published by DC Comics / Jinxworld

Vindication #1 is an interesting crime drama from MD Marie, Carlos Miko, Dema Jr., Thiago Goncalves, and Troy Peteri. I love the shades of grey and uncertainty in motivation and truth in this story.

| Published by Image / Top Cow

Wasted Space #6 returns with all the humour, violence, and madness that Michael Moreci, Hayden Sherman, Jason Wordie, and Jim Campbell brought to the first arc. I love Sherman’s designs for the gods, they remind me a lot of Ted McKeever’s work.

| Published by Vault

The Wrong Earth #6 ends season one of the series with Dragonfly and Dragonflyman adapting somewhat each to their new Earths, showing a bit of equivocation of the characters as the environment changes them. This has been an interesting story from Tom Peyer, Jamal Igle, Juan Castro, Andy Troy, and Rob Steen and there’s ample threads to bring me back when the series resumes. 

| Published by Ahoy

Young Justice #2 continues the adventure in Gemworld in the present, while we get a focus on Wonder Girl in the past. There’s something weird going on here with time and continuity that still feels like a story beat more than Brian Michael Bendis just playing fast and loose with what he wants. Great art from Patrick Gleason, Emanuela Lupacchino, Ray McCarthy, and Alejandro Sanchez.

| Published by DC Comics / Wonder Comics

Other Highlights: Asgardians of the Galaxy #6, Atomic Robo & The Dawn of a New Era #2, Battlestar Galactica: Twilight Command #1, Black AF: Devil’s Dye #2, Cemetery Beach #6, Curse Words #20, The Dreaming #6, Feathers, Gasolina #15, GI Joe: A Real American Hero #259, LaGuardia #3, Marvel Action: Avengers #2, Noble #15, Project Superpowers #6, Red Sonja #1, Rise of the Teenage Mutant Ninja Turtles #5, Star Wars #61, Tony Stark: Iron Man #8, The Umbrella Academy: Hotel Oblivion #5, Unnatural #7, Vampirella/Reanimator #2

Recommended Collections: Betrothed - Volume 1: Love or Die, Big Trouble in Little China: Old Man Jack - Volume 3, BPRD: The Devil You Know - Volume 2: Pandemonium, Ether - Volume 2: Copper Golems, Lowlifes, Noble - Volume 3: No One Man, Optimus Prime - Volume 5, TMNT: Bebop & Rocksteady Hit the Road

d. emerson eddy sometimes feels like his old bones should light out for the wastelands.

#This Week in Comics

[illustratedtapes]

Welcome to Illustrated Tape’s favourite releases of 2018 that sounded and looked good, chosen by this year’s contributors. We’ve put together a playlist featuring one track from each of the releases featured so you can check out the sounds we were digging this year. Happy listening! 

➔ spoti.fi/2LCgrQp Listening in order recommended

Delta Sleep - Ghost City Big Scary Monsters, 10 August  Artwork: Owen Findley at Or8 Design Selected by Megan Reddi // IT014

This is my favourite music/artwork combo of 2018! The whole album is just amazing - it is beautifully arranged and has this lovely dreamy quality to it, with repeated musical motifs woven throughout to really pull the whole album together. Not only is Ghost City musically fantastic, but the artwork is beautiful and so fitting for the album. It is designed and screen printed by Owen Findley and the warm colours, imagery and textures are just spot on.

Definitely my favourite release of 2018. It is my go-to driving album and I will be blasting it while we’re driving around this Christmas!

➔ Listen to Illustrated Tapes 014: Nautical Dusk by Megan Reddi

Okay Kaya - Both Heavy Body, 1 June  Artwork/design: Kaya Wilkins, Aaron Maine, Phillip Wong

Selected by Hannah Buckman // IT016

Okay Kaya’s Both as an album that came out this year which I enjoyed, and which I feel has a strong visual component to it. To me the album feels sickly (in a good way), gloomy but still pop. I think the mood is conveyed really well through the Adinah Dancyger directed music vids and the album art. 

I liked finding out more about Kaya’s thinking behind the project, like how the twin in the videos is like a physical manifestation of trauma... it’s something that once I read I couldn’t stop thinking about. The idea of something traumatic inducing this birth of a second self, a kind of split off part that is still attached in some way to the whole, but there being a kind of safety in acknowledging what might be a darker part of yourself, from a distance. Also the album art kind of conveys the idea of duality and how that relates to race/sexuality, but I didn’t feel like that was really explored as much. I think I like this album ‘cos it kind of ties in with things (mentioned above) I’m currently interested in, but maybe it feels a bit surface-y at times.

➔ Listen to Illustrated Tapes 016: Protect Your Extremities by Hannah Buckman

Quavo - Quavo Huncho Capitol / Mowtown / Quality Control, 12 October  Artwork: Mihailo Andic 

Selected by Conner Perry // IT020

I think my favourite music/design combo of this year has to be Quavo’s Quavo Huncho. Not only is it full of bangers, the cover by Mihailo Andic is just brilliant. It really sets itself apart from the Migo’s visuals and changes the way you listen to the record. Definitely check out the rest of his work, especially the stuff for Lil’ Yachty. 

➔ Listen to Illustrated Tapes 020: Nice one bruva by Conner Perry

Parquet Courts - Wide Awake! Rough Trade, 18 May  Artwork: A. Savage

Selected by Holly St Clair // IT021

I was really late to the Parquet Courts party, but actually both of my initial encounters with their two recent releases have been solid arguments for the importance of decent album artwork. For both Wide Awake! and Human Performance I ran into - literally - the artwork before the music. Twice, two years apart, whilst wandering around London I turned a corner and came face to face with Adam Savage’s superb cover work. He smacked me in the face with poppy colours and amorphous dancing forms and I loved every moment. Add in an anarchic use of type and you’ve got me shouting, “Oh shit! A new Parquet Courts album!” to no one in particular outside an old meat market in Shoreditch.

A. Savage is both front man and painter and that adds a special flavour to the whole affair. Album marketing can be a laboured, commercially driven affair, there’s something authentic - a little DIY flavour - about this relationship between artwork and music. It’s a nice parallel to the musical throwbacks typical of the bands style. Wide Awake! dropped earlier this year and it’s fab. (Although, I love the artwork so much even if it was god awful I’d still buy the record and hang it on my wall.)

➔ Listen to Illustrated Tapes 021: To: You, Love: Me by Holly St Clair

D.A.L.I - When Haro Met Sally Burning Witches, 23 May  Artwork: Luke Insect

Selected by Thomas Hedger // IT017

According to my recently played, I’ve been stuck on a pre-'90s loop. I've crept slowly into 2018's releases picking out albums like books - by their covers - and it really paid off! I don’t often delve into electronic but I love this album, it’s a perfect blend of hopping on your bike and hitting the tracks, nailing the look of how the album feels in all its haze. A solid sunny day good time.

➔ Listen to Illustrated Tapes 017: Sink by Thomas Hedger

Young Fathers - Cocoa Sugar Ninja Tune, 9 March  Artwork: Tom Hingston

Selected by Katie Chandler // IT003

This cover was immediately striking and memorable to me. Upon listening to the album, I found that the artwork resonated with this feeling of odd, unrestricted expression. It's a little unsettling, ultimately bold and intriguing. Much like the music, it feels hot and cool all at once, like a burst of energy that leaves you in a sweat. It's the exhilarating soundtrack to your runner's high, and you're not really sure why you're running or what you're running from.

➔ Listen to Illustrated Tapes 003: Porch Light by Katie Chandler

Gesu no Kiwami Otome (ゲスの極み乙女。) - Suki Nara Towanai (好きなら問わない) Taco Records, 29 August  Selected by Greg Stasiw // IT009

Although it’s not the ambient and electronic fare I usually enjoy, Suki Nara Towanai (好きなら問わない) by Gesu no Kiwami Otome. (ゲスの極み乙女。) is a hoot. The artwork features a stylized neon pachinko machine. Or maybe it’s a console in a rad indie pop spaceship, which would also make sense for this funky fresh group! It feels somehow familiar, somehow alien, and altogether really, really cool.

The neon suggests something retro, and there are some retro leanings in their funkier tracks, but it's definitely neon as seen in 2018. Modern pop (and J-Pop) tropes emerge, but infectious basslines, tight drumming, and smart keys make this album something special. Some math rock even surfaces at times, and the remix included proves that this group goes for whatever feels fresh. One look at the artwork reminds me that this is one of the funnest albums I've listened to in a while. “Funnest” is definitely a word when you’re talking about this band!

➔ Listen to Illustrated Tapes 009: Atmospheres by Greg Stasiw

Aphex Twin - Collapse EP Warp, 14 September Artwork: Weirdcore

Selected by Alex Vissaridis // IT002

2018 was a great year if you grew up listening to the music I was into. Some of my all-time favourite artists released new stuff this year, and they didn’t disappoint. The artwork was pretty excellent too, but nothing grabbed my attention like the world created around Aphex Twin’s Collapse EP. Album art doesn’t seem to mean as much as it once did, so it’s always exciting when it appears outside of the little square on your screen in unexpected ways. 

This year, Aphex Twin logos appeared all over the world, from Elephant & Castle tube station to the side of a record store in Tokyo, designed in a way that made it look like the logo was collapsing into the environment around it. I’m a sucker for stuff like this; random cryptic messages that send internet detectives into a frenzy. It was eventually announced as marketing for the Collapse EP, but they kept the ‘collapsing logo’ visual going on the EP artwork, in the music video for the track ‘T69 collapse’, and even through to projection-mapped videos around London (again announced in typical smoke-and-mirrors fashion) and a collaboration with Crack magazine. Way more than just a collection of pixels.

➔ Listen to Illustrated Tapes 002: Tape Fuzz by Alex Vissaridis

Flohio - Wild Yout EP Alpha, 2 November Selected by Rachel Maughan // IT012

I got into Flohio after I saw her on COLORS in January with 'Band'. She's fucking explosive on that track, you can feel her spitting straight into your chest. She's been savvy with her producers and killed her work with God Colony - 'SE16' was my most played track of the year. Her 2018 EP, Wild Yout is a cocktail of perfection. 

Mashing up genres it's a high energy listen with punchy, grimey hip-hop that is uniquely South London. The artwork is beautiful simplicity - her achingly slick androgynous aesthetic, the clean photographic composition, with a flowing chain to bring it tightly back to SE. Gorgeous.

➔ Listen to Illustrated Tapes 012: High Rise by Rachel Maughan

Sudan Archives - Sink EP Stones Throw, 25 May Photography: Jack McKain Design: Jeff Jank

Selected By Tom J Newell // IT004

Sink submerges the listener in flowing loops and beats, with splashes of violin and vocals floating above the sunken monolith, which stands tall on the deep blue cover art. The composition is reminiscent of two of Jank’s other iconic Stones Throw sleeves, Donuts and Madvillainy and continues his striking yet varied art direction for the label.

Check out the ‘Nont For Sale’ video from the EP too, which adds powerful choreography and styling to create another successful visual accompaniment to the music. Much love to Sudan Archives and hats off to Jeff Jank. I painted a tribute to the cover art on a 12x12” piece of wood.

➔ Listen to Illustrated Tapes 004: FEAR. by Tom J Newell

Drinks - Hippo Lite Drag City, 20 April Selected by Molly Fairhurst // IT015

Hazy, dazed, an album I hold dearly to 2018 (and many strangely lit walks in a then new, unknown city).

A collaboration between Cate Le Bon and White Fence’s Tim Presley, the pair took an (isolated) retreat to St Hippolyte-Du-Fort in the south of France to record, frankly, crudely, seemingly, whatever the fuck they wanted to. Hippo Lite is born, a joyful, playful, sometimes quiet, sometimes screaming object.

What senses like an eavesdrop through closed doors rightly has a cover that can’t be quite understood- a narrow column of, at the glance of the reader, ‘nonsense’ notes, which flank photos of Le Bon and Presley. Both are snapshots of an absurd holiday we have been invited along to, so long as we sit across the table. A tender and private piece.

➔ Listen to Illustrated Tapes 015: The Wilder Woman by Molly Fairhurst

Pigs Pigs Pigs Pigs Pigs Pigs Pigs - King of Cowards Rocket, 28 September Artwork: Sophy Hollington

Selected by Drew Milward // IT010

First off, this album is wall to wall, solid gold bangers. Kind of like the lovechild of The Fall and Black Sabbath, who has been cautioned by the police for possession of a massive bag of skunk, a bong in the shape of a skull and a copy of ‘The Holy Mountain’ on DVD. 

Aside from the fact it’s a full on riff-o-rama, the artwork by Sophy Hollington is absolutely incredible. It summons up the sound of the band, via folk horror infused wildness. It really captures the sonic landscape of the album, yet completely avoids any of the cliched imagery that could so easily have taken its place. It really is the whole package.

➔ Listen to Illustrated Tapes 010: BE GONE, YOU CREATIVE GREMLINS! by Drew Milward

Djrum - Portrait With Firewood R&S, 17 August Artwork: Michael Mitsas

Selected by Sam Ailey // IT001

Portrait With Firewood is one of those rare gems within the electronic genre - a true ‘album’. With holistic production, emotional range, and a captivating narrative, this really is a stunning listening experience from start to finish. Felix Manuel combines electronic and acoustic sounds seamlessly on this intimate record, with exceptional attention to detail in his sampling and tender piano sections played by Felix himself.

Michael Mistas’s cover art is a real departure from the typical design aesthetic of electronic albums and caught my attention straight away. I love its composition and rough, imperfect execution. To me these feels reflective of the range and depth of emotional states explored across the album, and the feeling that some things are easier to express through your craft than with words. Plus I’m a sucker for pink things.

➔ Listen to Illustrated Tapes 001: Quiet by Sam Ailey

[funnythingshere0-blog]

Capsule reviews of feature films

New Post has been published on https://funnythingshere.xyz/capsule-reviews-of-feature-films/

Capsule reviews of feature films

ANT-MAN AND THE WASP. 2.5 stars. So-so sequel to the funny original has Ant-Man helping Hank Pym (Michael Douglas) and The Wasp (Evangeline Lilly) rescuing the latter’s mother from a subatomic prison, with interference form a crook (Walter Goggins) and a mysterious woman known as Ghost (Hannah Kamen-Hones). Over-plotted, strains for laughs. Michael Pena, Laurence Fishburne. 2 hrs. 5 PG-13 (violence) — Gary Thompson

BLINDSPOTTING. 2.5 stars. Timely movie about an Oakland man (Daveed Diggs) whose parole is jeopardized by his rambunctious best friend (Rafael Casal). A comedy with very serious undertones that takes a sidelong look at gentrification, aggressive policing, undercut somewhat by a credulity-straining conclusion. 1 hr. 35 R (language) — Gary Thompson

DARK MONEY. 3 stars. Kimberly Reed’s absorbing documentary about the fallout from the “Citizens United” Supreme Court ruling, eliminating restrictions on political campaign spending. Focused on events in Montana, where out-of-state money shaped elections, until voters and journalists fought back. Informative and inspiring. 1 hr. 39 No MPAA rating — Gary Thompson

DEADPOOL 2. 3 stars. More darkly comic adventures about a superhero (Ryan Reynolds) who can’t die, but sometimes wants to. Also more rapid-fire, snarky R-rated jokes and movie buff in-jokes, with more attention paid this time to physical comedy and inventive stunts (courtesy director David Leitch, a former stuntman). With Josh Brolin, Zazie Beetz, Julian Dennison 2 hrs. R (violence) — Gary Thompson

DON’T WORRY HE WON’T GET FAR ON FOOT. 3 stars. Gus Van Sant directs Joaquin Phoenix in a story about disabled cartoonist John Callahan and his battle with alcoholism. A well-acted story of recovery, featuring a noteworthy against-type turn from Jonah Hill, and contributions from Jack Black and Rooney Mara. 1 hr. 53 R (language) — Gary Thompson

EIGHTH GRADE. 3.5 stars. Stand-up comedian Bo Burnham, who became famous as a teen on YouTube, wrote and directed this insightful and funny movie about a shy 13-year-old girl (Elsie Fisher), raised by a single dad (Josh Hamilton) who uses her optimistic internet profile to figure out who she is. 1 hr. 33 R (language) — Gary Thompson

THE EQUALIZER 2. 2.5 stars. Denzel Washington returns as the semi-retired assassin/agent now using his skill set to help the powerless and the abused, this time avenging the death of a good friend. Slow-moving, but the usual boost from Washington and his gravitas. With Melissa Leo. 2 hrs. 9 R (violence) — Gary Thompson

THE FIRST PURGE. 2 stars. In this prequel to the popular if depraved franchise, the near-future fascist government holds its inaugural purge event, when citizens can commit crime with impugnity for 12 hours. This time, the focus is on a cynical, sadistic attempt to target a housing project. With Y’lan Noel, Marisa Tomei. 1 hr. 37 R (violence) — Gary Thompson

FIRST REFORMED. 3.5 stars. Engrossing story of a bored, despairing country preacher (Ethan Hawke) who is spiritually awakened when called upon to counsel a young parishioner (Phillip Ettinger) who is considering an act of environmental terrorism, to the alarm of his wife (Amanda Seyfried). Uncommonly well-written by director Paul Schrader, and well acted by Hawke, Ettinger and a cast that includes Cedric the Entertainer. 1 hr. R (violence) — Gary Thompson

INCREDIBLES 2. 3 stars. Worthwhile sequel to Brad Bird’s 204 Pixar animated hit about a family of superheroes discouraged from using their power. This time, mom (Holly Hunter) confronts a villain as part of a PR campaign to bolster superheroes, while dad (Craig T. Nelson) is stuck at home with the kids. Decent blend of action and comedy, but the movie is a visual marvel, and the throwback music (from Michael Giachinno) is a treat. 1 hr. 58 PG — Gary Thompson

JURASSIC PARK: FALLEN KINGDOM. 2.5 stars. James Cromwell pays Bryce Dallas Howard and Chris Pratt to rescue dinosaurs about to be destroyed in a volcanic eruption, and after many twists and turns, they all end up in a gothic castle imperiled by a genetically engineered super-predator. Humans are on the menu, but this sequel feels more like an appetizer than a full meal. With Jeff Goldblum, Toby Jones, B.D. Wong and Rafe Spall. 2 hrs. 9 PG-13 (violence) — Gary Thompson

LEAVE NO TRACE. 3 stars. Debra Granik’s absorbing story, loosely based on fact, of a veteran (Ben Foster) found living, rather successfully, in the woods with his daughter (Thomasin McKenzie), and the efforts of Oregon officials to find a suitable home for them. Well-acted by McKenzie and Foster, and lyrically told by Granik. 1 hr. 49 PG — Gary Thompson

MAMMA MIA! HERE WE GO AGAIN. 2.5 stars. Amanda Seyfried is renovating the Greek hotel of her mother (Meryl Streep) ahead of a big re-opening. More ABBA music, more sunny romance, as the movie splits time between its contemporary story and flashbacks to the lives of the characters 30 years earlier. Julie Walters, Christine Baranski, Pierce Brosnan and Colin Firth. Cher joins the party. 1 hr. 43 PG-13 (some suggestive material) — Gary Thompson

MISSION: IMPOSSIBLE – FALLOUT. 3 stars. The globetrotting IMF team (Tom Cruise, Ving Rhames, Simon Pegg), assigned to work with a CIA guy (Henry Cavill) tries to keep stolen plutonium out of the hands of terrorists, confronting an old nemesis (Sean Harris), a mysterious new figure (Vanessa Kirby). Lots of old school action, plenty of outrageous plot turns, all in good fun. With Rebecca Ferguson, Alec Baldwin, Angela Bassett. 2 hrs. 27 PG-13 (violence) — Gary Thompson

RBG. 3 stars. Brisk, informative, often moving documentary about Supreme Court Justice Ruth Bader Ginsburg, at its best when recounting her remarkable biography, and the successful legal arguments she has made to advance women’s rights in the United States. With Gloria Steinem. Directed by Betsy West and Julie Cohen. 1 hr. 37 PG — Gary Thompson

SICARIO: DAY OF THE SOLADADO. 3 stars. South of the border, an assassin and covert agent (Benicio Del Toro) tries to salvage the life of a teen (Isabella Moner) caught up in a war among drug cartels and human traffickers. Indulges in ultra-violent and inflammatory exploitation, though Del Toro manages to make something compelling from his character’s grisly story arc. With Josh Brolin. Written by Taylor Sheridan. 2 hrs. 2 R (violence) — Gary Thompson

SKYSCRAPER. 2 stars. Dwayne Johnson in a Die-Hard, uh, homage, about a building security expert who enters a burning tower to save his wife (Neve Campbell) and kids and deal with a bunch of armed bad guys. Decent action, if you can get past the silly script. 1 hr. 42 PG-13 (violence) — Gary Thompson

SORRY TO BOTHER YOU. 3 stars. Wild comedy from rapper/activist Boots Riley about a phones sales worker (Lakeith Stanfield) who personal success puts him in conflict with other employees who want to unionize. Not all the crazy ideas work, but there are enough to sustain the movie. With Danny Glover, Tessa Thompson, Armie Hammer. 1 hr. 49 R (language) — Gary Thompson

UNCLE DREW. 2.5 stars. There is occasional bounce to this genial basketball comedy based on the Kyrie Irving Pepsi commercials about a 70-year-old playground legend (Irving), here rounding up a crew of old-timers (Shaquille O’Neal, Reggie Miller) to compete in a Harlem tournament against younger players. Lil Rel Howery is there desperate coach and manager. Tiffany Haddish, Nick Kroll. 1 hr. 43 PG-13 (language) — Gary Thompson

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