Legacy: Arrow 7x12 Review (Emerald Archer)
Spoiler alert: I loved the 100th episode. I know this is a controversial opinion because it is universally hated in the fandom (I think), but I truly loved the episode for where Oliver was at in his story. So, I didn’t go into the 150th with a lot of expectations. The 150th didn’t need to fix anything for me. Were there some misfires? Yeah and we’ll get into those, but overall I enjoyed this episode.
Let’s dig in…
Queen Family
William is home and our Queen family is reunited. FINALLY.
Yes, I know it’s technically the Queen-Smoak-Clayton family, but nobody is really expecting me to hyphenate three names over a dozen times? If you are then that’s crazy. I won’t do it.
Oliver and Felicity are overjoyed to see William,
but unfortunately the sentiment is not returned.
Source: olicitygifs
“Emerald Archer” introduces us to William’s alter ego: THE MOODY TEENAGER.
This may be the toughest foe Oliver and Felicity have ever faced.
Kidding. Not really. I’m knee deep in preteen years and the teenage ones are barreling at me with lightning speed, so I identity with this storyline A LOT.
Felicity deftly navigates the creature otherwise known as MOODY TEEN by complimenting his ability to find her virus (our budding computer genius. I am so proud.)
and then lovingly prodding William into discussing whatever is bothering him
by threatening grounding (for a rude & sassy attitude).
Source: felicitysmoakgifs
Y’all I am taking notes. MOM ICON AT WORK.
William is ticked because his parents didn’t bring him home for Christmas. Is that what happened?
It’s so hard to figure out what holidays Arrow is acknowledging. Oliver said in 7x08, “Christmas vacation seems like 20 years from now,” so I assumed William came home sometime after 7x09, but I guess not.
Yeah, I get it kid. That sucks. #TeamWilliam.
In your parents’ defense they were hashing out the emotional evolution of their marriage while Oliver was body swapping with Bart. But that’s just a regular Monday for Arrow, so I understand the kid’s beef.
Source: ebett
Oliver playing television star (hehehe SO META) via this documentary doesn’t exactly scream crisis to William either. But-but-but all the shaky camera shots for gritty realism are cool though right honey? Yeah, William doesn’t care.
HOWEVER, if I spoke to my mother the way William spoke to Felicity and violently shoved an electronic device she paid for in her face while making demands regarding the wifi security (which she also pays for), I would be taking my life into my hands. My mother would have removed me from this earth, which is her right.
Same goes for my kid. I once asked my child during a temper tantrum if she wanted to do this the nice way or the nasty way. She put her little hands on her hips, all of age 3, and said with absolute conviction while glaring at me, “NASTY.” She is now 11, going on 12, and I assure you she has never made that mistake again. So, I commend Felicity’s reserve. I’m afraid I do not share that level of parenting patience.
Why is Felicity taking all the heat when it was Oliver who screwed the pooch by going to prison in the first place? Well, yes one can always trace the source of the problem back to the biggest pine tree to ever live,
but in this particular circumstance I agree with William. It was Felicity’s decision to send him away to boarding school. I’m not saying she shouldn’t have done it. Felicity had extremely good reasons to send William away.
Source: ebett
However, a large part of Felicity’s beef with Oliver after his release from prison was his constant Monday morning quarterbacking of her decisions. Oliver can hero however he wants, but he doesn’t get to question how Felicity deals with the consequences of his heroism. That was the agreement right? RIGHT. Felicity said the buck stops with her. So, the buck stops with her. Sending William away was her call, so now she’s dealing with some fallout.
Source: felicitysmoakgifs
Don’t worry, I fully expect Daddy to get looped in, but I like how they are focusing on William and Felicity first. It’s rare to run into problems with your child when both parents are in the room. One or the other fields the play first and then you loop your partner in. At least, that’s how it works in my house. (Seriously, I don’t know how single parents do it. Y’all are kings and queens among peasants.)
Side note: you never ever contradict your partner’s parenting decisions in front of the little human. It shows weakness. The wee nugget can smell it like fear and it gives them a tactical advantage. These are tools of the trade. Get a pen. Write it down.
It was just William and Felicity for six months. They built their own family without Oliver together. Of course, Oliver was still a part of the family and they missed him like crazy, but the day to day was just the two of them. Some of those decisions are coming home to roost, so it makes sense to me Felicity is taking the parenting lead. She was William’s only parent for quite some time.
Felicity, being the super hacker mom that she is, figures out what is really going on – William is lying to her. It seems he has been expelled from school. Oops.
The reason for his expulsion will be revealed to us next week I am sure, but I would say now is the time to loop Dad in.
Source: felicitysmoakgifs
These scenes between William and Felicity were the best in the episode and it never ceases to amaze me how far their relationship has progressed in such a short amount of time. There is nothing Felicity can’t do and no man she cannot smoak. Life with a teenage William is going to become more complicated and the parenting more challenging. But William will be a better person for having Felicity in his life. No matter where this story goes that’s a solid fact.
Olicity
It’s been 150 episodes and we’ve come a looooong way with Oliver Queen.
He’s so at peace with himself in these interviews.
Oliver has merged both personas, the hood is down, mask is off, he's married to the love of his life, his boy is home, and his life is filled with purpose.
Source: smoakmonster
This man was snapping necks in the pilot and now he’s the softest teddy bear to ever exist because his son is home from school. MY HEART IS FULL.
Source: olicitygifs
To begin where Oliver began, and to be where he is now, is nothing short of miraculous. He may not be a saint, as Curtis notes later, but that’s exactly where he is headed. That’s who fully realized superheroes are.
But we still have some road to travel. Oliver’s only real area of doubt is his leadership abilities. I still don’t understand what mistakes Oliver made with Team Arrow.
Source: smoakmonster
He’s constantly referencing these “mistakes” particularly in “Emerald Archer.” This is a failing of Season 6. I truly think the writers believe the NTA versus OTA storyline was evenly handled, but in reality Oliver was completely in the right and the Newbies were acting like spoiled toddlers.
Oliver went to jail in some part to atone for his sins, but I do not feel any of those sins happened in Season 6. I view Oliver’s stint at Slabside as atonement for killing.
We can debate the necessities of that atonement, but this season feels like an ultimate purging of Oliver’s sins – venial and/or mortal. Whatever debt Oliver owed society, he paid it and then some. This only makes his soul more pure. If you don’t believe Oliver deserved to go to prison at all then it just adds more fuel to the martyr fire - all good things in the evolution of a saint.
However, now Oliver is questioning his ability to lead because of these so called “mistakes.” Based on statements Oliver has made in previous episodes, those mistakes would be lack of trust and lying.
I’m with him on the lying. Time to nip that in the bud, but that doesn’t mean Oliver owes everyone the truth immediately. He’s perfectly within his rights to take some time, yes even a month, to process the introduction of a new sister in his life. The man still has a right to some privacy and space.
Oliver’s guilt over not trusting the Newbies is fairly ridiculous since they gave him very good reasons not to trust them.
In case Oliver has forgotten, Dinah had a secret criminal boyfriend and Rene sold him out to the Feds. These are untrustworthy actions and they have consequences. I can’t remember what Curtis did, if anything. His crime is unceasing uselessness, so Oliver can and should ignore the man.
Oliver is not sure he’s meant to lead, which of course means he is absolutely the right person for the job. Only true leaders question their worthiness.
Source: smoakmonster
He returns to the destroyed bunker with a renewed commitment to rebuild the bunker
(with handy dandy deputy badges for the team) and learn from his mistakes.
Source: smoakmonster
I imagine Oliver’s new leadership style will be more trusting and democratic, but inclusion only gets you so far. Team Arrow may be the kindling in the Star City fire, but the citizens need Oliver Queen to set it ablaze.
The Team Arrow table is round both in the destroyed present and flash forward bunkers. It gives it a very Knights of the Round Table feel. Everyone can have an opinion and equal say, but in the end it was King Arthur’s kingdom. He pulled the sword from the stone, built Camelot and paid the ultimate price for his dream.
Oliver is King Arthur and Star City is his Camelot – or what he dreams Star City may one day become. He may pay the ultimate price for that dream like Arthur, but ultimately the loss of the hero teaches us the dream isn’t possible without the hero. Oliver may need Team Arrow, but the team and the city will soon discover they need him even more.
Source: ebett
This is something Felicity Smoak has always understood. Her belief in Oliver Queen and crystal clear understanding of who he is has never wavered in seven years. Even when they were separated romantically, Felicity saw Oliver as the man who would save Star City.
This belief became a compass for Oliver- his North Star. Felicity became the voice in Oliver’s head guiding him on his hero’s journey.
Her belief made Oliver believe and thus became a self fulfilling prophecy.
Edward: So what happens after he climbs up and rescues her?
Vivian: She rescues him right back. (Pretty Woman)
There is no Green Arrow without Felicity Smoak and there is no Felicity Smoak without Green Arrow. Each is dependent on the other. Their love is amalgamation of give and take & push and pull. Oliver and Felicity never cease in their pursuit to become their best selves, yet remain a beautiful example of unconditional love, acceptance and forgiveness.
Love changes us and it cements who we are. It is a constant drive of two diametrically opposed forces working in perfect cohesion. We find clarity in the swirl of finding love, falling in love and then settling into love. Oliver and Felicity found themselves in each other. It’s how we all do, regardless of whom or what you love.
All it took was one sweet and simple smile for Felicity to know exactly who Oliver Queen is.
Yet, who is he is equally about who they became together. Felicity saw Oliver’s light because of how brightly hers shined. Their heroic evolution is perfectly entwined.
Source: @olicitygifs
So, there is no better person to speak on this topic. The word vigilante falls woefully short. It cannot encompass everything her husband is or what their love has built together. It barely hints at the goodness Felicity saw hiding behind a ridiculous lie and a bullet ridden computer.
Felicity’s interview doesn’t shine a big enough spot light on her own contributions, but I think that’s primarily because she hasn’t been outed as Overwatch to the city. However, she has always been the truthsayer of Arrow and that’s her role in the documentary as well.
Felicity understands who Oliver is because she is his equal in every way.
Recognition of his heroism is recognition of hers as well. And someday the world will see everything Felicity sees with unwavering
clarity.
Source: @olicitygifs
Should there have been more of Felicity and Olicity in "Emerald Archer”? Yes, absolutely.
My thirst will never be satiated, but I’ve long since acclimated myself to quality over quantity. This was Felicity as she’s always been. I love whenever this show showcases her ability to cut through the bullshit and shine a light on the truth. The scenes between her and William were the best in the episode too. That said, an Olicity kiss and/or joint interview wouldn’t have killed them.
Welcome Back Guest Stars!
A good returning guest star angle works for me 99.999% of the time on any television show. What can I say? I’m nostalgic. Let us wile away the dull hours and spin a tale or two about the days of old.
Nostalgia in these types of retrospective episodes can get a little tricky. You need a good reason to bring back five or six actors who’ve left the show and we’ve heard almost nothing from for a few years, particularly the dead characters. Arrow’s documentary film idea for the 150th episode really works for me. It gives a legitimate reason to bring all of these characters back, but not necessarily keep them around. It’s not aliens so right there we’re already light years ahead.
HA! Get it? Light years? Yeah, you might not be laughing now but you’ll realize how funny that is later on.
Source: fatedxdestiny
Arrow starts with Quentin and boy is that ever the right call. This documentary is very pro vigilante. It was put on the shelf because Star City became anti vigilante, so who better to advocate for the masked heroes than the man who ran the SCPD for the last twenty odd years?
Quentin was always the touchstone to the real world. He was the bridge between Oliver and the citizens of Star City. He was also someone Oliver wanted to earn the respect of and that’s what he’s trying to do now. He’s trying to earn Star City’s respect EVEN THOUGH THESE UNGRATEFUL TWATS SHOULD ALREADY RESPECT HIM. Even though I believe it was time to let Quentin Lance go, I still miss him and whenever Paul Blackthorne comes on my television screen I cry big baby dumbo tears.
Source: fatedxdestiny
Then we roll right into the reason Oliver began this mission in the first place: FAMILY. Family for Oliver is and will always be Thea Queen. I shrieked when I saw her. I officially take back my “We’ll never see Willa Holland again” prediction. I was happy to be wrong.
Thea being the representative for all her dead family members is the most Thea thing this show has ever done. Kid is a walking poster child for bereavement. I think it’s really important to remember Starling City was a hot mess before Oliver showed up. This city wasn’t hitting anyone’s nifty top fifty places to raise a family. There was a serious cost to all the violence and Thea’s interview is a powerful reminder.
Oliver is seldom given his due. The newbies, Star City, officials, villains, and other superheroes are always ragging on him. But when Thea found out Oliver was the Arrow she thanked him. She was one of the few people who understood right from the start the good Oliver was doing. (Felicity is the other few people).
Oliver started this fight for many reasons, but chief among them was his love for his family. Thea has always returned that love tenfold. She is ride or die for her big bro and even though we had AMAZING Queen sibling scenes in the 100th it’s nice to see them honor their relationship no matter how far away Thea is. They do lose points for zero Queen sibling interaction though.
Source: fatedxdestiny
Sara gives one hell of a speech doesn’t she? It’s in a similar vein as Thea’s – reminding Star City of the cost of unchecked crime. She acknowledges it doesn’t matter whether or not a person is wearing a mask. This is a classy way of calling out Star City’s double standard. Honestly, who cares if it’s a cop or a guy dressed in leather saving your ass? What matters is someone stepped up to save your life.
It’s also a nice subtle acknowledgement of Felicity’s contributions. Sara has worn a mask as the Canary and fought without one as White Canary. She knows what matters is a person’s heart and not what they wear. Sara has always understood the importance of the unmasked in this line of work.
This feels like a not so subtle way of sticking it to anti Felicity fans, but that’s just me.
Source: fatedxdestiny
SIN!!!!!!!!!!!!!!!!!!!!!!!! WHERE YOU BEEN BABY GIRL? Honestly, my biggest annoyance with these return guest star scenes is we didn’t get much of an update on where the characters are at. Does Sin have a home now? Does she know Sara is alive? I have questions.
Sin was a fairly minor character in Season 2 and even more so in Season 3, but seeing her brings back all those Season 2 memories.
Memories,
Like the corners of my mind
Misty water-colored memories
Sorry. Sidetracked by Barbara Streisand.
Again, the use of Sin is brilliant because she represents the people Team Arrow has saved. We spend a lot of time on Oliver’s mistakes. We remember all the people Oliver couldn’t save and how deep those losses cut him. However, we seldom talk about those he has saved and Oliver has saved THOUSANDS – maybe even millions. The man deserves a cookie at the very least. Sin is a box of double chocolate chip.
Oliver is not the only unmasked vigilante – Ragman is too. He’s out doing good, but the people know he’s Ragman. We don’t know if he unmasked before or after Oliver, but I would bet after. Oliver is always the first domino to fall in this universe.
Rory’s interview is super short and is therefore criminally underused. He is primarily used to set up the Star City Slayer. Ragman’s mask is among the first Oliver found. Even the angles on his documentary interview have an artistic/retrospective/forlorn feel to it like we are seeing someone who is gone. I swear to God if this serial killer killed my Rory I am going to light things on fire and throw them. I’m not even sure killing Curtis will ease my pain (but it’ll help).
Rory’s albeit short message is pretty simple as is the premise of this show.
“People need help.”
What matters is there are those in the city willing to help the helpless (NAME THAT SHOW). Their methods matter less. Rene, Curtis and Dinah COMBINED still do not compare to Rory Regan. How we ended up with those three louts and lost that beautiful sparkling jewel of a character remains a mystery and still chaps my ass.
Source: fatedxdestiny
Who invited Bart? I am only tolerating his appearance because he needs to pay his respects, but – UNBELIEVABLY DAMAGED??? ARE YOU KIDDING ME? YOU BETTER COME UP WITH SOMETHING BETTER THAN THAT YOU LITTLE DICKHEAD BECAUSE YOU WOULDN’T HAVE A SHOW WITHOUT THE UNBELIEVABLY DAMAGED OLIVER QUEEN. Oh wait he’s still talking. Rewind... alright, Barry said some nice stuff. I’m better now.
Honestly, just the way this scene played it’s like the writers anticipated all my yelling after “unbelievably damaged.” They wrote the rest of the scene like Barry was reacting to my yelling as he cleaned up his statement. HAHAHA. That’s damn right fool. I’ll come for your ass. You better run.
If you’re going to pick a character among the four shows Arrow has launched I guess you go B*rry All*n. It makes a statement about Arrow’s influence on the DCTV universe, which I appreciate for the 150th episode. This was something extremely lacking in the 100th episode. Arrow is the reason a whole lot of people have jobs, so it’s an apropos time to pay due respect.
We’re constantly stuck in this Barry is light and Oliver is dark comparison and it annoys me to no end because I don’t believe either character is that clear cut. Both men have light and dark. But I do love how Barry acknowledges that the darkness Oliver survived also fuels his light.
Oliver Queen is incredibly protective. He doesn’t want anyone to suffer like he did, which includes not only his family and friends but strangers. Oliver uses his pain for good. He finds the light in the darkness, which why I love him so much.
Barry isn’t saying anything Felicity or Diggle haven’t already said for years. However, as the likely pass-the-torch candidate, Barry is commending the essence of Oliver in a way the insanely disrespectful crossover failed to do. Of course, we all know there is a reason for this disrespect – Oliver must be persecuted even by those who “know” him before he can be seen as the Messiah of superheroes.
But we are Arrow fans. We know the truth. We see Oliver for who he truly is and for just one moment, in this 150th episode milestone, the comic f*ckboys’ fuzzy bunny, rainbow puking superhero acknowledged the truth.
Also his faux shock about Oliver being the Green Arrow was hilarious.
Source: flashallens
Diggle and the Newbies
Sweet holy Moses. There are times this show is so tone deaf it truly blows my mind. It’s sort of like watching Wile E Coyote barrel off the mountain top. Does he see the ledge or does he simply not care there is a ledge? These are my deep thoughts for the day.
Diggle didn’t even know Emiko was Oliver’s sister. That’s where we’re at folks! These two brothers could finish each other’s sentences and predict one another’s movements at one point, but now they are like strangers. Ugh, I hate this. FIX IT NOW.
Arrow is going to fix Diggle in an extremely Arrow way. Anyone who has listened to Watchover with Jen & Calli knows this is what we said would happen. The writers are never going to dive deep like I do in these reviews. For one, they aren’t crazy and two it just ain’t the show fam. The Arrow way of fixing a problem is:
1. Pretending it never happened.
2. Slap a bow on it and call it fixed without doing any of the actual character development to earn the moment.
Annnnd that’s what we got. Things are a little tense between Diggle and Oliver. John is put out Oliver didn’t clue him in about Emiko, even though he’s known for about a month. Oliver correctly points out Diggle hasn’t run in his circle for the better part of a year, so he gets the info when he gets it. YASS! PREACH IT SON.
John at least has the good sense to admit what Oliver said was true. He also decides this superhero slayer is too much for the SCPD to handle (isn’t everything though?) and it’s time to get the band back together.
Source: legends-of-today
There’s some back and forth between the two men about the other team members risking jail, but Oliver going to prison never sat right with Diggle.
Source: fatedxdestiny
It is good John is acting honorably, steadfastly having Oliver’s back, and just generally dispensing some good old fashioned Yoda wisdom.
However, he says what has to be the most ridiculous line I have heard on this show in a loooong time.
“Oliver when you were in jail we had each other’s backs.”
I swear to God I screamed. And then I fell off the chair laughing because NONSENSE.
Arrow ignores its own storyline when it doesn’t fit with the goals of the episode. It’s so blatantly obstinate and counter to what their audience wants, hell I almost admire them a little for it.
Writers: The storyline is not what you’ve witnessed on screen. The storyline is what we tell you and that will change week to week.
Us: Umm that’s not how television works but okay. Have at it.
Obviously, the writers wanted to reunite Team Arrow in a very “Ra Ra Go Team!” way, but haven’t done any of the leg work so the moment feels earned or makes any sense at all.
Of course, the team didn’t have each other’s backs.
Diggle abandoned Felicity and was upset when any of her attempts to free her husband interfered with his useless A.R.G.U.S. soldiering. His annoyance, admonishments, refusals of help and threats weren’t limited to Felicity. It also included anyone who helped Felicity like Rene, Bl*ck S*ren and Emiko. He also did bupkis to help free Oliver from prison. But okay, you had their backs John.
Maybe he’s speaking about Curtis who joined A.R.G.U.S. John seemed okay with Dinah policing. Perhaps he has a highly compartmentalized way of looking at team support. Regardless, it’s a ludicrous statement and is one that makes you wonder if the Arrow writers actually watch Arrow.
But as I said, we were expecting this because this is typically what Arrow does. Sometimes they force the story even when its counter to everything we’ve seen for weeks on end. That’s what happened in “Emerald Archer.” The writers are done with the team fighting. They want everyone to reunite and rebuild the team, so it has to begin with Oliver and Diggle.
Team Arrow started with the two of them, which is why they repeated their iconic handshake basked in the sunlight. And yes, to a certain extent what Diggle said is true. They are family and families fight, but it doesn’t mean you stop being a family.
Source: legends-of-today
But you also don’t get to act like a selfish jackass for the better part of a year and then sweep it all away by playing the family card. Families have to work through their issues by 1) being honest about what those issues are 2) talking about the issues 3) and apologizing. The writers missed steps 1 through 3.
The scene felt like Oliver was apologizing to Diggle when really it should be the other way around. When did this become about Oliver’s mistakes and not John’s? Am I watching the right show? Let’s not forget in the midst of all this bromance healing the one who really needs an apology is Felicity.
I’m not too mad because I don’t think this is the end of the conversation. I think Arrow put the cart before the horse and reunited Oliver & Diggle before they actually dealt with their issues, but what else is new? They decided it was time for the reunion because it was the 150th episode. Uhhh... okay then.
It’s entirely possible additional conversations are coming though. Hopefully ones including Felicity. Diggle still has to confess about Diaz, which he was about to do but was interrupted. It should drop a bomb on OTA and kick up some very much needed, no holds bar, come to Jesus style drama. We have ten episodes to go which is a lot of season left. I haven’t given up completely on Diggle’s arc for this year.
But also, I’m tired y’all. If they aren’t going to examine John’s actions with a modicum of reflection then I’d prefer for it to be over as quickly and painlessly as possible because this is terrible storyline. I’m sick of Pod Diggle. I miss his friendship with Oliver and Felicity. I hate whatever the hell he’s doing at A.R.G.U.S. I’m tired of everyone doing their own thing. I miss OTA. I want the show to go back to vigilantes hunting bad guys.
And yes, that goes for the Newbies too. They aren’t going away – well two of them aren’t. Arrow is completely ignoring all of their horrible behavior in Season 6, so fine. They will never resolve this storyline to my satisfaction so let’s just be done with it. Does the reunion fall flat because Arrow refuses to deal with the consequences of the Newbies’ actions in a truthful way? Yes. But I can’t care more than the writers do. So, I’m done. Moving on.
This will not preclude me from snarking however. Nothing ever will stop the snark. Dinah and Rene were in rare form in “Emerald Archer.” Both were pretty snotty.
I actually liked Rene’s interview, but then he has the nerve to cop an attitude with Oliver. Apparently, Oliver didn’t fawn over Rene enough. This is their first conversation since Oliver’s release and Rene is bitching about Oliver not asking how he is. FOR REAL???? There is only one person who should be asking how the other is doing and it’s the one who turned state’s evidence.
He’s also annoyed Oliver has gainful employment with the police department while Rene “I Can’t Go Down That Road With You Hoss” Ramirez is left out in the vigilante cold. POOR BABY. Maybe if you hadn’t sold Oliver out to the feds the team could have stayed together.
Dinah cops an attitude as well (pun intended). Oliver is about to share deeply personal information with her and admits he’s had the information for some time. Dinah says it’s par for the course with him. ANY NEW SECRET BOYFRIENDS DINAH? I do not know where the Newbies got the idea they were on the moral high ground, but this horrific writing keeps perpetuating that myth. For the love of God writers REWATCH SEASON 6.
On to happier developments.
Source: legends-of-today
Curtis called Oliver a hero, had a cool moment with his T-spheres and remarked about being a team “even if it was for one last time.” Cue close up and Oliver looking fondly at him as if Curtis was already a ghost. Of course, he’s talking their impending jail sentences for breaking the anti vigilante laws, but we know different. CURTIS IS GONNA DIIIIIIIIIIIE.
I was supposed to be pressed when Diggle, Curtis and Rene were arrested, but they all were annoying me so they can go to prison.
Finally the show does away with one of their more ridiculous plot holes. The mayor deputizes all of Team Arrow so they can fight crime in leather, but legally. Did she not see all the other times Team Arrow saved lives? They are only worthwhile if they are saving her life? They are friends with the DA too. BS is not going to press charges. So, why even have a law the DA won’t enforce? You know what? I’m not even gonna go there. Whatever.
It took Dinah several episodes to show some loyalty, but she was prepared to resign if her friends went to jail. Of course, Oliver “I’m Trying To Be Jesus” Queen puts his head on the chopping block again for these dinks too.
“After speaking with my family, I’m here to turn myself in.”
YOU SEE HOW EASY THAT WAS OLIVER? NOT SO HARD IS IT BIG BOY? THY NAME IS CHARACTER GROWTH!
Here’s something I’ve been mulling over. Clearly some of the Newbies are here to stay and a great deal of the 150th episode was devoted to this concept of legacy.
Source: 1-crazy-dreamer
These characters exist so what Oliver has built can live on beyond him. It doesn’t automatically equate to Dinah, Rene and Curtis being good characters, but Arrow is incredibly invested in the idea of Oliver Queen’s legacy.
Source: 1-crazy-dreamer
We want the show to be about Oliver, Felicity and Diggle. They want the show to be about more than Oliver, Felicity and Diggle. And thus an immovable force meets an unstoppable object.
The problem is Arrow, once again, is putting the cart before the horse. They are focusing on Oliver’s legacy (and all the superhero characters he’s launched), but he hasn’t achieved what he set out to do. Camelot doesn’t exist yet! Oliver’s legacy can’t be built until the dream is achieved. There’s still work to be done. We need to focus on Oliver, Felicity and Diggle before worrying about the next generation. I wish Arrow could do both at the same time, but they can’t.
Do I think we’ll ever get that kind of focus? Nope. Arrow is committed to these new characters and their definition of legacy. It is what it is my friends. Either I make my peace with it or turn the channel, I guess.
Flash Forwards
Blackstar’s name is Mia. I couldn’t be happier.
I still think it could be a nickname for Moira, but they aren’t going to cough up that golden nugget yet. Obviously, yes all the comic f*ckboys are going to think she’s Mia Dearden and Oliver’s ward. Go ahead and keep thinkin’ that. We’ll see who lands on top.
Source: smoakmonster
Mia obtained a bootleg copy of the outlawed vigilante documentary and she practically bored holes into the television watching her father speak. There is no other reason to shoot the scene like that, with Oliver reflecting in Mia’s eyes, if she’s not his child. The shot clearly communicates a connection to OLIVER. She wants to find the location of Team Arrow’s bunker and the video provides the necessary clues.
Source: amunetblack
JJ, Diggle and Lyla’s son, makes his flash forward debut and he tags along with Mia. I felt a protective vibe from him. I think Mia gets into trouble all the time and JJ tries to keep her out of it, but absolutely they are ride or die. I may have been picking out wedding dresses for her during the scene. If Arrow does not put Diggle’s son and Oliver’s daughter together and make OTA in-laws then it is a crime against humanity.
I don’t know why JJ is going by Connor Hawke. He adopted the moniker in the Legends alternate future because he didn’t feel worth of the name John Diggle Jr. Frankly, I think Connor Hawke is a code name similar to Blackstar and the sole function of it is to make us think John is dead. But we know Diggle is alive because David let the cat out of the bag. *blows kisses to that beautiful man*
Mia hates vigilantes because the vigilante lifestyle stole her father and childhood. Simple is that.
Source: amunetblack
I don’t have all the answers yet. I don’t know what happened. I don’t know how the Queen family was separated. I don’t know why William doesn’t know his own sister, but I certainly wasn’t expecting Mia to call Oliver “Dad” anymore than she would call Felicity "Mom” at this point. Answers lead to more questions and I am perfectly content with Arrow revealing the truth when they are good and ready.
If you refuse to believe Mia is Oliver and Felicity’s daughter, fine. If you are convinced she’s Bl*ck S*ren’s daughter, fine.
There is literally no evidence they hired the lead of Shadowhunters to play a supporting character’s daughter, but go off I guess. And no, Oliver is not cheating on Felicity with BS. Take that nonsense somewhere else.
They held off on introducing JJ because Diggle is one of the three main characters, but sure they’re keeping Bl*ck Si*en’s kid a secret. Not Oliver and Felicity’s kid, ya know, the characters who are the male and female leads of the show. Nope. Bl*ck S*ren’s daughter is the big surprise.
It doesn’t automatically make them mother and daughter simply because Bl*ck S*ren was singing the anti vigilante party line and Mia hates vigilantes. By that logic, Diaz, Quentin and the Mayor all have a shot at Mia being their progeny. If BS was as anti vigilante as she said then she would have pressed charges against Diggle, Curtis and Rene. She didn’t. Thank you. Next.
My point is I am convinced she is their daughter. Every episode just adds more evidence. My belief is unwavering. You won’t convince me otherwise, so save yourself the energy. You believe what you want and I’ll believe what I want. Then we’ll see how it shakes out in the end.
Stray Thoughts
Director Pedowitz might be one step over the meta line, but also hahaha.
Documentary intro was sweet. Can we make that the permanent one? Source: 1-crazy-dreamer
Did they reshoot old fight scenes for the documentary? That feels like a lot of work. I wonder if it was film they had on hand but didn’t use from the old episodes. Either way it looked legit and I was impressed. Source: 1-crazy-dreamer
Slightly odd how Oliver or anyone else on Team Arrow never mentioned they are being followed around by a camera. That’s just details. Imma let it go.
It is official. Star City knows Oliver is the Hood, the Arrow and the Green Arrow. We can stop debating. This means these thankless twiddle twits know he saved them from Merlyn, Slade, Ra’s Al Ghul and Damien Darhk. HOW MANY MORE TIMES DOES HE NEED TO SAVE YOUR SORRY ASSES TO GET SOME RESPECT?
Why does no one ever remember the undertaking on this show? Moira Queen admitted to a long term plan, led by Malcolm Merlyn, to destroy the Glades. This plan was hatched while Oliver Queen was on the island. No wait BEFORE the island. There was a freaking trial! How the hell does this make the Undertaking Oliver’s fault Madame Mayor?
Overwatch is back and the world makes sense again. Source: arrowdaily
Oliver shading Curtis with Felicity's superior abilities is LIFE AFFIRMING. Source: olicitygifs
Bl*ck C*nary fighting looks equally as ridiculous on documentary film as she does on regular film, so that question is answered and we can go on with our lives.
I really can't listen to Bl*ck S*ren pretending to be E1 L*urel Lnce. It's too annoying. Zip it fishnets.
I can’t pin point what “season” Thea’s interview was filmed during and it’s kind of bugging me, so hit the comments with your guess.
I’m not talking about Diaz. I cannot even believe they included him in the documentary. He’s gone here for a minute.
Didn’t love the Annie Hall look on Dinah. Misfire. Source: redfield5x5
One of the reasons why writers choose to film a faux documentary is so their characters can constantly tell the camera operator to turn the camera off. It’s a trademark of the trope.
“We need to come up with a better name immediately.” PREACH IT SON.
Baby William and Baby Zoe making friends is adorbs. Rene is all worried William is gonna make a move on Zoe. First of all, they are like 14. Calm down. Second of all, William is a short stop for the other team, but feel free to twist yourself into a pretzel Rene. The wasted energy will amuse me enormously. Source: feilcityqueen
This serial killer seems to collect masks regardless of whether or not the vigilante is actually dead, so I’m holding out hope Rory Regan is alive.
The documentary film shots of the fight scene were AMAZING. The last action scene was pretty sweet. It was nice seeing the team work together cohesively again. Source: 1-crazy-dreamer
I know I’ve said this before but Rene and Emiko are so happening.
“Fans have a strange way of showing their affection.” Oh yeah this guy was a hired gun by Stan the Fan. Kevin Meltzer was recently released from a psychiatric hospital which I am sure Stan has seen the inside of a time or two. No way is that line a coincidence. Or it’s a commentary on fandom. One or the other.
I had no idea Dinah’s vigilante identity was still secret.
Hahaha. Rene didn't know Emiko was related to Oliver. He's the new L*urel. I just decided.
Bl*ck S*ren agrees to give an interview for the documentary, but later on acts like she didn't agree to be on the documentary and threatens the camera operator. Yeah, that sounds about right.
This cupcake owns my heart. Source: ebett
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Nobuta wo Produce review (excerpts) - I
Disclaimer: I didn’t write this, although I wish I had. Source.
High school.
It was the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness; it was the epoch of belief, it was the epoch of incredulity; it was the season of teenage angst, it was the season of puppy love; it was the spring of maturity, it was the winter of childhood; we had everything before us, we had nothing before us…
God bless his soul, but Mr. Dickens must be turning in his grave this very minute knowing that his iconic opener from “A Tale of Two Cities” was hijacked by some slush-brained Jdorama fangirl, and then bastardized into a paean to the Universal High School Experience. Even worse, imagine his horror to find this piece to be just a pretext for a long and gushy tribute to a rather unsightly pair of Japanese teen idols — one scrawny and effeminate, the other looking perpetually lobotomized — who, by their performances in the drama that’s about to be dissected, have effectively clinched said fangirl’s undying affections (pure and, uh, otherwise). If our esteemed Victorian novelist only knew that his classic lines would later be co-opted into a rhapsody about a couple of Johnnies fer gawdssakes, he wouldn’t just be turning in his grave by now, but doing freakin’ somersaults while chewing on his elbows or something — or worse, gyrating furiously to the “Seishun Amigo” chorus. (Sacrilege!!! Is nothing sacred now? Not even Dickens???)
I know it may sound funny (and even counterintuitive), but “sacred” is exactly what I hold this drama to be. Admittedly, Nobuta wo Produce hardly looks impressive on the surface, and can be dismissed by the casual observer as just another idoru vehicle set against the disposable backdrop of high school — with the fluff, the stereotypes, the puerile laughs — only to be swallowed in a sea of other mass-produced Jdramas of the same teen-wanking formula… But no. This one is different. Because once in a while we drama fans are gifted with a viewing experience so transcendent in both style and substance, a triumphant synergy of directorial creativity, of writing deep and resonant, and of characters so heartbreakingly authentic.
Nobuta wo Produce is the Jdrama that is closest to my heart, the one that means the most to me out of all that I’ve watched (and re-watched). (And you thought it was something Kimura had starred in? Close, but no ciggy.) Although I cannot speak for all fans of this drama, I know that many, like myself, have come to love its three protagonists — Shuji, Akira, Nobuta — with a fierce allegiance, and can identify with their own feelings of disquiet and trepidation as they stand, inevitably, on the brink of adulthood. This is a deeply personal drama to watch — and that, for me, is what makes it sacred in no small way. Just as we all — whoever and wherever we are — inwardly uphold as sacrosanct the universal themes that this drama explores to rich, rewarding ends: the painful reality of growing up, the strange duality of alienation and friendship, and the “self-revelatory odyssey” of finding yourself as you make your way through life.
Robert Lloyd of the Los Angeles Times had this to say about another seminal teen drama from the other side of the world that remains, in my opinion, the best of its kind to ever be spawned by Hollywood — and also, regrettably, one of the most underrated and short-lived. The title? My So-Called Life (ABC, 1994).
“Every so often in the collaborative art called television a little miracle happens. There is a meeting of minds, a confluence of vision, a gathering of particular talents. The planets align, the cards fall into place, and something is born whose worth is instantly apparent to all involved, not as a generator of revenue — at which it might fail completely — but as an ennobling refraction of some little bit of the Truth, of what it means, or could mean, to be alive. Each department pushes the others a little bit harder; excellence from one corner prompts ambition in another. What might have begun as just the next greenlighted project or available job becomes a sort of holy mission, even if none of the participants would ever dare call it that — this being, after all, only television.”
These words also captured all that I felt about Nobuta wo Produce and had hoped to articulate in my own inadequate way. And the stars did seem to align for myself and this drama: a few minutes into the first episode I knew that something extraordinary was unfolding on my TV screen. There was no way this would turn out to be just another teen drama. Nor did it feel like an “idol drama” in spite of its cast; I saw no idols playacting for the paycheck, but three regular high school kids in a coming-of-age story that was all at once funny, heartfelt and bittersweet. NwP isn’t an outstanding high school drama, but an outstanding drama, period.
Based on the novel by Shiraiwa Gen, the screenplay by Kizara Izumi serves as the backbone of the whole drama… and oh my goodness, how can I NOT gush about THE WRITING — it both warms and pierces the heart. And it’s so… HIGH SCHOOL, y’know? It gets it, as in it really gets what high school is all about, that different planet we’ve ALL been to, where the drama and the heightened emotions and the clique wars and the desire for validation and the puppy love and the tortured ruminations matter more than they ever will by the time we’re these Big Old Boring Grownups. Nobuta wo Produce is about Becoming and Belonging, and about finding fast and true friends who will help you along the way.
Everyone loves Shuji – from his teachers right down to his peers, from his coterie of “bye-byecycle” homeboys to their simpering, magazine-flipping counterparts, from the resident toughies to the nerds and outcasts. And he lives for their acceptance, he craves their admiration, he likes to be liked by everyone… Well, maybe not everyone, because if there is one person he simply cannot stand, the bane of his high school existence, it’s this boy, the Weirdest Human Being Shuji has ever met. There simply is nobody else on earth quite like… Kusano Akira (Yamashita Tomohisa).
If Pinocchio were a special child and had magic mushrooms for breakfast every bleeping day of his life… then add a few more embellishments like the bleached hair and rolled-up shirtsleeves, the baggy pants and wallet chain, the spacey giggling and face-pulling, the repertoire of funny voices and horribly infectious expressions — bakayaro! kon-kon! Shu-uuuji-kun! sukebe! – and a partiality to quoting Nietzsche while incongruously flailing his arms like a gooney bird… voila! Kusano Akira, Resident Freak of 2-B. And the worst thing about this little creep? Is that he seems to harbor an unhealthy liking for… Shuji. (Oh NOES!!!) (Ohhhh YESSS!!!! Hehehe)
So what on earth makes this unlikely twosome team up for a common cause? Shortly after the new girl’s arrival, Shuji and Akira chance upon a particularly nasty case of girl-on-girl bullying coming from inside the ladies’ room. The victim turns out to be that odd little transferee Kotani Nobuko (Horikita Maki). Reluctant to get involved, Shuji stays outside the washroom while Akira goes inside to try and reason with the bullies. With no image to protect, Akira has nothing to lose by sticking up for someone like Nobuta — even if it means getting hosed down himself. For all his flakiness and irrational fears, Akira is no coward.
I like how the writing gives the viewer a comprehensive crash course in product development, brand marketing and image management. I have no background in this field, but still found this stuff incredibly fascinating. And there’s a certain *wink, wink, nudge, nudge* aspect to this drama, given that Shuji and Akira’s marketing strategy parallels how the entertainment industry manufactures, packages and sells celebrities, be they TV/film stars or recording artists or — yes, teen idols. (I really do wonder if Messrs. Kamenashi and Yamashita ever realized how meta the whole “Producing Nobuta” story line was. Did they ever look up from the script during one of the read-throughs and go, “Huh? But this is US!” Heh heh.)
A crucial point for Shuji comes in the Valentine’s Day episode, where he must choose between showering Nobuta with flower petals, or dousing her with cold water. The first option will spell kryptonite for his Cool Guy status, while the second will undoubtedly break Nobuta’s heart. What to do, what to do? As much as I wanted to wring Shuji’s neck for vacillating through most of the episode, you understand how much it means to him to put his popularity on the line.
This episode builds with delicious suspense — will he, or won’t he? — and concludes with a most unexpected twist. Damn, but when Bando (as a last-minute substitution, as per Nobuta’s request) pulls the cord and those petals come raining down on Nobuta, I frickin’ cried my eyes out. What’s more touching is when Nobuta realizes that Shuji, after an agonizing night of soul-searching, had in fact played, and played, and played a random eeny-meeny-miney-mo game until he finally arrived at “flower” instead of “water.” (Awwww, Shu-uuuji-kun!)
97% of the drama’s humor emanates from this singular bundle of goofy laughs. And Akira’s screwiness is surpassed only by how bloody endearing he is. You come to not only tolerate his foibles, but embrace them — because as a viewer you can look past appearances to see his good, stout and true heart. He may be off the wall (actually WAAAY off the wall, lol), but Akira is the Real Deal. He is also the perfect voice for an entire generation of aimless, unmotivated youngsters trying to make sense of, well, everything. “I dunno what youth is all about,” he bleats to Shuji on the rooftop in Episode 1. “I don’t have anything I want to do, and I don’t want to do anything.” (To which Shuji replies: “Isn’t everyone like that?” Hmm, good point, Shuji.)
If Shuji and Nobuta’s personal bugbears are dishonesty and low self-esteem, respectively, for Akira it is growing up. In Episode 6 he promptly leaves home to escape his dad’s mounting insistence that he take over the family-run company someday; and for the boy this is a most horrifying prospect, a life that will not only saddle him with a staggering load of adult responsibilities, but also take him far, far away from what he most holds dear. He tells Shuji before drifting off to sleep (having crashed the Kiritani home after a violent disagreement with his dad) “I don’t wanna go back home. I like that tofu guy and I can drink ‘mame chichi’ and be with Shuji and Nobuta everyday…” (Oh, Akira.)
Akira has the best lines when he’s at his tortured, lovesick worst. When Shuji the Cynic asks him what his immediate plans are — “What are you going to do? Confess to her, and then go to the zoo on a date, or something?” — Akira mulls it over a second, then answers: “What I want to do the most is… MARRY HER!!!….. How embarrassing!” (Then Shuji dryly comments via voice-over, “His reality goes way beyond my imagination.” LMAO!!!! Man I love those boys. *tear*) So, you don’t wish to deny him his petty fits of jealousy, like attempting to throw away Shuji’s short film – with insanely funny repercussions: “Akira DOWN!!!” (Lol!!!) Then, “My heart hurts…” (Awwww…) But he can’t keep his wrongdoing a secret from Shu-uuji-kun, so he confesses right there on the video room floor: “I’m the worst guy. The WORST.” To which Shuji quietly replies, “I’m the worst, too.” (Man I really, really love those boys. *tear*)
Salinger’s angstily f*cked-up hero Holden Caulfield fears becoming one of those adult “phonies” whom he detests so much, and instead envisions himself a catcher standing on the edge of a cliff, intercepting little kids as they come through a field of rye. In Nobuta wo Produce, Shuji, Nobuta and (most of all) Akira grapple with similar feelings as they face the terrifying inevitability of growing up. In this sense, both “Catcher” and NwP run counter to conventional Bildungsroman lines because the characters try to resist this process of maturity. It is only later that they learn to accept, and embrace it as part of life.
NwP is chock-full of these soul-stirring vignettes, and I’d like to include a few here. One unforgettable moment is a shot of Shuji and Akira on their bikes, pausing in the middle of a tree-lined road and turning to watch the adult pedestrians, these working stiffs in suits, hurry past in the other direction. Shuji: “I thought about how we’re gonna become like those boring-looking people someday.”
And this obviously pushes That Button inside Akira, sending him into Spaz Mode: “I don’t wanna be like that! Don’t wanna, don’t wanna, don’t wanna be like that!” (LOL oh Akiraaa)
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