Fr bro I love your energy! Noritoshi is so pretty and so criminally underrated. Keep up the good work in making more of us lusting publicly for him. You've done amazing job! That boy well-deserved it :)
tysm!! I try to open the eyes of the public to his qualities. join my cult yall, Noritoshi is so good listen to me.
but on the topic of energy, whether you're high or low energy, Noritoshi loves it. the only difference is how he reacts to it.
Let's say you're low energy or prefer subtlety in your affection..
Noritoshi will initiate first! ..after a while... in his own way.... He needs to gather enough courage and collect his thoughts properly, then hes good to go! He prefers more subtle displays of affection too, but if needed he'll be blunt about it. He'll learn to adapt to slightly teasing remarks, going as far as to banter and tease back, moreover he's just very loving. So loving it can be embarrassing from time to time because of how intense the atmosphere can get.. the best way he can be described here is princely.
A small smile forms on Noritoshi's lips when he feels you're around. He turns to you, already memorizing each and every quirk you have so that he doesn't waste any time setting his sights on you again. His hands reach out to tug on your sleeve as he looks at you with a gaze so needy you can practically tell what he's about to ask. "May i hold your hand?"
His voice comes so smooth that if you didn't know him, you would've missed the twinge of desperation it carried. You couldn't help yourself, you shook your head, a mischievous grin slowly creeping onto your lips at the sight of Noritoshi's pouted lip. Of course he'd do as you say even if it was clearly unfair, but not without some complaints.
He clicks his tongue, a quiet mutter of "cheeky.." escapes under his breath. He knows you do this on purpose to mess with him, he was tempted to beg a little, but decided against it. it was an embarrassing thought to begin with. Seriously, how mean can someone be to make a guy think like this? ..Extremely, if the guy's pouting is cute enough!
Noritoshi lifts his hand to his chin, thinking of the many ways he can try to get around this obstacle you cruelly placed in front of him. He leans in close, hovering next to you as he usually does when he thinks. He faces you as who knows what goes on in his head, his closed eyes not even giving you a hint as to what he could be thinking. "Ah, pardon me, I got lost in thought. I suppose i can keep my distance, so long as you keep looking at me with that charming gaze of yours."
Ah, so he was just winding up for a pick up line. How lame, but.. get used to it. He's going to shadow behind you the entire day with more one liners like that unless you shut him up yourself.
Wait.. was that his plan?
The faint sly smirk tugging on the corner of Noritoshi's lips and the warm hue on the apple his of cheeks are all you need to figure out the rest.
If you're high energy or prefer more blunt methods of affection..
Noritoshi gets overwhelmed and flustered from such raw approaches from you that he comes off as a bit rude. It's only because you make his heart so full that he needs to shut you down or else he'll do something embarrassing!! He wants to impress you, of course he enjoys your advances very much, but it's not very slightly to see someone like him act like a crushing school girl!! or so he thinks.
Noritoshi yelps in surprise as you snake your hands around his waist from behind. He doesn't push you away or even move for that matter, he's frozen stiff. Is he still alive? Like any good lover would, you benevolently press your ear against his back to listen for a heart beat.
..You didn't hear anything until the sound of Noritoshi sharp inhale came through. That was unexpected, but it works. He squirmed a little, seemingly trying to shrug you off but quickly giving up, accepting the fact that you've got him trapped. "You imbecile, e-enough of this!" he scolded, though he made no actual effort to stop you.
Noritoshi remains stiff for the most part, but looking at the back of his increasingly flushing neck reassures you that he is, indeed, alive. He's just being stubborn! Not turning or even a greeting, just rude name calling again! You raise one hand and place it over his heart to hold him tighter in your embrace.
As expected, its practically pounding against his chest. He swats your hand away and finally turns back to you with those cute furrowed brows and rosy cheeks. "You're such a bully, you know that?" he huffs out, any semblance of sternness failing to take effect as his jutted bottom lip quivers.
Mercifully, you finally let go and spare him by not pointing out the quiet whine he let out. He stumbles forward and turns around to face you fully, trying to keep an eye out for any more of your stunts while he catches his breath. He felt so dizzy from being in your arms, if he were held for a moment longer, he surely would've melted right then and there.
Noritoshi's hands trembled as he smoothed out his clothes, his mouth opening and closing as any and all words died in his throat. He wanted to yell at you for being so forward, for giving him no chance to prepare, for letting go of him, for a lot of things..! Yet he just pouted as he tried to calm the flush on his face.
His hands instantly whipped up in front of him when he noticed you took a step towards him. He can't handle another display of affection right now, he'll go weak at the knees! But how can you hold back when he's just so damn cute?
The most likely outcome is a mixture of both with a heavy leaning towards one. Either way, you're very right!! He's extremely pretty.
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so it seems older Raz has overcome his difficulties with his hydrokinesis. Neat! I imagine dogen did too with his blast-isis thingie (saw it from ur comics) : D
so does that mean. Raz can form or Manipulate shapes of water. Kinda like how Maligula can with water serpents. I imagine Raz has own favourite animal for that? And water his strongest power or still struggle with it? anyway amazing work as always.
yeah, he's pretty good with it!
detail crop + more rambling under the cut
it's his strongest power, but he doesn't specialise in it super heavily. so he's not as skilled in it as, say, Lili is with her herbaphony. he's definitely not as good as his great aunt, but Lucrecia was, like, incredibly talented. from the feats we see her accomplish (making hundred-foot waves and tornadoes of water, crossing oceans, drawing water from the moisture in the air), I'd say she's quite possibly one of, if not the, strongest psychic in the canon.
could Raz be as good as her one day? maybe! he has the potential, but it'd take a lifetime of practice. and i think generally he prefers spending his time working on all his powers, rather than strongly specialising in just one or two. he's not as good at HK as he could be if he really focused on it, but in exchange he's also pretty good with a lot of his other powers. jack of all trades, master of none, y'know?
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wait omg i’m curious about your unpopular thoughts about temenos writing wise.. i love when people discuss octopath writing it’s really enriching to see what we all have to say about certain story elements. plus you’re like a temenos representative to me. your thoughts about temenos make me go “so true!”
Aw, thank you! It took a while for me to decide on what to write here, since honestly I could go on for… frankly any aspect of this guy, especially in regards to treatment in fanon. But for now, I'll focus on my thoughts regarding how people treat tragedy in Temenos' story— namely, Crick's death— and why I personally dislike it as a writing decision and why I disagree with the idea that it is necessary.
Note: Goes without saying, but this is my personal opinion. If you believe otherwise, then that's all good. I'm not writing this to say that any one person is wrong, just to talk about an issue I have with the game's writing itself.
To start, I'll say that my main reason for disliking Crick's death in SH route is a matter of practicality. Killing him off causes Temenos to lose the main person that he had a fantastic relationship and banter with, and in my opinion, Temenos works best when he's bouncing off another person; not unlike most under the Sherlock-archetype.
Also, genuinely? It works wonders to keep Crick alive, if just because it provides a fantastic avenue to explore Temenos' institutional trauma. Having a character that's lived a different experience but within the same harmful institution opens up ways to explore the scope of its harm. And yes, this is for Crick specifically; not Ort, not the travelers, but Crick.
I think it really adds something that Temenos was raised by the church while Crick converted as a teenager during a really difficult time in his life. These two are good for each other. Crick sure as hell makes it a lot easier to write Temenos in fic.
(If you have a different experience, again, that's cool. I'm glad for you. I, however, will never fail to take the easy way out.)
(This is a lie, I'm over here making up fantasy church law for fic stuff but that's not related to this answer.)
I won't pretend that disliking Crick's death is an unpopular opinion. I mean, "Stormhail Fix-it" is an entire genre of fic on the OT2 Ao3 tag. What I do feel tends to go unaddressed though, is the fact that the idea that Crick's death is canon, therefore it is necessary, therefore it is the best decision; an idea that I wholeheartedly disagree with.
Within the text itself, Crick is killed off in order to give Temenos a personal reason to pursue Kaldena, thus putting him at odds with Kaldena's motivations being driven by her ideology and worldview that, "because humans committed the massacre, it was the gods' mistake to put us here". I also won't pretend that Kaldena's writing here isn't fucking awful, because Crick's death is also a device to make the player want Kaldena defeated even though she is just as much as a victim of the church; and that's to say nothing of her portrayal as an indigenous and dark-skinned woman.
These decisions are ones I disagree with. Killing Crick off was unnecessary to give Temenos reason to pursue the culprit, because Temenos already had someone close to him killed; and that's Pontiff Jörg. He raised Temenos from infancy, but due to the lack of focus on him outside of banter conversations, it's never relevant to his motivations outside of the desire for truth because a crime was committed.
We also didn't need to kill Crick off to show that the church was a terrible institution, because Roi already went missing in action. The Sacred Guard is the main body of law within Eastern Solistia, it's not unreasonable to think that the reason why Temenos dislikes them is because they clearly didn't do shit to investigate his disappearance.
However, one thing I really don't agree with is the idea that Crick's death is necessary because Temenos' story is a tragedy. And if you asked me why, I'd ask this in turn: why is death the only form of tragedy? Furthermore, why must a tragedy contain only tragic events? That in mind, what gives anything value in a tragedy, then?
Pretend we cannot completely rewrite Temenos' story. Even then, changing Crick's death to a permanent injury, a coma, or whatever is still a tragic event; and that's nothing to say of living with the consequences. Isn't losing your faith a tragedy? Isn't losing something you worked for years to do a tragedy?
Similarly, I'd still argue that it's more valuable to make Stormhail a near-death experience because not only does it show Temenos succeeding in making someone question the church but also the terror that is feeling like you're doomed to repeat tragedy. Even if you really aren't, it's hard to dismiss that feeling; especially when it has to do with being victimized by institutions.
And before someone says, "but bad things happen to good people in real life", I'm not treating these characters as living, breathing people who are subject to things like gravity, hunger, and exhaustion. I'm treating them as choices, and choices made that I disagree with.
It's why I make different choices. I choose to make Crick have to deal with chronic pain onwards. I choose to make Temenos realize change is still possible. I choose to let them both leave Stormhail alive. Are these better choices? I don't know. But I'll never stop questioning the ones made by the writers regardless; much less stop disagreeing with them.
So, in summary: I dislike Crick's death. I dislike Temenos having to spend the rest of the story without someone he can talk to so easily because Crick's absence weakens a lot of his scenes in Temenos 4. But more than that, I dislike the idea that tragedy is necessary on top of the idea that it is superior. Tragedy's good, I adore the genre; but written in mindful doses and all that.
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[Image ID: Raph and Knuckles side by side, separated by a red and black border with "VS" (versus) in the middle.
Raph is a mutant alligator snapping turtle. He has green skin and spikes along his shell and body, with a spiky yellow plastron that has a bandage on it. His eyes and teeth are yellow-ish, and he has a snaggletooth on the left. He wears a red bandana with long tassels, red elbow pads and white bandage wrapping on his wrists. Raph is tightly holding a pamphlet with both of his hands, looking up excitedly. He is standing in a purple and blue toned city.
Knuckles is a red anthropomorphized echidna, with a peach muzzle and a white crescent patch of fur on his chest. He has purple eyes, spines framing the sides of his head like dreadlocks, and a spiky tail. He is wearing big white boxing gloves with two spikes on the knuckles. Knuckles holds a large stone gear in one hand as he looks determinedly out to the right, contemplating something. He is standing in some ancient ruins.
End ID.]
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